lou[ver]pla[ar]t[th]ta[ud]........................................................
"in the increasing scramble of [in]coherence one finds
himself naked in speech..."-p. j.
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lo[uve]rdCor[ros]ive
[pla].........................................................
t[h]artlim[b]s[a]ud]...............................................................
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[mermu[scle]s]i[can]po].........................................................
twi[ste]etnobrit[t]level.........................................................
[is]t]chi[l]dre]n[sa[uth]wi.......................................
n[cin]g[orco[m]cring[in........................................
g]mit[ted]sui[in]co[her]en......................................
ce[[ci]deb[yin]hib[ited]........................................
ga]s[sn]g[fat[igu]ehe]r[............................................................
se]l[fin]he[fra[gil]ity[...........................................
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r]kipa[in][t]chenfin]he[r]k.............................................................
inum[b]nes[s]lo[uve]rdC.........................................
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texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Saturday, March 26, 2011
pome || Billy Bob Beamer
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