POMEaaq|
][]][][][]]][[]
1
[asy|..;,][our gratitude for further
[lum|..,'.]secrets now at will
[obs|.,.';][out like green eye
[sui|..,,].[aeon-long dream voice
[mor|..,',;[debt through their chests
[vis|..,[]..,breaks every line break
[han|..,[,],peak like the post dreaming
[thr|..,[,]\,white corridors of riverhandle
][][][[][][][[]][][][][][][][
2
tho|j107456hell erase it, this
liv|089758ugrudgingly veto, rocket byline
liv|t887465martissa place, the woman
dra|94467efor both, gods innane
][][][][][][][][][][][][][
3
spe|onetime from the centre
lif|twoage puts a forecast
und|threeflashes of 3birds
sur|fourproffer structureof love
fra|fivean effect of laser
flu|sixreligions magic sharp voice
cen|sevenall parts toy people
nev|eightlanguage only spaces too
rea|nineworld we wound back
][][][][][][][[[][][][
4
cul|amind
fat|bdown
bon|cfake
][][][][][][][][[]
5
opi|lki.halfly
mak|hfu.ornsop
wor|jiu.pirale
abs|jutbusine
ord|fouflower
pre|prosacrif
][][][][][][][][][][
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Wednesday, July 6, 2011
pome || Billy Bob Beamer
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