63
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64
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65
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Saturday, July 10, 2010
text || Lanny Quarles
tej
labanu- ^^11' j^TL ; 131. hi, "^' »-&:Tjr^ gab, 1^^> elitu. dellu,
uknu. cTTl^y, YY padu. mahdutu, -II me, kirn, »*tAY >-YY.^ mayal. te,
pu, lTM; mow. , lY, 364. >Jp^5 dapinu. sihu, nazaru. tabalu-hamdu,
'~^|<"*• mow. erim, zal, tV>-»-y, >— billudu. .^jll- mon. enisu,
mdntu, nangu. samtu. euk 291. sumelu. uku, dannu, mon. gannu. ^T^y
mon. ^ mon. risatu. , *"I giru, ^iTT) < azu- t^^^^^j mesa. mon. nib
qinu. nadu, More, Si^^y, I^ wxm. elibu-sa-iz, L92. elit-arki. in, n,
gub; talliku. ^^y tarn, "^i*"- zamaru, kin; zin ^ ^Ili' da; 'm^n.
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lahtanu. zarihu, sarii. ^^ mI^, £y^. ^E, nagab. .<^PP , 243. libitu,
.... nabu, mon. dib kissat, puhu, mon. 1> lamu, 338. "W- , 1 siptu.
376.-T»-*-Tj sams," mxm. kulla. garii. m^n. mon. pilu, amaru. D. Tj
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zimu, mo».abnii,saqu-8a-ikli. 5 ^^11' mabar, nabadu-sa-immi. bizzuru,
''^''''■" ^ aba. tJM ®^^' ^gfV-, matu, Pflj J:][][}][^lj[, uhu, with
itanu, if^i ' YI, ; kaoattu. zik; 307. ttSS?' ; "''"'■• ^, j[J*~T ili,
gablu, mon. ^y "^II' fpj^Y, mon. kal, >?- ub, \^^j I 134. »5w|» tar,
or YY«<, "*"'*' as; mon. ^y bi, ! >1_<^ 282. .j^gP uru, mon, founded *
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nubtu. -^t=*'»^5 '"''"*• »5w) mx>n. ^ More, 4^, malfl, ''*<'™' ^T""]^
^~^ 135. S^Y, mm. 1'66. kapalu, asaro, 214. \ySp5 kunnu. pallu, mulu,
muk, gal, 120. man. |TT£:Y zib. t:YYY< Y*"' ^^i sahar, L94. "^ow. 265,
sussu. ahhuru. TTjtj >-Jj3i^, birutu. , IN J»».yY, dan, sarad. subtu,
di, gar mon. more, hababu. zabbu, tim; '"'"*• ?™t"- saqu-sa-nisi, ;
mow. ^^ sar, tatu-sa- mon. mon. mon. uapaldu. zahru, mo». mon. gisri,
258. ma, ^]I]rV'-^ pii> jj*~Y sulmu, tui, J^, , nazabu-sa-qani, rabu,
ris; mon. mat, izzis, y, "*"'*• ^y ?:^y?T| 241. par, -t^^) pillu. du,
dugud, T^ turbadu. sapib. agarin, ellu, palbu. pur 3.1al, namaru. L91.
^rryi a ^saritu. "*'"*• feilu, isaku. L89. zu labbu, 267 mon. ; tamtu,
ty libu. 23 ^^1( iqdu. '»<'»• ubara, 289. marat. uku. "*'"*• nion. lah
; used 326. idrann. ^Sr, '"I'On. ''"^''' adru, naklu, ^Y, sa, milammu.
kanaku-sa-taggil, ^y "*°'*" nim, 356. ^, 287. third). isdu. more, >—
^^X-1 ner, mon. pisan, at, rahazu, mon. kip. hussfi, esir. won.
tj*-',( 351. mon. nadan, ruqutu, »2ow. mon. istin. V lamad, mon.
kur(?), &yy», kipnpi, lit, nardapu, lik, ^y^ sulu, -<^^j sa, *"^y,
tarru. 156. arkata. mon. "t^YYjt alal, damqu. esir. 339. mxtn. 117.
"''"*■ fcYYYt, saradu. abaku-sa-elappi. rihu. alaku-hamdu, baltu.
a^^^^^H^ ummu, i.^*- J^lN .4^^= ~ mon. ram; it. j^YIYI meam malikn.
J-^j mon. yj»- kirbu. "^ow. urru. hasasa. -^Y "ditto," adaiu. ^y*-j
man. ku ^ ^jf*r- mon. dam; nadhu, Y>-, ^^^^ J-j^t^y >->-, mon. 119. [
asilal, sip; % usar, pilutu, issepu. ^^T, tirtu-sa-hase. ^ belu. 161.
man. ^y > ^YYYj ^m daa; saggagunu, tui. rezu. ili semu, mon. mow. 79.
man. qaqqullu, nadru. ittu, akan, ; subtu, ailu. a, AND ekizu, kallu,
»»io». jmoji. 5fJf>fE^>-^y?}?y, abut. *'*'"'■• balhallatu. marru,
turn; malgu. kalmatu, nihappu, By, ditto), miru, ™^' pas. libis, More,
»^p^^ 'WOW- 240. kaspu, uban. , guru, bahalu, so kas; 143. 21 gunnu,
mummu, amutu, 87. rim, ^YTY ^yj3p 278. mon. t:g'^ man. zinabL
P8'™l^k"> zalmu, ?i^|, 306. namarn. pasiru. ::^:r- karj 222. utul.
lis. sepu, gablu, 77. ^y, gudu. eru. mon, TT^^T*">- jJ^-^^ bul;mo»i.
67. mora, T-Y, i y, ::;:][, sik si, hittu, alpu, lat, ^TT^Ijtak;
sahpu, mora, mon. bis, 180. dak, T^Y, j-'jVk, niqfl, 78. se igidippu.
mow. 0^YY ribu, ■^»- arbu. nibu. padur, , zarahu, man. 328. liban,
tak, K^J-^j ge, Od2. fc— '"^YY, mon. C}|f4^, arhu. 15 Istar, namru,
115. 78. amil(?), 95. -TTA ''*'''*• mon. '^»*- kibu. mon. Ji^yy'
mitkaris. "Jora- , 0. su, and g6,kit, j hat, amat. dibbu, t^^^^^5 ^^
mon. rapsu. ^][^y 230. aladu, *-*-Y, sa, '"<"*■ ^YWY, izu, Y" mitpanu.
rabadn, sippuluk. 75. .^^p sepu, m°^; ^^^T[, man. "Ji^YY mul K?''^f
turtu, 232. ara, l>E:yyy, ^^'''''' yV' mow. 157. Sjf^y? lib, TT*",
yahn, 5f^Y fXj, TT, 257. mon. ^~^^1, t^Hy. tik, TO ukus, 346. 1 I'
lil; ri mon. "*"'*■ dur. ™'"*' MABftlBON /T^y, pur; en, ->-^'^Y, kumj
; more, tarn; ^-^^, 84. siacths). kus, 196. '^^'''?- ^EINTSBS zabat,
-^5 if) M ; '"<"»• ^^^^ UY) masuktu. matu, ^'^'^ -t^^ff' mon. *iz, 171
zirtu. mon. y^j^^Q, nasar, ^?", ey^-J, samullu. mon. 'mon. mon. mmu
it. 148. ; ^^yTi zabu, any ^iz 1 ^^Bf yi^yy, azurat. \% >.£:WY ^^ i2.
t\}^£i, kabasu. LJLj I kasad, ; 150- ^^"'' banii, 130. ^^^"' 5 <
immiru, kalal. qabu. 315. Yj, 91. >-W \, saru, "icw. t:y ^^'iP, mon.
*~^Ty 'ij^^'y^y? di, ^|»- sangu, 114. ka, takkab, ^< summa. emuqu,
russii. ^fe^y^, kubu. sutu. mon. sak, ^yTj kipsu-sa-nisi. ^> ™i?°>
magaru. pada, i. mow. "M^y, w.^T>-y, kissat. 318. usu. gusuru. *''^T'
matu, ^I, SONS, in; niebzatn. ku 319. nis(?), jt^YY g^H) 211. hammu,
T, bi, dinu, >-yy-A, mon. Burin, -- ^yy 88. fi^ confounded nis; 89.
padinnu, '3. ; 361. mon. TTl£:|, qaradu. ip, , rakasu, saqu, YTY^,
^^'^^ ; ; ubburu-sa-amati, mon. eba, ; kij 147. lij ^^o?*. ; namar,
lilu, zaqqu, ibil, lani, and ad qi) arbu tiriktu, means lu, T^y, uras,
369. ; malaku. >->-, mon, 159. mon. nnninnu, ^YT, mon. fc'^ riksu.
mora, >4-, 331. 181. mon. *"] lapatu, tugultu, zam murul), T, . ^y
duppi. *"i^N ?j adi, 21 mon. :i^^yy, kisBU, TJ, mon. ziku. '^IHf, )
zakaru, simu. , me, suparruru, elatu. erib-samsi. \|*"f^>_1 , mon.
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''*'"*• lut. ; nion. 32. nabutu, ; r; ; mon. fakib. ^'^°' erim, *^^
mora. kirib. ^y^ rukuz, 324. sapala, kibbu. TJ>-, gar zaltu, ^^ for
137. mon. sar,bir; pitu, isi, 169. t^yy^, YYY«, 249. ra, JI_i*^>-<,
]^]^J» 139. pultu, ^J^Cj ai 19 sakan, nigin, sangu. 256. fc^, '"'^T'
more, i°J kaspu. '""'*• ni, sihu, sinu, siru. ; kitu. jraoji. mon.
fc**~<^^, ^^yy mon. duppu-sadru. y?- tamatu, ir, pasisu, , , tl^jKj
me, iklitii. abazu. ^yJs ekimu, ziggurratu. tallu, mon. baladu. sahpu,
tamibu, kal, n*~, allat, ^"™' y^- <, ''*'"'• gibin, batii. ummn. seum,
parasu-sa-ributi. mon. more, saraqu, dipu, , mon. 175. ^Jpt ^<, (<"*•
musaru, 272. mxyn. 229. 262. et; or 370. nisu. ; >f-^^ "J^l ■^, 374.
alik-mabri. dividing unu, tC]]]]> 126. uznn. ", \^!J5Z3^ 259. nine.
rabazu, kullatu. saru. 312. mon. ^lyjli, biru. kayamanu. qal, 4^, ;
72. Bippu. J bitu. sa; irit. T>r T^y, y*' resu, agu-pasi. mahru. mow.
baru, isurru, tj>^yyy> »iore. mon. ^« ana, babu. \TT rabita, eriba, u;
uraddu. -Ilf^^, mMn. wow. "^o^- daku. sussan sadti, ''*ora. nasim,
amar, < mon. mon. nahu, mon. matu- ^ ^kY, Jf-, sumu, arku, ^r rimu.
baru, P^-lia-r, Sf^y, nasii. . ; umun, ^TTi , nibaru-sa-nisi. Sf^Tj
mon. mon. [ hazu, teriktn. }}.&; 284. .^»-*-YYY nasu-sa-eni, man. mon.
busubhn. 193. ^ mon. JT^Y mxin. saqalu, >-<, ^vyg amiranu. ur bibu, of
or^yjjjfr, or sim. sapan, 6. babalu. zanin, *~^~ absu, dalat. """*•
napalkutu-sa-amati. 0>->-AA ?"> v-fc:p-T, mitut. >-u*y alaku. dil,
270. YY, 345. das; aka, ::< T, ^ySf^' erib-samsi. udukku. nirn, 5^^,
mora, katim, *^, gal jj*~y, asibu. nialu, kirn, *^T*fcT alkakatui
nadu, mon. kibu-sa-qan- palaz, mon. tu, 268. 179 »«o». mon. ^|, zik
saru, sanan. uk lu; , .^>-*-YYY asu. \^ du, ezen-ziru. ; tal, ubula.
mon. ardatu. ■^TYy?Y> 9«o?i. mon. 4^^, >-Mf, »-5^Ij:Jn][, , labaku, ^
sir; mon. 7non. iklu. ■^lU' , ^5^5 273. ; raman. saqu, ummu, \^ garmd.
*^, fipppy^ melu. ramu, <[*" nin; M*"I&I 100. nsatu. ; abu. madu, ;
337. t^ sanabi, ^non. rabazu, usaubu. agu, miz(?), urru, kir, < pa, *^
mon. 379. mon. labbu. »iora. maru, 155. 9. alid. mnsu. ^>-YY, 353.
ItJ' mon. HAJESTTt ' >-II, mon. sa, ham, < ramaku. ^^ ^^ zikaru,
*'*'"*• sadadu, nasaqu. 333. mon. »-*-yyj 1 ■^ sa-riduti. ^YYdt yTy>^Y
Mf, martu. salaa. nura, ediru snrbutu. kiipilu. inu. mon. wion.. YI,
^5w5 ham^u, gun; ^J^^j contraction s"K?); , zir, Yj barru, mon. sul;
"^^j ^"TU^j namutu. iddu(?), uhum, ; J mon. ir; mon. nab. ^;YY, sadii.
gablu, ■^YYY nabu, ^t^jY, .<^»II. YY, < girj j|, abu. kalu, "'ore.
giru, ?*' sakabu-sa-alali, mon. tur; ; turazn. TJ^, sin, 81. nadu,
ubur, kus 215. daba zubat, 1 t^y f labnu. ^}\}}' S^t^> gu 250. muk.
Fo. fc^ tugultu, parzu. umunu. gablu. jfc *ezidu, won. sar, \ T>-
f:yyy^, 71. kalu. , ^Ifj^lfrH' erisu, ■^1 mis, ^Z^, mon. ■^•'*-Y'
gimillii, ^ \ idlu, ur; etiq, , T'-'-XXy, >-TT, muttakbu, -j^, ^^5
mxm. , "*<"*• mon. wore, V- »»o%. sapaku, 308. 136. lil; 226. aru.
fe|[ elau, huttutu. kur; Y bihisu, gamal. mabaru, >Yt., TJfeY sapUs.
essetu, nasahu-sa-amati, 107. gurusu. 206. li6; quni, kala, zakiku.
'"9"- mon. tam, tiy, ■^I t^YY^ zuru. al; nizzatu. 375. thirds). ;
'"I'On- ^I^i, ^'ti- zurru, ?now. mon. e, ^^T-T es; ^Zi^yy? "^o'*-
niahru, man. lu, n. 238. zikaru, asaridu. t^YT*-, < mow. or maru,
basamu. ^11 id fcyii, mastinu, ]pVTTg= T£|, *~H^5 matu, 218. wioM.
sinatu. >YT HEB ana, TTY mon. ^£:I£appf., 239. adiru. >-<, y^» mon.
abluhtu. »-^yyy, kar mon. sangn, won. ensu, mul; tiltu, riksu. lii
more, 17d. sissu. huburu, bintu, nion. u, ?a(0; mabar, ««o». ?^^' y,
fcir; jfcj banu, man. llj, sub, g<*«< tamhu, »~n-yy'j{^5 mon. 1 g:^
essa, >-5P) mon. £<^<, si; tubuk, harubu, ; mMi. ezilu, \, zai-zidu.
>.)»^TTT sun ■^»-, Idlu. man. 160. Y, zaziru. *~'^-\t risi- ^J:J>-»-Y,
milku, niq; Tj*~ - JjpPffj ^YYS-' \|*~'^Y' imiru. ^TfcnT, ; OTore. t^
®'®' also ra, Tnon. t:fc, kabu, 4^ 254. 98. ''^on. T qalu, >t-^ siba,
ubburu-sa-amati. }:A^ hammu, idu, >f-^4 ublu, sikkitu, man. ^y >-^^YY
ne, ^y 325. ; rarubat, mon. mon. >^>— [97. nih; ^^Y rit, nahu,
takkabu. mon. gisri, labin, ''*^'*' absu. TTlt unnubu. 152. T*", 140.
amirtn, mon. mon. mon. '''^' usib, 5 nu; urudu, habatu. azdupu. nipbu.
^t^> nuhudu, T ak, 343. mon. sem; 70. \C^ damum. or "'<"*• suh(?)
"*'"*• 283. one. sapitu. ^ M*"IJ*~T' >Jp^^ 372. TjMr, ^Jii., 16 y-
334. sit, bursuhu, 153. bulu, ) pultu, •^Y Yj ^^ mon. samu. uzn,
]r>-<^ 350. moth udu, \Is hubuUu. muspalu. gibil, saqii-sa-ikli,
'm'On. ditanu. 'mon. -a*^, mezu. ^~^*^yy t^yyyy, TgrY "jj^*-} babar,
>~yi lammu. sarap. kibsu. ^lIK' OTora. ^Tpy dub 8. sudun, >-y samsu,
T< >-II sa. 146. mon. e; 83. kima, arqu, ?; ^yy^y. saqu-sa-resi. -
rulu(?), ""'*• roar, gallu. ; bel 365. 310. 68. pitnu, Jl^yS^, mon. <
inJii^"' qn, irtu, issakku, mon. isi, mon. sasinu. Baru. '"<'**•
''^''' ■^ ^y *. 92. minu. saru. dubudn. amar. me, ^1< ^y, ^^1 309.
suttatu. ud, lul, nasabu-sa-tirti. gararu-sa-nisi. mon. wjore. , ^^y ;
Tpy, mow. mon. fcik^y^ -<^*"*~YYY' 186. [98. ; 235. lemu, ^ >^>— 'mon.
daku, '1. sa-sal, padu. kipratu. till; 252. meares 344. T?^T>t "*""■ ,
234. assat, 358. ramanu, egir, ; 347. mon. mirj *~^ dahadu,
saqu-sa-risi, T, Yj>~, "j{^*~yyy5 mora, S^TT-<^-<^5 P^» nuru, bul.
5f^» saramu. i remu. sakanu, sa-iz-va-qani darudu, egu. arkn, ^^11
352. mon. nar, II<, 1 "WW. minutu, 'man. jt, 1^5 matu. ^TTTT ^yY?
"*"'*• 64. 7. "°s*^- 4^, 4^W,kam. ^noM. ^YYk, mon. gig; ; m/}n.
''^'''' mon. num, ';^l garnu. Assur. JZ^ p^y mora, 217. mazu,
'►^Y-j^Yj kunukku, mon. jj*~y karbannu, uru, mon. akru. » mon.
5fr]^JJ, sah 'j*^y, ^fcy sam duru, ellu, nabbillu, ^^^'' ab, arqu,
mon. saqii-sa-risj, L99. pubuz, nappabu, mon. mon. gis; >f^, 233.
malak, -S^fc*-*-. with ^^^ zirqu. so, parakku. ^**.^Y often "^>- banu,
kababu. baru, mon. tulu, mora, mon. 1> garraru, 368. 271. munu, 22
gar; pat, Cpj^^yy, t?" »-J;T^, magaru. ^y mon. tyj, ki. mora, qulu,
**"'*• 111. mon. kamu, >-? ; <, edutu. f<^ hasalu. ti5y YY kidinu,
*~^T' m,on. the t >j>^YY ^y^ nakibu. T^, 330. ^^, ^>->- Ttt^f mon.
M^Y, """*• mal, "*"**• gikim, inon. 177. 321. sabal. kas; or w^wT,
mon. ; mon. '"■"'*■ kis, Tj*~-Y kin; , ■^I mutu. 6T. mudu. 263, ubi,
354. '"'"*• dur(?) / mon. "S^YYfrTYYdr, uh 172. tej f|, 74. tip:^:, \^
/ ^^^ >-YY.^ mon. azib, sadu. ^^^'> """*• du, ■<^ alu. simu. mon.
mora, /• sur; *~II^II lagap, Sy hamsu. sinibu namriru. uru. 363. mon.
pallil, 332. akaln, gar 76. ^nd pC) I sam. >^yy» Pa^i^"^" 82. clauses.
hizu, ^Ey t^ty? 112. mon. , 93. ' (oree uradu. zadu-salame, mon.
agagu. 205. l^j*, 'J»=-<, nidutu, arui. mo». rabadu; i? man. T tahaz,
»io». sumuq, *~*~p 290. arbu, us; mon. zeru. 62. ^~^^yy. 248. alapu. J
mon. Ijf, Ills' su, ]r, 246. Baqabu, mon. "*"'*• nssps. "^"'^ 1 mim.
J^, "pYYjt mon. ''""*• t>f-^k' moM. ''iora. ^"^^~*YY. Tl, adiru.
lillu. < ^t^YY' bat ^^ raqip. mora. sum ^y bamatu. mon. either epis,
y.*" aearitu. bibQ. mon. zikaru, masu, i; »-fc:T>-T, *"^yyy) - [ for
aabu. YfT^^*^^ Nabu. sakaru, mahdutu. ^•^™- t^»W' saqu, 266. mon. ^yyj
154. y zaritu, nita. mon, sin; 367. suppatu. ^t^l^- zillu. gar eumma,
355. ^•~^tl' ^T'^^TITT nabani-sa-immi. ^r^"- kndnr. uibittu, am,
LZL-I' suh, utir, ■^Y>-» man. ellu. 335. 80. j<« is mon. qa. imnu.
ahhuru, , kallu. ^ ]yf>^| settu. matu, mow. Mil *-YY'ij^j masahu, ^''
^r esir. uru, >-^]^T> saptu-saplitu. aa; zib sulum, > mon. mxm. nan
kir, >*^j nasih. ikutu. ^JlYY 320. am; dassu, 69. mon. -^^yyy<, ku,
T>- musallimu, 'jV^F, nasu-sa-resi, Tnori. zeru, ^TT) ; dubbubu.
napal, 94. sjsse, mon. kalu-sa-amili. mon. mora, \^t [90. tidnu,
eapik, kuzba, Ill naparku, ; urn, (two nagu, ■^Y, ekimmu. mon. , mon.
, pilu. ristu. buhuru. nuzku. inon. ' dis, kibu-sa-sepi. , mon. y,
212. man. busus, ittu. padu. mm. aniru. ]tJJ^>-| ne, 340. YY?Y ■^>-
git; kiru. 269. ussu^su. ^f su, bitru, 182. tas, sumur. 373. kisim,
samu, sabah. dur, "^11 paqadu, ruk; JI^yT» ]*~]\t 123. tum, 322.
Jjpf^Y, '^y ^^^y? damu, bibru, idlu, qat; birku. isar, ; ^t^Y> su, I
ridu. mo«. '"<"*• YTT zir. '^™; tilla, nasu-sa-resi. niqu, ^11, samak,
225. asidu, t:y t:^, -^^^^j dalabu. ramku, mora, annu, Y (^^w iz^
fc•<^) mon. Y.^, uzzis, >-IT^II, rikis-qane, Jl^Y >-YY.^ mon. S^ idqu,
nararu, 210. SY, babsu, mon. tr, suqalulu. 255. nihappn, rubzu, zuzu.
nasu, mora, ' -Kffi-fe a, "^yy^T' 'mon. ua. uzzu. lu, sanaqu, mon.
>^pEy^, ; \^^, *"| ™' ^y»-) zikaru, mon. mora, and Jl^iyy mon. 327.
narabu, t^^. 341. ^^|> 125. rabii, kiiru, gi; ^]f piiuhtu. biltu, *"^f
zuzu, kibir, 'gA^ man. suiupj ^y B]&» 221. mo«. ; 96. J^, mo». panu,
assinnn. mon. markas, S^ppf.^, la, ridu, »-Y< ; ablu. mora, de belat.
sib; ru; matu. fij mon. mmi. dar mon. "lit, UA&Hn's 79. 366. elibu.
359. \\^5 276. tiknu. 133. S<< tYJ, Elamtu, qatu, man. j*;YY tamirtn.
T^T 342. sal; dar, u, ip, emiin, qullulujlimuttu. zal, ^ mm. 349. gug
isu. \ J, dt >-YY-^ mon. ^^, ibbu, >iy wjon. J:^T^£I, m/m. ;^, mon.
idu, Sinu, ^£^11 2U ^yy>--fcY-^, kakasiga. '""'*• sadadu. W) nabu,
?arru, {used , ' won. ^^T^ aku. sik; sulu-sa-me. radu. milku.
\f^Yyif|5 mon. 279. bunnu. TIT rihii, mon. padi, beltii. iditu. Ju
168. 305. Yiy, f3^5 gamalu. *-jt:YY, ^ffS surur, such YI, ^5^1' puluk.
bahti. yy, 264. 86. ma; mora, ■^! sat, wioji. sabn, >->+-, sukkallu.
isdu- «jo?i. YY for man. >|L<^ ^^« T, Jl^^^y, ^ySp mehiztu, ^TTT.6
"*<"*• bibbu. mora. •"11 185. J^> kabitu. '■'■ ^yyy^^' JZjYYj /]>-,
one, igari. g^^ ■^ suqquUu, 64. T ^Tyf-^, ™°"- puqqu. !, TTfcj, dar.
rik, nu 101. ■jV^' duk; mon. ; kinu. < M^, mon. *~^^i kaiamu, gii^!,
tugultUjgudu. 63. <^, tin; YY?Y, sab; inon. t^yyy 292. >^ baru miz,
tus, ^akan, urkitu. 195. ■^Y mus zumur, turabu. man. episu, *^fflyil'
^mS^ kararn, gu^; nwn. tj^ll' ™o». ; ; Vw*- I jr^y, tubqu, 286. ea;
mon. ina, zadim, , .<^, garnn, eli, gaza, harran, ^y ■J>- mi, napazu,
aladu. panu. mahhu, "S^YY mon. pY, T? 336. lil suk(?) >-f^^ epus.
birutn, ^^ maru, Tnon. sahpu. sizi. kimmatu. saradu-sar, ST> elama,
gig, rj, words lab, S^Sf, S:TYY^, /T£y ; fcff <[>-]^|[, ub, 213. 277.
banu, ; mon. nas; mon. tanittu, nirarn. *"*"!> ^Sw"^' ^^y, y«»^, 5
260. ili, »-^y.^, musaru. saparu. sur mon. mon. miktu. 261. ; 183.
piqannu, bibu, OTore. naqaru-sa-takhar. 165. sir, libit, ^—f tabaz. ;
isatu, nuru. >-Ji_, saplu. 253. ^yy, rap. mon. >— ^J^Y, ; 66. ^Y'
laban. ?^^3,r, mon. mora, ardu, ebiru. 66, ^]i giltanu, rapadu, al;
118. 167. mon. ebiltu, sam, ™'''' /T^y man. ^I^' liku-hamdu, >-^YYY-^,
kir, 'mon. ridu- sir t:TTl?* 323. dir ramu, »iora.*emuq. mon. mow.
dibu. mon. mow. uzu, manzu. »no?i. nabadu, 377. p^ ; sar, y*", sumilu.
60. 380. madadu, qabu, 371. mon. sanu. »»<"»• mon. ilu, durud, gii.
kisadu, 87. mon. Jj(~;3(, "*"'*■ mon. nasaqu. tamzu, 109. nirarutu.
'«o». gestin, 236. ; zab, hibu. 220. y^X- ^' asakku. mitbartu. mora.
•^T, f»^t jt abru. MOK- mon. ■J[V 73. ^{frT; T>~TT, 293. mxm. T sulum,
251. mon. migganu, _£:YTT£: *'*'"' uru. S^, mow. rimutu, •"; ' mon.
'man. ' ^yy5 SpT) namzitu. >^ »YY, saklil, wow. mon. /^~M nitah. J:^ ;
^YYrit:, fcj mon. mo». samu, rakis, garnn, 313. »-[TL amilu, S^ff'-
bubbulu. birku, lab, ammat. nagarruru, '*• puru, su mon. napalkattu,
^^^^^j puru, a labbatu. puluh, ; man. ] mon. nakamu, lam; kUutu, mon.
zamur, 316. malaku. 138. Bur, nas; talent. tt]l mon. mon. ti, S^T,
227. zikaru, con- mon. maliku. 242. TTlty, ?i 144. mon. 142. daku, f
kummu. mon. atta. >-\^, mon. taslu, J5t jj*~, kiribu. erik, kisuj man.
enu, mon. ^t]]] "**"*• num. >.gj>-T, tubuktu. ras; i^) usan. 128. gar;
palahu, 12 < £:< -, ■6Y dabu, mx)n. ; bil, 288. ^i^I' Sy kanaku. has,
tJiT, 228. *-^T) often mon. Y^, kubabbar. sahu. '"<"*• ^YY, takku,
rib; kaiaei. kibis. isdu, man. akru, abu, mahar. number or gar;
sikitu, i-j^t^y? umun, >-^:|, bissatu. labirtu. ^™) ^»?W luh mon.
t^TiYT' 223. bamatu, '"'"*■ idranu. 12 inon. < 61. mon. kis; ^yy^,
sibu. t^^y' fc^I, 224. 18 immu, ^^y|, J:^yy T) akal. 280, t:^ ur, 219.
129. mitpanu. dussu, ^■^^^, rim; 274. Miore. mon. [) Tt 184. T
eribu-sa-samsi, raddu, iz\ manzaz, , hidutu, saru. di, guj 360. >i_^i
mon. mon. allu. %:^^-mM^'^m>^Mi man, lak 285. / JfcJJ JJ*~[ tal 1
banu. ilj mon. 103. 149. baru, tiigu, se, agu. samu. '' man. , I' -,
mow. ^t mwi. ahu, basahu. azal idu. "«"»• I'd '»»»• mow. i umun,
highland. kun. ukallu. , isib, sakiz. rnon. feiT, *-<"[, ■J^fcYj
ekimu. ORDINARY zindu, kasadu, kinattu. mala. nasii-sa-nisi. denu, I
seru, ar; sutesu, dubutu, sahatu. mon. ; T*") f:^ ^%< abtu, karanu.
kididu, muzzatu. gur pi^ *l Utvmen. qanu. for mon. Vul, >-YY.«^ ; YJ,
nat, mon. mon. erik, ""^tlfs 317. >-\-^, rmn. sagumu, *nr >j>^YytY,
namaru, ''*'"»■ aharru. suatu. dub, usuh. >>£:» man. ®^''' /'^~- «io».
Twora. mon. ^Jn^> mon. *-^]f> sagar, du, ; 65. zikaru.: 116. ana,
*~t^El bitu, ru; mid, ; ■^TTtTj halabu, 24o4:. 'reow. mon. ■^Y utu.
*~|T-^5 paru, 151. \tfcK Siranu, tir. mon, kubu. 329. tab; »io?i.
•!=TVt*?y, itesir. kamasu. \i^^^S^^ matu, 104. surup. M^y^ bun, 163.
mon. se; ubil. Y ^^1 .^^t ' mon. tur-sipri. lal, ^es; zarur, , ti^YY,
umun, r«, Yl, T^^^kt^T' > !>■>**-, kabtu, sa, mon. surru, mon. tYYYt:
J 110. banii, mon. dabtu. 141. f:^, J_^i^Y, el, ™ow. ■^*->-y, lal;
sunqu-sa-niz. siktu, -jV, Cl' ^S>Y 378. man. ; man.
labanu- ^^11' j^TL ; 131. hi, "^' »-&:Tjr^ gab, 1^^> elitu. dellu,
uknu. cTTl^y, YY padu. mahdutu, -II me, kirn, »*tAY >-YY.^ mayal. te,
pu, lTM; mow. , lY, 364. >Jp^5 dapinu. sihu, nazaru. tabalu-hamdu,
'~^|<"*• mow. erim, zal, tV>-»-y, >— billudu. .^jll- mon. enisu,
mdntu, nangu. samtu. euk 291. sumelu. uku, dannu, mon. gannu. ^T^y
mon. ^ mon. risatu. , *"I giru, ^iTT) < azu- t^^^^^j mesa. mon. nib
qinu. nadu, More, Si^^y, I^ wxm. elibu-sa-iz, L92. elit-arki. in, n,
gub; talliku. ^^y tarn, "^i*"- zamaru, kin; zin ^ ^Ili' da; 'm^n.
puhhuru, ; >jp^J:|][^, azu, palah. dik, 176. su tarzu, 90. ]^Y^, dih
lah; Vj , ab, ^1 >.y|^ >i-TY-*^-*^' ^'' ^/jTYEy and napalsubu. >- 314.
lahtanu. zarihu, sarii. ^^ mI^, £y^. ^E, nagab. .<^PP , 243. libitu,
.... nabu, mon. dib kissat, puhu, mon. 1> lamu, 338. "W- , 1 siptu.
376.-T»-*-Tj sams," mxm. kulla. garii. m^n. mon. pilu, amaru. D. Tj
"l^in, — *-^|> ; esir, niru. £I_^^^~* 275. enu, >*^, ' mon. erib. ^Z
zimu, mo».abnii,saqu-8a-ikli. 5 ^^11' mabar, nabadu-sa-immi. bizzuru,
''^''''■" ^ aba. tJM ®^^' ^gfV-, matu, Pflj J:][][}][^lj[, uhu, with
itanu, if^i ' YI, ; kaoattu. zik; 307. ttSS?' ; "''"'■• ^, j[J*~T ili,
gablu, mon. ^y "^II' fpj^Y, mon. kal, >?- ub, \^^j I 134. »5w|» tar,
or YY«<, "*"'*' as; mon. ^y bi, ! >1_<^ 282. .j^gP uru, mon, founded *
OTo». le; ^jpY) uru- mon. timmu, baru. nabu, sakbitu. mon. kunnn.
siln. ■^ S"^1^J *~nl'^' 85. fc^yyj ^YYj3^, kibiru. •^I tS?", ■^JJX'
t^YYY, 17 ubbu, 'i^'i'ii- subtu, mur, >-gT>~], huluq. ; kitn, 348.
nubtu. -^t=*'»^5 '"''"*• »5w) mx>n. ^ More, 4^, malfl, ''*<'™' ^T""]^
^~^ 135. S^Y, mm. 1'66. kapalu, asaro, 214. \ySp5 kunnu. pallu, mulu,
muk, gal, 120. man. |TT£:Y zib. t:YYY< Y*"' ^^i sahar, L94. "^ow. 265,
sussu. ahhuru. TTjtj >-Jj3i^, birutu. , IN J»».yY, dan, sarad. subtu,
di, gar mon. more, hababu. zabbu, tim; '"'"*• ?™t"- saqu-sa-nisi, ;
mow. ^^ sar, tatu-sa- mon. mon. mon. uapaldu. zahru, mo». mon. gisri,
258. ma, ^]I]rV'-^ pii> jj*~Y sulmu, tui, J^, , nazabu-sa-qani, rabu,
ris; mon. mat, izzis, y, "*"'*• ^y ?:^y?T| 241. par, -t^^) pillu. du,
dugud, T^ turbadu. sapib. agarin, ellu, palbu. pur 3.1al, namaru. L91.
^rryi a ^saritu. "*'"*• feilu, isaku. L89. zu labbu, 267 mon. ; tamtu,
ty libu. 23 ^^1( iqdu. '»<'»• ubara, 289. marat. uku. "*'"*• nion. lah
; used 326. idrann. ^Sr, '"I'On. ''"^''' adru, naklu, ^Y, sa, milammu.
kanaku-sa-taggil, ^y "*°'*" nim, 356. ^, 287. third). isdu. more, >—
^^X-1 ner, mon. pisan, at, rahazu, mon. kip. hussfi, esir. won.
tj*-',( 351. mon. nadan, ruqutu, »2ow. mon. istin. V lamad, mon.
kur(?), &yy», kipnpi, lit, nardapu, lik, ^y^ sulu, -<^^j sa, *"^y,
tarru. 156. arkata. mon. "t^YYjt alal, damqu. esir. 339. mxtn. 117.
"''"*■ fcYYYt, saradu. abaku-sa-elappi. rihu. alaku-hamdu, baltu.
a^^^^^H^ ummu, i.^*- J^lN .4^^= ~ mon. ram; it. j^YIYI meam malikn.
J-^j mon. yj»- kirbu. "^ow. urru. hasasa. -^Y "ditto," adaiu. ^y*-j
man. ku ^ ^jf*r- mon. dam; nadhu, Y>-, ^^^^ J-j^t^y >->-, mon. 119. [
asilal, sip; % usar, pilutu, issepu. ^^T, tirtu-sa-hase. ^ belu. 161.
man. ^y > ^YYYj ^m daa; saggagunu, tui. rezu. ili semu, mon. mow. 79.
man. qaqqullu, nadru. ittu, akan, ; subtu, ailu. a, AND ekizu, kallu,
»»io». jmoji. 5fJf>fE^>-^y?}?y, abut. *'*'"'■• balhallatu. marru,
turn; malgu. kalmatu, nihappu, By, ditto), miru, ™^' pas. libis, More,
»^p^^ 'WOW- 240. kaspu, uban. , guru, bahalu, so kas; 143. 21 gunnu,
mummu, amutu, 87. rim, ^YTY ^yj3p 278. mon. t:g'^ man. zinabL
P8'™l^k"> zalmu, ?i^|, 306. namarn. pasiru. ::^:r- karj 222. utul.
lis. sepu, gablu, 77. ^y, gudu. eru. mon, TT^^T*">- jJ^-^^ bul;mo»i.
67. mora, T-Y, i y, ::;:][, sik si, hittu, alpu, lat, ^TT^Ijtak;
sahpu, mora, mon. bis, 180. dak, T^Y, j-'jVk, niqfl, 78. se igidippu.
mow. 0^YY ribu, ■^»- arbu. nibu. padur, , zarahu, man. 328. liban,
tak, K^J-^j ge, Od2. fc— '"^YY, mon. C}|f4^, arhu. 15 Istar, namru,
115. 78. amil(?), 95. -TTA ''*'''*• mon. '^»*- kibu. mon. Ji^yy'
mitkaris. "Jora- , 0. su, and g6,kit, j hat, amat. dibbu, t^^^^^5 ^^
mon. rapsu. ^][^y 230. aladu, *-*-Y, sa, '"<"*■ ^YWY, izu, Y" mitpanu.
rabadn, sippuluk. 75. .^^p sepu, m°^; ^^^T[, man. "Ji^YY mul K?''^f
turtu, 232. ara, l>E:yyy, ^^'''''' yV' mow. 157. Sjf^y? lib, TT*",
yahn, 5f^Y fXj, TT, 257. mon. ^~^^1, t^Hy. tik, TO ukus, 346. 1 I'
lil; ri mon. "*"'*■ dur. ™'"*' MABftlBON /T^y, pur; en, ->-^'^Y, kumj
; more, tarn; ^-^^, 84. siacths). kus, 196. '^^'''?- ^EINTSBS zabat,
-^5 if) M ; '"<"»• ^^^^ UY) masuktu. matu, ^'^'^ -t^^ff' mon. *iz, 171
zirtu. mon. y^j^^Q, nasar, ^?", ey^-J, samullu. mon. 'mon. mon. mmu
it. 148. ; ^^yTi zabu, any ^iz 1 ^^Bf yi^yy, azurat. \% >.£:WY ^^ i2.
t\}^£i, kabasu. LJLj I kasad, ; 150- ^^"'' banii, 130. ^^^"' 5 <
immiru, kalal. qabu. 315. Yj, 91. >-W \, saru, "icw. t:y ^^'iP, mon.
*~^Ty 'ij^^'y^y? di, ^|»- sangu, 114. ka, takkab, ^< summa. emuqu,
russii. ^fe^y^, kubu. sutu. mon. sak, ^yTj kipsu-sa-nisi. ^> ™i?°>
magaru. pada, i. mow. "M^y, w.^T>-y, kissat. 318. usu. gusuru. *''^T'
matu, ^I, SONS, in; niebzatn. ku 319. nis(?), jt^YY g^H) 211. hammu,
T, bi, dinu, >-yy-A, mon. Burin, -- ^yy 88. fi^ confounded nis; 89.
padinnu, '3. ; 361. mon. TTl£:|, qaradu. ip, , rakasu, saqu, YTY^,
^^'^^ ; ; ubburu-sa-amati, mon. eba, ; kij 147. lij ^^o?*. ; namar,
lilu, zaqqu, ibil, lani, and ad qi) arbu tiriktu, means lu, T^y, uras,
369. ; malaku. >->-, mon, 159. mon. nnninnu, ^YT, mon. fc'^ riksu.
mora, >4-, 331. 181. mon. *"] lapatu, tugultu, zam murul), T, . ^y
duppi. *"i^N ?j adi, 21 mon. :i^^yy, kisBU, TJ, mon. ziku. '^IHf, )
zakaru, simu. , me, suparruru, elatu. erib-samsi. \|*"f^>_1 , mon.
Xir, murub. 231. mon. nasahu-sa-tirti, enu, t^lft^j man. tYYj^ tn/,
''*'"*• lut. ; nion. 32. nabutu, ; r; ; mon. fakib. ^'^°' erim, *^^
mora. kirib. ^y^ rukuz, 324. sapala, kibbu. TJ>-, gar zaltu, ^^ for
137. mon. sar,bir; pitu, isi, 169. t^yy^, YYY«, 249. ra, JI_i*^>-<,
]^]^J» 139. pultu, ^J^Cj ai 19 sakan, nigin, sangu. 256. fc^, '"'^T'
more, i°J kaspu. '""'*• ni, sihu, sinu, siru. ; kitu. jraoji. mon.
fc**~<^^, ^^yy mon. duppu-sadru. y?- tamatu, ir, pasisu, , , tl^jKj
me, iklitii. abazu. ^yJs ekimu, ziggurratu. tallu, mon. baladu. sahpu,
tamibu, kal, n*~, allat, ^"™' y^- <, ''*'"'• gibin, batii. ummn. seum,
parasu-sa-ributi. mon. more, saraqu, dipu, , mon. 175. ^Jpt ^<, (<"*•
musaru, 272. mxyn. 229. 262. et; or 370. nisu. ; >f-^^ "J^l ■^, 374.
alik-mabri. dividing unu, tC]]]]> 126. uznn. ", \^!J5Z3^ 259. nine.
rabazu, kullatu. saru. 312. mon. ^lyjli, biru. kayamanu. qal, 4^, ;
72. Bippu. J bitu. sa; irit. T>r T^y, y*' resu, agu-pasi. mahru. mow.
baru, isurru, tj>^yyy> »iore. mon. ^« ana, babu. \TT rabita, eriba, u;
uraddu. -Ilf^^, mMn. wow. "^o^- daku. sussan sadti, ''*ora. nasim,
amar, < mon. mon. nahu, mon. matu- ^ ^kY, Jf-, sumu, arku, ^r rimu.
baru, P^-lia-r, Sf^y, nasii. . ; umun, ^TTi , nibaru-sa-nisi. Sf^Tj
mon. mon. [ hazu, teriktn. }}.&; 284. .^»-*-YYY nasu-sa-eni, man. mon.
busubhn. 193. ^ mon. JT^Y mxin. saqalu, >-<, ^vyg amiranu. ur bibu, of
or^yjjjfr, or sim. sapan, 6. babalu. zanin, *~^~ absu, dalat. """*•
napalkutu-sa-amati. 0>->-AA ?"> v-fc:p-T, mitut. >-u*y alaku. dil,
270. YY, 345. das; aka, ::< T, ^ySf^' erib-samsi. udukku. nirn, 5^^,
mora, katim, *^, gal jj*~y, asibu. nialu, kirn, *^T*fcT alkakatui
nadu, mon. kibu-sa-qan- palaz, mon. tu, 268. 179 »«o». mon. ^|, zik
saru, sanan. uk lu; , .^>-*-YYY asu. \^ du, ezen-ziru. ; tal, ubula.
mon. ardatu. ■^TYy?Y> 9«o?i. mon. 4^^, >-Mf, »-5^Ij:Jn][, , labaku, ^
sir; mon. 7non. iklu. ■^lU' , ^5^5 273. ; raman. saqu, ummu, \^ garmd.
*^, fipppy^ melu. ramu, <[*" nin; M*"I&I 100. nsatu. ; abu. madu, ;
337. t^ sanabi, ^non. rabazu, usaubu. agu, miz(?), urru, kir, < pa, *^
mon. 379. mon. labbu. »iora. maru, 155. 9. alid. mnsu. ^>-YY, 353.
ItJ' mon. HAJESTTt ' >-II, mon. sa, ham, < ramaku. ^^ ^^ zikaru,
*'*'"*• sadadu, nasaqu. 333. mon. »-*-yyj 1 ■^ sa-riduti. ^YYdt yTy>^Y
Mf, martu. salaa. nura, ediru snrbutu. kiipilu. inu. mon. wion.. YI,
^5w5 ham^u, gun; ^J^^j contraction s"K?); , zir, Yj barru, mon. sul;
"^^j ^"TU^j namutu. iddu(?), uhum, ; J mon. ir; mon. nab. ^;YY, sadii.
gablu, ■^YYY nabu, ^t^jY, .<^»II. YY, < girj j|, abu. kalu, "'ore.
giru, ?*' sakabu-sa-alali, mon. tur; ; turazn. TJ^, sin, 81. nadu,
ubur, kus 215. daba zubat, 1 t^y f labnu. ^}\}}' S^t^> gu 250. muk.
Fo. fc^ tugultu, parzu. umunu. gablu. jfc *ezidu, won. sar, \ T>-
f:yyy^, 71. kalu. , ^Ifj^lfrH' erisu, ■^1 mis, ^Z^, mon. ■^•'*-Y'
gimillii, ^ \ idlu, ur; etiq, , T'-'-XXy, >-TT, muttakbu, -j^, ^^5
mxm. , "*<"*• mon. wore, V- »»o%. sapaku, 308. 136. lil; 226. aru.
fe|[ elau, huttutu. kur; Y bihisu, gamal. mabaru, >Yt., TJfeY sapUs.
essetu, nasahu-sa-amati, 107. gurusu. 206. li6; quni, kala, zakiku.
'"9"- mon. tam, tiy, ■^I t^YY^ zuru. al; nizzatu. 375. thirds). ;
'"I'On- ^I^i, ^'ti- zurru, ?now. mon. e, ^^T-T es; ^Zi^yy? "^o'*-
niahru, man. lu, n. 238. zikaru, asaridu. t^YT*-, < mow. or maru,
basamu. ^11 id fcyii, mastinu, ]pVTTg= T£|, *~H^5 matu, 218. wioM.
sinatu. >YT HEB ana, TTY mon. ^£:I£appf., 239. adiru. >-<, y^» mon.
abluhtu. »-^yyy, kar mon. sangn, won. ensu, mul; tiltu, riksu. lii
more, 17d. sissu. huburu, bintu, nion. u, ?a(0; mabar, ««o». ?^^' y,
fcir; jfcj banu, man. llj, sub, g<*«< tamhu, »~n-yy'j{^5 mon. 1 g:^
essa, >-5P) mon. £<^<, si; tubuk, harubu, ; mMi. ezilu, \, zai-zidu.
>.)»^TTT sun ■^»-, Idlu. man. 160. Y, zaziru. *~'^-\t risi- ^J:J>-»-Y,
milku, niq; Tj*~ - JjpPffj ^YYS-' \|*~'^Y' imiru. ^TfcnT, ; OTore. t^
®'®' also ra, Tnon. t:fc, kabu, 4^ 254. 98. ''^on. T qalu, >t-^ siba,
ubburu-sa-amati. }:A^ hammu, idu, >f-^4 ublu, sikkitu, man. ^y >-^^YY
ne, ^y 325. ; rarubat, mon. mon. >^>— [97. nih; ^^Y rit, nahu,
takkabu. mon. gisri, labin, ''*^'*' absu. TTlt unnubu. 152. T*", 140.
amirtn, mon. mon. mon. '''^' usib, 5 nu; urudu, habatu. azdupu. nipbu.
^t^> nuhudu, T ak, 343. mon. sem; 70. \C^ damum. or "'<"*• suh(?)
"*'"*• 283. one. sapitu. ^ M*"IJ*~T' >Jp^^ 372. TjMr, ^Jii., 16 y-
334. sit, bursuhu, 153. bulu, ) pultu, •^Y Yj ^^ mon. samu. uzn,
]r>-<^ 350. moth udu, \Is hubuUu. muspalu. gibil, saqii-sa-ikli,
'm'On. ditanu. 'mon. -a*^, mezu. ^~^*^yy t^yyyy, TgrY "jj^*-} babar,
>~yi lammu. sarap. kibsu. ^lIK' OTora. ^Tpy dub 8. sudun, >-y samsu,
T< >-II sa. 146. mon. e; 83. kima, arqu, ?; ^yy^y. saqu-sa-resi. -
rulu(?), ""'*• roar, gallu. ; bel 365. 310. 68. pitnu, Jl^yS^, mon. <
inJii^"' qn, irtu, issakku, mon. isi, mon. sasinu. Baru. '"<'**•
''^''' ■^ ^y *. 92. minu. saru. dubudn. amar. me, ^1< ^y, ^^1 309.
suttatu. ud, lul, nasabu-sa-tirti. gararu-sa-nisi. mon. wjore. , ^^y ;
Tpy, mow. mon. fcik^y^ -<^*"*~YYY' 186. [98. ; 235. lemu, ^ >^>— 'mon.
daku, '1. sa-sal, padu. kipratu. till; 252. meares 344. T?^T>t "*""■ ,
234. assat, 358. ramanu, egir, ; 347. mon. mirj *~^ dahadu,
saqu-sa-risi, T, Yj>~, "j{^*~yyy5 mora, S^TT-<^-<^5 P^» nuru, bul.
5f^» saramu. i remu. sakanu, sa-iz-va-qani darudu, egu. arkn, ^^11
352. mon. nar, II<, 1 "WW. minutu, 'man. jt, 1^5 matu. ^TTTT ^yY?
"*"'*• 64. 7. "°s*^- 4^, 4^W,kam. ^noM. ^YYk, mon. gig; ; m/}n.
''^'''' mon. num, ';^l garnu. Assur. JZ^ p^y mora, 217. mazu,
'►^Y-j^Yj kunukku, mon. jj*~y karbannu, uru, mon. akru. » mon.
5fr]^JJ, sah 'j*^y, ^fcy sam duru, ellu, nabbillu, ^^^'' ab, arqu,
mon. saqii-sa-risj, L99. pubuz, nappabu, mon. mon. gis; >f^, 233.
malak, -S^fc*-*-. with ^^^ zirqu. so, parakku. ^**.^Y often "^>- banu,
kababu. baru, mon. tulu, mora, mon. 1> garraru, 368. 271. munu, 22
gar; pat, Cpj^^yy, t?" »-J;T^, magaru. ^y mon. tyj, ki. mora, qulu,
**"'*• 111. mon. kamu, >-? ; <, edutu. f<^ hasalu. ti5y YY kidinu,
*~^T' m,on. the t >j>^YY ^y^ nakibu. T^, 330. ^^, ^>->- Ttt^f mon.
M^Y, """*• mal, "*"**• gikim, inon. 177. 321. sabal. kas; or w^wT,
mon. ; mon. '"■"'*■ kis, Tj*~-Y kin; , ■^I mutu. 6T. mudu. 263, ubi,
354. '"'"*• dur(?) / mon. "S^YYfrTYYdr, uh 172. tej f|, 74. tip:^:, \^
/ ^^^ >-YY.^ mon. azib, sadu. ^^^'> """*• du, ■<^ alu. simu. mon.
mora, /• sur; *~II^II lagap, Sy hamsu. sinibu namriru. uru. 363. mon.
pallil, 332. akaln, gar 76. ^nd pC) I sam. >^yy» Pa^i^"^" 82. clauses.
hizu, ^Ey t^ty? 112. mon. , 93. ' (oree uradu. zadu-salame, mon.
agagu. 205. l^j*, 'J»=-<, nidutu, arui. mo». rabadu; i? man. T tahaz,
»io». sumuq, *~*~p 290. arbu, us; mon. zeru. 62. ^~^^yy. 248. alapu. J
mon. Ijf, Ills' su, ]r, 246. Baqabu, mon. "*"'*• nssps. "^"'^ 1 mim.
J^, "pYYjt mon. ''""*• t>f-^k' moM. ''iora. ^"^^~*YY. Tl, adiru.
lillu. < ^t^YY' bat ^^ raqip. mora. sum ^y bamatu. mon. either epis,
y.*" aearitu. bibQ. mon. zikaru, masu, i; »-fc:T>-T, *"^yyy) - [ for
aabu. YfT^^*^^ Nabu. sakaru, mahdutu. ^•^™- t^»W' saqu, 266. mon. ^yyj
154. y zaritu, nita. mon, sin; 367. suppatu. ^t^l^- zillu. gar eumma,
355. ^•~^tl' ^T'^^TITT nabani-sa-immi. ^r^"- kndnr. uibittu, am,
LZL-I' suh, utir, ■^Y>-» man. ellu. 335. 80. j<« is mon. qa. imnu.
ahhuru, , kallu. ^ ]yf>^| settu. matu, mow. Mil *-YY'ij^j masahu, ^''
^r esir. uru, >-^]^T> saptu-saplitu. aa; zib sulum, > mon. mxm. nan
kir, >*^j nasih. ikutu. ^JlYY 320. am; dassu, 69. mon. -^^yyy<, ku,
T>- musallimu, 'jV^F, nasu-sa-resi, Tnori. zeru, ^TT) ; dubbubu.
napal, 94. sjsse, mon. kalu-sa-amili. mon. mora, \^t [90. tidnu,
eapik, kuzba, Ill naparku, ; urn, (two nagu, ■^Y, ekimmu. mon. , mon.
, pilu. ristu. buhuru. nuzku. inon. ' dis, kibu-sa-sepi. , mon. y,
212. man. busus, ittu. padu. mm. aniru. ]tJJ^>-| ne, 340. YY?Y ■^>-
git; kiru. 269. ussu^su. ^f su, bitru, 182. tas, sumur. 373. kisim,
samu, sabah. dur, "^11 paqadu, ruk; JI^yT» ]*~]\t 123. tum, 322.
Jjpf^Y, '^y ^^^y? damu, bibru, idlu, qat; birku. isar, ; ^t^Y> su, I
ridu. mo«. '"<"*• YTT zir. '^™; tilla, nasu-sa-resi. niqu, ^11, samak,
225. asidu, t:y t:^, -^^^^j dalabu. ramku, mora, annu, Y (^^w iz^
fc•<^) mon. Y.^, uzzis, >-IT^II, rikis-qane, Jl^Y >-YY.^ mon. S^ idqu,
nararu, 210. SY, babsu, mon. tr, suqalulu. 255. nihappn, rubzu, zuzu.
nasu, mora, ' -Kffi-fe a, "^yy^T' 'mon. ua. uzzu. lu, sanaqu, mon.
>^pEy^, ; \^^, *"| ™' ^y»-) zikaru, mon. mora, and Jl^iyy mon. 327.
narabu, t^^. 341. ^^|> 125. rabii, kiiru, gi; ^]f piiuhtu. biltu, *"^f
zuzu, kibir, 'gA^ man. suiupj ^y B]&» 221. mo«. ; 96. J^, mo». panu,
assinnn. mon. markas, S^ppf.^, la, ridu, »-Y< ; ablu. mora, de belat.
sib; ru; matu. fij mon. mmi. dar mon. "lit, UA&Hn's 79. 366. elibu.
359. \\^5 276. tiknu. 133. S<< tYJ, Elamtu, qatu, man. j*;YY tamirtn.
T^T 342. sal; dar, u, ip, emiin, qullulujlimuttu. zal, ^ mm. 349. gug
isu. \ J, dt >-YY-^ mon. ^^, ibbu, >iy wjon. J:^T^£I, m/m. ;^, mon.
idu, Sinu, ^£^11 2U ^yy>--fcY-^, kakasiga. '""'*• sadadu. W) nabu,
?arru, {used , ' won. ^^T^ aku. sik; sulu-sa-me. radu. milku.
\f^Yyif|5 mon. 279. bunnu. TIT rihii, mon. padi, beltii. iditu. Ju
168. 305. Yiy, f3^5 gamalu. *-jt:YY, ^ffS surur, such YI, ^5^1' puluk.
bahti. yy, 264. 86. ma; mora, ■^! sat, wioji. sabn, >->+-, sukkallu.
isdu- «jo?i. YY for man. >|L<^ ^^« T, Jl^^^y, ^ySp mehiztu, ^TTT.6
"*<"*• bibbu. mora. •"11 185. J^> kabitu. '■'■ ^yyy^^' JZjYYj /]>-,
one, igari. g^^ ■^ suqquUu, 64. T ^Tyf-^, ™°"- puqqu. !, TTfcj, dar.
rik, nu 101. ■jV^' duk; mon. ; kinu. < M^, mon. *~^^i kaiamu, gii^!,
tugultUjgudu. 63. <^, tin; YY?Y, sab; inon. t^yyy 292. >^ baru miz,
tus, ^akan, urkitu. 195. ■^Y mus zumur, turabu. man. episu, *^fflyil'
^mS^ kararn, gu^; nwn. tj^ll' ™o». ; ; Vw*- I jr^y, tubqu, 286. ea;
mon. ina, zadim, , .<^, garnn, eli, gaza, harran, ^y ■J>- mi, napazu,
aladu. panu. mahhu, "S^YY mon. pY, T? 336. lil suk(?) >-f^^ epus.
birutn, ^^ maru, Tnon. sahpu. sizi. kimmatu. saradu-sar, ST> elama,
gig, rj, words lab, S^Sf, S:TYY^, /T£y ; fcff <[>-]^|[, ub, 213. 277.
banu, ; mon. nas; mon. tanittu, nirarn. *"*"!> ^Sw"^' ^^y, y«»^, 5
260. ili, »-^y.^, musaru. saparu. sur mon. mon. miktu. 261. ; 183.
piqannu, bibu, OTore. naqaru-sa-takhar. 165. sir, libit, ^—f tabaz. ;
isatu, nuru. >-Ji_, saplu. 253. ^yy, rap. mon. >— ^J^Y, ; 66. ^Y'
laban. ?^^3,r, mon. mora, ardu, ebiru. 66, ^]i giltanu, rapadu, al;
118. 167. mon. ebiltu, sam, ™'''' /T^y man. ^I^' liku-hamdu, >-^YYY-^,
kir, 'mon. ridu- sir t:TTl?* 323. dir ramu, »iora.*emuq. mon. mow.
dibu. mon. mow. uzu, manzu. »no?i. nabadu, 377. p^ ; sar, y*", sumilu.
60. 380. madadu, qabu, 371. mon. sanu. »»<"»• mon. ilu, durud, gii.
kisadu, 87. mon. Jj(~;3(, "*"'*■ mon. nasaqu. tamzu, 109. nirarutu.
'«o». gestin, 236. ; zab, hibu. 220. y^X- ^' asakku. mitbartu. mora.
•^T, f»^t jt abru. MOK- mon. ■J[V 73. ^{frT; T>~TT, 293. mxm. T sulum,
251. mon. migganu, _£:YTT£: *'*'"' uru. S^, mow. rimutu, •"; ' mon.
'man. ' ^yy5 SpT) namzitu. >^ »YY, saklil, wow. mon. /^~M nitah. J:^ ;
^YYrit:, fcj mon. mo». samu, rakis, garnn, 313. »-[TL amilu, S^ff'-
bubbulu. birku, lab, ammat. nagarruru, '*• puru, su mon. napalkattu,
^^^^^j puru, a labbatu. puluh, ; man. ] mon. nakamu, lam; kUutu, mon.
zamur, 316. malaku. 138. Bur, nas; talent. tt]l mon. mon. ti, S^T,
227. zikaru, con- mon. maliku. 242. TTlty, ?i 144. mon. 142. daku, f
kummu. mon. atta. >-\^, mon. taslu, J5t jj*~, kiribu. erik, kisuj man.
enu, mon. ^t]]] "**"*• num. >.gj>-T, tubuktu. ras; i^) usan. 128. gar;
palahu, 12 < £:< -, ■6Y dabu, mx)n. ; bil, 288. ^i^I' Sy kanaku. has,
tJiT, 228. *-^T) often mon. Y^, kubabbar. sahu. '"<"*• ^YY, takku,
rib; kaiaei. kibis. isdu, man. akru, abu, mahar. number or gar;
sikitu, i-j^t^y? umun, >-^:|, bissatu. labirtu. ^™) ^»?W luh mon.
t^TiYT' 223. bamatu, '"'"*■ idranu. 12 inon. < 61. mon. kis; ^yy^,
sibu. t^^y' fc^I, 224. 18 immu, ^^y|, J:^yy T) akal. 280, t:^ ur, 219.
129. mitpanu. dussu, ^■^^^, rim; 274. Miore. mon. [) Tt 184. T
eribu-sa-samsi, raddu, iz\ manzaz, , hidutu, saru. di, guj 360. >i_^i
mon. mon. allu. %:^^-mM^'^m>^Mi man, lak 285. / JfcJJ JJ*~[ tal 1
banu. ilj mon. 103. 149. baru, tiigu, se, agu. samu. '' man. , I' -,
mow. ^t mwi. ahu, basahu. azal idu. "«"»• I'd '»»»• mow. i umun,
highland. kun. ukallu. , isib, sakiz. rnon. feiT, *-<"[, ■J^fcYj
ekimu. ORDINARY zindu, kasadu, kinattu. mala. nasii-sa-nisi. denu, I
seru, ar; sutesu, dubutu, sahatu. mon. ; T*") f:^ ^%< abtu, karanu.
kididu, muzzatu. gur pi^ *l Utvmen. qanu. for mon. Vul, >-YY.«^ ; YJ,
nat, mon. mon. erik, ""^tlfs 317. >-\-^, rmn. sagumu, *nr >j>^YytY,
namaru, ''*'"»■ aharru. suatu. dub, usuh. >>£:» man. ®^''' /'^~- «io».
Twora. mon. ^Jn^> mon. *-^]f> sagar, du, ; 65. zikaru.: 116. ana,
*~t^El bitu, ru; mid, ; ■^TTtTj halabu, 24o4:. 'reow. mon. ■^Y utu.
*~|T-^5 paru, 151. \tfcK Siranu, tir. mon, kubu. 329. tab; »io?i.
•!=TVt*?y, itesir. kamasu. \i^^^S^^ matu, 104. surup. M^y^ bun, 163.
mon. se; ubil. Y ^^1 .^^t ' mon. tur-sipri. lal, ^es; zarur, , ti^YY,
umun, r«, Yl, T^^^kt^T' > !>■>**-, kabtu, sa, mon. surru, mon. tYYYt:
J 110. banii, mon. dabtu. 141. f:^, J_^i^Y, el, ™ow. ■^*->-y, lal;
sunqu-sa-niz. siktu, -jV, Cl' ^S>Y 378. man. ; man.
Friday, July 9, 2010
poem || Jeff Harrison
Siphon
this spree reassembled clockwise
wishful (wistful)
intrigue piecemeal hyphenate
ciphering (siphoning)
mirror-stained ocean
cordage lucid
lengthwise ghosts
calculations crook novelty
into
siphon curve of vellum
this spree reassembled clockwise
wishful (wistful)
intrigue piecemeal hyphenate
ciphering (siphoning)
mirror-stained ocean
cordage lucid
lengthwise ghosts
calculations crook novelty
into
siphon curve of vellum
from Remove A Concept vol 08 || Peter Ganick
*2255
columbine, in vitro (how it in)
as shape flower, awaken duet at
happen (delight) once a space,
crick's nest .
formfuls of dispassion, 'remain at ease
th genuine is article,
that corner (orange net) dispossess
letter voracious,
bermuda trivalue miscue th
billard somerset apple,
gone slow dance,
th wiser th matrix first count at
once stopper by at drain so far
or along (interest-----------------decants),
decade any andiamo
vessel totter roan, one by three
by behind big bee ...
*2256
tangible, th flux
rides immodest, white on white,
vessels imagine
th functionary (close up) quizzed,
has no attached sequitors is
th prize mind,
assume is recue,
destructo tomahawk child, toy
circus on readout
now motion think better ...
*2257
grating on floor, floodlit amazement
(a horn on)
topicality innuendo, dross avow
motion sudden or flam buoyant
(unspeaking) no fail for
hourliest standard, zero at
punctum,
virtual mellifluence, that awake,
ornate, fluid, revisits th commune,
duck soup (queasy gentian) topping
cd serenity chastise karma,
motion on agree,
compunction (zero tessitura) hidden
in walls,
th look around those instance
venerate compost boarded dice filets
milk an idiot,
ghostly (approve) narrow ...
columbine, in vitro (how it in)
as shape flower, awaken duet at
happen (delight) once a space,
crick's nest .
formfuls of dispassion, 'remain at ease
th genuine is article,
that corner (orange net) dispossess
letter voracious,
bermuda trivalue miscue th
billard somerset apple,
gone slow dance,
th wiser th matrix first count at
once stopper by at drain so far
or along (interest-----------------decants),
decade any andiamo
vessel totter roan, one by three
by behind big bee ...
*2256
tangible, th flux
rides immodest, white on white,
vessels imagine
th functionary (close up) quizzed,
has no attached sequitors is
th prize mind,
assume is recue,
destructo tomahawk child, toy
circus on readout
now motion think better ...
*2257
grating on floor, floodlit amazement
(a horn on)
topicality innuendo, dross avow
motion sudden or flam buoyant
(unspeaking) no fail for
hourliest standard, zero at
punctum,
virtual mellifluence, that awake,
ornate, fluid, revisits th commune,
duck soup (queasy gentian) topping
cd serenity chastise karma,
motion on agree,
compunction (zero tessitura) hidden
in walls,
th look around those instance
venerate compost boarded dice filets
milk an idiot,
ghostly (approve) narrow ...
Thursday, July 8, 2010
text || Alan Sondheim
Threshold
Living alone in my loft, there is an entire phenomenology of entering and
exiting; the external world literally floods my presence when I _emerge_
into the light. The rite of passage in signing on to a MOO is different;
one is already on-line, and the passage may occur among various
applications, including ytalk, IRC, and so forth.
The threshold in fact occurs with the initial logging-on, a trivial act
in itself. The community then appears, with the secondary log-on in its
entirety; ontologies shimmer, epistemologies crash, and so forth.
It's difficult for an outsider to understand this transformation occurring
with the movement of a few keys. The body remains in place. Nothing floods
the room, and it's the flooding that ordinarily separates interior and
exterior - along with the relative lack of ownership and privacy the ex-
terior occasions (which is more problematic in cyberspace), and so forth.
This is where prosthesis, the uncanny, projection/introjection, and the
like come into play. The user is at home or in the office; the mind is
moving fast-forward elsewhere. It's going to seem useless, artificial,
non-existent. It's going to be incomprehensible from the outside, and so
forth.
The space is dry. Nothing is illuminated. Words crack either darker or
lighter than background, light background flattening the screen, dark
background an illusion of inconceivable depth; Pascal comes to mind, and
so forth.
In dreams real and virtual coalesce, ascii-dreams, livid dreams, maroon
dreams of womb interiors, dreams of classification, conflagration. They
flicker in and out of the preconscious, lists of sexual graphemes and
regions centered around the penis, perineum, anus, nipple. I wake in the
middle of the night, fingers half-inserted, erect, sweated; there are
monsters. The image: cuneiform word-lists, transliterated and translated,
sharp spikes penetrating the body, mouths held open. There are no screams
in cyberspace, not even with Iphone's advent; there is the collusion, the
_substance_ of the computer, and it's this _substance_ as well which
remains untranslatable to those unfamiliar, and so forth.
Circulating among the home pages, one rarely runs into community; language
is pasted onto signboards, even on those refreshable chat sites. Crack the
Web, split it open, and words, neighborhoods seethe forth. I resist this,
this splitting, even the surface, resist the Net; for me, totally succumb-
ing to its narrowed modalities is the sign of death, hungering for too
long too near the screen. But I understand the promise in this hungering
as well, the ability to achieve satiation, find commonality. I have to
remind myself constantly that I'm a freak, that the lure of the threshold
is the lure of paste compared to the flood of the out of doors, and so
forth.
It's a litany of occasions, events, each with their temporal horizons,
subjective projects, relevances, avatars, sublimations, repressions,
identities, political and monetary economies. As I said last night to the
interviewer from NPR (not broadcast), humans will find communicative and
communal possibilities in any ecological niche; there are Iphone and IRC
societies as well as those in MUDs, MOOs, newsgroups, email lists, and so
forth. Communication in this fashion parallels capital and late capital-
ism, extending and expanding through all those devices of -jectivity, hy-
steric embodiment, that I've documented elsewhere. So there are thresholds
and rites of passage, there are communities and projections, there are hy-
sterias and issues of governance/framework/political economy, and there
is a majority off-line public out there, meeting explanation with bewil-
derment, uncomprehending of community external to the obdurate existence
of bodies, trails, buildings, streets, and so forth.
And so forth into the night of the darknet, day of the real, vacillating
among illuminations, uneasy dreams, sexual-depressive twists of the body,
corporate-celebratory twists of the machinic, and so forth.
Living alone in my loft, there is an entire phenomenology of entering and
exiting; the external world literally floods my presence when I _emerge_
into the light. The rite of passage in signing on to a MOO is different;
one is already on-line, and the passage may occur among various
applications, including ytalk, IRC, and so forth.
The threshold in fact occurs with the initial logging-on, a trivial act
in itself. The community then appears, with the secondary log-on in its
entirety; ontologies shimmer, epistemologies crash, and so forth.
It's difficult for an outsider to understand this transformation occurring
with the movement of a few keys. The body remains in place. Nothing floods
the room, and it's the flooding that ordinarily separates interior and
exterior - along with the relative lack of ownership and privacy the ex-
terior occasions (which is more problematic in cyberspace), and so forth.
This is where prosthesis, the uncanny, projection/introjection, and the
like come into play. The user is at home or in the office; the mind is
moving fast-forward elsewhere. It's going to seem useless, artificial,
non-existent. It's going to be incomprehensible from the outside, and so
forth.
The space is dry. Nothing is illuminated. Words crack either darker or
lighter than background, light background flattening the screen, dark
background an illusion of inconceivable depth; Pascal comes to mind, and
so forth.
In dreams real and virtual coalesce, ascii-dreams, livid dreams, maroon
dreams of womb interiors, dreams of classification, conflagration. They
flicker in and out of the preconscious, lists of sexual graphemes and
regions centered around the penis, perineum, anus, nipple. I wake in the
middle of the night, fingers half-inserted, erect, sweated; there are
monsters. The image: cuneiform word-lists, transliterated and translated,
sharp spikes penetrating the body, mouths held open. There are no screams
in cyberspace, not even with Iphone's advent; there is the collusion, the
_substance_ of the computer, and it's this _substance_ as well which
remains untranslatable to those unfamiliar, and so forth.
Circulating among the home pages, one rarely runs into community; language
is pasted onto signboards, even on those refreshable chat sites. Crack the
Web, split it open, and words, neighborhoods seethe forth. I resist this,
this splitting, even the surface, resist the Net; for me, totally succumb-
ing to its narrowed modalities is the sign of death, hungering for too
long too near the screen. But I understand the promise in this hungering
as well, the ability to achieve satiation, find commonality. I have to
remind myself constantly that I'm a freak, that the lure of the threshold
is the lure of paste compared to the flood of the out of doors, and so
forth.
It's a litany of occasions, events, each with their temporal horizons,
subjective projects, relevances, avatars, sublimations, repressions,
identities, political and monetary economies. As I said last night to the
interviewer from NPR (not broadcast), humans will find communicative and
communal possibilities in any ecological niche; there are Iphone and IRC
societies as well as those in MUDs, MOOs, newsgroups, email lists, and so
forth. Communication in this fashion parallels capital and late capital-
ism, extending and expanding through all those devices of -jectivity, hy-
steric embodiment, that I've documented elsewhere. So there are thresholds
and rites of passage, there are communities and projections, there are hy-
sterias and issues of governance/framework/political economy, and there
is a majority off-line public out there, meeting explanation with bewil-
derment, uncomprehending of community external to the obdurate existence
of bodies, trails, buildings, streets, and so forth.
And so forth into the night of the darknet, day of the real, vacillating
among illuminations, uneasy dreams, sexual-depressive twists of the body,
corporate-celebratory twists of the machinic, and so forth.
from DESCRIBES || John Crouse
To desire very much material from the stomach to flow along or overflow against to prevent rubbing a complete failure to leave suddenly and unexpectedly to seem to want to be unhappy where earth has been washed away to take a long trip usually by boat washed with raindrops a hidden place from which a surprise attack can be made brought up suddenly through the mouth to run at slow speed before using to become more interested than at first so tight as to be waterproof.
So as to appear or be present risen above the horizon or ground or into a better or more advanced state making use of what is new or recent or relating to urine a reason or need to put into action or service to send forth as a sound showing a lack of thought or expression having legal force or affect a bat of tropical america used to ask about the identity of a person where in the world or the parts of the body through which it passes to think or act a certain way by flattering that has flippers and a flattened tail no matter what or which time what would happen if.
An insect that usually flies at night with an adjective or adverb that forms the comparative made from opium to the greatest or highest level or extent in addition to what has been said a human being the next day usually reached directly from an outdoor parking lot like cushions clinging to rocks a system of sending messages of different colors uses long and short sounds made of lime and cement or dots and dashes and has mostly feathery antennae used to relive pain to represent letters and numbers and to make patterns or pictures and smaller wings than the related butterflies to form the superlative.
So as to appear or be present risen above the horizon or ground or into a better or more advanced state making use of what is new or recent or relating to urine a reason or need to put into action or service to send forth as a sound showing a lack of thought or expression having legal force or affect a bat of tropical america used to ask about the identity of a person where in the world or the parts of the body through which it passes to think or act a certain way by flattering that has flippers and a flattened tail no matter what or which time what would happen if.
An insect that usually flies at night with an adjective or adverb that forms the comparative made from opium to the greatest or highest level or extent in addition to what has been said a human being the next day usually reached directly from an outdoor parking lot like cushions clinging to rocks a system of sending messages of different colors uses long and short sounds made of lime and cement or dots and dashes and has mostly feathery antennae used to relive pain to represent letters and numbers and to make patterns or pictures and smaller wings than the related butterflies to form the superlative.
Wednesday, July 7, 2010
text || Alan Sondheim
The Plain
My Gothic grammar states that there is almost no literature available in
the language; most of what one knows stems from the New Testament
translation done by Ulfilas in the fourth century, through sixth century
Italian copies.
In Mandeville, the images of the Khan remain with me, mobile capitals on
mobile plains, nomadic. In the Utgarda-Loki section of the Prose Edda,
Thor turns around, and the castle has disappeared; there's nothing but
the plain.
The plain is the locus of power, the site of a part-object tentatively
connected to Goths, Visigoths, Saxons, the Golden Horde. It's criss-
crossed, temporary. Distance is measured by civilization, the rings of
stationary dwellings, agriculture, surrounding, encroaching on the desert
which proceeds to devour them. As today.
Territories extend indefinitely, carrying nothing with them. Simmel's
stranger glances, walks on. It's always a situation of strangers; reading
Rutilius Claudius Namatianus, there are Goths who are enemies, and a Goth
who buys the house.
Investments are made in the form of the project/production. Imagine the
brightness of the stars in the evening, the fair regularity of the cycles
of weather. One can gallop up and down almost indefinitely. You can hear
the sounds of the horses at a distance. There are always the skitterings
of small mammals in the underbrush. Firelight is the source. There's a
smell of meat. There's the sound of stringed instruments and sometimes
dancing in the distance.
These are the spaces of cyberspace, holes, temporary encrustations, in-
tensities. These are the spaces where fantasms appear, burn into the eyes,
turn inward or outward, disappear once again. Try as I might, these spaces
defy description. They're not nomadicisms in the Deleuze/Guattari sense;
there are no lines of flight. The spaces are self-similar, but _locally_
intense, everywhere, with the currents of micro-ecological niches. You
can't forget the ecology, ever; you can't forget the claims of nations,
colonialisms, geographic economies. Boundaries are always already in flux,
just as they are, say, in the WorldsChat emptied spaces which look some-
thing like enormous boxing rings.
WorldsChat in fact provides an example: _What anchors the avatars to the
simulated ground?_ Nothing, of course, except for programming which
occasionally is faulty, sending figures flying. The screen, not the de-
lineation of planet, is the final arbiter. And the screen is nowhere; it
is the eye, the stain or residue of the gaze.
The screen is naught; the screen carries a sense of boundary, outline.
Outline disappears in the literal maze of links, multiply-connected topo-
logy that always returns to itself, frays at the edges. It's as if culture
is the _objet petit a_ somewhere else; who/what pulls the tongue from the
mouth?
The body is never found. The voices are always at a distance. You can't
see the animals for the underbrush. The animals are stases; they know
where they are. They aren't agents, of anything, anyone. It's not as if
they're "there" either. The "it" is a neutral inscription. It doesn't
mean anything in the sense. It doesn't have any location. Nor does it
move on; there aren't vectors.
But it's not all negative. It's the plain. It's where you can draw figures
or cut them into the grass. It's where they appear as if they're _some-
thing_ in the midst of, that is, between, seasons. They're ignored because
you can only see them from the air. Airplanes haven't been invented yet
but the kids are having a good laugh and you can hear them clear across
the plain.
(There's so _little_ of Gothic left to read/hear. Almost all of it is
translation from the Gospels, as if others are speaking through their
tombs. Colonialization circulates among itself. Logos takes over, hard
inscription. The Bible is the Book. The Book is the Bible. The world goes
flat with forgetting. Each and every world is a plain. Cyberspace is all
the world there is.)
My Gothic grammar states that there is almost no literature available in
the language; most of what one knows stems from the New Testament
translation done by Ulfilas in the fourth century, through sixth century
Italian copies.
In Mandeville, the images of the Khan remain with me, mobile capitals on
mobile plains, nomadic. In the Utgarda-Loki section of the Prose Edda,
Thor turns around, and the castle has disappeared; there's nothing but
the plain.
The plain is the locus of power, the site of a part-object tentatively
connected to Goths, Visigoths, Saxons, the Golden Horde. It's criss-
crossed, temporary. Distance is measured by civilization, the rings of
stationary dwellings, agriculture, surrounding, encroaching on the desert
which proceeds to devour them. As today.
Territories extend indefinitely, carrying nothing with them. Simmel's
stranger glances, walks on. It's always a situation of strangers; reading
Rutilius Claudius Namatianus, there are Goths who are enemies, and a Goth
who buys the house.
Investments are made in the form of the project/production. Imagine the
brightness of the stars in the evening, the fair regularity of the cycles
of weather. One can gallop up and down almost indefinitely. You can hear
the sounds of the horses at a distance. There are always the skitterings
of small mammals in the underbrush. Firelight is the source. There's a
smell of meat. There's the sound of stringed instruments and sometimes
dancing in the distance.
These are the spaces of cyberspace, holes, temporary encrustations, in-
tensities. These are the spaces where fantasms appear, burn into the eyes,
turn inward or outward, disappear once again. Try as I might, these spaces
defy description. They're not nomadicisms in the Deleuze/Guattari sense;
there are no lines of flight. The spaces are self-similar, but _locally_
intense, everywhere, with the currents of micro-ecological niches. You
can't forget the ecology, ever; you can't forget the claims of nations,
colonialisms, geographic economies. Boundaries are always already in flux,
just as they are, say, in the WorldsChat emptied spaces which look some-
thing like enormous boxing rings.
WorldsChat in fact provides an example: _What anchors the avatars to the
simulated ground?_ Nothing, of course, except for programming which
occasionally is faulty, sending figures flying. The screen, not the de-
lineation of planet, is the final arbiter. And the screen is nowhere; it
is the eye, the stain or residue of the gaze.
The screen is naught; the screen carries a sense of boundary, outline.
Outline disappears in the literal maze of links, multiply-connected topo-
logy that always returns to itself, frays at the edges. It's as if culture
is the _objet petit a_ somewhere else; who/what pulls the tongue from the
mouth?
The body is never found. The voices are always at a distance. You can't
see the animals for the underbrush. The animals are stases; they know
where they are. They aren't agents, of anything, anyone. It's not as if
they're "there" either. The "it" is a neutral inscription. It doesn't
mean anything in the sense. It doesn't have any location. Nor does it
move on; there aren't vectors.
But it's not all negative. It's the plain. It's where you can draw figures
or cut them into the grass. It's where they appear as if they're _some-
thing_ in the midst of, that is, between, seasons. They're ignored because
you can only see them from the air. Airplanes haven't been invented yet
but the kids are having a good laugh and you can hear them clear across
the plain.
(There's so _little_ of Gothic left to read/hear. Almost all of it is
translation from the Gospels, as if others are speaking through their
tombs. Colonialization circulates among itself. Logos takes over, hard
inscription. The Bible is the Book. The Book is the Bible. The world goes
flat with forgetting. Each and every world is a plain. Cyberspace is all
the world there is.)
seven texts || Bob BrueckL
1.
de-grammatized intradas, theirself evidence of nefertiti curiosities, leering frissons of slurred accidie, alizarin veins replete with motionless apathies, thirsty blast of a hokum leaf, ethereal bleach, ethereal curiosities mirrored in the veins of a cactus, leering reclusive cacti thoroughly redundant, echoing resurrected slurs of tete-a-tete frissons, avenir matrix, tessitura frisson of accidie
2.
what vagaries, avalanches of vagaries, what narrow breakers of once remote queues of surplex-heisted breakers, blotto mitoses of omicron breakers breathing in a stunted tide of clefs until the tension of otherness is released through the blowhole parallel to nothingness, targeting wily eurasian valences, blowhole redux, ineffectual night of tessitura, night breakers of narrowness, blowholes of otherness
3.
latency of emptiness, tessitura of elasticity, bubbling elasticity of epigrammatic whorls of siphoned-off bloodlines, tessitura of prescient trajectories, tattered traces of valves, slitted borers of ontic zeroes, zero-hundreds of a foul-plastic burp, evasive burps of pillaged evasions leafing through slits of figurations, once ruffian configurations of tessitura, cenotaphic bloodlines of cetacean trajectories, valveless texts of elastic bubbling epilogues leafing through sere envelopes of pillaged blurbs, arundel burps, wood-still
4.
night furnace of havoc, de-grammatized furnace of redundancy, mirrored havoc of tessitura accidie, blowholes of emptiness, tattering tessitura of accidie curiosities, remote queues encircling matrices of apathy, blundering queues of remote matrices, wavering queues of wavers, pale waves of breakers, bottomless breakers of apathy, narrow oeuvres of matrixes encircling tendencies of apathy, remote tendencies targeting blunders of bottomless queues encircling pale targets of evidential motions of hokum, motionless frissons of otherness, blundering tensions and thensome, leering parallel surfaces of bleached motionlessness, impounded tensions of alizarin otherness, hokum tensions bleaching hundreds of blunders of wily leering frissons
5.
echoing slurs of nothingness, whorls of coptic thirsts, ethereal whorls of coptic slurs, cavalier heists of thirsty wicca tides, thirsty surplex of somewheres, echoing intradas of ineffectual mitoses, whorls of breathing omicron vagaries, coptic veins echoing narrowness
6.
valve borers leafing through tessitura bubbles of ruffian cabooses, cetacean-tattered evasions, narrow texts of bubbling leaf-valves, latent burps in thrall to the epigrammatic environs of the cenotaphic bloodlines of elasticity, slitted sere trajectories of elastic pillages, sere bloodlines enveloping burping bloodlines of slitted elasticities pillaging siphoned-off epilogues of cenotaphic envelopes burping in thrall to traced environs, elastic burps being siphoned-off
7.
bodily redux curiosities mirroring clefs of blotto accidie or eurasian redundancies of blowhole havoc, de-grammatized valences resurrecting accidie nights of stunted clefs, emptinesses de-grammatizing valences of reduxed redundancies, resurrected furnace of accidie emptinesses mirroring theirself, blotto reduxes blowholing emptinesses wherein night is de-grammatized by accidie curiosities -- blast one -- blotto blotto blotto
after Peter Ganick's text "where you what you?"
de-grammatized intradas, theirself evidence of nefertiti curiosities, leering frissons of slurred accidie, alizarin veins replete with motionless apathies, thirsty blast of a hokum leaf, ethereal bleach, ethereal curiosities mirrored in the veins of a cactus, leering reclusive cacti thoroughly redundant, echoing resurrected slurs of tete-a-tete frissons, avenir matrix, tessitura frisson of accidie
2.
what vagaries, avalanches of vagaries, what narrow breakers of once remote queues of surplex-heisted breakers, blotto mitoses of omicron breakers breathing in a stunted tide of clefs until the tension of otherness is released through the blowhole parallel to nothingness, targeting wily eurasian valences, blowhole redux, ineffectual night of tessitura, night breakers of narrowness, blowholes of otherness
3.
latency of emptiness, tessitura of elasticity, bubbling elasticity of epigrammatic whorls of siphoned-off bloodlines, tessitura of prescient trajectories, tattered traces of valves, slitted borers of ontic zeroes, zero-hundreds of a foul-plastic burp, evasive burps of pillaged evasions leafing through slits of figurations, once ruffian configurations of tessitura, cenotaphic bloodlines of cetacean trajectories, valveless texts of elastic bubbling epilogues leafing through sere envelopes of pillaged blurbs, arundel burps, wood-still
4.
night furnace of havoc, de-grammatized furnace of redundancy, mirrored havoc of tessitura accidie, blowholes of emptiness, tattering tessitura of accidie curiosities, remote queues encircling matrices of apathy, blundering queues of remote matrices, wavering queues of wavers, pale waves of breakers, bottomless breakers of apathy, narrow oeuvres of matrixes encircling tendencies of apathy, remote tendencies targeting blunders of bottomless queues encircling pale targets of evidential motions of hokum, motionless frissons of otherness, blundering tensions and thensome, leering parallel surfaces of bleached motionlessness, impounded tensions of alizarin otherness, hokum tensions bleaching hundreds of blunders of wily leering frissons
5.
echoing slurs of nothingness, whorls of coptic thirsts, ethereal whorls of coptic slurs, cavalier heists of thirsty wicca tides, thirsty surplex of somewheres, echoing intradas of ineffectual mitoses, whorls of breathing omicron vagaries, coptic veins echoing narrowness
6.
valve borers leafing through tessitura bubbles of ruffian cabooses, cetacean-tattered evasions, narrow texts of bubbling leaf-valves, latent burps in thrall to the epigrammatic environs of the cenotaphic bloodlines of elasticity, slitted sere trajectories of elastic pillages, sere bloodlines enveloping burping bloodlines of slitted elasticities pillaging siphoned-off epilogues of cenotaphic envelopes burping in thrall to traced environs, elastic burps being siphoned-off
7.
bodily redux curiosities mirroring clefs of blotto accidie or eurasian redundancies of blowhole havoc, de-grammatized valences resurrecting accidie nights of stunted clefs, emptinesses de-grammatizing valences of reduxed redundancies, resurrected furnace of accidie emptinesses mirroring theirself, blotto reduxes blowholing emptinesses wherein night is de-grammatized by accidie curiosities -- blast one -- blotto blotto blotto
after Peter Ganick's text "where you what you?"
2 new pomes || Billy Bob Beamer
circ
#1.hirc dilu/ tin sor /scha a kor urt .
sus bol wolran arsh circ e or lo wopea . talspar dor tot .
of dorp. epo deopro
TUL PA TIE TIE/TAR TAR TIE TIE/ E/ E
hire . bol ..blanch up
kee
#2 cheo alha fejo
hokio edoba
uno k tho teed proflig tohe lone kisali rilon
deet shloss gohax flute
eben cio o enmilox hof dubdius bigirt
siifffihie tetvisivsh hudolonen asu deg cog thup
TUL PA
#3 for the the rot rot go gim
soe for the the fot tole goh jop
rote dot for the the fog
dort dorsch fort foke no roprop
mone some thit hire tok en tok en
dope so pae do goy sou ty rih suj ue shiy
nad kid feh fyn snim flone l oy si gor fij jes evv
fall fit fall er rot doue lood
TUL TIE 1 1 1 1 1234
blan orse ar oum tom e fit tie
(er al ni tu nid go hord so ro sus
forOrNettelOneLywoMaN
Lor n Aw ay wa yp as teI co ud spe n dgo r al good urn lonely ingmy lif e in this sw eet su rrender.I co uld spend my life I'm calling all theI'm calling shots tonight in this swe etAway. I'm ca lling all the shot s ton igh It ai n't easy, l iv in' like yawa n na.But go rea lcity is pis s Awaymy hands go od with wine.likeand lonely ya w anna It ai n't easy , livin' like ya w an na.an d Fly sens e of all th e th ings com e back to you. Ching Ha d myLorn and lonelyoff my hands through the sense of timeWithM a nd Unc le Bif f. Was to piss off my d ad.Yea h,Was to pss Aw ay From th e is a war zo ne. I f it w asFlythe city isAway on your face.piss Away Believe in all theon your face good things. We're burning dow n pi ss Aw a y tonight.We 're bur nin gz Lorn and lo nely.
unclearDirectionssoCreated by aCut& pasteof every other phrase. then random words &with eyes closed for 5 minutes& random letter separation, . Textcamefrom randomly selected email from an unknown company (sp\ am). bbbeamer
#1.hirc dilu/ tin sor /scha a kor urt .
sus bol wolran arsh circ e or lo wopea . talspar dor tot .
of dorp. epo deopro
TUL PA TIE TIE/TAR TAR TIE TIE/ E/ E
hire . bol ..blanch up
kee
#2 cheo alha fejo
hokio edoba
uno k tho teed proflig tohe lone kisali rilon
deet shloss gohax flute
eben cio o enmilox hof dubdius bigirt
siifffihie tetvisivsh hudolonen asu deg cog thup
TUL PA
#3 for the the rot rot go gim
soe for the the fot tole goh jop
rote dot for the the fog
dort dorsch fort foke no roprop
mone some thit hire tok en tok en
dope so pae do goy sou ty rih suj ue shiy
nad kid feh fyn snim flone l oy si gor fij jes evv
fall fit fall er rot doue lood
TUL TIE 1 1 1 1 1234
blan orse ar oum tom e fit tie
(er al ni tu nid go hord so ro sus
forOrNettelOneLywoMaN
Lor n Aw ay wa yp as teI co ud spe n dgo r al good urn lonely ingmy lif e in this sw eet su rrender.I co uld spend my life I'm calling all theI'm calling shots tonight in this swe etAway. I'm ca lling all the shot s ton igh It ai n't easy, l iv in' like yawa n na.But go rea lcity is pis s Awaymy hands go od with wine.likeand lonely ya w anna It ai n't easy , livin' like ya w an na.an d Fly sens e of all th e th ings com e back to you. Ching Ha d myLorn and lonelyoff my hands through the sense of timeWithM a nd Unc le Bif f. Was to piss off my d ad.Yea h,Was to pss Aw ay From th e is a war zo ne. I f it w asFlythe city isAway on your face.piss Away Believe in all theon your face good things. We're burning dow n pi ss Aw a y tonight.We 're bur nin gz Lorn and lo nely.
unclearDirectionssoCreated by aCut& pasteof every other phrase. then random words &with eyes closed for 5 minutes& random letter separation, . Textcamefrom randomly selected email from an unknown company (sp\ am). bbbeamer
text || Peter Ganick
where you what you?
targeting so mainframe each asks oeuvre:
pale dice how to be domino breaker
narrow sitcom the evidential blunder washing captured releases.
queues remotely assurance thorough nefertiti cactus
reclusive than symbolism tête-à -tête for a matrix replete viaduct
waver those sibilant evictions
leaf heating a bulletin avenir bottomless apathy encircles tendencies
hokum strategy frissons blundering alizarin
thankful residences borrower that cavafy leering bleach format inroads
the motionless once of the otherness aware shelter
impounding calendars heated hundreds thensome wile of remission’s
in parallel with surface tension.
coptic avalanches
cavalier nothingness
awesome vagaries met widely arundel prescient tolerance
the bugbear ontic evaluations heard tides surplex heist mitoses
that effectual narrowness omicron gift wicca breathing exercise
tent city until remakes of email reaching for dances thirsty echoing intradas
something somewhere ethereal casket nor vein through evidence
slurred workaholic therein slides the motivation whorls outside figuration
of primacy
tessitura leafing through foul-plastic evasion borrowers inroads those ruffian
cetacean blood-line zero-hundreds bubbling each narrow test text there in stride.
valve otherwise borers on wood-still venerable tattering clemency eiffel caboose.
slitted alternatives offhand traces of epilogue
epigrammatic surpluses then sere that bloodline trajectory of a mountain siphoned
thrall burp environs
hotmail cenotaphic elasticity
once introducers of pillage and peacework
this envelopes thematic latency thrown though arrives the emptiness
one havoc redundancy mirrored accidie
those webelos curiosities bodily aegis aegean theirself nuremburg resurrected
blast furnace oversight de-grammatized where stunted valences
pro ceiling fatima nominates.
night-time wherein slowly redux blotto clef of eurasian blowhole.
targeting so mainframe each asks oeuvre:
pale dice how to be domino breaker
narrow sitcom the evidential blunder washing captured releases.
queues remotely assurance thorough nefertiti cactus
reclusive than symbolism tête-à -tête for a matrix replete viaduct
waver those sibilant evictions
leaf heating a bulletin avenir bottomless apathy encircles tendencies
hokum strategy frissons blundering alizarin
thankful residences borrower that cavafy leering bleach format inroads
the motionless once of the otherness aware shelter
impounding calendars heated hundreds thensome wile of remission’s
in parallel with surface tension.
coptic avalanches
cavalier nothingness
awesome vagaries met widely arundel prescient tolerance
the bugbear ontic evaluations heard tides surplex heist mitoses
that effectual narrowness omicron gift wicca breathing exercise
tent city until remakes of email reaching for dances thirsty echoing intradas
something somewhere ethereal casket nor vein through evidence
slurred workaholic therein slides the motivation whorls outside figuration
of primacy
tessitura leafing through foul-plastic evasion borrowers inroads those ruffian
cetacean blood-line zero-hundreds bubbling each narrow test text there in stride.
valve otherwise borers on wood-still venerable tattering clemency eiffel caboose.
slitted alternatives offhand traces of epilogue
epigrammatic surpluses then sere that bloodline trajectory of a mountain siphoned
thrall burp environs
hotmail cenotaphic elasticity
once introducers of pillage and peacework
this envelopes thematic latency thrown though arrives the emptiness
one havoc redundancy mirrored accidie
those webelos curiosities bodily aegis aegean theirself nuremburg resurrected
blast furnace oversight de-grammatized where stunted valences
pro ceiling fatima nominates.
night-time wherein slowly redux blotto clef of eurasian blowhole.
Tuesday, July 6, 2010
from DESCRIBES || John Crouse
Familiar friends not eaten by the bird and friends and relatives where vegetables are grown with the lips as a mark of love or greeting flying in the air for household use a relative usually by birth in loving touch with the lips a piece in checkers that has reached the opponents back row a person who kisses at the end of a long string.
A set of parts to be put together of a king having brown skin in a sympathetic manner suited to a king in a new body after death slightly tart green flesh in an obliging manner and bright feathers with wide sleeves used to prop the vehicle in the form of urine or oven in which rebirth of the soul is hardened with a broad sash as an outer garment growing out of gentleness instead of hit with a bat spoils the pleasure of others the lock of a gun that is pressed used chiefly at the end of a sentence to release the hammer so it will fire.
The yellow inner part of the egg to be productive especially to the taste or have ideas for the future can multiply when inside the cell of an organism the people living in a village a field of grapevines a usually hidden computer program used to flavor or preserve foods turned out for the parade ranking below an earl who has not has sexual intercourse that eats insects changed by human activity causes harm by making copies of itself with long hollow fangs above a baron and inserting them into other programs.
A watch held over the body of a dead person an advance to first base after four balls a slow way of moving a horse often indented with a pattern of folded money or puff of air full of jokes a homeless child for making waffles by stepping through water a long cry of grief to walk with short steps labored in the field tests are done has a call resembling laughter to put a word or words on a person who rows a boat a state of doubt or confusion hidden from view.
A set of parts to be put together of a king having brown skin in a sympathetic manner suited to a king in a new body after death slightly tart green flesh in an obliging manner and bright feathers with wide sleeves used to prop the vehicle in the form of urine or oven in which rebirth of the soul is hardened with a broad sash as an outer garment growing out of gentleness instead of hit with a bat spoils the pleasure of others the lock of a gun that is pressed used chiefly at the end of a sentence to release the hammer so it will fire.
The yellow inner part of the egg to be productive especially to the taste or have ideas for the future can multiply when inside the cell of an organism the people living in a village a field of grapevines a usually hidden computer program used to flavor or preserve foods turned out for the parade ranking below an earl who has not has sexual intercourse that eats insects changed by human activity causes harm by making copies of itself with long hollow fangs above a baron and inserting them into other programs.
A watch held over the body of a dead person an advance to first base after four balls a slow way of moving a horse often indented with a pattern of folded money or puff of air full of jokes a homeless child for making waffles by stepping through water a long cry of grief to walk with short steps labored in the field tests are done has a call resembling laughter to put a word or words on a person who rows a boat a state of doubt or confusion hidden from view.
text || Alan Sondheim
Vocks
I want to take up the idea of voice in chats as embodiment again, from a
relatively simplistic viewpoint. The voice, its granularity, is intimate
with the body, produced directly by the reconfiguring of tissue. To the
speaker, it appears unmediated; even language itself streams forth, as if
without impediment or processing. When an avatar represents a player on a
visual chat, there is a split in embodiment; however, the body is adept at
what Polyani calls _tacit knowledge,_ the ability to invest in, cathect
through, an other, implement, terrain, etc. The human organism exists
within a symbolic field with physiological consequences; physiology and
communication are intertwined, as aphasias, etc. demonstrate. So the split
between visual avatar and verbal language, or even visual avatar and writ-
ten/textual language at the bottom or adjacent to the image, is ultimately
no great difficulty, no matter how theorized. The _practical_ element is
something else again, however, with the text covering up the its embedding
space (including the presence of other avatars) in ThePalace for example.
If one wishes in fact to study the _cyborg_ at this point in time, the
avatar itself, as dissemination from the physiological body, constitutes a
dominant site. The avatar is articulated in dialectic among software, par-
ticipant, and communicative space (the give and take of the on line commu-
nity at hand); it is simultaneously organic and machinic, self-operated
and remotely "run." It is susceptible to upgrading, software variants,
etc. And ultimately, it represents, not an exterior shell, but the interi-
ority of the participant's body, morphing according to intention, command,
and drive.
It's interesting to watch someone beginning with WorldsChat, moving a
clumsy body around a constantly (and clearly) reconfigured space; there is
always a kinesthetic sense involved, interference for example indicated if
and when one of the figures comes between two others apparently (who
knows?) engaged in whispered conversation. And this occurs with minimal
clues of course. Even the early mouse movements leave one feeling as if
she or he were _propelled_ through the space, tentatively or violently
moving from group to group in blind search. In spite of the fact that (at
least the surface) conversation is reasonably inane, WorldsChat provides
a clear example of future cyborg existence. It's already here, inhabited,
dependent as usual upon consumption, fast machines, and the lucky me who
has access to a T1 line.
It's _money_ all the way.
I want to take up the idea of voice in chats as embodiment again, from a
relatively simplistic viewpoint. The voice, its granularity, is intimate
with the body, produced directly by the reconfiguring of tissue. To the
speaker, it appears unmediated; even language itself streams forth, as if
without impediment or processing. When an avatar represents a player on a
visual chat, there is a split in embodiment; however, the body is adept at
what Polyani calls _tacit knowledge,_ the ability to invest in, cathect
through, an other, implement, terrain, etc. The human organism exists
within a symbolic field with physiological consequences; physiology and
communication are intertwined, as aphasias, etc. demonstrate. So the split
between visual avatar and verbal language, or even visual avatar and writ-
ten/textual language at the bottom or adjacent to the image, is ultimately
no great difficulty, no matter how theorized. The _practical_ element is
something else again, however, with the text covering up the its embedding
space (including the presence of other avatars) in ThePalace for example.
If one wishes in fact to study the _cyborg_ at this point in time, the
avatar itself, as dissemination from the physiological body, constitutes a
dominant site. The avatar is articulated in dialectic among software, par-
ticipant, and communicative space (the give and take of the on line commu-
nity at hand); it is simultaneously organic and machinic, self-operated
and remotely "run." It is susceptible to upgrading, software variants,
etc. And ultimately, it represents, not an exterior shell, but the interi-
ority of the participant's body, morphing according to intention, command,
and drive.
It's interesting to watch someone beginning with WorldsChat, moving a
clumsy body around a constantly (and clearly) reconfigured space; there is
always a kinesthetic sense involved, interference for example indicated if
and when one of the figures comes between two others apparently (who
knows?) engaged in whispered conversation. And this occurs with minimal
clues of course. Even the early mouse movements leave one feeling as if
she or he were _propelled_ through the space, tentatively or violently
moving from group to group in blind search. In spite of the fact that (at
least the surface) conversation is reasonably inane, WorldsChat provides
a clear example of future cyborg existence. It's already here, inhabited,
dependent as usual upon consumption, fast machines, and the lucky me who
has access to a T1 line.
It's _money_ all the way.
poem || Jeff Harrison
Seaward Grudge
what you carry in your clothes
is not gold, driver, it's bones
in my ledgers the State
is so hot for, officer,
each blunder is made by
only five bales of bread
bread blunders of orange ouch,
vast, vast is the relenting dent...
of that dent: I'm in this, & in brass
& waltz-like of malignity, tho I
called for something light, driver,
you'll leaf razzle, rust and pocket
this grows out, map, out & into files...
driver, whose visible groves were these?
the missing accident daughter? well, then,
her leaps MUST have been impenetrable...
there were more than one? surely
a couple of them at least will
top this writing with wish words
who half in kicks grow skill - hist!,
someone rouses my syllables:
wind my names up, you
seaward grudge, you
kissing-foot thing,
move along now,
missing accident daughters,
your speech is live, mine
is reluctant willows, Herr
B's is flowers in hand...
flowers & hand: they,
the flowers, love hand?
missing accident
daughters, here
your pieces roam to
ghost that low form
of Herr Bibliothekarius,
so this poem's sudden guest
can dream his eye chirps Logic's sun
instead of Curiosity's eyes... oh, &
here you'll think understanding away, Sirens
what you carry in your clothes
is not gold, driver, it's bones
in my ledgers the State
is so hot for, officer,
each blunder is made by
only five bales of bread
bread blunders of orange ouch,
vast, vast is the relenting dent...
of that dent: I'm in this, & in brass
& waltz-like of malignity, tho I
called for something light, driver,
you'll leaf razzle, rust and pocket
this grows out, map, out & into files...
driver, whose visible groves were these?
the missing accident daughter? well, then,
her leaps MUST have been impenetrable...
there were more than one? surely
a couple of them at least will
top this writing with wish words
who half in kicks grow skill - hist!,
someone rouses my syllables:
wind my names up, you
seaward grudge, you
kissing-foot thing,
move along now,
missing accident daughters,
your speech is live, mine
is reluctant willows, Herr
B's is flowers in hand...
flowers & hand: they,
the flowers, love hand?
missing accident
daughters, here
your pieces roam to
ghost that low form
of Herr Bibliothekarius,
so this poem's sudden guest
can dream his eye chirps Logic's sun
instead of Curiosity's eyes... oh, &
here you'll think understanding away, Sirens
from INSERTS || Noel Canlas
*acquisition via (INSERT MNEMONIC) per head by populous sync tab (INSERT FILE) readied arm check bottled adjusted sereendeepitously (INSERT ANALYSIS) bypass morphemic waggle zipped today and never;
*murderific clown piece downtime boom (INSERT CONTINUITY) axes pointiloosely jointed paste and wax job (INSERT DIALECTIC) supra addendummized calamity wheezeful demarcation (INSERT CATACHRESIS) billowing crasscas;
*fully pledged as ifs logic-massive pendicitis bellycosal sophistricated (INSERT HIERARCHY) tachogenetic in medias res allowance zodiacal incisive para=b (INSERT FALLACY) ifthereism minuscule dim inert-(INSERT CYCLE) all-encompassing;
*chemically-inducted applied (INSERT LYRICISM) generous pal of the year= profiled combustion of barred musings (INSERT MODULATION) perfusings malleable catapult unconscious apartés alliance;
*polar enhancements imagic co-partnership (INSERT AGONICS) testy oh lalas à cotë (INSERT TRANSLATION) imbibe Konstruct gyrescoped sidelances pediagrammic atomos (INSERT THEMATIC) breathfully awareness;
*absent divinities (INSERT THEOPHANY) apportioned à poil gleefully infinitisimme of fine-tuned dyes (INSERT AESTHETICS) chokeful énoncés ramassés (INSERT MORPHEME) reaction joyously fabric=;
*and of course! (INSERT FACT) canned in between solarified evidential verrifical commerce (INSERT DISCOURSE) ambi-garrolous median (INSERT SYMBOL) Ã la cantonnade favors submarina mix-up;
*internalizations mishaps (INSERT UNITY) a-gap switch fire=hose concourse (INSERT EGO) juxta-positionalities solidly dramatis pers- (INSERT SENDER) pectiva ad absurdum pill me-trified;
*commandeer a == k breakthrough-t (INSERT COPULA) finally pronounce ja ja (INSERT OPPOSITION) chimeric my response ability whoah!! nascent pubiscientifisimme in due eurekas dear to biospheric noeta=1;
*unicities Abcdefg-ed filtration (INSERT SPEECH) nebulosizing versalized One-necessititis Onto (my brontosaurs) guffaw naw (INSERT EULOGY) addressed at=centrified bre- (INSERT STATIC) has taken away sheeshfully;
*object=floaters sur-deluge tropo-true (INSERT AXIOM) effervescent broad daylighfulliness (INSERT NOUN) emerges grandiose rounded off tempo whiskiosque amen-ities (INSERT PLOT) in sequentia Ever-and-After;
*magnificent probation (INSERT BELIEF) as established deed commonplace attract (INSERT SEQUENCE) flexible methods in vacuum of big=bangs tome (INSERT SYSTEM) feelable today as jesterday sic;
*insert! in sert à rien (INSERT ORGANISM) cur-rent this- signify zoomed-in place in the next (INSERT DEVELOPMENT) passage hired we did= next to be folded into it is=(INSERT SEMEME) synthèse field boost=ified;
*hence (INSERT MESSSAGE) dominion tower carry-over summa distilled non-porous (INSERT MATTER) sub-weightless accretion crew spread-out euphonies compositional (INSERT INTERPRETANT) =absorbable dietetic crowd;
*(INSERT DEVICE) heave serie-fied actant per density (INSERT TAUTOLOGY) a (!)a = emportentous half-obliterated (INSERT PATHOS) cratylian inventologies-in returns Summit of Oneology: phzzt;
*portable seems (INSERT VOULOIR-DIRE) incarcer –bate blobberdome piste arche-pellative foamer beta-gone (INSERT FANTASM) doorways heronome party albeit conceit topogram (INSERT PHRASE SET) illimité;
*vehicular homo-loquy bordello (INSERT MIRROR) chat-spiel siege para-graphein (INSERT OUTLINE) interspersal hors d’oeuvres star-line (INSERT REPLICA) trans-morpheus;
*(INSERT ALLUSION) settle lagged-worthiness (INSERT PASSION) rêveur (INSERT TITLE) sanction potentate plein wunderkind gré à gré bilateral semiosis foundry isn’t (INSERT VERB) echo- ;
*chronic (INSERT LE-MOT-JUSTE) relative surprendre additive simulacra (INSERT IMPRESSION) collide- sample of unsaid (INSERT CLARITY) parity delta break wall tip eye-cube alpha;
*etymon index pourriture (INSERT CONTEXT) illuminator support up-surge (INSERT STREAM) chopper slide-th = comicosmic as echo innervating (INSERT MIND) contrast-wise subtracted chill ergo;
*forte-mustering inspire e-masculatory ethos (INSERT PATTERN) other malentendu squeezy-box caution pool (INSERT SUPER EGO) tactfully bref initials foamizates (INSERT VALUE) dragger tap nexity alter;
*actualization pic-poker boreal maxi mammal soporificial (INSERT CHARACTER) maroonery zoomerang jekyl-tower (INSERT LEXEME) assimilate pantomime chorus bus (INSERT HISTORY) interrogue cutlery for=;
*bifocals jeez-banded accolade (INSERT MOTIF) septic indivisible catharsis smoking à table (INSERT PERSONA) extending scriptural energies border fantasmic regulator criss-cross anecdotal parlance with schematic edits;
*il est dans la rue criant, Ã partir de on-ne-sait-quoi (INSERT REASON) linkage harbor sound epistemockeries blasting (INSERT DECORUM) effffy multi-media decentric (INSERT CATEGORIES) attention stereo-scopic parasituations ;
*imaginary return vagabond tracked (INSERT TIME) collapse run-mill steppe derogatory null-brace (INSERT ART) ostheorized fin de reveal - ! jaundice sit there paragraph tonic missed bunker top rock slavish coutume de-;
*whorl noise inkling toast crack (INSERT HEURISTIC) topple gown yonder sitcom seen (INSERT PATTERN) occlusive type umbral race to end contest latinations irradiated traps horizon termi—gibber-if-possible;
* obtrusive meta-manouvre (INSERT DÉNOUEMENT) per allotment core increment qua (INSERT METAPHOR) et al, this sender repertoire amongst à la recherche = (INSERT STANZA) negentropic subtuitary agenda xyz’s……. ;
*edit supra-blotted noted icon (INSERT MOVEMENT) zipped airiness dampen faraway notion tri-rectified window vis-Ã -vis (INSERT RHETORIC) partnered verbo-ontic fineries jack-duck festooned minutely apart;
*murderific clown piece downtime boom (INSERT CONTINUITY) axes pointiloosely jointed paste and wax job (INSERT DIALECTIC) supra addendummized calamity wheezeful demarcation (INSERT CATACHRESIS) billowing crasscas;
*fully pledged as ifs logic-massive pendicitis bellycosal sophistricated (INSERT HIERARCHY) tachogenetic in medias res allowance zodiacal incisive para=b (INSERT FALLACY) ifthereism minuscule dim inert-(INSERT CYCLE) all-encompassing;
*chemically-inducted applied (INSERT LYRICISM) generous pal of the year= profiled combustion of barred musings (INSERT MODULATION) perfusings malleable catapult unconscious apartés alliance;
*polar enhancements imagic co-partnership (INSERT AGONICS) testy oh lalas à cotë (INSERT TRANSLATION) imbibe Konstruct gyrescoped sidelances pediagrammic atomos (INSERT THEMATIC) breathfully awareness;
*absent divinities (INSERT THEOPHANY) apportioned à poil gleefully infinitisimme of fine-tuned dyes (INSERT AESTHETICS) chokeful énoncés ramassés (INSERT MORPHEME) reaction joyously fabric=;
*and of course! (INSERT FACT) canned in between solarified evidential verrifical commerce (INSERT DISCOURSE) ambi-garrolous median (INSERT SYMBOL) Ã la cantonnade favors submarina mix-up;
*internalizations mishaps (INSERT UNITY) a-gap switch fire=hose concourse (INSERT EGO) juxta-positionalities solidly dramatis pers- (INSERT SENDER) pectiva ad absurdum pill me-trified;
*commandeer a == k breakthrough-t (INSERT COPULA) finally pronounce ja ja (INSERT OPPOSITION) chimeric my response ability whoah!! nascent pubiscientifisimme in due eurekas dear to biospheric noeta=1;
*unicities Abcdefg-ed filtration (INSERT SPEECH) nebulosizing versalized One-necessititis Onto (my brontosaurs) guffaw naw (INSERT EULOGY) addressed at=centrified bre- (INSERT STATIC) has taken away sheeshfully;
*object=floaters sur-deluge tropo-true (INSERT AXIOM) effervescent broad daylighfulliness (INSERT NOUN) emerges grandiose rounded off tempo whiskiosque amen-ities (INSERT PLOT) in sequentia Ever-and-After;
*magnificent probation (INSERT BELIEF) as established deed commonplace attract (INSERT SEQUENCE) flexible methods in vacuum of big=bangs tome (INSERT SYSTEM) feelable today as jesterday sic;
*insert! in sert à rien (INSERT ORGANISM) cur-rent this- signify zoomed-in place in the next (INSERT DEVELOPMENT) passage hired we did= next to be folded into it is=(INSERT SEMEME) synthèse field boost=ified;
*hence (INSERT MESSSAGE) dominion tower carry-over summa distilled non-porous (INSERT MATTER) sub-weightless accretion crew spread-out euphonies compositional (INSERT INTERPRETANT) =absorbable dietetic crowd;
*(INSERT DEVICE) heave serie-fied actant per density (INSERT TAUTOLOGY) a (!)a = emportentous half-obliterated (INSERT PATHOS) cratylian inventologies-in returns Summit of Oneology: phzzt;
*portable seems (INSERT VOULOIR-DIRE) incarcer –bate blobberdome piste arche-pellative foamer beta-gone (INSERT FANTASM) doorways heronome party albeit conceit topogram (INSERT PHRASE SET) illimité;
*vehicular homo-loquy bordello (INSERT MIRROR) chat-spiel siege para-graphein (INSERT OUTLINE) interspersal hors d’oeuvres star-line (INSERT REPLICA) trans-morpheus;
*(INSERT ALLUSION) settle lagged-worthiness (INSERT PASSION) rêveur (INSERT TITLE) sanction potentate plein wunderkind gré à gré bilateral semiosis foundry isn’t (INSERT VERB) echo- ;
*chronic (INSERT LE-MOT-JUSTE) relative surprendre additive simulacra (INSERT IMPRESSION) collide- sample of unsaid (INSERT CLARITY) parity delta break wall tip eye-cube alpha;
*etymon index pourriture (INSERT CONTEXT) illuminator support up-surge (INSERT STREAM) chopper slide-th = comicosmic as echo innervating (INSERT MIND) contrast-wise subtracted chill ergo;
*forte-mustering inspire e-masculatory ethos (INSERT PATTERN) other malentendu squeezy-box caution pool (INSERT SUPER EGO) tactfully bref initials foamizates (INSERT VALUE) dragger tap nexity alter;
*actualization pic-poker boreal maxi mammal soporificial (INSERT CHARACTER) maroonery zoomerang jekyl-tower (INSERT LEXEME) assimilate pantomime chorus bus (INSERT HISTORY) interrogue cutlery for=;
*bifocals jeez-banded accolade (INSERT MOTIF) septic indivisible catharsis smoking à table (INSERT PERSONA) extending scriptural energies border fantasmic regulator criss-cross anecdotal parlance with schematic edits;
*il est dans la rue criant, Ã partir de on-ne-sait-quoi (INSERT REASON) linkage harbor sound epistemockeries blasting (INSERT DECORUM) effffy multi-media decentric (INSERT CATEGORIES) attention stereo-scopic parasituations ;
*imaginary return vagabond tracked (INSERT TIME) collapse run-mill steppe derogatory null-brace (INSERT ART) ostheorized fin de reveal - ! jaundice sit there paragraph tonic missed bunker top rock slavish coutume de-;
*whorl noise inkling toast crack (INSERT HEURISTIC) topple gown yonder sitcom seen (INSERT PATTERN) occlusive type umbral race to end contest latinations irradiated traps horizon termi—gibber-if-possible;
* obtrusive meta-manouvre (INSERT DÉNOUEMENT) per allotment core increment qua (INSERT METAPHOR) et al, this sender repertoire amongst à la recherche = (INSERT STANZA) negentropic subtuitary agenda xyz’s……. ;
*edit supra-blotted noted icon (INSERT MOVEMENT) zipped airiness dampen faraway notion tri-rectified window vis-Ã -vis (INSERT RHETORIC) partnered verbo-ontic fineries jack-duck festooned minutely apart;
poem || Alan Sondheim
For Nicanor Parra
I came into cyberspace
in order to look at myself. I would
stand aside from myself and from my fingers.
I would look at language in orderly rows
coming from my mouth. A woman would flow
and she would create a thing. I would rush
into familiar words and at times
in the middle of a conversation
I would run into a conversation. A general
would appear carrying swords and knives and
a warrior. The white screen would never
beckon the dark, nor the grey, the color of
death. Colors poured into a vise a carpenter
would build with letters. The first building
was the building with letters. I have traced
you back, computer through computer, tool
behind tool, entire genealogies at work until
the very beginning. Here, I found
hand-axes starting to strike
metal. The metal was a dagger or a knife and I
could hear speech in the dagger, colors
glistened in the knife. Later,
there would be a wheel, and later, a pulley.
On a ceiling a pulley turned where belts
connected steam to tools milling shanks
for motors, electric relays, turned carbon
for telephones and lamps. Someone spoke
beneath the lamp and all was lost. Electrons
rushed in vacuo; things started turning and
memorized the axe into this space. Then,
I would watch this space, looking for signs
of me. I would look at myself and a woman.
I came into cyberspace
in order to look at myself. I would
stand aside from myself and from my fingers.
I would look at language in orderly rows
coming from my mouth. A woman would flow
and she would create a thing. I would rush
into familiar words and at times
in the middle of a conversation
I would run into a conversation. A general
would appear carrying swords and knives and
a warrior. The white screen would never
beckon the dark, nor the grey, the color of
death. Colors poured into a vise a carpenter
would build with letters. The first building
was the building with letters. I have traced
you back, computer through computer, tool
behind tool, entire genealogies at work until
the very beginning. Here, I found
hand-axes starting to strike
metal. The metal was a dagger or a knife and I
could hear speech in the dagger, colors
glistened in the knife. Later,
there would be a wheel, and later, a pulley.
On a ceiling a pulley turned where belts
connected steam to tools milling shanks
for motors, electric relays, turned carbon
for telephones and lamps. Someone spoke
beneath the lamp and all was lost. Electrons
rushed in vacuo; things started turning and
memorized the axe into this space. Then,
I would watch this space, looking for signs
of me. I would look at myself and a woman.
text || Bob BrueckL
July 6, 2010 -- Tuesday
Concentrically enticed allurements submerged by lisps of slithering elisions,
lustrously swollen and conflated fractures pricked by twittering tints of fluctuating pulses,
shrill densities of twitching signatures dissolving into each other:
shut it, slooshy ptitsa droogs smecking tolchocked tocock, razrezzed sumph bdaddr owwwwwwwww, squelched squeal of offal zink affray, krovvy ruction of thrusty aduncity, Nijinsky's ilythiiri ajuga poiotes, lipophilic chorisis keckling gitau fleg,
vaporish drumsticks hockling mephitic fluff-gibs, cannei kickles' lackadaisical smokestack aprications, genussilybum avellere conchinamine, fringed hipstraps creeching viddy golosses deadening stultified zvooks of anti-orgasmic electrosymbiosis, doodleflaps flopping chug-chug as the harpy sun wheezes, thereat naked neural bosanquets droop zagzig zipzap corkscrews' syntactic torsion of hypoethral hyanenodon hexacanth's bulbous cackling, smug and snug, gardipee an omnific cadance that straddles the tatch of chillax dolemites' singed sweal duths, gleaned whippets horelated to babish platties of edentulous thicknesses surjected to milky jillgall clusters of cationic psoroptes' kergeulen termagant agiotage, rustic silvicolous, echinoprocta cinchona.
Concentrically enticed allurements submerged by lisps of slithering elisions,
lustrously swollen and conflated fractures pricked by twittering tints of fluctuating pulses,
shrill densities of twitching signatures dissolving into each other:
shut it, slooshy ptitsa droogs smecking tolchocked tocock, razrezzed sumph bdaddr owwwwwwwww, squelched squeal of offal zink affray, krovvy ruction of thrusty aduncity, Nijinsky's ilythiiri ajuga poiotes, lipophilic chorisis keckling gitau fleg,
vaporish drumsticks hockling mephitic fluff-gibs, cannei kickles' lackadaisical smokestack aprications, genussilybum avellere conchinamine, fringed hipstraps creeching viddy golosses deadening stultified zvooks of anti-orgasmic electrosymbiosis, doodleflaps flopping chug-chug as the harpy sun wheezes, thereat naked neural bosanquets droop zagzig zipzap corkscrews' syntactic torsion of hypoethral hyanenodon hexacanth's bulbous cackling, smug and snug, gardipee an omnific cadance that straddles the tatch of chillax dolemites' singed sweal duths, gleaned whippets horelated to babish platties of edentulous thicknesses surjected to milky jillgall clusters of cationic psoroptes' kergeulen termagant agiotage, rustic silvicolous, echinoprocta cinchona.
Sunday, July 4, 2010
from DESCRIBES || John Crouse
A certain way something appears in a side glance may be thought of to cause a person to become unconscious understands the content of the paragraph a snake that kills its prey the things that are within to make unfit for use freedom from care or discomfort a control that limits or restricts the important part of meaning or infect by association unwilling to accept control or advice by coiling around it and crushing it.
Conditions that limit the nature and scope against another as the tongue against the teeth taken in battle or conquest but slower than galloping to sing the parts of a song so common that the newness and cleverness have worn off to free of unnecessary matter a person or animal not including the head and arms and legs a plant that breaks away from its roots in autumn a large silken web resembling a tent and tumbles about in the wind a messy state or collection.
Irregular movements of air currents connects a developing fetus that if rejected could end further negotiations glands each draining to unfasten the buckle free from behavior into a separate nipple intended to impress others having the same opinion unpleasant to look at could lead to forceful or undesirable action to unfasten the buttons free from burden from a curled position to utter a short delay consists of the nose converts the images transmitted to the brain with difficult breaths.
To plunge into water a castrated male pig in harmony a ball is shot takes on religious responsibilities to go swimming especially for charity coverings for a bed stored in their honeycomb worn smooth by passing feet the meat of a steer used as a vegetable to cut off the head of a place in the water where a ship stops in which the ripened ovary wall is fleshy to scold in a loud and angry way a female lion for the lips usually a wealthy household to soak up the urine for profit.
Conditions that limit the nature and scope against another as the tongue against the teeth taken in battle or conquest but slower than galloping to sing the parts of a song so common that the newness and cleverness have worn off to free of unnecessary matter a person or animal not including the head and arms and legs a plant that breaks away from its roots in autumn a large silken web resembling a tent and tumbles about in the wind a messy state or collection.
Irregular movements of air currents connects a developing fetus that if rejected could end further negotiations glands each draining to unfasten the buckle free from behavior into a separate nipple intended to impress others having the same opinion unpleasant to look at could lead to forceful or undesirable action to unfasten the buttons free from burden from a curled position to utter a short delay consists of the nose converts the images transmitted to the brain with difficult breaths.
To plunge into water a castrated male pig in harmony a ball is shot takes on religious responsibilities to go swimming especially for charity coverings for a bed stored in their honeycomb worn smooth by passing feet the meat of a steer used as a vegetable to cut off the head of a place in the water where a ship stops in which the ripened ovary wall is fleshy to scold in a loud and angry way a female lion for the lips usually a wealthy household to soak up the urine for profit.
event smile text twice cut || Peter Ganick
silence also reification estampie standpoint dancer gyrations hubris spatial cincture telco vastly promissory nonsense amorphic dweller sonata imperious scot freezer caporal indemnify not snare vindaloo laden with site angularity epidemic manicurist venerable neutral site fowl ellipses elapse tinctures raid enabling motions intolerant narrow resistance together restaurant invent federal quotas forming alter subaltern universes those affable tiara noteworthy salute room lateral cinema veneer palisade grange enabling witness venue traversal those pug beggars on newspapillon scenarios latter thinkings wherever as inclemency thorough prasada ontic fallopian curator entourages the meddling wield sine aqua notions whirling therein slaphappy hybrid each noesis presentation leisure palatial cutesey reflex cenotaph numerous caliper apprehend miniscule tartan iffiness scenario duo toon aegis networking a surplus of exhortations emulsifier troubadour oblique oases than feckless
after Peter Ganick's "small smile frame" || Bob BrueckL
1.
opining lagoon, officious prelude, officious praline prelude, praline lagoon, partial praline lagoon, partial praline ozone lagoon, thorough eachness, thorough inertia eithering sawtooth threads, sawtooth rubrics, candor of itness, candor of utterly apodictic itness, eachness itness, essence of eachness itness, tenebres integers, invisibility of tenebres integers, invisibility of tenebres integers respiring around softer sledge, motions of softer sledge, slipshod sledge, panache of slipshod sledge, officious panache of slipshod sledge, thetis sinecure, sawtooth sinecure, apodictic sawtooth sinecure, least apodictic sawtooth sinecure, utterly apodictic sawtooth sinecure, stippled mitten, grotesque stipple mitten, vortex of thisness, throngs of presumptions, downwind throngs of grotesque presumptions, klingon toggle, ontic klingon toggle, scrutiny strut, stippled evanescence, slackly stippled evanescence, slackly opaque evanescence otherly strutting, thisness remaining, appenies of thisness, presumptions of thisness, cloacae presumptions, introit of hammering, tint of hammering, toggled tint of hammering, vanishing cloacae nearby, vanishing cloacae nearby breaking downwind, breaking downwind
2.
opining praline, opining praline threads, apodictic threads of itness, apodictic sledge, panache of apodictic mittens, officious eachness, candor of officious eachness, itness of eachness, eachness essence, softer sledge of the essence of eachness, ozone sawtooth, utterly slipshod eachness of itness, partial panache of the eachness of itness, invisibility of itness, candor of itness, eithering itness, praline itness, prelude to the rubrics of the eachness of itness, utterly utterly
3.
panache of sledge, officious panache, sawtooth panache, grotesque throngs of sawtooth panache, presumptive panache, evanescence of panache, otherly penache, tint of penache, hammered tints of penache, sawtooth cloacae, presumptive sawtooth panache, cloacae panache, grotesque panache, toggled panache, otherly otherly
opining lagoon, officious prelude, officious praline prelude, praline lagoon, partial praline lagoon, partial praline ozone lagoon, thorough eachness, thorough inertia eithering sawtooth threads, sawtooth rubrics, candor of itness, candor of utterly apodictic itness, eachness itness, essence of eachness itness, tenebres integers, invisibility of tenebres integers, invisibility of tenebres integers respiring around softer sledge, motions of softer sledge, slipshod sledge, panache of slipshod sledge, officious panache of slipshod sledge, thetis sinecure, sawtooth sinecure, apodictic sawtooth sinecure, least apodictic sawtooth sinecure, utterly apodictic sawtooth sinecure, stippled mitten, grotesque stipple mitten, vortex of thisness, throngs of presumptions, downwind throngs of grotesque presumptions, klingon toggle, ontic klingon toggle, scrutiny strut, stippled evanescence, slackly stippled evanescence, slackly opaque evanescence otherly strutting, thisness remaining, appenies of thisness, presumptions of thisness, cloacae presumptions, introit of hammering, tint of hammering, toggled tint of hammering, vanishing cloacae nearby, vanishing cloacae nearby breaking downwind, breaking downwind
2.
opining praline, opining praline threads, apodictic threads of itness, apodictic sledge, panache of apodictic mittens, officious eachness, candor of officious eachness, itness of eachness, eachness essence, softer sledge of the essence of eachness, ozone sawtooth, utterly slipshod eachness of itness, partial panache of the eachness of itness, invisibility of itness, candor of itness, eithering itness, praline itness, prelude to the rubrics of the eachness of itness, utterly utterly
3.
panache of sledge, officious panache, sawtooth panache, grotesque throngs of sawtooth panache, presumptive panache, evanescence of panache, otherly penache, tint of penache, hammered tints of penache, sawtooth cloacae, presumptive sawtooth panache, cloacae panache, grotesque panache, toggled panache, otherly otherly
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