Early On
Rain encompasses my Midwest. I do not capture rhythmic
frictional mistakes that leave the windshield evenly
pockmarked, smooth, uneven then again. We share a
curfew and unlimited supplies of innocence. I cannot
claim to be in love, although an impulse to have
pantomimed this decade comes as naturally as any gesture
of survival. Sun stays muted until someone wants
a rainbow. Truth usually manufactured can be made to fit
a circumstance. We are only young as we pretend. This
weekend afternoon, others suppose we are en route to
lifelong happiness. The physical indifference might be
retrofit to how we're seen. It is too early, still, to think
about a self being constructed. Each of us has speed read
the parts that we were handed on single sheets. I say my lines,
and you complete my sentences. The clouds keep letting go.
Wheels can be heard like music, and gray fills all available
space. One does not manufacture light. One apprehends what can
be found, and tries to keep it whole or even possible again.
Fidelity, its provenance, the discipline required to maintain
a consistent story
Sheila E. Murphy
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Monday, July 11, 2011
haibun || Sheila E. Murphy
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