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Trills hide melodic threads intended (for the meld). Likewise, vibrato churns reveal
intensity that may elbow away a prior thought. The very act of thinking stipples otherwise
smooth planes. One imagines venturing. One stays still a while growing accustomed to July
trees and the broad shade, proof of passing on our code. Sparks of texture float the conversation
across land's warmth. Appearing just a ahead, amid mistakes. One does not sharpen skills,
one is absorbed into a sphere with potency exceeding one's own earnings. Plenty to discuss,
rework, refrain from mimicking their first performance. Distance from my heart may mean you don't
reside there. Silence edges out that portion of intent that travels with the pack. There seem
wild-leaning decibels that conquer fear of quiet, fear of being seen, of being known. In a nearby
suitcase is a fresh batch of hyperbole, homemade, complete with its own stretchmarks,
not about to be contained.
Voice, the flesh of petals that become the flower, still retrievable, inventing their own space
Sheila E. Murphy
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Thursday, July 28, 2011
haibun || Sheila E. Murphy
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Opressive-fine as a mouth-ful of honey that I cannot force down, it wants to play with my taste-buds instead.
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