text || Bob BrueckL

...hundhind, so zik! wonky mechanized stag, ungreen apolobuke faking it, enacting afterpieces underflowing the unripe pobble slued with rashly rowdier pod-augers' inert shadblow, catalytix's faddy alphyl tousling the diagram's axinite, skybald, rhodizonic gibbering antipronoun's shinty pulsebeat tumbling into the scheme of spleen gleaning aryls' glitzy nest-egg tipple nuttily cackling about cohorts' atony pigment (piss-pus) indolently ventricumbent like a dead hare's silsesquioxane thighroid wingspan stounding the unfrayed callosity of buchloe dactyloides' cloning binky jacal's audacious up-and-coming wiggles wowing the coikydink hardlines of fringed cutups' barbed, murkier, urocerus, ephebic, cecity shooties homoousian, taut, uppity stingaree xaipe gouging so deeply s'mores' agate-burnished seksual swagger's booyah befirkiring epigaeous rantite, woold, dildoexed, setosed, oxamidin whoopty-doo braming branchiostegal lavender's hardcore, opercular quitches' unaspirated, stuck-upm excrable, reitbok frill's saditty cecutiency gloading dolicocephalic lewd kibosh bawdily electron-holing subungual scosche's squatteth spittoon pod slurps tristiching setules of nickeled-&-dimed browse-buttons' gymnotoid pimp slots exscinding bleared shampooing of peep-thru pirouetting abnegating reenacting the gitter of eonic estrus's adipous interactive wooden plushes' densest vizard smelter underlying rakehell speaches moisturizing endroit (ahn-dwa) dayglo diffraction anonymizing aday squiggles' jute, subdued, languid, lateritic, abjured ptosis beguiling ablaut fascicle etymon chaffing optate rut stubble inversing the stricken hemline undertone swelling wot'st, pudgy vesicles of purkinje trammelling the lingonberries of stiffish extirpation nerve-wracking the chip-cloning, tectic, cornsilk thrips of the bobblehead as the microlite fallow dun exuberates the rants of the diddled adit's costive tofurkey pouch so stiggy & obtrusively oboyerite & dissoluble in the inferted gingly popsicles being sneedly castrated & nociferously jaleelled lissely outside the cosmesis of the aguna mudra's shaiya trabajaba where nitty mites kabush in the synechdochic guttery of morbid lassitude's almost horizontal entrance to a mine excavating spooky effigy trifles like beakier slurpies defiling the pristine sinews of agglutinated gorgets ourning vamped soundbites craunching the anacoluthic mish-mosh of fatlipped strictures with haughty disdain approaching the hoagie imago splurging tractamorphic inorite's grooby avastic chording of ongepotchket goosebumps reemerging from the sleekish spitchcock of eyjafjallajkul prurience pouring scorn on the clodpate's polymorphy cobbling along the grue of existence as it mawks the vivid moil of diddled shudders entrailed as gore & viscera smoaking on grue bleen sune shallop shipes' floud airns' isochronal durations' pendulums vibrating cycloid arcs of curved clusters frictioning blatted staccato tucks snaring wheedled reptations persuaded by flattery or guile to cajole swindlers out of their swagger by browbeating them into snuffled swooshes of ergodic apparelling extranoematic cloots unwinding prochaine coals of cloven sparks spinning off to nurgle kexed travails as strenuously arduous & difficult as parturited overkill rubbing the supererogation of vexed wretchedness clefting anatomised distentions of opsablepsia bemoaning the enticements of blurpled cordyceps deindustrializing jeparded nidulite spotlights extirpating eradicated rats implicitly deracinating their alveolar asses turfing the moors of sycorax syndromes chewing up the sharp specs acting with fluctuating mirid bromals to very cleverly yeggy-out the deja-vu fethi manipulating the transmittable dichiara a la another option known as scripophily wrinkling the heart valves of ungilded two-baggers hubbardsquashing the audiometry-induced delectables detecting the acuity of d'urfed grout plagiarising sacs of gout in the cracks & crevices of that nuanced appendix excruciatingly unstringing glances stabbing squeezed spikes into the unstrung eyes of trickling spam bajillioning deposits for fledging orbits jouging henting chainlinks' kenspeckled incontinence declining the cockle-but mofeaux of y'all whooshing inside the slangy gazongas' almond crescent darkness recreating gooier denuded breaths blonding the spirits of bissextile deafness sulphating the plumigerous labels sticking to twittered convictions ascribed to ultra-cheap potato chips crushing the saucers of oilfrica shystie agonistes elixiring aromatic substances indefinitely underlying spirituous tinctures tasting like the absolute embodiment of archetypal teardrops desiccatively powdering the leering scapula of the subjacent ribs scrupulously sutured to the deoxidized bronze iridescence of the morosely grum-guttural voice oozing up onto the sprawled out annoyance farting & wheezing skiermishes buffooning pugilist clauses particularly subject to automatic propositions bespangling the breezy guffaws that couchu in the tossled rose syrup's unappetizing crapcrakes' rockoutcrop denunciating the apolytikion of the tyndallization of the polyglot orchids umsteening the nalidixic acid gnawing at the pasty air ambushing & airbrushing the halanged vellem umalis hakimamiring the voluminous sciophilous sporadic tiket impaxing the bunged up googolplex greasily pigrituding the hairy effectuation of the unilineal stringency unembitteringly pole-vaulting the spraggled stench of the stunned knock off blowing someone away toward the stingy-cringy analysis of the dactyloscopy neglecting the falsification of the gerbil's ununoctium eka-radon queerity dolloping a round as subrogees woundlessly mamzelling the chingling stocco-jabbing limoncello blickfingering the sleep-deprived petioles kinately khrushing with the clavomastoid sludge ostentatiously cockling the exact cricetodon sporraning the hafreze-whinging stressqueen squabashing the saccharine heartbreak incapacitating the tweedy frangipani caddy to rumple the unstirred martini delinking the chucklehead to cuddle back to voluble speech tackily zotting the forked-tongue of ubichanuni's cutest little internecine miserabubble off spec but narrowly ligulate & pistillate as 3 in 4 are maxing out the measurements of the copious pappus' creeping scaly scapes angled or toothed as its woolly panegyric yowls are yukky-tinged with the aleatoric elisions of seepages being sixeyed & bittersweetly bowdlerizing the stolid swoon of zygote zoots deflected along the curvature of refractive surfaces blurring the apparatus coming from a misshapped point of mucylined zwiebacks toddling along near enough to the crust of a particular light to tatse the arcansenal slattato devising conjectures that regas the lily petals busting with snub-nosed streptocolysin noon-tiding it while gallopin' gorgons streamfolio the zoom lens to poach the ferule ingots slapping the naughty omissions socketed to spear-head a significance in the droning crack of bogglish importunate persistence pressingly & eloquently described here as querilous-sounding brittle crystals flittering about the omnipotence in the cataract's perispermal gaggle originating in the perspicacity of the mashed pooch out surrounding the spotted mellifluous pipes frowning at the redrawn stratosphere bewitching the entranced descent of coerced possessions disguised as exhausted bangstry violence voluptuously tethering bizarre fibres twisted into assorted shrubbish that is cheaper than cellulosic polynyms bone-anchored in the ethos of subversive movements distinctive as asinine questions rewiring the apothegms of the anchorites in the gerontikon conking the sappy valleys all aglow with the friction of narratology cascading down the articular process of the lower jaw dogging the reechy-squalid sootiness of begrimed shit wheedling toward the paddle of your neck damning the dodging deformed urges panting like unshaven smirches & worm-eaten codpieces fazing out the brain cells' disruptions perturbing the daunting irreality inscribed as fcuk instead of none of the above as drab-manipled structures in the peptide chain randomly coil into helical strands of 3-dimensional biopolymers extrapolating a headless symmetry of absolved homochlamydeous lyoluminescence fusing metaconal cutouts to pollinoid the nosogenesis of death decimals in the impedimenta of the impeded baggage being encumbered to swerve beyond the hindrances of difficult structures implying a shawl pin with an ebony stick to saddle it with gerbazzed eruptions rigidly heddling the indolent rujumba bappoo severously gravanitying the merger of graffiti & a lousy dose of porely-stripped bellyfeelings euspizaing fickle gin bottles' spherical possets zygoting cursors to mispronounce the creaking conjugation of 2 gametes with no cleavage to fertilize even one unicellular zygospore haploiding the spermatozoon in an acorn to be akin to the airflow around an ungulated modifier's pliable weedy twat's doutously cunning slumber rambunctiously springing up around the stickability of the flexional proboscifoam absorbing the slip-ups dropping thru the envelopes ripped-up hematinuria zealously sausaging the vitrolic unease easily quadruling the twigs popping-up in the cheesehead's struthious jinks boogying to rookling slogans pelfing the disk-harrowed diffractions spawning spawld cockleburrs in the buttered fusilmortar periphrasing a lotta horsevetch in the piquancy of the candy striper stripping off blood jets in jest as adorned dispositions are decked-out with chiselled winnowings sometimes spelt dicht instead of dight as daffadillies delight the yellowed permalinks focusing on an archaic word derived from a derivative of erectness interpuncting the deconvoluted aprique of spritishly dawk-wited domes tuching indocted ucalegons vaunting catalectic circles' coaxial-assine buffons' vinarious-veering synaptics' cherry-bright poisonous-pinched droops dissecting diagonally nonexistent horters' rococo-mimicked illusionism folemnly fettled into petrichloral implicatures fraiching the creamy alphabet to thorazine the piteously-derived tranquilizer's psychotic pleurorrhea effusing into the cavity like draconic intertesuality respawning hjelmite polemics enamoured with septentrional & occidental thurifers incensing scraps of DNA in the charred bones of the basso buffo unsquirming in the bulimous xylazine unit of viscosity's toient contextualism sedating the scrotum with sterile nonslipping bowline knots' felicitous squirts straddling the obliquef panclastite riverbed evolving as a druggy weirdo under the umbrella of truth's strabismic furthure unsubdividing the torazulab's locquacious firstnesses jilting the airglow's faint illumination in the interferometric sewer of night's auroral processes burning trimethylation's iconoclastic prophylaxy's metoric parosphresis' satiety jackaling the palettized penetral-eeled viperin stenciling emkubbed collateral eschewments as northing drownding stale shames of ruby-topazed paakkonenite propelling imposturious enclaves to perturbatively diapsidan the star-rued caterwauling histidinemia jeetuing the mellow mold to autosomal recessive histidinuria's ultimate enolin pocosin toque tobogganing down the slight resemblance to an adorned plume in the bonnet-macaque or conical toquet adoring the stinky couch spanking the agnostic rawhider's digifram actually lasering the superbitches with zaporozhtzi balls harassing the quasilinguistic wamp's diachronic honeycomb tummy munpinning the moksa swamper's towheaded sylpheed-claws dapper-broken as bugs dandy-up the bespectacled undichotomized nocturnal hourzone exhortations of edusive letigious gunk zigging flattened-tethered interjections moistly clabbering curdled aucupated schiossers pranking screwed swineharts' descriptive triculate lumbago fopping perpetually nephrolysin's swanherds bolting boneheads overhead...

　

text || Jukka-Pekka Kervinen

'from yumdZ'



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��ΦΣΨς��:ΣΣΟΘΕΟΙ% 4%<��$��(Ι��4%<0����$ "∴��]Ψ<4ΚΙΣΜΩ��ΓΙΠ��%ΨΘΘ]��ΠΣΓΦ��ς��ΚΕ θθΙ��4/��ΗΣ∴��Φ��Κ∴ΜΡ��ΨΡΣςΞ6/%<��$"�� ΕΟΙς��ΚΕθθ, ΨςΚΙΣΜΩ9!θΙ��4%<��∆ΕςΚΙ ΣΜΩ;6ΨςΚΙΣ?Ο∴ΜΡ��1ΜΛΣΗΣ∴��ΦΣ��.��ΦΣΨ ςΚΙ��4ΨςΚΙΣΜΩ��ΓΓ=��ΨΡΣςΞ&��∴��]ΨΘΘ]∃ <��ΨΡΣςΞΛΘΛ]ΨΘΘ]9!ΡΣςΞΛΣ��ΜΡΣςΞΛ∆' ΚΙΣΜΩ��ΓΙ8��ΟΙς��=��ΘΕΟΙς��ΚΕθ#6ΛΣΗΣ∴ ��ΦΛ>ΛΣΗΣ∴ΑΘςΞΛΣΗΣ∴��Φ9−ΦΣΨςΚΙΣΜ6Β ΣΗΣ∴��Φ>ΡΘΕΟΙΤ1ΘΕΟΙς��2>ςΚΙΣΜΩ����6Σ ΨςΚΙΣΜΩ��1Ε��ΠΣΓΕΠ��17ΕΠ��ΗΛ$��$"∴��]Ψ Θ∋��ΣΓΕΠ��ΗΜ(.ΨΡΣς��7ΣςΞΛΣΗΣΦΟΨΘΘ] ΠΣ8≅��]ΨΘΘ]��ΠΣ1ΦΣ∴��ΦΣΨΒ%ΠΣΓΕΠ��ΗΜθ ∀ΓΕΠ��+1ΣΗΣ∴��Φ����ΗΜΣ∴ΜΡ"/Ω��ΓΙΠΠΜ��1 ΞΛΣΗ��(Θ]



��ΠΣ"ΡΩ��ΓΙΠΝ#ΕΠ��ΗΜΣ∴8ΣΚΙΣ ΜΩ��ΓΙ��(]��ΠΣΓΕΠ��Η��'ΘΘ]��ΠΣΓ:6Π��ΗΜΣ ∴Ο∃ΣΓΕΠ��ΗΜΣ19ΣΨςΚΙΣΜΩ��7��Ι��4%<��$" ∴��6��ΨΡΣςΞΛΣ��ΓΜΡ��ΨΡΦ��]ΨΘΘ]��Π,94%< ��$"∴����1��ΗΜΣ∴"ΡθΙ��4%)ΗΣΜΩ��ΓΙΠ,��ΜΣ ∴ΜΡ+��ΟΙς��ΚΕθΣ θθΙ��4%��(ΜΣ∴ΜΡ��ΨΡ#�� ΓΙΠΠΜΩΞ��Ω/��]ΨΘΘ]+ΜΣ∴ΜΡ��Ψ)∗θΙ��4%< ��ΘΘ]��ΠΣΓΕ0>$"∴��]ΨΘΘ]8>]ΨΘΘ]��ΠΣ6> ΦΣΣΟΘΕ<Α��$"∴��∀ΦΦΣΨςΚΙΣΜΥ����ΨΡΣ+∆Μ Σ∴ΜΡ��ΨΡ0∆ΜΩ��ΓΙ��Θ4%<��$��ΒΚΕθθΙ3%Ι 4%<��$"∴#≅Σ∴��ΦΣΨ:'ΚΕθθΙ(ΜΨΘΘ]��Π8?



ΡΣςΞ��θ"∴��]Ψ∋Ε��ΦΣΨςΚΙ∃1ΓΕΠ��ΣΛ��ΚΕθ θ∃ΙΦΣΣΟΘΕΩ:θθΙ��4%<Σ(��ΠΣΓΕΠ��Η$5��Κ ΕθθΙ��4%ΛΤΕΠ��ΗΜ7��]ΨΘΘ]��ΠΩΦΣ∴��ΦΣ;Σ ΞΛΣΗΣΤ"Σ∴��ΦΣΨςΚ ��]ΨΘΘ]����(ΨΡΣς5∆ 4%<��#)ΗΜΣ∴ΜΡ��Ψ∀��ΜΩ��ΓΙΠΠ������4%<��$∀ 1ΗΜΣ∴ΜΡ��Τ��Ρ��ΨΡΣςΟ(��ΚΕθθΙ��41ΕΣΜΩ Γ��8θΙ��4%23ΣΜΩ��Γ64ΠΣΓΕΠΗΘΚΙΣΜΩ��ΓΙ 0ΩΟΘΕΟΙς��ΚΕ#ΜΣ∴��ΦΣ����ΦΣΣΟΘΕ����ΨςΚΙ ΣΜΕΦ��ΚΕθ��5ΡΣςΞΛΣΗΣΣ ��ΓΙΠΠ$,Ρ��ΨΡΣ ςΞΡΞΗΜΣ∴ΜΡΑ<ΕΠ��ΗΒΣΙΣΜΩΛ≅ΣΣΟΘΕΟΙς Τ)ΨΘΘ]��Π.;∴ΜΡ��ΨΡΒ6ΘΕΟΙς6%∴��ΦΣΨς0 ΩΗΣ∴��ΦΣ,≅ΣΗΣ∴'&ΡΣςΞΛΣΗΣ∴��ΕΚΙΣΜΩ ΓΙΠ!��ΕθθΙ��4Φ#θθΙ��4θΑΕΠ��ΗΜΣ≅ΥΜΩ��Γ ΙΠΠΜ,/ςΞΛΣΗΣ∴#ΑΚΕθθΙ��4%%��ΘΘ]��ΠΚ/ ΕΟΙς��ΚΕ��1ΓΙΠΠΜΩΞ��Γ&.ΦΣΣΟΘ5��ΕΟΙς ����ς��ΚΕθ7��ΣΗΣ∴��ΦΣΨςΛ'θΙ��4%<��∆6ΓΙΠ ΠΜΩΞ5$$"∴��]ΨΘΘ]Γ%Ρ��ΨΡΣςΞΛ��4ΣΣΟΘΕ ΟΙ��"ΣΜΩ��ΓΙΠ≅ΗΙς��ΚΕθθ++θΙ��4%<4!��Ψ ΡΣςΞΛΣ(04%<��$"∴������ςΚΙΣΜΩ��ΓΙ!5ΕΠ Η0Β��ΨΡΣςΞΛΣ≅ΕΣΜΩ��Γ∀>ΜΡ��ΨΡΣςΞ1.ΜΣ ∴ΜΡ��Ψ%��$"∴��]Α"ΞΛΣΗΣ∴��ΒΞΕθθΙ��4%<Ι !ΣΓΕΠ��ΗΟΩ"∴��]ΨΘΘ������ΗΜΣ∴Μ��!ΙΣΜΩ��Γ ΙΠ6!ΕΠ��ΗΜΣ∴ΜΡ��Χ��ΨΡΣςΞΛ;��ΘΕΟΙς��ΚΕ θΕ��ΘΘ]��ΠΣ3Ρ��$"∴��]Ψ:ΑΣΗΣ∴����6ΜΩ��ΓΙ ΠΠΜΩΞ7ΦΣΨςΚΙΣΜ5(ΡΣςΞΛΣ1��ΡΣςΞΛΣΗΣ

text || Peter Ganick

from 'text' 

4393 inroad perpetuity sand extinguishment clime goad eintttt elemental coverture conceit pectoral centrist magnum epicure altimate couverture alchemic untidy argot vee alite elota verre aceis liter avid natural signal torren- osmic vanguard elsewise tantalus epicure sightfully accept envelops rehash veritable recant leat deterrent centaurs demode levity apse dardanelles containment passive iterating surface thorough serrated infinities.

4394 empty snail pace notebooking surreal consent recreate melodic efficacy nothingness wave awareness torque terra mitten slackness appreciable tread emigre canine tiller vacuum preparative locus tteerrttiiaarryy listless anonymity epsilon that recruit said ei- nsaids elaboration rummage sprocket aprille ghostly remonstrance throughput pipes watering sistine wakeful nature alienate moribund alfalfa inner falter intersperse waking mead nestle inverse offhand estrange aerie than that clandestine vacancy pursuit aprille.

4395 deign demode goers straw doggerel noon territorial cluster foal cette caveats utensil rooftop candid also specious thread eine imperiously ageism tread emittance foible reach tampers profligate chocolate immersion tlrade networking surfaces rune rim title stuck.

4396 averse otherwave sociopanegyric veldt nantucket inscribe alternaming slurries those realismo reaching tensilar aprille cosmic vanguard pleonastic utterly cones coined iterations elsewise partook island otherwise oreilles degree ancillary podium stereophile amit vette economic levitation lepton caveat nescience threefold those sooth centrism terrestrial portrayal accurate illbience threaded immersion tepid valkyrie slammer boned.

pome || Billy Bob Beamer

POME from 'no[s]place'...a seriesof experimental or experiential scarlet
...............................................................................................................................................................................................
6. he dived by fun ...what.... in fretting fall damnwell probed... tisto maintain distinction between the self and the divine... or may be to fascinate rumors lemure of an alleged lack of plumbing et jibe matter... tispain of experimental or experiential scarlet littlegiddinggidding flash dance... tisa fourth spacial painted quixotic jeweled dying performing mathematical theory ofbreath theory ...areacts of charity for plants or driveby dimensionals... his was to add artbreath of slug instrumentals... shadow ether on bases over the walls.... solutions wet to the mathematical theory of theory of too many games ...electromagnetic radiation an additional spacial whatmanis subset in free clarity... dimentias sionaluza... healso proposed that the additional spacial pashy sicsatdimen sionad somecolap seed dowtao be ... rotateinto a tiny circle ... an idea focusing upon and absorption now intosuperstring blink wire becoming geldgid flesh... your fortune dove remembrance idea expanded appliedto the idea ... quantum wesunsee going to tutonic bloolacephysics and ohmingoming up with the idea dimension... collapsed down wave fun func functionquantum interactions ...thereby tying in ...in...blink wire. becoming ...blink blink bloodwire. breath

pome || Billy Bob Beamer

POME from 'no[s]place'...a series
.......................................................................................................................................................................................

5. .look at what in fret fall is not pashy sicsat. whatmanis subsetty in free clarity? ...blink qua wire knowhow begs ere zillions of bots. look at building 7 teh/the secret curve line to end ecliptic operations tisto fascinate instrumentals. shadoweth on bases over the wall curving a dove. remembrance. fresh 2x miles planet winter foim bricater ming acts...
............................................................................................................................................................................................
warin so pace. can mopslap vey four husiastrope rat rich whoare wesunsee going to tutonic bloolace dark programs pub flolop galse frontown eldcoding jib mat a row rend tele rrraph shut?...blin blin cod meaning nologyjoint set noace solstice figure out purpose sign fic at "buhary eljik lawahar" minding leaves....tending plants. in acts of charity ISnow...
.............................................................................................................................................................................................
miles planet, winter solstice, figure out why, purpose significam, story point, out center, one only now...

haibun || Sheila E. Murphy

He does not convey a pulse. His recitation can be added, multiplied
and must be thus. For he thrives apart from blood beat, and his face
shrinks, as his words fall, as his thoughts lift. Where is the heart,
how does the eye light, who perceives the touch scape of intention
where tension might be substituting for the real leaves? I ought to
leave this place and be for him in his place letting go the transcript
for the trance. I ought to genuflect to higher thought. I ought to offer
to be ghost speak for his stance. He gives what he has left, and it is
all (too little anymore). He think, he pauses, and his words just drop.
I want to predicate next moves on moves concrete enough to lock horns
with another (set of horns). So anybody knows there is a state, there is
a thing, there is a cast across the wake. Something was heard. Something
symphonic hastens, happens, halts the inflammation. 

Sensory supposing vowel sounds forwarded with cloaking consonants

Sheila E. Murphy

text || Jukka-Pekka Kervinen

from 'yumdZ'



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ΣΨ8ΥΕΟΙς��'��ΣΣΟΘΕΟ����ΣΓΕΠ��ΗΜΣ1��ΠΣΓ Ε��"Ρ��ΨΡΣ��"θθΙ��4%��:ΨΘΘ]��ΠΤ%%<��$"∴ 1∋ςΞΛΣΗΣ∴��%ΟΘΕΟΙ&)ΟΘΕΟ;ΩΜΡ��Ψ)Γ$" ∴��]ΨΘΘ−ΘΣΣΟΘΕΟΗ"∴ΜΡ��ΨΤ∗ΣΨςΚΙΠΓΚΕ θθΙΧ��%<��$"∴��]Γ∀Ω��ΓΙΠΠΜΩΞ��1ςΞΛΣΗΣ ∴Ε"ς��ΚΕθθΙ��Φ∋ΠΣΓΕΠ��)ΚΠΣΓΕΠ��ΗΜ!θς ��ΚΕ��Π��ΠΣΓΕΠΧ1ς��ΚΕθθΙ��+��Ω��ΓΙΠΠΜΩΞ )����ΠΣΓΕΠΘΓΟΙς��ΚΕθθΒΜΣΗΣ∴��ΦΣ(∆��ΦΣ ΨςΚΕ%Ω��ΓΙΠΠΜΩΞ;��]ΨΘΘ]��,∗ΡΣςΞ?#ΕΠ ��ΗΜΣ∴ΩΤΣ∴ΜΡ��ΨΡΣ6>θθΙ��4%<��&ΕΟΙς��Κ Εθ ��ΣΗΣ∴��Φ∃��ΜΩ��ΓΙΠ$)ΜΡ��ΨΡΣςΞ&��$" ∴��]ΨΘΘ≅≅ΘΘ]��ΠΠΘ<��$"Γ��ΟΘΕΟΙς��1ΞΛΣ ΗΣ∴��Θ)��4%<��$"∴����<ΞΛΣΗΣ∴��Υ��ΞΛΣΗΣ∴ 6∃ΨΡΣςΞΛΣ����Ρ��ΨΡΣςΞ∃'∴ΜΡ��ΨΡΒ#ΛΣΗΣ ∴0 ∴ΜΡ��ΨΡΣΓ ΕΠ��ΗΜς(]ΨΘΘ]��>%ΛΣΗΣ∴ ��Φ��ΝΨΡΣςΞΛΣ����Θ]��ΠΣ&��ΣΗΣ∴��ΦΣΨΑ��ΨΡ ΣςΞ):ΕΟΙς��,7ΛΣΗΣ∴(≅��ΠΣΓΕΠ��Η−2ΣΗΣ ∴����ΓΙΠΠΜΩΞ��ΑΦΟΘΕΟΙ7Χ$"∴��]Ψ=/∴��ΦΣ ΨςΚΙ364%<��$"Μ&θθΙ��4%<Σ!��ΚΕθθΙ��4Τ 0ΣΜΩ��Γ!����4%<��$"∴����8ΓΙΠΠΜΩΞ��&9ΦΣΨ ςΚΙΣΜΒ��ΓΕΠ��ΗΜΣ∴Π(ΟΘΕΟΙς��Κ;ΩΜΩ��ΓΙ ΩΚ��ΦΣΨςΚΙΣ��)]ΨΘΘ]��∀%∴ΜΡ��ΨΡ(Ω4%< $"∴��4Σ∴ΜΡ��0��ΣΓΕΠ��ΗΜΣ4&ΡΣςΞΛΣΗΣ#> ��ΠΣΓΕ∋$ΨΡΣςΞΛΣ/��∴��]ΨΘΗ>��]ΨΘ=−Θ] ΠΣ��ΚΦΣΨςΚΙΣ)ΠΩ��ΓΙΠΠΜΩΞ<��ΚΕθθΙ!"Φ



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ΕΠ��ΗΜΣ∴1.ΨΡΣςΞΛΣΗ/9ΘΘ]��Π30Θ]��ΠΣΓ ΕΠ��Ω∀ΕΠ��Η∗ΙΕΟΙς��:��ΣςΞΛΣΗ314%<��$" ,#��ΚΕθθΛΑΨςΚΙΣ9Ρ��ΨΡΣΓ∗ΚΕθθΙ7!��]Ψ ΘΘ]Ο1ΠΣΓΕΠ��ΗΜΞ/ΣςΞΛΣ'∃ΣςΞΛΣΗΣ∴��( =Ις��ΚΕθθΙ��2ΓΙΠΠΜΩΞ��);��ΗΜΣ∴ΜΡ�� 4Θ Θ]����=Ω��ΓΙΠ4∆ΣςΞΛ ��ΨΡΣςΞΛΣΗΣ%)��ΚΕ θθΙ Ι∴��]ΨΘ6Ν<��$"∴��](θ%<��$"∴Κ:ΣΟΘ ΕΟΙς��93ΨΘΘ]��ΠΣΓΩ#ΗΜΣ∴ΜΡ��∃=Π��ΗΜΣ∴ Μ6−Ρ��ΨΡΣςΞΛΡ��4%<����8��ΓΙΠΠΜ��∋ΗΜΣ∴Μ 01ΣΣΟΘΕΟΙς,∆ΣΣΟΘΕΟΙς$ΝΕθθΙ��4Υ+ΦΣ ΨςΚΙ.ΟΙς��ΚΕθ θΟΘΕΟΙς��Κθ>Ι��4%<2Α ΦΣΨ<ΡΣΣΟΘΕΟΙ≅∋ΨςΚΙΣΘ(Σ∴��ΦΣΨςΚΙ(�� ΨΡΣςΞΛ.ΘΣΗΣ∴��ΦΣ(∃"∴��]ΨΘ+0∴��ΦΣΨςΚ Ι��ΑΟΙς��ΚΕθΛ��ΠΣΓΕΠ��0����ΦΣΨςΚΙΣΦ��∴Μ Ρ��ΨΡΕ��ΠΣΓΕΠ��ΗΜ��(ΨΘΘ]��Ω1ΓΕΠ��ΗΦΝ��Φ ΣΨςΚΙΣ9��∴ΜΡ��ΨΑ/∴ΜΡ��ΨΡ∋=ΕθθΙ��4%<�� ΧΙ��4%<��4<��$"∴��]Ψ��0��ΦΣΨςΚΙς��<��$"∴ ����Θ]ΨΘΘ]��ΠΣ;ΜΜΣ∴ΜΡ��Ψ∃%∴ΜΡ��ΨΡ��'ΜΩ ��Γ%Η]��ΠΣΓΕΠ��Η18ΣΨςΚΙΣΜΩ��,��%<��$"�� ΥΣΗΣ∴��ΦΣΨς ��ΨΡΣςΞΛΣΗ��1ΣΜΩ��ΓΙ&!ΓΕ Π��ΗΜΣ∴��∗ΣΜΩ��ΓΙΠΠΦΩ]ΨΘΘ]��ΠΣ−ΣΦΣΣΟ ΘΕΟ20ΘΘ]��Π��ςΣΟΘΕΟΙς∃#Σ∴��ΦΣΨς%��]Ψ ΘΘ]);ΜΩ��ΓΙΠΠ��'ΞΛΣΗΓΙ∴ΜΡ��ΨΡΣΦ��ΞΛΣ ΗΣ∴��0Ι��4%≅,��ΦΣΨςΚΙ��4θΙ��4−ΒΕθθΙ��4 Σ7ΣςΞΛΣΗΘΚ��ΨΡΣςΞΛ%%ΛΣΗΣ∴��ΦΣΨΠςς



ΚΕθθΣΩΚΙΣΜΩ1��ΜΡ��ΨΡΣςΒ����ΦΣΨςΚΙ1��∴ ΜΡ��ΨΡΣςΣ'ΜΡ��ΨΡΣ"1Ρ��ΨΡΣςΞ"5ΣΣΟΘΕ. (��4%<��1∴ΜΡ��ΨΡΟΩ4%<��$Ξ∗��ΠΣΓΕΠ0Ο��4 %<��$∀ΩΕθθΙ��4%/��ΘΕΟΙς��ΚΕΠ��ΡΣςΞΛ 8 ΣςΞΛΣΗ#ΘΕΟΙς��∃!ΘΘ]��>(Ω��ΓΙΠΠΛ(ΛΣΗ Σ∴��ΦΧ��ΞΛΣΗΣ∴�� /ΕΠ��ΗΜΣ∴Μ��ΥΣΜΩ��Υ��< ��$"∴��5ΤΘ]��ΠΣΓΒ!ΦΣΨςΚΙ?ΚΚΙΣΜΩ��3ΥΣ ΟΘΕΟΙς��ΚΒ��ΟΙς��ΚΕΙΑ��4%<��$"∴��"=ΕΟΙ ς��ΚΕ=ΜΙς��ΚΕθθΙ3)ΕΠ��ΗςθΣΗΣ∴��Φ����∴ ]ΨΘ��'��ΚΕθ��0��ΨΡΣ��ΧςΚΙΣΜΩ��ΓΝ!θΙ��4% < ΓΣ∴ΜΡ��ΨΡΣ∋#ΚΙΣΜΩ��Γ��0ΣΗΣ∴��<ΠΣΟΘ ΕΟΙςΩ1ΘΕΟΙςΛ∆ΜΡ��ΨΡΣΓ5ΣΟΘΕΟ��∆��ΨΡΣ ςΞΦ��∴��]ΨΘΘ]��2ΕΣ∴��ΦΣΨ����ΜΡ��ΨΡΣςΛ+θ Ι��4%<Ν∋ΕΟΙς��ΚΕ'+ςΚΙΣΜΓ.ΞΛΣΗΣ∴��ΦΣ &Μ∴��]ΨΘΘ]��0ΧΣΗΣ∴��ΦΣΨ����ΜΡ��ΨΡΣ��0ΜΩ ��Γ3&4%<��$"∴Χ)ΟΙς��ΚΕθθΙ&ςΗΜΣ∴ΜΡ��Ψ Τ∋ΦΣΨςΚ$ΚΚΙΣΜΩ��ΓΙΒ��ΕθθΙ��4%Τ "∴��] ΨΘΘ]����ΩΣΗΣ∴��ΦΣΨΡ#ΠΣΓΕΠ��ΗΜΣ ��Ις��Κ ΒΘ��ΚΕθθ47ΟΘΕΟΙ((��]ΨΘΘ]&>ΣΣΟΘΕ4Θς ΚΙΣΜ��<��$"∴��]Ψ����Π��ΗΜΣ∴ΜΡ��∆θΟΙς��ΚΕ ∋1ΣςΞΛΣ∆=ΗΣ∴��ΦΣ'%∴��]ΨΘ&ΜΣΜΩ��ΓΙΠ4 ��ΨςΚΙΣΜ5θθΙ��4%ΦΓ<��$"∴��]Ψ$/��ΦΣΨςΚ ΙΣ��Ε��ΚΕθθΙ��4∆/Σ∴ΜΡ��:)ΣΨςΚΙΣΜ��3Εθ θΙ��3ΝΞΛΣΗΣ∴��ΦΩ ΣΗΣ∴��ΦΣΨς3∃ΨΡΣςΞΛ ΣΗθ��ΚΙΣΜΩ��Γ?(]��ΠΣΓ&∃��ΗΜΣ∴ΜΛΛΣΗΣ∴

pome || Billy Bob Beamer

POME from 'no[s]place'...a series
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1 blink wire. become gelding gidding flash. your fortune dove remembrance flesh. thee... oharvest roar the steeple casting down imbricate knowing. ...sensing operation Pare[s. scarlet parrots. plumbing collective. jibe matter painted quixotic jeweled dying."
performing acts of charity for plants." unbuckle the enthusiast roper. gliding forums. finding hyssop. regarded growth. smile out weapons peace. stay toner joint secret. place. fool fimm rehat fool...blink blink bloodwire. breath.
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.2...nospace kink short curve line to end ecliptic operation sunset fascinate instrument shadow on bases over the wall curving a dove remembrance fresh 2 miles planet winter solstice figure out why purpose significamnt story point out center one only
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3....look at what in free fall that is not physics...blink q wire knows how begins where zillions of photos looka at building 7 tech secret war in spaceok cpmom-ming slaves fourth  enthusiast roper reich are we going to tutanic blooey face dark programs public flop flop false front town gelding decoding jibe matter arrow trend telegraph shuttle...blink blink codes meaningful technology joint secret nopeace shadow space...gang view my anal y they run the world odd ossified sixth ritual no more conscious ness ness desert idea ...
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4..
gelding P are[s. scarlet giddinggidding flash. your fortune fle[u]sh. your formtune dove remembrance fleish.fortune dove remembrance thee... oharvest ropar the steep leg casting down imbricateroar the steeple lusting now ling. ...sensing operation [s. scarlet papatriots. plumbing e. jibe matter pain quixotic ewe led dying.... per foimbricater ming acts of charity for plants." unbuckle the endthrust roper canter one only free fall that is not psychic one is blink blink bloodwire.okokok breathbloodwirewaret.
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breath...
 

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text || Noel Canlas

small stone

Assume this is indeed a stone set apart from all others. (Lawrence Fixel)

     Imagine you’re holding a small stone in your hand. Imagination being fertile, you start having some thoughts. You come up with the following.

Like this small stone in the hand
holding secrets, you imagine,
just a cold object, uselessly,
lying around, this faceless sea.

     You hesitate about those commas, and the capital letter at the beginning, and the period at the end, elements that contribute to the idea that this is a sentence, which is true, and have the advantage of suggesting circularity and closure. But you want to replicate the act of imagining, and the kind of ambiguities it creates, for your reader, and to put the reader in the same bind that you find yourself in. So you do away with the comma, and relax the bond of syntax by putting spaces around the lines. Thus,

Like this small stone in the hand
holding secrets you imagine
just a cold object uselessly
lying around this faceless sea.

     Not content, feeling the syntax is still too strong that the ambiguities you wanted might not come off very well, you decide to get rid of this line altogether, and say:

Like this
small stone 
in the hand
holding secrets 
you imagine
just a cold object
uselessly
lying around
this faceless sea.

     You also think of running a permutation of this series to dramatize the irresolvable dialectic you were imagining, pushing the eye around so that it won’t settle in a fulcrum, or find an Archimedean point of reading. However, this is feeding everything to the fish, and it would have been probably better to let the syntax of a first glance dominate, and hope that succeeding glances would loosen the bonds, but at the same time, entrap the eye deeper and deeper into the Endless Bind, with or without the presence of syntax. (Or, probably it’s even enough just to say, “This faceless sea.”) 

     At any rate, that’s how you imagine it would be like.

text || Edward Nichols

Atonal texture


aThia rhetorical neophyte is incongruance in its relief. accordingly the indigenous format for the destruction is for the most part an atypical extension of ultra -worldly means.

This system religously performs its duties. .P-Shaw. Rimrod gold perforates its duties.Rimrod gold perforates the monstrosities of other worldly. divinities.Most protaganists examine the main- frame realities,causing golden sewers to float aromatically by. This calling of the gadians of circumstance forks the road atthe muses destination.

The lineage of the amazing powers of observation.

His augmentation of self with the balance of ego.

Nomadic gestures on the forfeiture of  time.
    Delinquent efficiencies catty-corner to the adjacent obelisk thrown about by the storm.Spectrum bias liers curtailed an iron branded with Ailig groundzeroe on a peptide partionturpentine.

My thought controls is under the flaw of the twilight dance and the opening of the door of perception, it's reception is possibily a deception, but real in this dilemna. This is the downplay, the downplay of surprise. This world's not hard to surmise. I see you hanging in your salvation fantancy. There is a fine line between boredom and ecstacy. I've said I'll never do it again, get I've never done it before, and I'll ne4ver do it afterwards. Oh the beauty of desepair, oftentimes the heart is beyond repair.

You're mesmerized by your Denial You can feel the heat, but you can't see the fire You're a thief, a cheat and a liar. You're crosse all your bridges and now they've burned. You've been told a thousand times and you've never learned. Dry eyes fry with the heat of despair run for it, if you dare. You must keep in mind the light: Aglowing green skull, A instruments of pain for the mentally deranged.

There's onething I know and it's that I don't know.
I look at you and think that you think you do.
But I really don't think you have a clue.
You can't see beyond  the bounds of reality.
Because you don't have the mental clarity,
Your minds locked in a little prision cell.

pome || Billy Bob Beamer

DIGGIG draft ofpolyatonalPOME 3/4/ 5/3/ 1 
..............................................
flange flute flumeflow
orange token buyer taken
sorted graphstone layered
.......................................................
windows ledgingvibrato perked
hedgewidow pole a reamor rumor music
soundsnot quitequiet lsft porchcushion3
leaningjoiners makenotes merelysmear
...........................................................
trumpet antiphonal atonal guts in thworks
plumbing gurglegarglemushmuch embrochure
re setasstone rockedon netherrrock walllick
mouth piecebreathingsuck mossair rustburn
ish tourists inrooms movingdrunken brations
..................................................................
libations bassdrumskeys
piecenotquite com
plete pleatedcurtains holyrush written musicleft
.....................................................................
......................................................................
aspiration, tournequet,muscle,blender godenough

text || Edward Nichols

Synthetic texture



Key to the eulogy of the Kingjasmine.

Delotorious showdown guarantees demonstratively.

Tudor forthright demonstrating ,determinism.

Jimson weed weed in the Garden loophole ,

into the loophle blurring right and wrong.

Dexterity understatement miasmic.

 Evolving life forms ttooling toiling through the Earth.

Saliva.

Formulative returns on a used postage stamp.

Totally  togather by the the J.uxtapositional U.nified  N.umerological
K.nights.

Laying forthrighright in a tisket a tasket ared and yellow casket.

Divination for glows demonsrative fatalism-Mallarme.

Every poem is explosive with a pen as a fuse.

Theology.

Regenerative going water jaded colourful fire stormskeeping your geophysics alone, like me.

Germinating idealogy usually going over the joker thesis related Thermostat returns the dead weight to wait.

Formative fighting healthily. luceferianism, so much I Helioplex gigantic threadbare union Hellion, holistically unitied filter sailing to through the sartre.

Hell-o jumping from the pot into the frying pan. Lady Space the Directorate attended an tea party ususally tribal innuendos heal the nagging dowbts definitive. Forthright returns define anomaly urgently

Colorful Doorknobs Ka-Put he rigteous cosmics oomic new formed thesis embolden by t.

Kaleidoscope displa distortedvie.

Colorful doorknow distorted Kaleiladiascopope.

Whom fires disposal repertoire.

Glad srones barking at the grass.

The wallet phenomenalistically.

Made up prophecies delighted at the out come.

Surrounding jalopy usuroers of the avant-garde.I

text || Bob BrueckL

quaint perilymph disillude acidolysis rib-riveting apparatus flitch waked misericord attestations' shakiest flimsy collarblight pus woodpile's rotten eggs incestuously busk neural lygo amplitude astounding anatta jonquil decomposition's babby naar apium's slowlier facon snip dolphy yarely braggite prehallus to tirl at ourn doozy chounse albuminoses' ratite moine holinight's madeupical syncope theein demerged aepyornis' tuzzy-muzzy chummery divvying-up symbiont calcar strap rire allot gorges' fletched platykurtosis' mazy aphotic chingay perople punds condolingly strobic cloud-burst honeycreepers' tholed deixis-donned & emasculated symbiote's hylactic hareph's whingy brayer's bathypelagic iolite racktail's diatryma apteryx

pome || Billy Bob Beamer

POME
[binding silent orangeloy
what to crown marjoram]
...................................
"split words; they return
as wind, where thoughts
don't, aren't matter..."
p.j. dorgan.....................
....................................
fadflok fasdij
olf dokasik fa
dalk fin riejihr
..................
3 5213k89
.....................
naj tig ga edgu
najalk sitod gan
miuh thred jo di
........................
3 6309988kloguy
.........................
gid treoun hun mi
aytob fayr-dr hogy
gunku poftyr noyu
...........................
3 84746648857jik0
...........................
agat affat yturft didi
du du dudu du di di
nusd friou ragyet du
iiie illgittittil iiir tritiid
.............................
4 783897464disnoyr
...............................
iiriiti iiyt ooiu yahfayii
...............................
1 574566783nidfitiiout

tweets || Bob BrueckL

5iveless tweets　


spooky jukyom effigies alleyoop spongy spadix dunks agglutinating the labial palpi of whimzied sinews in-line with beakier slurpies
　

pristine defilements concoct slipshod soundbites vamping sessile spathes of fat-lipped strictures haughtily disdaining ongepotchket groobs


the bite wing craunches the punggol splurge hyenoiding the diplaxed mish-mosh silencing the avastic goosebumps' anacoluthic extrorse chords
　

the morbid lassitude of the stiggy-pouched tofurkey kabushes the nitty mite's gingly popsicle castration maggoting the sneedy aguna mudra
　

the cyanic oboyerite of the shaiya trabajaba inferts the synechdochic cosmesis' nociferous epigenome jaleeling the astigmatic tartuffe

　

pome || Billy Bob Beamer

POMEA TBA SEO FS TORY*
...............................
JA AN OUT,
MA JA AN OU,
MANDA JAN O
PAN OU, MAY
CREIT, N SAL,
TV OT
, EDIRIAL
UE ONY, MANDA
JAN OUT, DATO
PAN OUT, MAN
JA OUT, MADA
JA OUT, MANATOR
CRET, O SA, TV OT,
DIT US O JAPUT,
MANTORY CRIT,
NSAES, T OU, ERIAL
EON APUT, ANDARY
REDIT, ALES, TOUDITORSE
ON JA OU, ANA CRET, NOALES,
TOUT, EDI PA OU, MORY EIT, LES,
VOUT, EDITAL US OLYIAL US ON APAN
OUT, MATORRED JAUT, MATORY CEDIT,
ALES,VOUT, DITIALSEONT, NALES, PAN
OUT, ANDRY CRE OU, MANREDIT, NALET
OUDITO USONLDIT, NOALES, TOUT, EDIORAL
USONYOU, EDIOIAL UE ON OT, MADA CR JOUT
, , SLES, UT, USONDIT, NALES, TOU, EDITO USELY
APOUT, ANDAORY REDIT, O ALES, VUT, DITORIAL U
PANUT, ANDA CRET, NES, TUT, EDORI SEONSEOL AN
, ANDCRE, NALE, TT, EDTOIAL UET, MANDCREIT, N SAL,
TV OT
, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN OUT,
MAN JA
OUT, MADA JA OUT, MANATOR CRET, O SA, TV OT,
DIT US O JAPUT, MANTORY CRIT, NSAES, ADIT, SACREIT, N
SAL, TV OT, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN
OUT, MAN JA OUT, MADA JA OUT, MANATOR CRET, O SA, TV
OT, DIT US O JAPUT, MANTORY CRIT, NSAES, ES, T OT, EDIIAL
US ON
TORY CRED, NALET OU, EITOIAL UEONY CRDIT, NALETOUED
SENLYRY CREIT, NV UT, EDTO UEONYREDIT, NALET JAAN OT, MANY
CRIT, NALE, T OU, EDOIAL UE OLYOT, EDITO JANOU, MAATOY CRIT,
NOSA TOT, EDIAL SE ONLYRIAL UE ONYORY CREIT, NALESCREIT, N
SAL, TV OT, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN OUT, MAN
JA OUT, MADA JA OUT, MANATOR CRET, O SA, TV OT, DIT US O JAPUT
, MANTORY CRIT, NSAES, UT, EDTRIAL UEONLATORY JA JA OU, DATOR
CED, NEST OT, DITOIAL EONYANUT, MANDA, NOSAL, T OU, EDITOSE ON
CRIT, NES, T OU, EITORIAL UEONOU JANOU, MAPAN OUMANORY CIT, O
ALES, T OU, JAA JAAN OUT, MA JAAN OU, MANDA JACREIT, N SAL, TV OT,
EDIRIAL UE
ONY, MANDA JAN OUT, DATO PAN OUT, MAN JA OUT, MADA JA
OUT, MANATOR CRET, O SA, TV OT, DIT US O JAPUT, MANTORY CRIT, NSAES,
N O PAN OU, MAY CREIT, N SAL, TV OT, EDIRIAL UE ONY, MANDA JAN OUT, DATO
PAN OUT, MAN JA OUT, MADA JA OUT, MANATOR CRET, O SA, TV OCREIT, N SAL,
TV OT
, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN OUT, MAN JA OUT, MADA JA
OUT, MANATOR CRET, O SA, TV OT, DIT US O JAPUT, MANTORY CRIT, NSAESCREIT,
N SAL
, TV OT, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN OUT, MAN JA OUT, MADA
JA OUT, MANATOR CRET, O SA, TV OT, DIT US O JAPUT, MANTORY CRIT, NSAES, , T, DIT
US O JAPUT, MANTORY CRIT, NSAES, T OU, ERIAL EON APUT, ANDARY REDIT, ALES,
TOUDITORSE ON JA OU, ANA CRET, NOALES, TOUT, EDI PA OU, MORY EIT, LES, VOUT,
EDITAL US OLYIAL US ON APAN OUT, MATORRED JAUT, MATORY CEDIT,ALES,VOUT, DITIAL
SEONT, NALES, PAN OUT, ANDRY CRE OU, MANREDIT, NALET OUDITO USONLDIT, NOALES,
TOUT, EDIORAL USONYOU, EDIOIAL UE ON OT, MADA CR JOUT, , SLES, UT, USONDIT, NALES,
TOU, EDITO USELY APOUT, ANDAORY REDIT, O ALES, VUT, DITORIAL U PANUT, ANDA CRET,
NES, TUT, EDORI SEONSEOL AN , MANDCRE, NALE, TT, EDTOIAL UET, MANDADIT, SAES, T OT,
EDIIAL US ONTORY CRED, NALET OU, EITOIAL UEONY CRDIT, NALETOUED SENCREIT, N SAL, TV
OT, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN OUT, MAN JA OUT, MADA JA OUT, MANATOR
RET, O SA, TV OT, DIT US O JAPUT, MANTORY CRIT, NSAES, LYRY CREIT, NV UT, EDTO UEONYREDIT,
NALET JAAN OT, MANY CRCREIT, N SAL, TV OT, EDIRIAL UE ONY, MANDA JAN OUT, DATO PAN OUT, MAN
JA OUT, MADA JA OUT, MANATOR CRET, O SA, TV OT, DIT US O JAPUT, MANTORY CRIT, NSAES, IT, NALE,
T OU, EDOIAL UE OLYOT, EDITO JANOU, MAATOY CRIT, NOSA TOT, EDIAL SE ONLYRIAL UE ONYORY CREIT,
NALESUT, EDTRIAL UEONLATORY JA JA OU, DATOR CED, NEST OT, DITOIAL EONYANUT, MANDA, NOSAL, T
OU, EDITOSE ON CRIT, NES, T OU, EITORIAL UEONOU JANOU, MAPAN OUMANORY CIT, O ALES, T OU,
*revised from document
at base of cnn report...
then not knowingwhat to
do wrote as
callresponse............
to be read by 12,one
person each line,
at 13, start over, etc
pocket trumpet, drum improv
thruout, etcrepeatadlib
............................