POME m[r]ed[u]ita[s]ti[u]on
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p1.alys
theres no right hand/mucktorch
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a v\
io,.,......instantly woodhairshot ching
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soldiers with their religion/./././....
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no out.,.....................,.,.,..,,.,.,p][]=-=\-][
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p.2t/m/
pupils ate d/onuts/ facets/
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gradehabitsdemandcloning
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h/i.,';o
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gu,./iy
some largeharded per son
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ru/,/'diu /giving in gets in fieldM
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f/pl][]sf
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deathcold flats
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p.3
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had once snotwhite now /\ morality clothwipe
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jumped over splayalphabet /swim go[odn]dess tome
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p.4same/
callings and
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sem oi\
high overhead
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strain/
assure ,.,.. but the large shining bald
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forehead
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source/
neglected... no.... pigeons
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slice/
miss some features/=eyesightstick
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dome/
bug pleaser opera put into chimney
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harfard/farmer honest baked breathflat wilderness
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beyond collapsed spart/ks
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.,.,.,.,....,.,....
jislo pok/
a whidden inway hut
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eirwired smile /tao
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folke rotey'
gibbet-stationb[le]edding cut
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noieir klop/p\
texts feel sti[u]ck somewhart/ere ser/\
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texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Wednesday, July 27, 2011
pome || Billy Bob Beamer
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