Lord Byron Buys a Self-Parking Car
Oh! Thine be the gladness of shoe-gazing
convenience
Forgive me adored one for
homestroking all chonged
But the heart
blisses-out,
downright scooby
And man shall not break it nor a bona
polone
Glossary of slang: Chonged – Stoned; Scooby – Delicious; Bona – Good; Polone – Woman.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Saturday, December 31, 2016
Saturday, December 24, 2016
text || Noel Canlas
IN THE LANGUAGE OF ACTION
1.
In the language of action loading.
In the action of language loading.
Pause for the analysis of action in the language of action.
Pause for the analysis of language in the action of language.
Action ongoing, language encoding.
Language ongoing, action encoding.
The action of language encoding ongoing.
The language of action ongoing encoding.
Pause for the analysis of action in the encoding.
Pause for the analysis of language in the ongoing.
The encoding of ongoing language of action in action.
The ongoing encoding of the action of language in action.
Analysis encoded in action.
Analysis encoded in language.
Pause for the ongoing encoding of the encoded analysis of the language of action.
Pause for the ongoing encoding of the encoded analysis of the action of language.
2.
Ongoing action of language on the language of action ongoing encoding.
Ongoing action of language on the action of language encoding ongoing.
The encoding of the ongoing language of encoding of the language of action in the analysis of the ongoing action of language.
The language of the analysis of the encoded language of action in the ongoing action of encoding of the action of language in the action of language encoded.
The language of ongoing encoding in the analysis ongoing encoding in the action of the language of action.
The action in the language of the encoded language of encoding ongoing analysis in the language of encoded action.
Pause for the action of language, pause for the language of action. Pause for the encoded action of ongoing encoding.
Pause for the ongoing language of encoding action.
The action of language in the language of action encoded.
The language of action in the action of language ongoing.
3.
The encoded language of action in the ongoing encoding of action ongoing encoding.
The encoded action of language in the encoding language of action encoded ongoing.
Pause for the analysis of the ongoing action of encoded action in the language of action.
Pause for the analysis of the ongoing language of ongoing language in the action of language.
The action of encoded action ongoing in the language of action encoded in the action of language.
The language of encoded language ongoing in the action of the language encoded in the action of language.
The language of the encoded language of the ongoing action of language encoded in the analysis of the language of action ongoing in the encoding of the action of language on the ongoing.
The ongoing action of the encoded language of action in the ongoing language of action encoded in the action of the ongoing action of encoding the language of action ongoing encoding in the language of action.
4.
Pause for the action of encoding the analysis of the ongoing encoding of the analysis of the encoded language of action ongoing in the action of language ongoing encoding in the action of ongoing language of encoding.
Pause for the language of the encoded analysis of the ongoing encoding of the action of the encoding of the analysis of the action of the ongoing encoding of action in the analysis of ongoing action of encoding.
In the action of encoding the language of action encoded in the action of the ongoing encoding of the language of action in the ongoing language of the analysis of language ongoing in the action of language encoded in the encoding action of language ongoing analysis in the action of the language of action.
In the action of the encoded language of the ongoing encoded action of the language of ongoing language ongoing the encoding of the analysis of the ongoing analysis of the encoding of the action of the language of action encoded in the language of the ongoing encoding of the language of the ongoing action encoded in the action of ongoing language encoding the action of language in the language of action.
In the action of the language encoding the action of ongoing action of language encoded in the language of language encoded in the ongoing action of action encoding in the language of language ongoing in the encoded action of the language of action.
5.
Pause for the analysis of action.
Pause for the analysis of language.
Pause for the analysis of encoded action.
Pause for the analysis of the ongoing encoding.
Pause for the analysis of the encoded action of language.
Pause for the analysis of the action of encoding.
Pause for the analysis of ongoing action.
Pause for the analysis of the encoded analysis of language.
Pause for the analysis of the encoded analysis of the ongoing action of language.
Pause for the analysis of the encoded action of the analysis of the language of action ongoing in action.
Pause for the analysis of the action of language on the analysis of the action of the ongoing encoding of the action of language on the language of action.
Pause for the analysis of the language of the language of action encoded in the action of language on the analysis of encoding.
6.
Pause of the ongoing analysis in the language of action loading…
1.
In the language of action loading.
In the action of language loading.
Pause for the analysis of action in the language of action.
Pause for the analysis of language in the action of language.
Action ongoing, language encoding.
Language ongoing, action encoding.
The action of language encoding ongoing.
The language of action ongoing encoding.
Pause for the analysis of action in the encoding.
Pause for the analysis of language in the ongoing.
The encoding of ongoing language of action in action.
The ongoing encoding of the action of language in action.
Analysis encoded in action.
Analysis encoded in language.
Pause for the ongoing encoding of the encoded analysis of the language of action.
Pause for the ongoing encoding of the encoded analysis of the action of language.
2.
Ongoing action of language on the language of action ongoing encoding.
Ongoing action of language on the action of language encoding ongoing.
The encoding of the ongoing language of encoding of the language of action in the analysis of the ongoing action of language.
The language of the analysis of the encoded language of action in the ongoing action of encoding of the action of language in the action of language encoded.
The language of ongoing encoding in the analysis ongoing encoding in the action of the language of action.
The action in the language of the encoded language of encoding ongoing analysis in the language of encoded action.
Pause for the action of language, pause for the language of action. Pause for the encoded action of ongoing encoding.
Pause for the ongoing language of encoding action.
The action of language in the language of action encoded.
The language of action in the action of language ongoing.
3.
The encoded language of action in the ongoing encoding of action ongoing encoding.
The encoded action of language in the encoding language of action encoded ongoing.
Pause for the analysis of the ongoing action of encoded action in the language of action.
Pause for the analysis of the ongoing language of ongoing language in the action of language.
The action of encoded action ongoing in the language of action encoded in the action of language.
The language of encoded language ongoing in the action of the language encoded in the action of language.
The language of the encoded language of the ongoing action of language encoded in the analysis of the language of action ongoing in the encoding of the action of language on the ongoing.
The ongoing action of the encoded language of action in the ongoing language of action encoded in the action of the ongoing action of encoding the language of action ongoing encoding in the language of action.
4.
Pause for the action of encoding the analysis of the ongoing encoding of the analysis of the encoded language of action ongoing in the action of language ongoing encoding in the action of ongoing language of encoding.
Pause for the language of the encoded analysis of the ongoing encoding of the action of the encoding of the analysis of the action of the ongoing encoding of action in the analysis of ongoing action of encoding.
In the action of encoding the language of action encoded in the action of the ongoing encoding of the language of action in the ongoing language of the analysis of language ongoing in the action of language encoded in the encoding action of language ongoing analysis in the action of the language of action.
In the action of the encoded language of the ongoing encoded action of the language of ongoing language ongoing the encoding of the analysis of the ongoing analysis of the encoding of the action of the language of action encoded in the language of the ongoing encoding of the language of the ongoing action encoded in the action of ongoing language encoding the action of language in the language of action.
In the action of the language encoding the action of ongoing action of language encoded in the language of language encoded in the ongoing action of action encoding in the language of language ongoing in the encoded action of the language of action.
5.
Pause for the analysis of action.
Pause for the analysis of language.
Pause for the analysis of encoded action.
Pause for the analysis of the ongoing encoding.
Pause for the analysis of the encoded action of language.
Pause for the analysis of the action of encoding.
Pause for the analysis of ongoing action.
Pause for the analysis of the encoded analysis of language.
Pause for the analysis of the encoded analysis of the ongoing action of language.
Pause for the analysis of the encoded action of the analysis of the language of action ongoing in action.
Pause for the analysis of the action of language on the analysis of the action of the ongoing encoding of the action of language on the language of action.
Pause for the analysis of the language of the language of action encoded in the action of language on the analysis of encoding.
6.
Pause of the ongoing analysis in the language of action loading…
poem || Lawrence Upton
Composition
[multivoice]
and sails
upon that subject
and looks
at me
her skin's
a circle
breaks
logic
is a feeling
of urgency
going to
smash the white wall
smell of
the tree brushing space
to break
the door down
an
innermost room
can be a
crack in a circle
going
jests at
the sentence
sIfts
it off the
road
going
speak in
your life
sit in
your own punctuation
a crack in
the middle of heaven would not solve
be uttered
unformatted
in the
population
an
economic infrastructure
perception
has a violent motion
mumbling
no answer
it's
almost empty with a pause
tremble!
between
two figures how stands the mouth now?
separate a
head to utter itself?
two halves
of the country
by
paragraph breaks?
became
physically weak
she was!
she speaks
and sails
upon that subject
and looks
at me
understanding
darkness
when
lights flicker in
is
muttering no answer
poem || Elliot Ian Ross
Laugh with me, Jade
*Spi'ritus. est. retrorsu'm. ri'sisti.
osculu'm. mihi. non. sta'gnantibus. terra'm.
Ego. au'tem. habeo. exi're*
jade
*ri'su'm. in. ore. meo.
ut. et. accipiam. vos. ad. me.
fulgura. in. ri'su*
filled
*ri'su'm.
ri'sus. est l. infernu'm.
amor. et. sanctu'm*
...soar
*Spi'ritus. est. retrorsu'm. ri'sisti.
osculu'm. mihi. non. sta'gnantibus. terra'm.
Ego. au'tem. habeo. exi're*
jade
*ri'su'm. in. ore. meo.
ut. et. accipiam. vos. ad. me.
fulgura. in. ri'su*
filled
*ri'su'm.
ri'sus. est l. infernu'm.
amor. et. sanctu'm*
...soar
Wednesday, December 14, 2016
text || Peter Ganick
from IDIOM (2010)
x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y .. .. m .. z .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. m .. z .. .. q .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. .. .. y .. .. o .. .. a .. d .. .. r .. .. r .. .. .. y .. .. .. o .. .. a .. d .. .. r .... .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. lc .. .. r .. .. o .. .. a .. d .. .. .. .. .. y .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r.. .. o .. .. a .. d .. .. r .. .. r .. m .. z .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. m .. z .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. y .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l .. m .. z .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. y .. .. m .. z .. .. q .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. m .. z .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. y .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. .. y.. .. o .. .. a .. d .. .. r .. .. r .. m .. z .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. o .. .. a .. d .. .. r .. .. r .. y .. .. m .. z .. .. q .. .. y.. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. o .. .. a .. d .. .. i .. d .. m .. z .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. .. y .. .. .. o .. .. a .. d .. .. r .... .. o .. .. a .. d .. .. r .. .. r .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. m .. z .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. m .. z .. .. q .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y.. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. .. y .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. m .. z .. .. q .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. o .. .. a .. d .. .. i .. d .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. .. y .. .. o .. .. a .. d .. .. r .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. o .. .. a .. d .. .. i .. d .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. y .. .. m .. z .. .. q .. .. y.. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. .. y .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. o .. .. a .. d .. .. r .. .. r.. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. i .. d.. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. .. y .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. m .. z .. .. q .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y .. .. m .. z .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. .. o .. .. a .. d .. .. r .. .. r .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. o .. .. a .. d .. .. p .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. .. o .. .. a .. d .. .. r .. .. r .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. m .. z .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. .. .. y .. .. .. y .. .. .. o .. .. a .. d .. .. r .... .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. l.. .. o .. .. a .. d .. .. r .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. m .. z .. .. q .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y .. .. m .. z .. .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. o .. .. a .. d .. .. i .. d .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. .. .. o .. .. a .. d .. .. r .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. o .. .. a .. d .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. y .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. c .. .. r .. .. o .. .. a .. d .. .. .. r .. .. o .. .. a .. d .. .. r .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .... .. r .. .. o .. .. a .. d .. .. o .. .. a .. d .. .. i .. d.. .. o .. .. a .. d .. .. r .. .. r .. .. .. .. .. o .. .. a .. d .. .. r .. .. .. m .. z .. .. .. .. v .. .. .. p .. x .. .. b .. a .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. .. .. .. .. y .. .. .. o .. .. a .. d .. .. r .. .. m .. z .. .. q .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. p .. x .. .. .. .. h .. .. .. .. .. v .. .. .. p .. x .. .. b .. .. .. p .. x .. .. b .. .. .. p .. x .. .. .. .. v .. .. .. p .. x .. .. b .. .. y.
poem || Lawrence Upton
A disheartening scenery
multivoice
fingers
concentrate
video
of doing
So,
you were diseased; so?
So?
modes
of paraphrase
ridiculousness
from someone
who
couldn't live anywhere else
exploration
of changes
mundane
sensitivities
comprehensions
each
aethereal
emptiness
interpretation
of shadow
shifting
often
obscured
submission
to taste
some
overlap
more
confidence
in
favour of words
copied
into music
claustrophobic
concealment
landlocked
space mimicked
with
breath disruption
a
disheartening scenery
Thursday, December 8, 2016
3 poems || John Pursch
Half-Hour Affair
Slackened fling
in slyly flexing
appetite perdition face
of outsourced being.
Panties bite my underarm
with axle hive impeller belt
teasing skinny highway chain
beneath diurnal swarm.
Keyhole
Anthropoids emerge in topiary paste.
Owls emit a freckled melba.
Flowers film at forty furlongs.
Choice corrodes to limpid keyhole.
Tungsten Tomboy
Quirky piebald tonic quaffing
laggard galleon glowing temptress
longing frothy tankard Taser
taunting cosmic static charging
clockwise time tomato teething
tungsten trampoline.
2 poems || Volodymyr Bilyk
***
mendacious mot.
Shining
"ONE
for every
Zim
250,000,000,000,000
to
FIVE
for every
Zim
175,000,000,000,000,000".
clap clandestine clasp lisp
***
Bit.Bat. Do.BE.Do.
Do.9-Dit.Do.BE.
Di.8-too.Doo.Bop.
Di.8-gee.Do.Bait.
Di.8-eFF_.too-8.
Do.BE.Do.Bit.
Do.BE.Do.Bat.
Do.BaD.Do.Boo.
Di.8-tit.Do.Buss.
Do.BaD.Do.Bait.
Do.Buss_.Do.Bee-toe_.
Do.BuD.Doo.BEE.
Di.8-too.Doo.Bop.
Di.8-as.tooth-nigh
Bit.Bat. Do.BE.Do.
3 poems || Vernon Frazer
Dreaming the Heat to Wake
fire scent season
evokes thrills of first breath
*
exaltation software escalates
the armada’s drift to recollection
memory stars a lost compass
*
wander lines parse love
a lark of shuddered longing
yet the season sings mad
music birdsong light
and squawk a morning dial
turning oak louder
their words attempt to wake
*
fibrous necessity ripens
a scent no rarity usurps
wandering spirits heard
a season grown random
left its dreaming essence
*
flattering music
pleases a broiled desire tray
mad
with naked platitudes
*
dreams ascend
as minute-hand smoke
a blank page
exhales narrative defection
Language on the Course
word emporiums
caddy bagels miss control
intrepid clatter boom boom
the vocal rogue worn shatter currency
magical definition
no stagger filter elicits wires only
slipping a classics grudge
buttons best before faded (profit)
catacombs fretting forever
(worn decimal miles)
the latitudes
slow pork locus left port
mentor alongside
cargo peaks
a stolen rehearsal ratio gone
habits their revenge
a binary whitewash
the fetal repentance
manipulated the dream
lacing gargoyle choir pockets
templates bartered
not the sly outplay
empty repentance rehearsal
to play a well-bent lecture frenzy
Delivering the Music
the postmark that got away
replied no sending firm attached
or matter
to the subway
stationed at last roll
blithely to oblivion
*
aiming at the train stop
no message detached
ambience in card charade
patio affirmation a reflux insurgent
no aromatic emblem attacked
the gastric epitome
*
no disincentive urgently packing
to stay
a while
packet surges
ahead destroying
the track
least afforded
*
reaching digestive entropy
the rage in the gut dispersing
lettered pages
of leather intention
silver studs
left there for the beating to dry
before
the hand played
on
the frayed cuffs
a
melody cleverly left
as origin
and destination
Monday, November 14, 2016
3 poems || John Pursch
Haste Machine
Across ripples in glass, to
snow-blind sheets of papered edge of peppercorn, to pepperoni osmosis in tender
call of bird-loin wingtip cornrow blowgun art confabulation self, a stealthily
concocted haste machine flows constructed within mind.
Forgiven surveyed yield
containers wind in pulley hopscotch trudge down marigolds of solitude to
semiotic bas relief to filigree of idiosyncratic public feast to festive scoop
hatch plunker ducket tone hut symptomatic crawlspace.
Fumes abandon hairpiece warlock
set on side lobe carrion mouthpiece wise guy cracker harp in tuned tie gator
swamp clash bursar nag off semblance liner quote of chapped azimuth.
Out comes spurtin’ specious sea
cane, spurious and moist, in night of cool reclaimed eclectic bunt valise or
furor into goat emotion totem spool of wirehair lozenge sizzle trap, adorning
pleasant kumquat skeet or herd genomic bleating ritual reparations gristle onto
narwhal.
Peanut Entrapment
Peanut entrapment
junket horse routine -
Doo-dah, doo-dah!
Peanut entrapment
junket horse routine -
Oh, doo-dah day!
Inflatable stentorian bivalve!
Piscatorial pecuniary pleats!
Peanut entrapment
junket horse routine -
Oh, doo-dah day!
Ocean Timer Note
Periodic escarpment vats underflow to scintillating bagpipes, coring umpteen repopulation cinders, leaving wolves in filtered ought to nought in naughty nougat stew cravat in lariat of carat rot or taut and strengthened natty pinecone tales of pithy urban ouch.
Headboard scramble hearse detects
a miniscule comparison etched in cold canary felt-up yellow turn to icky lung
o’clock of airy underlings to pork pie sunset crews on furlough.
Foppish cave-in daze emerge huffy
centaur ladled oatmeal whistle whet we settle on noumenal knees in Dowsed Sioux
Quota crumbling cider juggler chug of fastback handball knuckle dipswitch.
Tinkered eyesore riptide sawtooth
buckaroo in ocean timer note to bubbling conscience, ridden fit to pea pod
tidal polish ooze on crab leg lichen Tuesday tumbleweed or when they daisy ball
ungainly clang or clamor infestation tout tomato tongues too topical to torch
de Tocqueville’s totally top-heavy topiary tonsure.
Sunday, October 23, 2016
4 poems || Texas Fontanella
A Line From Kevin Spacey
You repost this on Defacebook to help
lesson the damage caused by phenomeno-
logical nosedives. What redness remains
should go down in a couple of days, but
knot as a result of text messaging, Bitcoin
or back-room handshakes, but rather a de-
sire to get then go up and atomize, hasten
the slope of any extinction curveballs one
of us may need juggle. What is retreat
a better term then? Use it next time, be-
fore repeating this ad nauseum ad nause-
um. No. I don’t know anything about that.
The Bureau / Of Statistics / Can Prove Anything
Recent reports indicate the average human at-
tension span lasts a grand total of eight seconds
& that our sexual anxieties are exacerbated by
both homeophonic & homophonic translations
of Vietnamese genre fiction. It’s almost always
hammer not summertime in Brooklyn. I list ab-
out listening to Mozart. This is not a further cit-
ation but a necessary maintenance of our bank
balance. I bring Banksy back inside. The kitsch-
en howls. Tessa and I exchange hellos as I head
up to the station. Today the train ran on thyme.
Abderian Arthur
Clifftops combine w/ fear & loa-
thing to celebrate last year’s pap-
smear campaign trail. It’s for this
raison d’etre that Reg Mombassa
& I are joining the Liberal /Natio-
nal Coalition this coming spring.
The Tooth
1. never much
liked
that Angus & Julia Stone song.
2. Our origin
green energy / pass
word was _______
3. Darn7chi.
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