1POM[Err]w[hit]e
....................................
2whitepie for t:une: jazzdig
ing[a'tin gugggggggucata comb
ling/g]lin gu/aho \ ....cym[balls]
symbols'sbrush't .........nearest
4/4outbo dy lig g'hit quc iz ha..
shshsh dopple straightnochase
erdense itchwriggle formosave
dip/ paintmeat scrap[e reme.ber.
ss] slatherdomes atonescon[nec]
tedknowing ingwhite house sclo
uds..[pri[sons] .................eye[s::
.......................................
3whi[te ]t[en]d [s] a[ke] hi[ng]s is[ib]le[ith hite
, o[u ]an ]e[e or]e [][][]f[au]an[ce]; o[u ca]se[e
mor[ev]e sa[i for]e h[at] f[o]u[ p]ill[ of]fee[][][]
o[n ]a[ wh][i]te sh[ i ]r t[ o]u [a]n[ ]ee[ ]he[ c]of
fe[v]e[r c]le[ar]lf o[u ]s[ill] o[]a ark[ h]i[t,] y[o]u
do[ns]e i[aw]el[lo] ta[sn]t []a [m]at[o]f [wh]i, [h]e
co[lor]a [ne]al in[rest ]nhat[sta]rd[ t]o[] cove[][][]
ru[p ]olo[rw]i [w ]h it[ e i ]ne[ 50]t [ha]s on[ly][][]
e[en]re[c,] th[ai]d [ae]rie[ o]wh[tpa]i tin[gs ]in[w][]
hi[ch] as[a]cu[al]l ain[tn]g h[ec]o[r w]hte[for]e[h]a[]
te[ve] r[el]lth[u]g [owh]e[ ae]in[ a]olo ih]a[ sne] c[up
][]][][[[[[[[[[[[[[[[[[[[[[[[[][[][][][][][][][][][]]]]]]]]]]][][]
POME3
...........
1.so lop
scism an
eur y sm
ipsesolus
teon to lo
gy sprint o
lawnmo ver
gliss blud o
hel l marfeet
trans late for
self-ware eat
ing beans at
trains piling
warrt shoes
...............
up/livertain
.................
s'again settire
door hiding in
b/an/ato mis m
dada ism sliced
clothingboost war
./././././/./././//./././.
2.sis lip so m/mar ry
me?.............././././././.
././...///...././.../././..//.//
3.wel far ism yack pot
strat hutch potionp op
u lism private xcorp e''''
nextwaronfoot hadcom
ehandcom bat bait point
ilsm robotismnex t error'''
onpage atzombiezombie''
ism latch muck leash torch
gripe prosaismlossbe nefit s
[][][][][[][][][;';'';./..//.././././
4.starch parks grissle wrap
coin gripe forthop diin batat
iam ono card tote pleinair bug
crisis alarm is m/o[u]th er rugby
ism free apps struc ture advent';'
ism acart affair plan dope aclarm';
=-=--=-=-=-=-=---=-=-p[[]p]][][]][[
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Sunday, August 7, 2011
pome || Billy Bob Beamer
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment