Easter 2011
nevertheless as knees to burnt visit
bullets on the gazebo
aorta weft curlicue rejuvenated
hazardous zoology canopy
a hiss of tinted malaise
the moon wheat needles
lullaby tables laugh
diabolical and verbal is not vertical
polkadots decrease
no sun ax today at alter
their game eyes and their knee deep
simmering only negations asunder
belabors absolutist keening
cumulative hiatus unedited
never tamed eliminations pockmark
half answers in lark and bile
now and again ink inches hereafter burnt
below inhabited sarx cymbals largesse
habitual against nearsighted gardens
vast as silage gurgles
no such repetition as the tongue of signs
lasts asterisk nonsequential water mark
oddly vinegar and costumed severance
shamanic habitually destabilized
kilometers brusque scar of sea lions
quick as kinetic suture ebbs
surname haggle and hacienda
handlebar briers
barracuda buttered novel and unkind
diagonal nexus axiomatic roadmap
engenders a delicate flag
the taxi only comes once
quantum and linear laws of duration
but years
at last
driving through the liminal ricochet
miles of fuzzy mud and footfalls
shadows divided in an open box
a lake of burnt buttons and necklaces
skulls
oleander
alphabets
plastic bags
marbles
wax
they
say
encroach
fingernails
traffic lights
spare ribs
catnip
garlic
cigarettes
nearly defenseless
nevertheless
turbulent
dovetailed
triangulate
dissolve
04.24-25.2011
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Monday, April 25, 2011
poem || Jim Leftwich
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