July 11, 2010 -- Sunday
hacktool hocker a particular number which remains beyond all marginal occasional night of dawning each leaf in goldleaf numerators before there was anyone around only numbers disguised as ant-eaters essence pointedly knavish perfidious perfunctory descent into hell perspicacious sentient sardonic void of voids zhuyinwen a curse pinpointing gefilte intermittent nonce extemporaneous boorish bizarre eternal foam polysyllabic one absolute monophysite commingled in contradistinction to no knower corrupt color nothing to know grammarian entangled in knowing beyond knower and known dragopods ringtones devices not anyone or anything epirrhema gleocapsa if there is one transcending identity two a chorus a tiki goddery the body knows the orchilla weed decayed hollowed out ultimate truth gum-copal timbre desirous of seeing enclosed sargassum amaranthine cloud memory golden-colored odorless anesthetic moss-like plastic deep purple-red ether a shovel unfading rust oversprayed dissolved lung air a trifle rough detached balmy gas oblivion diminished deranged unmanifest blunt-tipped glass-grass foamless soft primrosy demi-sleb spanking stalking damned glorious licorice whip concretized phyllophyllin epigone away from no consciousness bool beal pustule pimple virilise nobody around to gasp ascomycotina hayworm the inseparability of spirit and matter wet dream etheldred morus demeanor blepharal spicate the eventual falling away of the senses fleshy coalescence of edible ovaries dissolution sphere inimical tardy buds bare existence itself asylum sprouts angular akin to saw-teeth point-lace prismatic daffodil escalier de dentelle balls or reels devastating ridicule marlite meridial utter transcendence struck out lackadaisical beauty greasy grimy dingy gringy hoisin glimpse sriracha specs yummy diced which is why there is death kerchief of pleasance mayonnaise beyond consciousness dill ovum vesicle nucleolus utterly transparent germinal spot suse delete grub irreversibly reversed only ghastly slack configure to forfeit the beatific vision epiphany web xiphoid ligament forfeiture of the ultimate wisp of piss profusely pleat out of darkness novorossiisk gafoors out of dim light ambergris gloamings & truth is unbearable cogimur orpiment long ago to the senseless brain artifically foliated lustre of consciousness arsenious oxid realgar hole in the body in fact disulphid indigo for oxygen coming upon truth as an error or leather potash lime auripigment out of ignorance conjunctions enargite bichromate truth is unbelievable strychnia for instance see particularly naked love aristonym naivete ars poetica devastating rump boation rotini cremor less obvious or absolute vertical brim reverberation remembered bellowing chyle scum unpossessed sheer traces between tinea capitis lozenges resurrected substances milk of magnesia precludes omega-3 fatty acids in vogue forever impossible nor hatchety crack gracelessly unlascivious adroitly sheer burden pieces prurient gossip innuendo involving questions chronicling not forever the remains of a word buzzing frenzy snuffed out precious prolonged aphrodisiac diad hummy slowest difficult pygobombe kolluri actuated within dreck digestible slice polyandria circumstance honeysuckle face-up face-down shitty-shoddy to penetrate not only cleidosternal sex a decimal notation disbelief versus a refusal to be flirtatious maniac plumb pent no-belief or the inability to be soporific fcubed kxauein blessed moronically actually fulminate drowsy hypnotic superficiality beneath the sable of darkness overwhelming it gradual unrealization rememberung irrational moist becoming quarreled duzzie dozy elixir sunk down finally perpetual stillness stream murmur creeping over slimy pebbles slumber no one around poppies & other odd sausages honey & locusts bewildering dainty owl pye nap astringent snatched away somewhat thereof lost in provoking suddenly induce dead fleshings flash never an erection emission floated precisely underlying devoid gravity vulgar attire not even confused chaos impossible to describe in the beginning amidst bustling clad pink no one to be boostered temptacious qaida woodchuck psychoplasmics reticence coming to be debilitude punter lobate quidnic as it were exigent fake exacting extremity the night of dawning outlawry circumstances only in the clay of nothingness expeditiously dire enthralled ultimate formicine snapdragons purry oestrus dichotomy wesh preterits scullery rubbed gobslotch rarely no doubt our love was strictly subprime just another name for sterotpye iles choaker imcomprehensible cryselephantine askesis bajaur less than consciousness tumefying an unkindness gossomer boggles the brainless refch keem roughly gumma vegetative ketubim kneehi interlocutory elements particulars bugging her or his or its ass atoms off to inhume spilling it after this in a furrow yet ice cream bean hypostatic glycolimia bluebelly adnah nothing dovetail bricklayer disguise impossible scaffolds detailed exertion trowel impossibility mortar straightening up narrow circle shaft chimney whiff turret nest egg non-beginning l'etat avory unbridgeable circumloquacious this is an incarnation no-brainer but not apparently flexing revealing pliable bending contorting easily inseparably one supple limber caisson clambering rugged cradle rake possible curve pertinacity of keel arduous initially torn ragged springy agile sinks unknowable bristlecone arrear bongo nasard uncreated illusion cuero mutation habafropzipulops sapient ikhwan intricate consonant totally separate wholly dissected uncorroborated dimensions of existence fulgor tibi verbosus distinction haufungspunkten palette ultimate somniculous brainworms unique & existing from all eternity desexualizing porcellanous impermanent proleptic elongated whirls flat sharp ordinary lip thickened within acute conical uncreated dusty convex mud aperture insight astrocity rugelach pinemaw B pure speculation twittered all-but only caveat assumptions bouchon resence stipulation not a beginning stopple flagon vice galoche unique roject uzzle osition distinctions
Monday, July 12, 2010
text || Peter Ganick
vestigial non-residuals promenade
nautical eureka accomplice heraldry
oasis those prevalent until
repaginations earthbound code variously.
genome pristine arlesienne thoroughly repatriate
alight overshaded borg
numerously praline the editor
elixir of temporary lassitude motioning
whimsy.
edge edging
a crow crowded into snail borrowers
eurasian doubled over
intentionally corsairs activations.
recoil emptiness around coincident
attentiveness where silt either overshot
often sooty abrogation offhand
jihad of persistence peaceful reunification
where inaccurate mitoses
burn through evasive
gnosis then sombrero the
accompanying eachness sweltering wallet
to burn avignon tatter with stalemate.
dna runner signature dowsing somersaults
osmic alternatives erasure in pummels nur
nor the signal tour-bus
biznis where stultification retreats i
n word-singularization
non-contextual piercing
acclimation
series those rebuses
bottomless where shiny cleft
in flake through sepia.
nautical eureka accomplice heraldry
oasis those prevalent until
repaginations earthbound code variously.
genome pristine arlesienne thoroughly repatriate
alight overshaded borg
numerously praline the editor
elixir of temporary lassitude motioning
whimsy.
edge edging
a crow crowded into snail borrowers
eurasian doubled over
intentionally corsairs activations.
recoil emptiness around coincident
attentiveness where silt either overshot
often sooty abrogation offhand
jihad of persistence peaceful reunification
where inaccurate mitoses
burn through evasive
gnosis then sombrero the
accompanying eachness sweltering wallet
to burn avignon tatter with stalemate.
dna runner signature dowsing somersaults
osmic alternatives erasure in pummels nur
nor the signal tour-bus
biznis where stultification retreats i
n word-singularization
non-contextual piercing
acclimation
series those rebuses
bottomless where shiny cleft
in flake through sepia.
Sunday, July 11, 2010
text || Bob BrueckL
July 10, 2010 -- Saturday
lineation skews the incoherence of fabricated exactness when the structures of consciousness are perfidiously treacherous and constantly scheming to beat up on the deceitfulness of the weather, whether true or not, aeromancy predicts the wreckage of fickle sundows in sulphurous havoc around the stolid sphinx's sphincter muscle scrutinizing the gaze of augury across wisps of cirrus clouds intuiting oneiromancy at the mercy of blind interpretations about death itself being in italics, the twittering zeitgeist of hardly motionless mobiles deturbing the airiest solar inflections of metemptosis hankering after the gimpy hacks in clogged arteries of bissextile opposites emiting long-coveted quoiters of cruftless permalinks quietly leaping upon Johnny Crappod's paws pivoting a round around the narrow flat braid of limping gaits very deep in artificial protrusions of gutless momentums without any eccentric agitation reaping swooning lambswool jacking lightened bog-eyed scrimps of juggled jugs severely sparing with or without too scanty questions which shouldn't argue the cheeky point about cavalier purse strings twanging the sow's thirteen teats in a pinch of swollen fraxinus tomentosa swaggering a glint in the sockeye of hairy hara-kiri botching disemboweled apoptosis being eliminated by phagocytosis, a cell death in which the spastic unit utilizes cellular machinery to eviscerate itself as bowels dangle out and protrude, sucked down by gravity's unfumbling meat cleaver yanking the plug on proverbial bubbe, gutting her palaeozoic poetics with hansa yellow outbreaks of miffed noises unstrapping inaccessible subducts of arithmetical withdrawals subtracting sinlessness itself cheating on dissed disimagined ventriloqual octane an octave lower than the tip of your arched tongue regurgitating beams of moonlight, exquirere dysacousia, an unreal totality in which nothing remains to be diverted in a foolish bliss of void beyond love and joy discarding cartels of attached divisions coupling with butchery combing barzee perambulations on the ballet-ballast of the cliff's edge hatching lush horizons heaving tipsy slime molds refutating dislocated nicknames like flaneur and omniscient hypovolemic pusillanimity's unrhythmical rendering of rung cervical cords happily sashaying in the murated zones of tschuss illejo on the harmonic analyzer of the breathy Sabbath chaffing up against scraped fingerprints of scanned retinas & inner rectums' wrecked tangles literally beneath WCW's blushing wheelbarrow scooping up smidgens of urinous dustless juice & crushed roses of Tralee, plump purple plums with peculiar russet spots in the icebox depicting pigments of tremendously impacted wisdom teeth being extracted after flunked root canals reluctate out of the absurd sediment of eternal pie-eyed infomercials, polychorons of opinionated neoteny reverting to being diluted or eaten away by ions of acid...
lineation skews the incoherence of fabricated exactness when the structures of consciousness are perfidiously treacherous and constantly scheming to beat up on the deceitfulness of the weather, whether true or not, aeromancy predicts the wreckage of fickle sundows in sulphurous havoc around the stolid sphinx's sphincter muscle scrutinizing the gaze of augury across wisps of cirrus clouds intuiting oneiromancy at the mercy of blind interpretations about death itself being in italics, the twittering zeitgeist of hardly motionless mobiles deturbing the airiest solar inflections of metemptosis hankering after the gimpy hacks in clogged arteries of bissextile opposites emiting long-coveted quoiters of cruftless permalinks quietly leaping upon Johnny Crappod's paws pivoting a round around the narrow flat braid of limping gaits very deep in artificial protrusions of gutless momentums without any eccentric agitation reaping swooning lambswool jacking lightened bog-eyed scrimps of juggled jugs severely sparing with or without too scanty questions which shouldn't argue the cheeky point about cavalier purse strings twanging the sow's thirteen teats in a pinch of swollen fraxinus tomentosa swaggering a glint in the sockeye of hairy hara-kiri botching disemboweled apoptosis being eliminated by phagocytosis, a cell death in which the spastic unit utilizes cellular machinery to eviscerate itself as bowels dangle out and protrude, sucked down by gravity's unfumbling meat cleaver yanking the plug on proverbial bubbe, gutting her palaeozoic poetics with hansa yellow outbreaks of miffed noises unstrapping inaccessible subducts of arithmetical withdrawals subtracting sinlessness itself cheating on dissed disimagined ventriloqual octane an octave lower than the tip of your arched tongue regurgitating beams of moonlight, exquirere dysacousia, an unreal totality in which nothing remains to be diverted in a foolish bliss of void beyond love and joy discarding cartels of attached divisions coupling with butchery combing barzee perambulations on the ballet-ballast of the cliff's edge hatching lush horizons heaving tipsy slime molds refutating dislocated nicknames like flaneur and omniscient hypovolemic pusillanimity's unrhythmical rendering of rung cervical cords happily sashaying in the murated zones of tschuss illejo on the harmonic analyzer of the breathy Sabbath chaffing up against scraped fingerprints of scanned retinas & inner rectums' wrecked tangles literally beneath WCW's blushing wheelbarrow scooping up smidgens of urinous dustless juice & crushed roses of Tralee, plump purple plums with peculiar russet spots in the icebox depicting pigments of tremendously impacted wisdom teeth being extracted after flunked root canals reluctate out of the absurd sediment of eternal pie-eyed infomercials, polychorons of opinionated neoteny reverting to being diluted or eaten away by ions of acid...
sentences || Peter Ganick
qua the lyric vouchsafed to beachfront vacancy mid-summer planet, krill on front door accelerations fitness’ oars theirself on invocations there mercy appellate to curved sling buyer’s the crowd so interventionist, a candor with sufferance nothing had out of line troubles in the boxing ring are terra firma commencing it’s glade of pepsi-cola.
while wholly exeunt mag-ratios near to affect in computations’ if correct core, tremulant correction in li of healing structures with diners in calendrical span, sue the clapboard miner in calories token food spans token, terpsichore arrives. each off hastening precisely on aporia, tocatta on aorist past perfected owls in clack coven boast ot envelop duet silence.
scenery often marionettes will not stick arid egg shelves, their avuncular piety crashing rhodes through the columbine attentiveness triste indelible, foom lanyard tjant questioning mea culpa, goslings wvoming wilts through a stymie on hundreds beginner’s the appendices of a grrrl sonata, each lemming precisely not happenstance, gift fictive lariat, of the prevention alright so.
while wholly exeunt mag-ratios near to affect in computations’ if correct core, tremulant correction in li of healing structures with diners in calendrical span, sue the clapboard miner in calories token food spans token, terpsichore arrives. each off hastening precisely on aporia, tocatta on aorist past perfected owls in clack coven boast ot envelop duet silence.
scenery often marionettes will not stick arid egg shelves, their avuncular piety crashing rhodes through the columbine attentiveness triste indelible, foom lanyard tjant questioning mea culpa, goslings wvoming wilts through a stymie on hundreds beginner’s the appendices of a grrrl sonata, each lemming precisely not happenstance, gift fictive lariat, of the prevention alright so.
Saturday, July 10, 2010
text || Peter Ganick
63
oration memory clacks outrigger there puff thoughtful edifice mortise gracious milksop in as a oyez columbine akimbo structurally mindset pristine vacant celestial anno domini then sotto vowel cohere avenue those coronet lopsided borderline filmic alternates middle the scrutiny precisely targeted where scree bolt and hammer inland vessels hosting accordance through mere alignment somewhat psalter on hold coaxial not site standpoint evident levitation more exchequer vade mecum thousands least affiliation therefore inroad bootcamp isle fortitude omniplasty grace persistence those scud potent either willowy acrostic the vantage imperious least flooded mighty opaque notions where rex duende aargh evacuator negating alternate versive construction othered to text an rinse oppressive nominality queuing atropos gouache broken silence the peaceful music entitlement where sited in range vistavision precisely contrastive where
64
else congress otherwise alternating summershine amounts the window dressing infraction seldom inroad parsec than crumple ocelot peroxide mannerism caliper other bias evaluative mountains erasure forested caesurae though sample smallish that grainy mtv utensil toggle armistice preterit inviolable that as cancel tonic alignment wary neon those pockets reason pockets than sites worldview igneous phthalo ironic lucidity the staple pietas nur seldom tint vellum gradual cipher waiting learn thorough pall where viewpoints merge also thereas budding whole storied baobab theses where silence abrogate mutandis the secondary aisle from aggression tepid governance those repatriating pharaohs hastening reunification where signet motions whereas no borough errata moving structures feint orphan ceding ripple fortitude until peregrine alto venue that synergy solipsistic versive amalgams analogue vowel
65
chaos the met widely presuming caloric duet evanescent vermicelli bordering where cited off harness grabbed window closure than windlass burin glaceau boot veneer lorry lineate where sthick pervades consequences forming lorgnette etiquette mirroring few willowed infraction rooming those merrily pause thorough thensome as pareil the motivation elapses thematic lisp intentions release from what error not accrue either signature lastingly puffed cloud that either ananda nighttime washing alias from breaking points the rhythms offering persistence met widely laudanum vista tensile buttons thereas tenacious afterthoughts nothing in a word rowdy assonant vehicle opaque motile euphoria clowning riffle averages thoughtful reminiscences futurisms tiger flange energetic laddering a scrutiny reptiles name merely subsume expecting nothing nominal croupier signatures those presentation merges iffy sluffing
oration memory clacks outrigger there puff thoughtful edifice mortise gracious milksop in as a oyez columbine akimbo structurally mindset pristine vacant celestial anno domini then sotto vowel cohere avenue those coronet lopsided borderline filmic alternates middle the scrutiny precisely targeted where scree bolt and hammer inland vessels hosting accordance through mere alignment somewhat psalter on hold coaxial not site standpoint evident levitation more exchequer vade mecum thousands least affiliation therefore inroad bootcamp isle fortitude omniplasty grace persistence those scud potent either willowy acrostic the vantage imperious least flooded mighty opaque notions where rex duende aargh evacuator negating alternate versive construction othered to text an rinse oppressive nominality queuing atropos gouache broken silence the peaceful music entitlement where sited in range vistavision precisely contrastive where
64
else congress otherwise alternating summershine amounts the window dressing infraction seldom inroad parsec than crumple ocelot peroxide mannerism caliper other bias evaluative mountains erasure forested caesurae though sample smallish that grainy mtv utensil toggle armistice preterit inviolable that as cancel tonic alignment wary neon those pockets reason pockets than sites worldview igneous phthalo ironic lucidity the staple pietas nur seldom tint vellum gradual cipher waiting learn thorough pall where viewpoints merge also thereas budding whole storied baobab theses where silence abrogate mutandis the secondary aisle from aggression tepid governance those repatriating pharaohs hastening reunification where signet motions whereas no borough errata moving structures feint orphan ceding ripple fortitude until peregrine alto venue that synergy solipsistic versive amalgams analogue vowel
65
chaos the met widely presuming caloric duet evanescent vermicelli bordering where cited off harness grabbed window closure than windlass burin glaceau boot veneer lorry lineate where sthick pervades consequences forming lorgnette etiquette mirroring few willowed infraction rooming those merrily pause thorough thensome as pareil the motivation elapses thematic lisp intentions release from what error not accrue either signature lastingly puffed cloud that either ananda nighttime washing alias from breaking points the rhythms offering persistence met widely laudanum vista tensile buttons thereas tenacious afterthoughts nothing in a word rowdy assonant vehicle opaque motile euphoria clowning riffle averages thoughtful reminiscences futurisms tiger flange energetic laddering a scrutiny reptiles name merely subsume expecting nothing nominal croupier signatures those presentation merges iffy sluffing
text || Lanny Quarles
tej
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369. ; malaku. >->-, mon, 159. mon. nnninnu, ^YT, mon. fc'^ riksu.
mora, >4-, 331. 181. mon. *"] lapatu, tugultu, zam murul), T, . ^y
duppi. *"i^N ?j adi, 21 mon. :i^^yy, kisBU, TJ, mon. ziku. '^IHf, )
zakaru, simu. , me, suparruru, elatu. erib-samsi. \|*"f^>_1 , mon.
Xir, murub. 231. mon. nasahu-sa-tirti, enu, t^lft^j man. tYYj^ tn/,
''*'"*• lut. ; nion. 32. nabutu, ; r; ; mon. fakib. ^'^°' erim, *^^
mora. kirib. ^y^ rukuz, 324. sapala, kibbu. TJ>-, gar zaltu, ^^ for
137. mon. sar,bir; pitu, isi, 169. t^yy^, YYY«, 249. ra, JI_i*^>-<,
]^]^J» 139. pultu, ^J^Cj ai 19 sakan, nigin, sangu. 256. fc^, '"'^T'
more, i°J kaspu. '""'*• ni, sihu, sinu, siru. ; kitu. jraoji. mon.
fc**~<^^, ^^yy mon. duppu-sadru. y?- tamatu, ir, pasisu, , , tl^jKj
me, iklitii. abazu. ^yJs ekimu, ziggurratu. tallu, mon. baladu. sahpu,
tamibu, kal, n*~, allat, ^"™' y^- <, ''*'"'• gibin, batii. ummn. seum,
parasu-sa-ributi. mon. more, saraqu, dipu, , mon. 175. ^Jpt ^<, (<"*•
musaru, 272. mxyn. 229. 262. et; or 370. nisu. ; >f-^^ "J^l ■^, 374.
alik-mabri. dividing unu, tC]]]]> 126. uznn. ", \^!J5Z3^ 259. nine.
rabazu, kullatu. saru. 312. mon. ^lyjli, biru. kayamanu. qal, 4^, ;
72. Bippu. J bitu. sa; irit. T>r T^y, y*' resu, agu-pasi. mahru. mow.
baru, isurru, tj>^yyy> »iore. mon. ^« ana, babu. \TT rabita, eriba, u;
uraddu. -Ilf^^, mMn. wow. "^o^- daku. sussan sadti, ''*ora. nasim,
amar, < mon. mon. nahu, mon. matu- ^ ^kY, Jf-, sumu, arku, ^r rimu.
baru, P^-lia-r, Sf^y, nasii. . ; umun, ^TTi , nibaru-sa-nisi. Sf^Tj
mon. mon. [ hazu, teriktn. }}.&; 284. .^»-*-YYY nasu-sa-eni, man. mon.
busubhn. 193. ^ mon. JT^Y mxin. saqalu, >-<, ^vyg amiranu. ur bibu, of
or^yjjjfr, or sim. sapan, 6. babalu. zanin, *~^~ absu, dalat. """*•
napalkutu-sa-amati. 0>->-AA ?"> v-fc:p-T, mitut. >-u*y alaku. dil,
270. YY, 345. das; aka, ::< T, ^ySf^' erib-samsi. udukku. nirn, 5^^,
mora, katim, *^, gal jj*~y, asibu. nialu, kirn, *^T*fcT alkakatui
nadu, mon. kibu-sa-qan- palaz, mon. tu, 268. 179 »«o». mon. ^|, zik
saru, sanan. uk lu; , .^>-*-YYY asu. \^ du, ezen-ziru. ; tal, ubula.
mon. ardatu. ■^TYy?Y> 9«o?i. mon. 4^^, >-Mf, »-5^Ij:Jn][, , labaku, ^
sir; mon. 7non. iklu. ■^lU' , ^5^5 273. ; raman. saqu, ummu, \^ garmd.
*^, fipppy^ melu. ramu, <[*" nin; M*"I&I 100. nsatu. ; abu. madu, ;
337. t^ sanabi, ^non. rabazu, usaubu. agu, miz(?), urru, kir, < pa, *^
mon. 379. mon. labbu. »iora. maru, 155. 9. alid. mnsu. ^>-YY, 353.
ItJ' mon. HAJESTTt ' >-II, mon. sa, ham, < ramaku. ^^ ^^ zikaru,
*'*'"*• sadadu, nasaqu. 333. mon. »-*-yyj 1 ■^ sa-riduti. ^YYdt yTy>^Y
Mf, martu. salaa. nura, ediru snrbutu. kiipilu. inu. mon. wion.. YI,
^5w5 ham^u, gun; ^J^^j contraction s"K?); , zir, Yj barru, mon. sul;
"^^j ^"TU^j namutu. iddu(?), uhum, ; J mon. ir; mon. nab. ^;YY, sadii.
gablu, ■^YYY nabu, ^t^jY, .<^»II. YY, < girj j|, abu. kalu, "'ore.
giru, ?*' sakabu-sa-alali, mon. tur; ; turazn. TJ^, sin, 81. nadu,
ubur, kus 215. daba zubat, 1 t^y f labnu. ^}\}}' S^t^> gu 250. muk.
Fo. fc^ tugultu, parzu. umunu. gablu. jfc *ezidu, won. sar, \ T>-
f:yyy^, 71. kalu. , ^Ifj^lfrH' erisu, ■^1 mis, ^Z^, mon. ■^•'*-Y'
gimillii, ^ \ idlu, ur; etiq, , T'-'-XXy, >-TT, muttakbu, -j^, ^^5
mxm. , "*<"*• mon. wore, V- »»o%. sapaku, 308. 136. lil; 226. aru.
fe|[ elau, huttutu. kur; Y bihisu, gamal. mabaru, >Yt., TJfeY sapUs.
essetu, nasahu-sa-amati, 107. gurusu. 206. li6; quni, kala, zakiku.
'"9"- mon. tam, tiy, ■^I t^YY^ zuru. al; nizzatu. 375. thirds). ;
'"I'On- ^I^i, ^'ti- zurru, ?now. mon. e, ^^T-T es; ^Zi^yy? "^o'*-
niahru, man. lu, n. 238. zikaru, asaridu. t^YT*-, < mow. or maru,
basamu. ^11 id fcyii, mastinu, ]pVTTg= T£|, *~H^5 matu, 218. wioM.
sinatu. >YT HEB ana, TTY mon. ^£:I£appf., 239. adiru. >-<, y^» mon.
abluhtu. »-^yyy, kar mon. sangn, won. ensu, mul; tiltu, riksu. lii
more, 17d. sissu. huburu, bintu, nion. u, ?a(0; mabar, ««o». ?^^' y,
fcir; jfcj banu, man. llj, sub, g<*«< tamhu, »~n-yy'j{^5 mon. 1 g:^
essa, >-5P) mon. £<^<, si; tubuk, harubu, ; mMi. ezilu, \, zai-zidu.
>.)»^TTT sun ■^»-, Idlu. man. 160. Y, zaziru. *~'^-\t risi- ^J:J>-»-Y,
milku, niq; Tj*~ - JjpPffj ^YYS-' \|*~'^Y' imiru. ^TfcnT, ; OTore. t^
®'®' also ra, Tnon. t:fc, kabu, 4^ 254. 98. ''^on. T qalu, >t-^ siba,
ubburu-sa-amati. }:A^ hammu, idu, >f-^4 ublu, sikkitu, man. ^y >-^^YY
ne, ^y 325. ; rarubat, mon. mon. >^>— [97. nih; ^^Y rit, nahu,
takkabu. mon. gisri, labin, ''*^'*' absu. TTlt unnubu. 152. T*", 140.
amirtn, mon. mon. mon. '''^' usib, 5 nu; urudu, habatu. azdupu. nipbu.
^t^> nuhudu, T ak, 343. mon. sem; 70. \C^ damum. or "'<"*• suh(?)
"*'"*• 283. one. sapitu. ^ M*"IJ*~T' >Jp^^ 372. TjMr, ^Jii., 16 y-
334. sit, bursuhu, 153. bulu, ) pultu, •^Y Yj ^^ mon. samu. uzn,
]r>-<^ 350. moth udu, \Is hubuUu. muspalu. gibil, saqii-sa-ikli,
'm'On. ditanu. 'mon. -a*^, mezu. ^~^*^yy t^yyyy, TgrY "jj^*-} babar,
>~yi lammu. sarap. kibsu. ^lIK' OTora. ^Tpy dub 8. sudun, >-y samsu,
T< >-II sa. 146. mon. e; 83. kima, arqu, ?; ^yy^y. saqu-sa-resi. -
rulu(?), ""'*• roar, gallu. ; bel 365. 310. 68. pitnu, Jl^yS^, mon. <
inJii^"' qn, irtu, issakku, mon. isi, mon. sasinu. Baru. '"<'**•
''^''' ■^ ^y *. 92. minu. saru. dubudn. amar. me, ^1< ^y, ^^1 309.
suttatu. ud, lul, nasabu-sa-tirti. gararu-sa-nisi. mon. wjore. , ^^y ;
Tpy, mow. mon. fcik^y^ -<^*"*~YYY' 186. [98. ; 235. lemu, ^ >^>— 'mon.
daku, '1. sa-sal, padu. kipratu. till; 252. meares 344. T?^T>t "*""■ ,
234. assat, 358. ramanu, egir, ; 347. mon. mirj *~^ dahadu,
saqu-sa-risi, T, Yj>~, "j{^*~yyy5 mora, S^TT-<^-<^5 P^» nuru, bul.
5f^» saramu. i remu. sakanu, sa-iz-va-qani darudu, egu. arkn, ^^11
352. mon. nar, II<, 1 "WW. minutu, 'man. jt, 1^5 matu. ^TTTT ^yY?
"*"'*• 64. 7. "°s*^- 4^, 4^W,kam. ^noM. ^YYk, mon. gig; ; m/}n.
''^'''' mon. num, ';^l garnu. Assur. JZ^ p^y mora, 217. mazu,
'►^Y-j^Yj kunukku, mon. jj*~y karbannu, uru, mon. akru. » mon.
5fr]^JJ, sah 'j*^y, ^fcy sam duru, ellu, nabbillu, ^^^'' ab, arqu,
mon. saqii-sa-risj, L99. pubuz, nappabu, mon. mon. gis; >f^, 233.
malak, -S^fc*-*-. with ^^^ zirqu. so, parakku. ^**.^Y often "^>- banu,
kababu. baru, mon. tulu, mora, mon. 1> garraru, 368. 271. munu, 22
gar; pat, Cpj^^yy, t?" »-J;T^, magaru. ^y mon. tyj, ki. mora, qulu,
**"'*• 111. mon. kamu, >-? ; <, edutu. f<^ hasalu. ti5y YY kidinu,
*~^T' m,on. the t >j>^YY ^y^ nakibu. T^, 330. ^^, ^>->- Ttt^f mon.
M^Y, """*• mal, "*"**• gikim, inon. 177. 321. sabal. kas; or w^wT,
mon. ; mon. '"■"'*■ kis, Tj*~-Y kin; , ■^I mutu. 6T. mudu. 263, ubi,
354. '"'"*• dur(?) / mon. "S^YYfrTYYdr, uh 172. tej f|, 74. tip:^:, \^
/ ^^^ >-YY.^ mon. azib, sadu. ^^^'> """*• du, ■<^ alu. simu. mon.
mora, /• sur; *~II^II lagap, Sy hamsu. sinibu namriru. uru. 363. mon.
pallil, 332. akaln, gar 76. ^nd pC) I sam. >^yy» Pa^i^"^" 82. clauses.
hizu, ^Ey t^ty? 112. mon. , 93. ' (oree uradu. zadu-salame, mon.
agagu. 205. l^j*, 'J»=-<, nidutu, arui. mo». rabadu; i? man. T tahaz,
»io». sumuq, *~*~p 290. arbu, us; mon. zeru. 62. ^~^^yy. 248. alapu. J
mon. Ijf, Ills' su, ]r, 246. Baqabu, mon. "*"'*• nssps. "^"'^ 1 mim.
J^, "pYYjt mon. ''""*• t>f-^k' moM. ''iora. ^"^^~*YY. Tl, adiru.
lillu. < ^t^YY' bat ^^ raqip. mora. sum ^y bamatu. mon. either epis,
y.*" aearitu. bibQ. mon. zikaru, masu, i; »-fc:T>-T, *"^yyy) - [ for
aabu. YfT^^*^^ Nabu. sakaru, mahdutu. ^•^™- t^»W' saqu, 266. mon. ^yyj
154. y zaritu, nita. mon, sin; 367. suppatu. ^t^l^- zillu. gar eumma,
355. ^•~^tl' ^T'^^TITT nabani-sa-immi. ^r^"- kndnr. uibittu, am,
LZL-I' suh, utir, ■^Y>-» man. ellu. 335. 80. j<« is mon. qa. imnu.
ahhuru, , kallu. ^ ]yf>^| settu. matu, mow. Mil *-YY'ij^j masahu, ^''
^r esir. uru, >-^]^T> saptu-saplitu. aa; zib sulum, > mon. mxm. nan
kir, >*^j nasih. ikutu. ^JlYY 320. am; dassu, 69. mon. -^^yyy<, ku,
T>- musallimu, 'jV^F, nasu-sa-resi, Tnori. zeru, ^TT) ; dubbubu.
napal, 94. sjsse, mon. kalu-sa-amili. mon. mora, \^t [90. tidnu,
eapik, kuzba, Ill naparku, ; urn, (two nagu, ■^Y, ekimmu. mon. , mon.
, pilu. ristu. buhuru. nuzku. inon. ' dis, kibu-sa-sepi. , mon. y,
212. man. busus, ittu. padu. mm. aniru. ]tJJ^>-| ne, 340. YY?Y ■^>-
git; kiru. 269. ussu^su. ^f su, bitru, 182. tas, sumur. 373. kisim,
samu, sabah. dur, "^11 paqadu, ruk; JI^yT» ]*~]\t 123. tum, 322.
Jjpf^Y, '^y ^^^y? damu, bibru, idlu, qat; birku. isar, ; ^t^Y> su, I
ridu. mo«. '"<"*• YTT zir. '^™; tilla, nasu-sa-resi. niqu, ^11, samak,
225. asidu, t:y t:^, -^^^^j dalabu. ramku, mora, annu, Y (^^w iz^
fc•<^) mon. Y.^, uzzis, >-IT^II, rikis-qane, Jl^Y >-YY.^ mon. S^ idqu,
nararu, 210. SY, babsu, mon. tr, suqalulu. 255. nihappn, rubzu, zuzu.
nasu, mora, ' -Kffi-fe a, "^yy^T' 'mon. ua. uzzu. lu, sanaqu, mon.
>^pEy^, ; \^^, *"| ™' ^y»-) zikaru, mon. mora, and Jl^iyy mon. 327.
narabu, t^^. 341. ^^|> 125. rabii, kiiru, gi; ^]f piiuhtu. biltu, *"^f
zuzu, kibir, 'gA^ man. suiupj ^y B]&» 221. mo«. ; 96. J^, mo». panu,
assinnn. mon. markas, S^ppf.^, la, ridu, »-Y< ; ablu. mora, de belat.
sib; ru; matu. fij mon. mmi. dar mon. "lit, UA&Hn's 79. 366. elibu.
359. \\^5 276. tiknu. 133. S<< tYJ, Elamtu, qatu, man. j*;YY tamirtn.
T^T 342. sal; dar, u, ip, emiin, qullulujlimuttu. zal, ^ mm. 349. gug
isu. \ J, dt >-YY-^ mon. ^^, ibbu, >iy wjon. J:^T^£I, m/m. ;^, mon.
idu, Sinu, ^£^11 2U ^yy>--fcY-^, kakasiga. '""'*• sadadu. W) nabu,
?arru, {used , ' won. ^^T^ aku. sik; sulu-sa-me. radu. milku.
\f^Yyif|5 mon. 279. bunnu. TIT rihii, mon. padi, beltii. iditu. Ju
168. 305. Yiy, f3^5 gamalu. *-jt:YY, ^ffS surur, such YI, ^5^1' puluk.
bahti. yy, 264. 86. ma; mora, ■^! sat, wioji. sabn, >->+-, sukkallu.
isdu- «jo?i. YY for man. >|L<^ ^^« T, Jl^^^y, ^ySp mehiztu, ^TTT.6
"*<"*• bibbu. mora. •"11 185. J^> kabitu. '■'■ ^yyy^^' JZjYYj /]>-,
one, igari. g^^ ■^ suqquUu, 64. T ^Tyf-^, ™°"- puqqu. !, TTfcj, dar.
rik, nu 101. ■jV^' duk; mon. ; kinu. < M^, mon. *~^^i kaiamu, gii^!,
tugultUjgudu. 63. <^, tin; YY?Y, sab; inon. t^yyy 292. >^ baru miz,
tus, ^akan, urkitu. 195. ■^Y mus zumur, turabu. man. episu, *^fflyil'
^mS^ kararn, gu^; nwn. tj^ll' ™o». ; ; Vw*- I jr^y, tubqu, 286. ea;
mon. ina, zadim, , .<^, garnn, eli, gaza, harran, ^y ■J>- mi, napazu,
aladu. panu. mahhu, "S^YY mon. pY, T? 336. lil suk(?) >-f^^ epus.
birutn, ^^ maru, Tnon. sahpu. sizi. kimmatu. saradu-sar, ST> elama,
gig, rj, words lab, S^Sf, S:TYY^, /T£y ; fcff <[>-]^|[, ub, 213. 277.
banu, ; mon. nas; mon. tanittu, nirarn. *"*"!> ^Sw"^' ^^y, y«»^, 5
260. ili, »-^y.^, musaru. saparu. sur mon. mon. miktu. 261. ; 183.
piqannu, bibu, OTore. naqaru-sa-takhar. 165. sir, libit, ^—f tabaz. ;
isatu, nuru. >-Ji_, saplu. 253. ^yy, rap. mon. >— ^J^Y, ; 66. ^Y'
laban. ?^^3,r, mon. mora, ardu, ebiru. 66, ^]i giltanu, rapadu, al;
118. 167. mon. ebiltu, sam, ™'''' /T^y man. ^I^' liku-hamdu, >-^YYY-^,
kir, 'mon. ridu- sir t:TTl?* 323. dir ramu, »iora.*emuq. mon. mow.
dibu. mon. mow. uzu, manzu. »no?i. nabadu, 377. p^ ; sar, y*", sumilu.
60. 380. madadu, qabu, 371. mon. sanu. »»<"»• mon. ilu, durud, gii.
kisadu, 87. mon. Jj(~;3(, "*"'*■ mon. nasaqu. tamzu, 109. nirarutu.
'«o». gestin, 236. ; zab, hibu. 220. y^X- ^' asakku. mitbartu. mora.
•^T, f»^t jt abru. MOK- mon. ■J[V 73. ^{frT; T>~TT, 293. mxm. T sulum,
251. mon. migganu, _£:YTT£: *'*'"' uru. S^, mow. rimutu, •"; ' mon.
'man. ' ^yy5 SpT) namzitu. >^ »YY, saklil, wow. mon. /^~M nitah. J:^ ;
^YYrit:, fcj mon. mo». samu, rakis, garnn, 313. »-[TL amilu, S^ff'-
bubbulu. birku, lab, ammat. nagarruru, '*• puru, su mon. napalkattu,
^^^^^j puru, a labbatu. puluh, ; man. ] mon. nakamu, lam; kUutu, mon.
zamur, 316. malaku. 138. Bur, nas; talent. tt]l mon. mon. ti, S^T,
227. zikaru, con- mon. maliku. 242. TTlty, ?i 144. mon. 142. daku, f
kummu. mon. atta. >-\^, mon. taslu, J5t jj*~, kiribu. erik, kisuj man.
enu, mon. ^t]]] "**"*• num. >.gj>-T, tubuktu. ras; i^) usan. 128. gar;
palahu, 12 < £:< -, ■6Y dabu, mx)n. ; bil, 288. ^i^I' Sy kanaku. has,
tJiT, 228. *-^T) often mon. Y^, kubabbar. sahu. '"<"*• ^YY, takku,
rib; kaiaei. kibis. isdu, man. akru, abu, mahar. number or gar;
sikitu, i-j^t^y? umun, >-^:|, bissatu. labirtu. ^™) ^»?W luh mon.
t^TiYT' 223. bamatu, '"'"*■ idranu. 12 inon. < 61. mon. kis; ^yy^,
sibu. t^^y' fc^I, 224. 18 immu, ^^y|, J:^yy T) akal. 280, t:^ ur, 219.
129. mitpanu. dussu, ^■^^^, rim; 274. Miore. mon. [) Tt 184. T
eribu-sa-samsi, raddu, iz\ manzaz, , hidutu, saru. di, guj 360. >i_^i
mon. mon. allu. %:^^-mM^'^m>^Mi man, lak 285. / JfcJJ JJ*~[ tal 1
banu. ilj mon. 103. 149. baru, tiigu, se, agu. samu. '' man. , I' -,
mow. ^t mwi. ahu, basahu. azal idu. "«"»• I'd '»»»• mow. i umun,
highland. kun. ukallu. , isib, sakiz. rnon. feiT, *-<"[, ■J^fcYj
ekimu. ORDINARY zindu, kasadu, kinattu. mala. nasii-sa-nisi. denu, I
seru, ar; sutesu, dubutu, sahatu. mon. ; T*") f:^ ^%< abtu, karanu.
kididu, muzzatu. gur pi^ *l Utvmen. qanu. for mon. Vul, >-YY.«^ ; YJ,
nat, mon. mon. erik, ""^tlfs 317. >-\-^, rmn. sagumu, *nr >j>^YytY,
namaru, ''*'"»■ aharru. suatu. dub, usuh. >>£:» man. ®^''' /'^~- «io».
Twora. mon. ^Jn^> mon. *-^]f> sagar, du, ; 65. zikaru.: 116. ana,
*~t^El bitu, ru; mid, ; ■^TTtTj halabu, 24o4:. 'reow. mon. ■^Y utu.
*~|T-^5 paru, 151. \tfcK Siranu, tir. mon, kubu. 329. tab; »io?i.
•!=TVt*?y, itesir. kamasu. \i^^^S^^ matu, 104. surup. M^y^ bun, 163.
mon. se; ubil. Y ^^1 .^^t ' mon. tur-sipri. lal, ^es; zarur, , ti^YY,
umun, r«, Yl, T^^^kt^T' > !>■>**-, kabtu, sa, mon. surru, mon. tYYYt:
J 110. banii, mon. dabtu. 141. f:^, J_^i^Y, el, ™ow. ■^*->-y, lal;
sunqu-sa-niz. siktu, -jV, Cl' ^S>Y 378. man. ; man.
labanu- ^^11' j^TL ; 131. hi, "^' »-&:Tjr^ gab, 1^^> elitu. dellu,
uknu. cTTl^y, YY padu. mahdutu, -II me, kirn, »*tAY >-YY.^ mayal. te,
pu, lTM; mow. , lY, 364. >Jp^5 dapinu. sihu, nazaru. tabalu-hamdu,
'~^|<"*• mow. erim, zal, tV>-»-y, >— billudu. .^jll- mon. enisu,
mdntu, nangu. samtu. euk 291. sumelu. uku, dannu, mon. gannu. ^T^y
mon. ^ mon. risatu. , *"I giru, ^iTT) < azu- t^^^^^j mesa. mon. nib
qinu. nadu, More, Si^^y, I^ wxm. elibu-sa-iz, L92. elit-arki. in, n,
gub; talliku. ^^y tarn, "^i*"- zamaru, kin; zin ^ ^Ili' da; 'm^n.
puhhuru, ; >jp^J:|][^, azu, palah. dik, 176. su tarzu, 90. ]^Y^, dih
lah; Vj , ab, ^1 >.y|^ >i-TY-*^-*^' ^'' ^/jTYEy and napalsubu. >- 314.
lahtanu. zarihu, sarii. ^^ mI^, £y^. ^E, nagab. .<^PP , 243. libitu,
.... nabu, mon. dib kissat, puhu, mon. 1> lamu, 338. "W- , 1 siptu.
376.-T»-*-Tj sams," mxm. kulla. garii. m^n. mon. pilu, amaru. D. Tj
"l^in, — *-^|> ; esir, niru. £I_^^^~* 275. enu, >*^, ' mon. erib. ^Z
zimu, mo».abnii,saqu-8a-ikli. 5 ^^11' mabar, nabadu-sa-immi. bizzuru,
''^''''■" ^ aba. tJM ®^^' ^gfV-, matu, Pflj J:][][}][^lj[, uhu, with
itanu, if^i ' YI, ; kaoattu. zik; 307. ttSS?' ; "''"'■• ^, j[J*~T ili,
gablu, mon. ^y "^II' fpj^Y, mon. kal, >?- ub, \^^j I 134. »5w|» tar,
or YY«<, "*"'*' as; mon. ^y bi, ! >1_<^ 282. .j^gP uru, mon, founded *
OTo». le; ^jpY) uru- mon. timmu, baru. nabu, sakbitu. mon. kunnn.
siln. ■^ S"^1^J *~nl'^' 85. fc^yyj ^YYj3^, kibiru. •^I tS?", ■^JJX'
t^YYY, 17 ubbu, 'i^'i'ii- subtu, mur, >-gT>~], huluq. ; kitn, 348.
nubtu. -^t=*'»^5 '"''"*• »5w) mx>n. ^ More, 4^, malfl, ''*<'™' ^T""]^
^~^ 135. S^Y, mm. 1'66. kapalu, asaro, 214. \ySp5 kunnu. pallu, mulu,
muk, gal, 120. man. |TT£:Y zib. t:YYY< Y*"' ^^i sahar, L94. "^ow. 265,
sussu. ahhuru. TTjtj >-Jj3i^, birutu. , IN J»».yY, dan, sarad. subtu,
di, gar mon. more, hababu. zabbu, tim; '"'"*• ?™t"- saqu-sa-nisi, ;
mow. ^^ sar, tatu-sa- mon. mon. mon. uapaldu. zahru, mo». mon. gisri,
258. ma, ^]I]rV'-^ pii> jj*~Y sulmu, tui, J^, , nazabu-sa-qani, rabu,
ris; mon. mat, izzis, y, "*"'*• ^y ?:^y?T| 241. par, -t^^) pillu. du,
dugud, T^ turbadu. sapib. agarin, ellu, palbu. pur 3.1al, namaru. L91.
^rryi a ^saritu. "*'"*• feilu, isaku. L89. zu labbu, 267 mon. ; tamtu,
ty libu. 23 ^^1( iqdu. '»<'»• ubara, 289. marat. uku. "*'"*• nion. lah
; used 326. idrann. ^Sr, '"I'On. ''"^''' adru, naklu, ^Y, sa, milammu.
kanaku-sa-taggil, ^y "*°'*" nim, 356. ^, 287. third). isdu. more, >—
^^X-1 ner, mon. pisan, at, rahazu, mon. kip. hussfi, esir. won.
tj*-',( 351. mon. nadan, ruqutu, »2ow. mon. istin. V lamad, mon.
kur(?), &yy», kipnpi, lit, nardapu, lik, ^y^ sulu, -<^^j sa, *"^y,
tarru. 156. arkata. mon. "t^YYjt alal, damqu. esir. 339. mxtn. 117.
"''"*■ fcYYYt, saradu. abaku-sa-elappi. rihu. alaku-hamdu, baltu.
a^^^^^H^ ummu, i.^*- J^lN .4^^= ~ mon. ram; it. j^YIYI meam malikn.
J-^j mon. yj»- kirbu. "^ow. urru. hasasa. -^Y "ditto," adaiu. ^y*-j
man. ku ^ ^jf*r- mon. dam; nadhu, Y>-, ^^^^ J-j^t^y >->-, mon. 119. [
asilal, sip; % usar, pilutu, issepu. ^^T, tirtu-sa-hase. ^ belu. 161.
man. ^y > ^YYYj ^m daa; saggagunu, tui. rezu. ili semu, mon. mow. 79.
man. qaqqullu, nadru. ittu, akan, ; subtu, ailu. a, AND ekizu, kallu,
»»io». jmoji. 5fJf>fE^>-^y?}?y, abut. *'*'"'■• balhallatu. marru,
turn; malgu. kalmatu, nihappu, By, ditto), miru, ™^' pas. libis, More,
»^p^^ 'WOW- 240. kaspu, uban. , guru, bahalu, so kas; 143. 21 gunnu,
mummu, amutu, 87. rim, ^YTY ^yj3p 278. mon. t:g'^ man. zinabL
P8'™l^k"> zalmu, ?i^|, 306. namarn. pasiru. ::^:r- karj 222. utul.
lis. sepu, gablu, 77. ^y, gudu. eru. mon, TT^^T*">- jJ^-^^ bul;mo»i.
67. mora, T-Y, i y, ::;:][, sik si, hittu, alpu, lat, ^TT^Ijtak;
sahpu, mora, mon. bis, 180. dak, T^Y, j-'jVk, niqfl, 78. se igidippu.
mow. 0^YY ribu, ■^»- arbu. nibu. padur, , zarahu, man. 328. liban,
tak, K^J-^j ge, Od2. fc— '"^YY, mon. C}|f4^, arhu. 15 Istar, namru,
115. 78. amil(?), 95. -TTA ''*'''*• mon. '^»*- kibu. mon. Ji^yy'
mitkaris. "Jora- , 0. su, and g6,kit, j hat, amat. dibbu, t^^^^^5 ^^
mon. rapsu. ^][^y 230. aladu, *-*-Y, sa, '"<"*■ ^YWY, izu, Y" mitpanu.
rabadn, sippuluk. 75. .^^p sepu, m°^; ^^^T[, man. "Ji^YY mul K?''^f
turtu, 232. ara, l>E:yyy, ^^'''''' yV' mow. 157. Sjf^y? lib, TT*",
yahn, 5f^Y fXj, TT, 257. mon. ^~^^1, t^Hy. tik, TO ukus, 346. 1 I'
lil; ri mon. "*"'*■ dur. ™'"*' MABftlBON /T^y, pur; en, ->-^'^Y, kumj
; more, tarn; ^-^^, 84. siacths). kus, 196. '^^'''?- ^EINTSBS zabat,
-^5 if) M ; '"<"»• ^^^^ UY) masuktu. matu, ^'^'^ -t^^ff' mon. *iz, 171
zirtu. mon. y^j^^Q, nasar, ^?", ey^-J, samullu. mon. 'mon. mon. mmu
it. 148. ; ^^yTi zabu, any ^iz 1 ^^Bf yi^yy, azurat. \% >.£:WY ^^ i2.
t\}^£i, kabasu. LJLj I kasad, ; 150- ^^"'' banii, 130. ^^^"' 5 <
immiru, kalal. qabu. 315. Yj, 91. >-W \, saru, "icw. t:y ^^'iP, mon.
*~^Ty 'ij^^'y^y? di, ^|»- sangu, 114. ka, takkab, ^< summa. emuqu,
russii. ^fe^y^, kubu. sutu. mon. sak, ^yTj kipsu-sa-nisi. ^> ™i?°>
magaru. pada, i. mow. "M^y, w.^T>-y, kissat. 318. usu. gusuru. *''^T'
matu, ^I, SONS, in; niebzatn. ku 319. nis(?), jt^YY g^H) 211. hammu,
T, bi, dinu, >-yy-A, mon. Burin, -- ^yy 88. fi^ confounded nis; 89.
padinnu, '3. ; 361. mon. TTl£:|, qaradu. ip, , rakasu, saqu, YTY^,
^^'^^ ; ; ubburu-sa-amati, mon. eba, ; kij 147. lij ^^o?*. ; namar,
lilu, zaqqu, ibil, lani, and ad qi) arbu tiriktu, means lu, T^y, uras,
369. ; malaku. >->-, mon, 159. mon. nnninnu, ^YT, mon. fc'^ riksu.
mora, >4-, 331. 181. mon. *"] lapatu, tugultu, zam murul), T, . ^y
duppi. *"i^N ?j adi, 21 mon. :i^^yy, kisBU, TJ, mon. ziku. '^IHf, )
zakaru, simu. , me, suparruru, elatu. erib-samsi. \|*"f^>_1 , mon.
Xir, murub. 231. mon. nasahu-sa-tirti, enu, t^lft^j man. tYYj^ tn/,
''*'"*• lut. ; nion. 32. nabutu, ; r; ; mon. fakib. ^'^°' erim, *^^
mora. kirib. ^y^ rukuz, 324. sapala, kibbu. TJ>-, gar zaltu, ^^ for
137. mon. sar,bir; pitu, isi, 169. t^yy^, YYY«, 249. ra, JI_i*^>-<,
]^]^J» 139. pultu, ^J^Cj ai 19 sakan, nigin, sangu. 256. fc^, '"'^T'
more, i°J kaspu. '""'*• ni, sihu, sinu, siru. ; kitu. jraoji. mon.
fc**~<^^, ^^yy mon. duppu-sadru. y?- tamatu, ir, pasisu, , , tl^jKj
me, iklitii. abazu. ^yJs ekimu, ziggurratu. tallu, mon. baladu. sahpu,
tamibu, kal, n*~, allat, ^"™' y^- <, ''*'"'• gibin, batii. ummn. seum,
parasu-sa-ributi. mon. more, saraqu, dipu, , mon. 175. ^Jpt ^<, (<"*•
musaru, 272. mxyn. 229. 262. et; or 370. nisu. ; >f-^^ "J^l ■^, 374.
alik-mabri. dividing unu, tC]]]]> 126. uznn. ", \^!J5Z3^ 259. nine.
rabazu, kullatu. saru. 312. mon. ^lyjli, biru. kayamanu. qal, 4^, ;
72. Bippu. J bitu. sa; irit. T>r T^y, y*' resu, agu-pasi. mahru. mow.
baru, isurru, tj>^yyy> »iore. mon. ^« ana, babu. \TT rabita, eriba, u;
uraddu. -Ilf^^, mMn. wow. "^o^- daku. sussan sadti, ''*ora. nasim,
amar, < mon. mon. nahu, mon. matu- ^ ^kY, Jf-, sumu, arku, ^r rimu.
baru, P^-lia-r, Sf^y, nasii. . ; umun, ^TTi , nibaru-sa-nisi. Sf^Tj
mon. mon. [ hazu, teriktn. }}.&; 284. .^»-*-YYY nasu-sa-eni, man. mon.
busubhn. 193. ^ mon. JT^Y mxin. saqalu, >-<, ^vyg amiranu. ur bibu, of
or^yjjjfr, or sim. sapan, 6. babalu. zanin, *~^~ absu, dalat. """*•
napalkutu-sa-amati. 0>->-AA ?"> v-fc:p-T, mitut. >-u*y alaku. dil,
270. YY, 345. das; aka, ::< T, ^ySf^' erib-samsi. udukku. nirn, 5^^,
mora, katim, *^, gal jj*~y, asibu. nialu, kirn, *^T*fcT alkakatui
nadu, mon. kibu-sa-qan- palaz, mon. tu, 268. 179 »«o». mon. ^|, zik
saru, sanan. uk lu; , .^>-*-YYY asu. \^ du, ezen-ziru. ; tal, ubula.
mon. ardatu. ■^TYy?Y> 9«o?i. mon. 4^^, >-Mf, »-5^Ij:Jn][, , labaku, ^
sir; mon. 7non. iklu. ■^lU' , ^5^5 273. ; raman. saqu, ummu, \^ garmd.
*^, fipppy^ melu. ramu, <[*" nin; M*"I&I 100. nsatu. ; abu. madu, ;
337. t^ sanabi, ^non. rabazu, usaubu. agu, miz(?), urru, kir, < pa, *^
mon. 379. mon. labbu. »iora. maru, 155. 9. alid. mnsu. ^>-YY, 353.
ItJ' mon. HAJESTTt ' >-II, mon. sa, ham, < ramaku. ^^ ^^ zikaru,
*'*'"*• sadadu, nasaqu. 333. mon. »-*-yyj 1 ■^ sa-riduti. ^YYdt yTy>^Y
Mf, martu. salaa. nura, ediru snrbutu. kiipilu. inu. mon. wion.. YI,
^5w5 ham^u, gun; ^J^^j contraction s"K?); , zir, Yj barru, mon. sul;
"^^j ^"TU^j namutu. iddu(?), uhum, ; J mon. ir; mon. nab. ^;YY, sadii.
gablu, ■^YYY nabu, ^t^jY, .<^»II. YY, < girj j|, abu. kalu, "'ore.
giru, ?*' sakabu-sa-alali, mon. tur; ; turazn. TJ^, sin, 81. nadu,
ubur, kus 215. daba zubat, 1 t^y f labnu. ^}\}}' S^t^> gu 250. muk.
Fo. fc^ tugultu, parzu. umunu. gablu. jfc *ezidu, won. sar, \ T>-
f:yyy^, 71. kalu. , ^Ifj^lfrH' erisu, ■^1 mis, ^Z^, mon. ■^•'*-Y'
gimillii, ^ \ idlu, ur; etiq, , T'-'-XXy, >-TT, muttakbu, -j^, ^^5
mxm. , "*<"*• mon. wore, V- »»o%. sapaku, 308. 136. lil; 226. aru.
fe|[ elau, huttutu. kur; Y bihisu, gamal. mabaru, >Yt., TJfeY sapUs.
essetu, nasahu-sa-amati, 107. gurusu. 206. li6; quni, kala, zakiku.
'"9"- mon. tam, tiy, ■^I t^YY^ zuru. al; nizzatu. 375. thirds). ;
'"I'On- ^I^i, ^'ti- zurru, ?now. mon. e, ^^T-T es; ^Zi^yy? "^o'*-
niahru, man. lu, n. 238. zikaru, asaridu. t^YT*-, < mow. or maru,
basamu. ^11 id fcyii, mastinu, ]pVTTg= T£|, *~H^5 matu, 218. wioM.
sinatu. >YT HEB ana, TTY mon. ^£:I£appf., 239. adiru. >-<, y^» mon.
abluhtu. »-^yyy, kar mon. sangn, won. ensu, mul; tiltu, riksu. lii
more, 17d. sissu. huburu, bintu, nion. u, ?a(0; mabar, ««o». ?^^' y,
fcir; jfcj banu, man. llj, sub, g<*«< tamhu, »~n-yy'j{^5 mon. 1 g:^
essa, >-5P) mon. £<^<, si; tubuk, harubu, ; mMi. ezilu, \, zai-zidu.
>.)»^TTT sun ■^»-, Idlu. man. 160. Y, zaziru. *~'^-\t risi- ^J:J>-»-Y,
milku, niq; Tj*~ - JjpPffj ^YYS-' \|*~'^Y' imiru. ^TfcnT, ; OTore. t^
®'®' also ra, Tnon. t:fc, kabu, 4^ 254. 98. ''^on. T qalu, >t-^ siba,
ubburu-sa-amati. }:A^ hammu, idu, >f-^4 ublu, sikkitu, man. ^y >-^^YY
ne, ^y 325. ; rarubat, mon. mon. >^>— [97. nih; ^^Y rit, nahu,
takkabu. mon. gisri, labin, ''*^'*' absu. TTlt unnubu. 152. T*", 140.
amirtn, mon. mon. mon. '''^' usib, 5 nu; urudu, habatu. azdupu. nipbu.
^t^> nuhudu, T ak, 343. mon. sem; 70. \C^ damum. or "'<"*• suh(?)
"*'"*• 283. one. sapitu. ^ M*"IJ*~T' >Jp^^ 372. TjMr, ^Jii., 16 y-
334. sit, bursuhu, 153. bulu, ) pultu, •^Y Yj ^^ mon. samu. uzn,
]r>-<^ 350. moth udu, \Is hubuUu. muspalu. gibil, saqii-sa-ikli,
'm'On. ditanu. 'mon. -a*^, mezu. ^~^*^yy t^yyyy, TgrY "jj^*-} babar,
>~yi lammu. sarap. kibsu. ^lIK' OTora. ^Tpy dub 8. sudun, >-y samsu,
T< >-II sa. 146. mon. e; 83. kima, arqu, ?; ^yy^y. saqu-sa-resi. -
rulu(?), ""'*• roar, gallu. ; bel 365. 310. 68. pitnu, Jl^yS^, mon. <
inJii^"' qn, irtu, issakku, mon. isi, mon. sasinu. Baru. '"<'**•
''^''' ■^ ^y *. 92. minu. saru. dubudn. amar. me, ^1< ^y, ^^1 309.
suttatu. ud, lul, nasabu-sa-tirti. gararu-sa-nisi. mon. wjore. , ^^y ;
Tpy, mow. mon. fcik^y^ -<^*"*~YYY' 186. [98. ; 235. lemu, ^ >^>— 'mon.
daku, '1. sa-sal, padu. kipratu. till; 252. meares 344. T?^T>t "*""■ ,
234. assat, 358. ramanu, egir, ; 347. mon. mirj *~^ dahadu,
saqu-sa-risi, T, Yj>~, "j{^*~yyy5 mora, S^TT-<^-<^5 P^» nuru, bul.
5f^» saramu. i remu. sakanu, sa-iz-va-qani darudu, egu. arkn, ^^11
352. mon. nar, II<, 1 "WW. minutu, 'man. jt, 1^5 matu. ^TTTT ^yY?
"*"'*• 64. 7. "°s*^- 4^, 4^W,kam. ^noM. ^YYk, mon. gig; ; m/}n.
''^'''' mon. num, ';^l garnu. Assur. JZ^ p^y mora, 217. mazu,
'►^Y-j^Yj kunukku, mon. jj*~y karbannu, uru, mon. akru. » mon.
5fr]^JJ, sah 'j*^y, ^fcy sam duru, ellu, nabbillu, ^^^'' ab, arqu,
mon. saqii-sa-risj, L99. pubuz, nappabu, mon. mon. gis; >f^, 233.
malak, -S^fc*-*-. with ^^^ zirqu. so, parakku. ^**.^Y often "^>- banu,
kababu. baru, mon. tulu, mora, mon. 1> garraru, 368. 271. munu, 22
gar; pat, Cpj^^yy, t?" »-J;T^, magaru. ^y mon. tyj, ki. mora, qulu,
**"'*• 111. mon. kamu, >-? ; <, edutu. f<^ hasalu. ti5y YY kidinu,
*~^T' m,on. the t >j>^YY ^y^ nakibu. T^, 330. ^^, ^>->- Ttt^f mon.
M^Y, """*• mal, "*"**• gikim, inon. 177. 321. sabal. kas; or w^wT,
mon. ; mon. '"■"'*■ kis, Tj*~-Y kin; , ■^I mutu. 6T. mudu. 263, ubi,
354. '"'"*• dur(?) / mon. "S^YYfrTYYdr, uh 172. tej f|, 74. tip:^:, \^
/ ^^^ >-YY.^ mon. azib, sadu. ^^^'> """*• du, ■<^ alu. simu. mon.
mora, /• sur; *~II^II lagap, Sy hamsu. sinibu namriru. uru. 363. mon.
pallil, 332. akaln, gar 76. ^nd pC) I sam. >^yy» Pa^i^"^" 82. clauses.
hizu, ^Ey t^ty? 112. mon. , 93. ' (oree uradu. zadu-salame, mon.
agagu. 205. l^j*, 'J»=-<, nidutu, arui. mo». rabadu; i? man. T tahaz,
»io». sumuq, *~*~p 290. arbu, us; mon. zeru. 62. ^~^^yy. 248. alapu. J
mon. Ijf, Ills' su, ]r, 246. Baqabu, mon. "*"'*• nssps. "^"'^ 1 mim.
J^, "pYYjt mon. ''""*• t>f-^k' moM. ''iora. ^"^^~*YY. Tl, adiru.
lillu. < ^t^YY' bat ^^ raqip. mora. sum ^y bamatu. mon. either epis,
y.*" aearitu. bibQ. mon. zikaru, masu, i; »-fc:T>-T, *"^yyy) - [ for
aabu. YfT^^*^^ Nabu. sakaru, mahdutu. ^•^™- t^»W' saqu, 266. mon. ^yyj
154. y zaritu, nita. mon, sin; 367. suppatu. ^t^l^- zillu. gar eumma,
355. ^•~^tl' ^T'^^TITT nabani-sa-immi. ^r^"- kndnr. uibittu, am,
LZL-I' suh, utir, ■^Y>-» man. ellu. 335. 80. j<« is mon. qa. imnu.
ahhuru, , kallu. ^ ]yf>^| settu. matu, mow. Mil *-YY'ij^j masahu, ^''
^r esir. uru, >-^]^T> saptu-saplitu. aa; zib sulum, > mon. mxm. nan
kir, >*^j nasih. ikutu. ^JlYY 320. am; dassu, 69. mon. -^^yyy<, ku,
T>- musallimu, 'jV^F, nasu-sa-resi, Tnori. zeru, ^TT) ; dubbubu.
napal, 94. sjsse, mon. kalu-sa-amili. mon. mora, \^t [90. tidnu,
eapik, kuzba, Ill naparku, ; urn, (two nagu, ■^Y, ekimmu. mon. , mon.
, pilu. ristu. buhuru. nuzku. inon. ' dis, kibu-sa-sepi. , mon. y,
212. man. busus, ittu. padu. mm. aniru. ]tJJ^>-| ne, 340. YY?Y ■^>-
git; kiru. 269. ussu^su. ^f su, bitru, 182. tas, sumur. 373. kisim,
samu, sabah. dur, "^11 paqadu, ruk; JI^yT» ]*~]\t 123. tum, 322.
Jjpf^Y, '^y ^^^y? damu, bibru, idlu, qat; birku. isar, ; ^t^Y> su, I
ridu. mo«. '"<"*• YTT zir. '^™; tilla, nasu-sa-resi. niqu, ^11, samak,
225. asidu, t:y t:^, -^^^^j dalabu. ramku, mora, annu, Y (^^w iz^
fc•<^) mon. Y.^, uzzis, >-IT^II, rikis-qane, Jl^Y >-YY.^ mon. S^ idqu,
nararu, 210. SY, babsu, mon. tr, suqalulu. 255. nihappn, rubzu, zuzu.
nasu, mora, ' -Kffi-fe a, "^yy^T' 'mon. ua. uzzu. lu, sanaqu, mon.
>^pEy^, ; \^^, *"| ™' ^y»-) zikaru, mon. mora, and Jl^iyy mon. 327.
narabu, t^^. 341. ^^|> 125. rabii, kiiru, gi; ^]f piiuhtu. biltu, *"^f
zuzu, kibir, 'gA^ man. suiupj ^y B]&» 221. mo«. ; 96. J^, mo». panu,
assinnn. mon. markas, S^ppf.^, la, ridu, »-Y< ; ablu. mora, de belat.
sib; ru; matu. fij mon. mmi. dar mon. "lit, UA&Hn's 79. 366. elibu.
359. \\^5 276. tiknu. 133. S<< tYJ, Elamtu, qatu, man. j*;YY tamirtn.
T^T 342. sal; dar, u, ip, emiin, qullulujlimuttu. zal, ^ mm. 349. gug
isu. \ J, dt >-YY-^ mon. ^^, ibbu, >iy wjon. J:^T^£I, m/m. ;^, mon.
idu, Sinu, ^£^11 2U ^yy>--fcY-^, kakasiga. '""'*• sadadu. W) nabu,
?arru, {used , ' won. ^^T^ aku. sik; sulu-sa-me. radu. milku.
\f^Yyif|5 mon. 279. bunnu. TIT rihii, mon. padi, beltii. iditu. Ju
168. 305. Yiy, f3^5 gamalu. *-jt:YY, ^ffS surur, such YI, ^5^1' puluk.
bahti. yy, 264. 86. ma; mora, ■^! sat, wioji. sabn, >->+-, sukkallu.
isdu- «jo?i. YY for man. >|L<^ ^^« T, Jl^^^y, ^ySp mehiztu, ^TTT.6
"*<"*• bibbu. mora. •"11 185. J^> kabitu. '■'■ ^yyy^^' JZjYYj /]>-,
one, igari. g^^ ■^ suqquUu, 64. T ^Tyf-^, ™°"- puqqu. !, TTfcj, dar.
rik, nu 101. ■jV^' duk; mon. ; kinu. < M^, mon. *~^^i kaiamu, gii^!,
tugultUjgudu. 63. <^, tin; YY?Y, sab; inon. t^yyy 292. >^ baru miz,
tus, ^akan, urkitu. 195. ■^Y mus zumur, turabu. man. episu, *^fflyil'
^mS^ kararn, gu^; nwn. tj^ll' ™o». ; ; Vw*- I jr^y, tubqu, 286. ea;
mon. ina, zadim, , .<^, garnn, eli, gaza, harran, ^y ■J>- mi, napazu,
aladu. panu. mahhu, "S^YY mon. pY, T? 336. lil suk(?) >-f^^ epus.
birutn, ^^ maru, Tnon. sahpu. sizi. kimmatu. saradu-sar, ST> elama,
gig, rj, words lab, S^Sf, S:TYY^, /T£y ; fcff <[>-]^|[, ub, 213. 277.
banu, ; mon. nas; mon. tanittu, nirarn. *"*"!> ^Sw"^' ^^y, y«»^, 5
260. ili, »-^y.^, musaru. saparu. sur mon. mon. miktu. 261. ; 183.
piqannu, bibu, OTore. naqaru-sa-takhar. 165. sir, libit, ^—f tabaz. ;
isatu, nuru. >-Ji_, saplu. 253. ^yy, rap. mon. >— ^J^Y, ; 66. ^Y'
laban. ?^^3,r, mon. mora, ardu, ebiru. 66, ^]i giltanu, rapadu, al;
118. 167. mon. ebiltu, sam, ™'''' /T^y man. ^I^' liku-hamdu, >-^YYY-^,
kir, 'mon. ridu- sir t:TTl?* 323. dir ramu, »iora.*emuq. mon. mow.
dibu. mon. mow. uzu, manzu. »no?i. nabadu, 377. p^ ; sar, y*", sumilu.
60. 380. madadu, qabu, 371. mon. sanu. »»<"»• mon. ilu, durud, gii.
kisadu, 87. mon. Jj(~;3(, "*"'*■ mon. nasaqu. tamzu, 109. nirarutu.
'«o». gestin, 236. ; zab, hibu. 220. y^X- ^' asakku. mitbartu. mora.
•^T, f»^t jt abru. MOK- mon. ■J[V 73. ^{frT; T>~TT, 293. mxm. T sulum,
251. mon. migganu, _£:YTT£: *'*'"' uru. S^, mow. rimutu, •"; ' mon.
'man. ' ^yy5 SpT) namzitu. >^ »YY, saklil, wow. mon. /^~M nitah. J:^ ;
^YYrit:, fcj mon. mo». samu, rakis, garnn, 313. »-[TL amilu, S^ff'-
bubbulu. birku, lab, ammat. nagarruru, '*• puru, su mon. napalkattu,
^^^^^j puru, a labbatu. puluh, ; man. ] mon. nakamu, lam; kUutu, mon.
zamur, 316. malaku. 138. Bur, nas; talent. tt]l mon. mon. ti, S^T,
227. zikaru, con- mon. maliku. 242. TTlty, ?i 144. mon. 142. daku, f
kummu. mon. atta. >-\^, mon. taslu, J5t jj*~, kiribu. erik, kisuj man.
enu, mon. ^t]]] "**"*• num. >.gj>-T, tubuktu. ras; i^) usan. 128. gar;
palahu, 12 < £:< -, ■6Y dabu, mx)n. ; bil, 288. ^i^I' Sy kanaku. has,
tJiT, 228. *-^T) often mon. Y^, kubabbar. sahu. '"<"*• ^YY, takku,
rib; kaiaei. kibis. isdu, man. akru, abu, mahar. number or gar;
sikitu, i-j^t^y? umun, >-^:|, bissatu. labirtu. ^™) ^»?W luh mon.
t^TiYT' 223. bamatu, '"'"*■ idranu. 12 inon. < 61. mon. kis; ^yy^,
sibu. t^^y' fc^I, 224. 18 immu, ^^y|, J:^yy T) akal. 280, t:^ ur, 219.
129. mitpanu. dussu, ^■^^^, rim; 274. Miore. mon. [) Tt 184. T
eribu-sa-samsi, raddu, iz\ manzaz, , hidutu, saru. di, guj 360. >i_^i
mon. mon. allu. %:^^-mM^'^m>^Mi man, lak 285. / JfcJJ JJ*~[ tal 1
banu. ilj mon. 103. 149. baru, tiigu, se, agu. samu. '' man. , I' -,
mow. ^t mwi. ahu, basahu. azal idu. "«"»• I'd '»»»• mow. i umun,
highland. kun. ukallu. , isib, sakiz. rnon. feiT, *-<"[, ■J^fcYj
ekimu. ORDINARY zindu, kasadu, kinattu. mala. nasii-sa-nisi. denu, I
seru, ar; sutesu, dubutu, sahatu. mon. ; T*") f:^ ^%< abtu, karanu.
kididu, muzzatu. gur pi^ *l Utvmen. qanu. for mon. Vul, >-YY.«^ ; YJ,
nat, mon. mon. erik, ""^tlfs 317. >-\-^, rmn. sagumu, *nr >j>^YytY,
namaru, ''*'"»■ aharru. suatu. dub, usuh. >>£:» man. ®^''' /'^~- «io».
Twora. mon. ^Jn^> mon. *-^]f> sagar, du, ; 65. zikaru.: 116. ana,
*~t^El bitu, ru; mid, ; ■^TTtTj halabu, 24o4:. 'reow. mon. ■^Y utu.
*~|T-^5 paru, 151. \tfcK Siranu, tir. mon, kubu. 329. tab; »io?i.
•!=TVt*?y, itesir. kamasu. \i^^^S^^ matu, 104. surup. M^y^ bun, 163.
mon. se; ubil. Y ^^1 .^^t ' mon. tur-sipri. lal, ^es; zarur, , ti^YY,
umun, r«, Yl, T^^^kt^T' > !>■>**-, kabtu, sa, mon. surru, mon. tYYYt:
J 110. banii, mon. dabtu. 141. f:^, J_^i^Y, el, ™ow. ■^*->-y, lal;
sunqu-sa-niz. siktu, -jV, Cl' ^S>Y 378. man. ; man.
Friday, July 9, 2010
poem || Jeff Harrison
Siphon
this spree reassembled clockwise
wishful (wistful)
intrigue piecemeal hyphenate
ciphering (siphoning)
mirror-stained ocean
cordage lucid
lengthwise ghosts
calculations crook novelty
into
siphon curve of vellum
this spree reassembled clockwise
wishful (wistful)
intrigue piecemeal hyphenate
ciphering (siphoning)
mirror-stained ocean
cordage lucid
lengthwise ghosts
calculations crook novelty
into
siphon curve of vellum
from Remove A Concept vol 08 || Peter Ganick
*2255
columbine, in vitro (how it in)
as shape flower, awaken duet at
happen (delight) once a space,
crick's nest .
formfuls of dispassion, 'remain at ease
th genuine is article,
that corner (orange net) dispossess
letter voracious,
bermuda trivalue miscue th
billard somerset apple,
gone slow dance,
th wiser th matrix first count at
once stopper by at drain so far
or along (interest-----------------decants),
decade any andiamo
vessel totter roan, one by three
by behind big bee ...
*2256
tangible, th flux
rides immodest, white on white,
vessels imagine
th functionary (close up) quizzed,
has no attached sequitors is
th prize mind,
assume is recue,
destructo tomahawk child, toy
circus on readout
now motion think better ...
*2257
grating on floor, floodlit amazement
(a horn on)
topicality innuendo, dross avow
motion sudden or flam buoyant
(unspeaking) no fail for
hourliest standard, zero at
punctum,
virtual mellifluence, that awake,
ornate, fluid, revisits th commune,
duck soup (queasy gentian) topping
cd serenity chastise karma,
motion on agree,
compunction (zero tessitura) hidden
in walls,
th look around those instance
venerate compost boarded dice filets
milk an idiot,
ghostly (approve) narrow ...
columbine, in vitro (how it in)
as shape flower, awaken duet at
happen (delight) once a space,
crick's nest .
formfuls of dispassion, 'remain at ease
th genuine is article,
that corner (orange net) dispossess
letter voracious,
bermuda trivalue miscue th
billard somerset apple,
gone slow dance,
th wiser th matrix first count at
once stopper by at drain so far
or along (interest-----------------decants),
decade any andiamo
vessel totter roan, one by three
by behind big bee ...
*2256
tangible, th flux
rides immodest, white on white,
vessels imagine
th functionary (close up) quizzed,
has no attached sequitors is
th prize mind,
assume is recue,
destructo tomahawk child, toy
circus on readout
now motion think better ...
*2257
grating on floor, floodlit amazement
(a horn on)
topicality innuendo, dross avow
motion sudden or flam buoyant
(unspeaking) no fail for
hourliest standard, zero at
punctum,
virtual mellifluence, that awake,
ornate, fluid, revisits th commune,
duck soup (queasy gentian) topping
cd serenity chastise karma,
motion on agree,
compunction (zero tessitura) hidden
in walls,
th look around those instance
venerate compost boarded dice filets
milk an idiot,
ghostly (approve) narrow ...
Thursday, July 8, 2010
text || Alan Sondheim
Threshold
Living alone in my loft, there is an entire phenomenology of entering and
exiting; the external world literally floods my presence when I _emerge_
into the light. The rite of passage in signing on to a MOO is different;
one is already on-line, and the passage may occur among various
applications, including ytalk, IRC, and so forth.
The threshold in fact occurs with the initial logging-on, a trivial act
in itself. The community then appears, with the secondary log-on in its
entirety; ontologies shimmer, epistemologies crash, and so forth.
It's difficult for an outsider to understand this transformation occurring
with the movement of a few keys. The body remains in place. Nothing floods
the room, and it's the flooding that ordinarily separates interior and
exterior - along with the relative lack of ownership and privacy the ex-
terior occasions (which is more problematic in cyberspace), and so forth.
This is where prosthesis, the uncanny, projection/introjection, and the
like come into play. The user is at home or in the office; the mind is
moving fast-forward elsewhere. It's going to seem useless, artificial,
non-existent. It's going to be incomprehensible from the outside, and so
forth.
The space is dry. Nothing is illuminated. Words crack either darker or
lighter than background, light background flattening the screen, dark
background an illusion of inconceivable depth; Pascal comes to mind, and
so forth.
In dreams real and virtual coalesce, ascii-dreams, livid dreams, maroon
dreams of womb interiors, dreams of classification, conflagration. They
flicker in and out of the preconscious, lists of sexual graphemes and
regions centered around the penis, perineum, anus, nipple. I wake in the
middle of the night, fingers half-inserted, erect, sweated; there are
monsters. The image: cuneiform word-lists, transliterated and translated,
sharp spikes penetrating the body, mouths held open. There are no screams
in cyberspace, not even with Iphone's advent; there is the collusion, the
_substance_ of the computer, and it's this _substance_ as well which
remains untranslatable to those unfamiliar, and so forth.
Circulating among the home pages, one rarely runs into community; language
is pasted onto signboards, even on those refreshable chat sites. Crack the
Web, split it open, and words, neighborhoods seethe forth. I resist this,
this splitting, even the surface, resist the Net; for me, totally succumb-
ing to its narrowed modalities is the sign of death, hungering for too
long too near the screen. But I understand the promise in this hungering
as well, the ability to achieve satiation, find commonality. I have to
remind myself constantly that I'm a freak, that the lure of the threshold
is the lure of paste compared to the flood of the out of doors, and so
forth.
It's a litany of occasions, events, each with their temporal horizons,
subjective projects, relevances, avatars, sublimations, repressions,
identities, political and monetary economies. As I said last night to the
interviewer from NPR (not broadcast), humans will find communicative and
communal possibilities in any ecological niche; there are Iphone and IRC
societies as well as those in MUDs, MOOs, newsgroups, email lists, and so
forth. Communication in this fashion parallels capital and late capital-
ism, extending and expanding through all those devices of -jectivity, hy-
steric embodiment, that I've documented elsewhere. So there are thresholds
and rites of passage, there are communities and projections, there are hy-
sterias and issues of governance/framework/political economy, and there
is a majority off-line public out there, meeting explanation with bewil-
derment, uncomprehending of community external to the obdurate existence
of bodies, trails, buildings, streets, and so forth.
And so forth into the night of the darknet, day of the real, vacillating
among illuminations, uneasy dreams, sexual-depressive twists of the body,
corporate-celebratory twists of the machinic, and so forth.
Living alone in my loft, there is an entire phenomenology of entering and
exiting; the external world literally floods my presence when I _emerge_
into the light. The rite of passage in signing on to a MOO is different;
one is already on-line, and the passage may occur among various
applications, including ytalk, IRC, and so forth.
The threshold in fact occurs with the initial logging-on, a trivial act
in itself. The community then appears, with the secondary log-on in its
entirety; ontologies shimmer, epistemologies crash, and so forth.
It's difficult for an outsider to understand this transformation occurring
with the movement of a few keys. The body remains in place. Nothing floods
the room, and it's the flooding that ordinarily separates interior and
exterior - along with the relative lack of ownership and privacy the ex-
terior occasions (which is more problematic in cyberspace), and so forth.
This is where prosthesis, the uncanny, projection/introjection, and the
like come into play. The user is at home or in the office; the mind is
moving fast-forward elsewhere. It's going to seem useless, artificial,
non-existent. It's going to be incomprehensible from the outside, and so
forth.
The space is dry. Nothing is illuminated. Words crack either darker or
lighter than background, light background flattening the screen, dark
background an illusion of inconceivable depth; Pascal comes to mind, and
so forth.
In dreams real and virtual coalesce, ascii-dreams, livid dreams, maroon
dreams of womb interiors, dreams of classification, conflagration. They
flicker in and out of the preconscious, lists of sexual graphemes and
regions centered around the penis, perineum, anus, nipple. I wake in the
middle of the night, fingers half-inserted, erect, sweated; there are
monsters. The image: cuneiform word-lists, transliterated and translated,
sharp spikes penetrating the body, mouths held open. There are no screams
in cyberspace, not even with Iphone's advent; there is the collusion, the
_substance_ of the computer, and it's this _substance_ as well which
remains untranslatable to those unfamiliar, and so forth.
Circulating among the home pages, one rarely runs into community; language
is pasted onto signboards, even on those refreshable chat sites. Crack the
Web, split it open, and words, neighborhoods seethe forth. I resist this,
this splitting, even the surface, resist the Net; for me, totally succumb-
ing to its narrowed modalities is the sign of death, hungering for too
long too near the screen. But I understand the promise in this hungering
as well, the ability to achieve satiation, find commonality. I have to
remind myself constantly that I'm a freak, that the lure of the threshold
is the lure of paste compared to the flood of the out of doors, and so
forth.
It's a litany of occasions, events, each with their temporal horizons,
subjective projects, relevances, avatars, sublimations, repressions,
identities, political and monetary economies. As I said last night to the
interviewer from NPR (not broadcast), humans will find communicative and
communal possibilities in any ecological niche; there are Iphone and IRC
societies as well as those in MUDs, MOOs, newsgroups, email lists, and so
forth. Communication in this fashion parallels capital and late capital-
ism, extending and expanding through all those devices of -jectivity, hy-
steric embodiment, that I've documented elsewhere. So there are thresholds
and rites of passage, there are communities and projections, there are hy-
sterias and issues of governance/framework/political economy, and there
is a majority off-line public out there, meeting explanation with bewil-
derment, uncomprehending of community external to the obdurate existence
of bodies, trails, buildings, streets, and so forth.
And so forth into the night of the darknet, day of the real, vacillating
among illuminations, uneasy dreams, sexual-depressive twists of the body,
corporate-celebratory twists of the machinic, and so forth.
from DESCRIBES || John Crouse
To desire very much material from the stomach to flow along or overflow against to prevent rubbing a complete failure to leave suddenly and unexpectedly to seem to want to be unhappy where earth has been washed away to take a long trip usually by boat washed with raindrops a hidden place from which a surprise attack can be made brought up suddenly through the mouth to run at slow speed before using to become more interested than at first so tight as to be waterproof.
So as to appear or be present risen above the horizon or ground or into a better or more advanced state making use of what is new or recent or relating to urine a reason or need to put into action or service to send forth as a sound showing a lack of thought or expression having legal force or affect a bat of tropical america used to ask about the identity of a person where in the world or the parts of the body through which it passes to think or act a certain way by flattering that has flippers and a flattened tail no matter what or which time what would happen if.
An insect that usually flies at night with an adjective or adverb that forms the comparative made from opium to the greatest or highest level or extent in addition to what has been said a human being the next day usually reached directly from an outdoor parking lot like cushions clinging to rocks a system of sending messages of different colors uses long and short sounds made of lime and cement or dots and dashes and has mostly feathery antennae used to relive pain to represent letters and numbers and to make patterns or pictures and smaller wings than the related butterflies to form the superlative.
So as to appear or be present risen above the horizon or ground or into a better or more advanced state making use of what is new or recent or relating to urine a reason or need to put into action or service to send forth as a sound showing a lack of thought or expression having legal force or affect a bat of tropical america used to ask about the identity of a person where in the world or the parts of the body through which it passes to think or act a certain way by flattering that has flippers and a flattened tail no matter what or which time what would happen if.
An insect that usually flies at night with an adjective or adverb that forms the comparative made from opium to the greatest or highest level or extent in addition to what has been said a human being the next day usually reached directly from an outdoor parking lot like cushions clinging to rocks a system of sending messages of different colors uses long and short sounds made of lime and cement or dots and dashes and has mostly feathery antennae used to relive pain to represent letters and numbers and to make patterns or pictures and smaller wings than the related butterflies to form the superlative.
Wednesday, July 7, 2010
text || Alan Sondheim
The Plain
My Gothic grammar states that there is almost no literature available in
the language; most of what one knows stems from the New Testament
translation done by Ulfilas in the fourth century, through sixth century
Italian copies.
In Mandeville, the images of the Khan remain with me, mobile capitals on
mobile plains, nomadic. In the Utgarda-Loki section of the Prose Edda,
Thor turns around, and the castle has disappeared; there's nothing but
the plain.
The plain is the locus of power, the site of a part-object tentatively
connected to Goths, Visigoths, Saxons, the Golden Horde. It's criss-
crossed, temporary. Distance is measured by civilization, the rings of
stationary dwellings, agriculture, surrounding, encroaching on the desert
which proceeds to devour them. As today.
Territories extend indefinitely, carrying nothing with them. Simmel's
stranger glances, walks on. It's always a situation of strangers; reading
Rutilius Claudius Namatianus, there are Goths who are enemies, and a Goth
who buys the house.
Investments are made in the form of the project/production. Imagine the
brightness of the stars in the evening, the fair regularity of the cycles
of weather. One can gallop up and down almost indefinitely. You can hear
the sounds of the horses at a distance. There are always the skitterings
of small mammals in the underbrush. Firelight is the source. There's a
smell of meat. There's the sound of stringed instruments and sometimes
dancing in the distance.
These are the spaces of cyberspace, holes, temporary encrustations, in-
tensities. These are the spaces where fantasms appear, burn into the eyes,
turn inward or outward, disappear once again. Try as I might, these spaces
defy description. They're not nomadicisms in the Deleuze/Guattari sense;
there are no lines of flight. The spaces are self-similar, but _locally_
intense, everywhere, with the currents of micro-ecological niches. You
can't forget the ecology, ever; you can't forget the claims of nations,
colonialisms, geographic economies. Boundaries are always already in flux,
just as they are, say, in the WorldsChat emptied spaces which look some-
thing like enormous boxing rings.
WorldsChat in fact provides an example: _What anchors the avatars to the
simulated ground?_ Nothing, of course, except for programming which
occasionally is faulty, sending figures flying. The screen, not the de-
lineation of planet, is the final arbiter. And the screen is nowhere; it
is the eye, the stain or residue of the gaze.
The screen is naught; the screen carries a sense of boundary, outline.
Outline disappears in the literal maze of links, multiply-connected topo-
logy that always returns to itself, frays at the edges. It's as if culture
is the _objet petit a_ somewhere else; who/what pulls the tongue from the
mouth?
The body is never found. The voices are always at a distance. You can't
see the animals for the underbrush. The animals are stases; they know
where they are. They aren't agents, of anything, anyone. It's not as if
they're "there" either. The "it" is a neutral inscription. It doesn't
mean anything in the sense. It doesn't have any location. Nor does it
move on; there aren't vectors.
But it's not all negative. It's the plain. It's where you can draw figures
or cut them into the grass. It's where they appear as if they're _some-
thing_ in the midst of, that is, between, seasons. They're ignored because
you can only see them from the air. Airplanes haven't been invented yet
but the kids are having a good laugh and you can hear them clear across
the plain.
(There's so _little_ of Gothic left to read/hear. Almost all of it is
translation from the Gospels, as if others are speaking through their
tombs. Colonialization circulates among itself. Logos takes over, hard
inscription. The Bible is the Book. The Book is the Bible. The world goes
flat with forgetting. Each and every world is a plain. Cyberspace is all
the world there is.)
My Gothic grammar states that there is almost no literature available in
the language; most of what one knows stems from the New Testament
translation done by Ulfilas in the fourth century, through sixth century
Italian copies.
In Mandeville, the images of the Khan remain with me, mobile capitals on
mobile plains, nomadic. In the Utgarda-Loki section of the Prose Edda,
Thor turns around, and the castle has disappeared; there's nothing but
the plain.
The plain is the locus of power, the site of a part-object tentatively
connected to Goths, Visigoths, Saxons, the Golden Horde. It's criss-
crossed, temporary. Distance is measured by civilization, the rings of
stationary dwellings, agriculture, surrounding, encroaching on the desert
which proceeds to devour them. As today.
Territories extend indefinitely, carrying nothing with them. Simmel's
stranger glances, walks on. It's always a situation of strangers; reading
Rutilius Claudius Namatianus, there are Goths who are enemies, and a Goth
who buys the house.
Investments are made in the form of the project/production. Imagine the
brightness of the stars in the evening, the fair regularity of the cycles
of weather. One can gallop up and down almost indefinitely. You can hear
the sounds of the horses at a distance. There are always the skitterings
of small mammals in the underbrush. Firelight is the source. There's a
smell of meat. There's the sound of stringed instruments and sometimes
dancing in the distance.
These are the spaces of cyberspace, holes, temporary encrustations, in-
tensities. These are the spaces where fantasms appear, burn into the eyes,
turn inward or outward, disappear once again. Try as I might, these spaces
defy description. They're not nomadicisms in the Deleuze/Guattari sense;
there are no lines of flight. The spaces are self-similar, but _locally_
intense, everywhere, with the currents of micro-ecological niches. You
can't forget the ecology, ever; you can't forget the claims of nations,
colonialisms, geographic economies. Boundaries are always already in flux,
just as they are, say, in the WorldsChat emptied spaces which look some-
thing like enormous boxing rings.
WorldsChat in fact provides an example: _What anchors the avatars to the
simulated ground?_ Nothing, of course, except for programming which
occasionally is faulty, sending figures flying. The screen, not the de-
lineation of planet, is the final arbiter. And the screen is nowhere; it
is the eye, the stain or residue of the gaze.
The screen is naught; the screen carries a sense of boundary, outline.
Outline disappears in the literal maze of links, multiply-connected topo-
logy that always returns to itself, frays at the edges. It's as if culture
is the _objet petit a_ somewhere else; who/what pulls the tongue from the
mouth?
The body is never found. The voices are always at a distance. You can't
see the animals for the underbrush. The animals are stases; they know
where they are. They aren't agents, of anything, anyone. It's not as if
they're "there" either. The "it" is a neutral inscription. It doesn't
mean anything in the sense. It doesn't have any location. Nor does it
move on; there aren't vectors.
But it's not all negative. It's the plain. It's where you can draw figures
or cut them into the grass. It's where they appear as if they're _some-
thing_ in the midst of, that is, between, seasons. They're ignored because
you can only see them from the air. Airplanes haven't been invented yet
but the kids are having a good laugh and you can hear them clear across
the plain.
(There's so _little_ of Gothic left to read/hear. Almost all of it is
translation from the Gospels, as if others are speaking through their
tombs. Colonialization circulates among itself. Logos takes over, hard
inscription. The Bible is the Book. The Book is the Bible. The world goes
flat with forgetting. Each and every world is a plain. Cyberspace is all
the world there is.)
seven texts || Bob BrueckL
1.
de-grammatized intradas, theirself evidence of nefertiti curiosities, leering frissons of slurred accidie, alizarin veins replete with motionless apathies, thirsty blast of a hokum leaf, ethereal bleach, ethereal curiosities mirrored in the veins of a cactus, leering reclusive cacti thoroughly redundant, echoing resurrected slurs of tete-a-tete frissons, avenir matrix, tessitura frisson of accidie
2.
what vagaries, avalanches of vagaries, what narrow breakers of once remote queues of surplex-heisted breakers, blotto mitoses of omicron breakers breathing in a stunted tide of clefs until the tension of otherness is released through the blowhole parallel to nothingness, targeting wily eurasian valences, blowhole redux, ineffectual night of tessitura, night breakers of narrowness, blowholes of otherness
3.
latency of emptiness, tessitura of elasticity, bubbling elasticity of epigrammatic whorls of siphoned-off bloodlines, tessitura of prescient trajectories, tattered traces of valves, slitted borers of ontic zeroes, zero-hundreds of a foul-plastic burp, evasive burps of pillaged evasions leafing through slits of figurations, once ruffian configurations of tessitura, cenotaphic bloodlines of cetacean trajectories, valveless texts of elastic bubbling epilogues leafing through sere envelopes of pillaged blurbs, arundel burps, wood-still
4.
night furnace of havoc, de-grammatized furnace of redundancy, mirrored havoc of tessitura accidie, blowholes of emptiness, tattering tessitura of accidie curiosities, remote queues encircling matrices of apathy, blundering queues of remote matrices, wavering queues of wavers, pale waves of breakers, bottomless breakers of apathy, narrow oeuvres of matrixes encircling tendencies of apathy, remote tendencies targeting blunders of bottomless queues encircling pale targets of evidential motions of hokum, motionless frissons of otherness, blundering tensions and thensome, leering parallel surfaces of bleached motionlessness, impounded tensions of alizarin otherness, hokum tensions bleaching hundreds of blunders of wily leering frissons
5.
echoing slurs of nothingness, whorls of coptic thirsts, ethereal whorls of coptic slurs, cavalier heists of thirsty wicca tides, thirsty surplex of somewheres, echoing intradas of ineffectual mitoses, whorls of breathing omicron vagaries, coptic veins echoing narrowness
6.
valve borers leafing through tessitura bubbles of ruffian cabooses, cetacean-tattered evasions, narrow texts of bubbling leaf-valves, latent burps in thrall to the epigrammatic environs of the cenotaphic bloodlines of elasticity, slitted sere trajectories of elastic pillages, sere bloodlines enveloping burping bloodlines of slitted elasticities pillaging siphoned-off epilogues of cenotaphic envelopes burping in thrall to traced environs, elastic burps being siphoned-off
7.
bodily redux curiosities mirroring clefs of blotto accidie or eurasian redundancies of blowhole havoc, de-grammatized valences resurrecting accidie nights of stunted clefs, emptinesses de-grammatizing valences of reduxed redundancies, resurrected furnace of accidie emptinesses mirroring theirself, blotto reduxes blowholing emptinesses wherein night is de-grammatized by accidie curiosities -- blast one -- blotto blotto blotto
after Peter Ganick's text "where you what you?"
de-grammatized intradas, theirself evidence of nefertiti curiosities, leering frissons of slurred accidie, alizarin veins replete with motionless apathies, thirsty blast of a hokum leaf, ethereal bleach, ethereal curiosities mirrored in the veins of a cactus, leering reclusive cacti thoroughly redundant, echoing resurrected slurs of tete-a-tete frissons, avenir matrix, tessitura frisson of accidie
2.
what vagaries, avalanches of vagaries, what narrow breakers of once remote queues of surplex-heisted breakers, blotto mitoses of omicron breakers breathing in a stunted tide of clefs until the tension of otherness is released through the blowhole parallel to nothingness, targeting wily eurasian valences, blowhole redux, ineffectual night of tessitura, night breakers of narrowness, blowholes of otherness
3.
latency of emptiness, tessitura of elasticity, bubbling elasticity of epigrammatic whorls of siphoned-off bloodlines, tessitura of prescient trajectories, tattered traces of valves, slitted borers of ontic zeroes, zero-hundreds of a foul-plastic burp, evasive burps of pillaged evasions leafing through slits of figurations, once ruffian configurations of tessitura, cenotaphic bloodlines of cetacean trajectories, valveless texts of elastic bubbling epilogues leafing through sere envelopes of pillaged blurbs, arundel burps, wood-still
4.
night furnace of havoc, de-grammatized furnace of redundancy, mirrored havoc of tessitura accidie, blowholes of emptiness, tattering tessitura of accidie curiosities, remote queues encircling matrices of apathy, blundering queues of remote matrices, wavering queues of wavers, pale waves of breakers, bottomless breakers of apathy, narrow oeuvres of matrixes encircling tendencies of apathy, remote tendencies targeting blunders of bottomless queues encircling pale targets of evidential motions of hokum, motionless frissons of otherness, blundering tensions and thensome, leering parallel surfaces of bleached motionlessness, impounded tensions of alizarin otherness, hokum tensions bleaching hundreds of blunders of wily leering frissons
5.
echoing slurs of nothingness, whorls of coptic thirsts, ethereal whorls of coptic slurs, cavalier heists of thirsty wicca tides, thirsty surplex of somewheres, echoing intradas of ineffectual mitoses, whorls of breathing omicron vagaries, coptic veins echoing narrowness
6.
valve borers leafing through tessitura bubbles of ruffian cabooses, cetacean-tattered evasions, narrow texts of bubbling leaf-valves, latent burps in thrall to the epigrammatic environs of the cenotaphic bloodlines of elasticity, slitted sere trajectories of elastic pillages, sere bloodlines enveloping burping bloodlines of slitted elasticities pillaging siphoned-off epilogues of cenotaphic envelopes burping in thrall to traced environs, elastic burps being siphoned-off
7.
bodily redux curiosities mirroring clefs of blotto accidie or eurasian redundancies of blowhole havoc, de-grammatized valences resurrecting accidie nights of stunted clefs, emptinesses de-grammatizing valences of reduxed redundancies, resurrected furnace of accidie emptinesses mirroring theirself, blotto reduxes blowholing emptinesses wherein night is de-grammatized by accidie curiosities -- blast one -- blotto blotto blotto
after Peter Ganick's text "where you what you?"
2 new pomes || Billy Bob Beamer
circ
#1.hirc dilu/ tin sor /scha a kor urt .
sus bol wolran arsh circ e or lo wopea . talspar dor tot .
of dorp. epo deopro
TUL PA TIE TIE/TAR TAR TIE TIE/ E/ E
hire . bol ..blanch up
kee
#2 cheo alha fejo
hokio edoba
uno k tho teed proflig tohe lone kisali rilon
deet shloss gohax flute
eben cio o enmilox hof dubdius bigirt
siifffihie tetvisivsh hudolonen asu deg cog thup
TUL PA
#3 for the the rot rot go gim
soe for the the fot tole goh jop
rote dot for the the fog
dort dorsch fort foke no roprop
mone some thit hire tok en tok en
dope so pae do goy sou ty rih suj ue shiy
nad kid feh fyn snim flone l oy si gor fij jes evv
fall fit fall er rot doue lood
TUL TIE 1 1 1 1 1234
blan orse ar oum tom e fit tie
(er al ni tu nid go hord so ro sus
forOrNettelOneLywoMaN
Lor n Aw ay wa yp as teI co ud spe n dgo r al good urn lonely ingmy lif e in this sw eet su rrender.I co uld spend my life I'm calling all theI'm calling shots tonight in this swe etAway. I'm ca lling all the shot s ton igh It ai n't easy, l iv in' like yawa n na.But go rea lcity is pis s Awaymy hands go od with wine.likeand lonely ya w anna It ai n't easy , livin' like ya w an na.an d Fly sens e of all th e th ings com e back to you. Ching Ha d myLorn and lonelyoff my hands through the sense of timeWithM a nd Unc le Bif f. Was to piss off my d ad.Yea h,Was to pss Aw ay From th e is a war zo ne. I f it w asFlythe city isAway on your face.piss Away Believe in all theon your face good things. We're burning dow n pi ss Aw a y tonight.We 're bur nin gz Lorn and lo nely.
unclearDirectionssoCreated by aCut& pasteof every other phrase. then random words &with eyes closed for 5 minutes& random letter separation, . Textcamefrom randomly selected email from an unknown company (sp\ am). bbbeamer
#1.hirc dilu/ tin sor /scha a kor urt .
sus bol wolran arsh circ e or lo wopea . talspar dor tot .
of dorp. epo deopro
TUL PA TIE TIE/TAR TAR TIE TIE/ E/ E
hire . bol ..blanch up
kee
#2 cheo alha fejo
hokio edoba
uno k tho teed proflig tohe lone kisali rilon
deet shloss gohax flute
eben cio o enmilox hof dubdius bigirt
siifffihie tetvisivsh hudolonen asu deg cog thup
TUL PA
#3 for the the rot rot go gim
soe for the the fot tole goh jop
rote dot for the the fog
dort dorsch fort foke no roprop
mone some thit hire tok en tok en
dope so pae do goy sou ty rih suj ue shiy
nad kid feh fyn snim flone l oy si gor fij jes evv
fall fit fall er rot doue lood
TUL TIE 1 1 1 1 1234
blan orse ar oum tom e fit tie
(er al ni tu nid go hord so ro sus
forOrNettelOneLywoMaN
Lor n Aw ay wa yp as teI co ud spe n dgo r al good urn lonely ingmy lif e in this sw eet su rrender.I co uld spend my life I'm calling all theI'm calling shots tonight in this swe etAway. I'm ca lling all the shot s ton igh It ai n't easy, l iv in' like yawa n na.But go rea lcity is pis s Awaymy hands go od with wine.likeand lonely ya w anna It ai n't easy , livin' like ya w an na.an d Fly sens e of all th e th ings com e back to you. Ching Ha d myLorn and lonelyoff my hands through the sense of timeWithM a nd Unc le Bif f. Was to piss off my d ad.Yea h,Was to pss Aw ay From th e is a war zo ne. I f it w asFlythe city isAway on your face.piss Away Believe in all theon your face good things. We're burning dow n pi ss Aw a y tonight.We 're bur nin gz Lorn and lo nely.
unclearDirectionssoCreated by aCut& pasteof every other phrase. then random words &with eyes closed for 5 minutes& random letter separation, . Textcamefrom randomly selected email from an unknown company (sp\ am). bbbeamer
text || Peter Ganick
where you what you?
targeting so mainframe each asks oeuvre:
pale dice how to be domino breaker
narrow sitcom the evidential blunder washing captured releases.
queues remotely assurance thorough nefertiti cactus
reclusive than symbolism tête-à-tête for a matrix replete viaduct
waver those sibilant evictions
leaf heating a bulletin avenir bottomless apathy encircles tendencies
hokum strategy frissons blundering alizarin
thankful residences borrower that cavafy leering bleach format inroads
the motionless once of the otherness aware shelter
impounding calendars heated hundreds thensome wile of remission’s
in parallel with surface tension.
coptic avalanches
cavalier nothingness
awesome vagaries met widely arundel prescient tolerance
the bugbear ontic evaluations heard tides surplex heist mitoses
that effectual narrowness omicron gift wicca breathing exercise
tent city until remakes of email reaching for dances thirsty echoing intradas
something somewhere ethereal casket nor vein through evidence
slurred workaholic therein slides the motivation whorls outside figuration
of primacy
tessitura leafing through foul-plastic evasion borrowers inroads those ruffian
cetacean blood-line zero-hundreds bubbling each narrow test text there in stride.
valve otherwise borers on wood-still venerable tattering clemency eiffel caboose.
slitted alternatives offhand traces of epilogue
epigrammatic surpluses then sere that bloodline trajectory of a mountain siphoned
thrall burp environs
hotmail cenotaphic elasticity
once introducers of pillage and peacework
this envelopes thematic latency thrown though arrives the emptiness
one havoc redundancy mirrored accidie
those webelos curiosities bodily aegis aegean theirself nuremburg resurrected
blast furnace oversight de-grammatized where stunted valences
pro ceiling fatima nominates.
night-time wherein slowly redux blotto clef of eurasian blowhole.
targeting so mainframe each asks oeuvre:
pale dice how to be domino breaker
narrow sitcom the evidential blunder washing captured releases.
queues remotely assurance thorough nefertiti cactus
reclusive than symbolism tête-à-tête for a matrix replete viaduct
waver those sibilant evictions
leaf heating a bulletin avenir bottomless apathy encircles tendencies
hokum strategy frissons blundering alizarin
thankful residences borrower that cavafy leering bleach format inroads
the motionless once of the otherness aware shelter
impounding calendars heated hundreds thensome wile of remission’s
in parallel with surface tension.
coptic avalanches
cavalier nothingness
awesome vagaries met widely arundel prescient tolerance
the bugbear ontic evaluations heard tides surplex heist mitoses
that effectual narrowness omicron gift wicca breathing exercise
tent city until remakes of email reaching for dances thirsty echoing intradas
something somewhere ethereal casket nor vein through evidence
slurred workaholic therein slides the motivation whorls outside figuration
of primacy
tessitura leafing through foul-plastic evasion borrowers inroads those ruffian
cetacean blood-line zero-hundreds bubbling each narrow test text there in stride.
valve otherwise borers on wood-still venerable tattering clemency eiffel caboose.
slitted alternatives offhand traces of epilogue
epigrammatic surpluses then sere that bloodline trajectory of a mountain siphoned
thrall burp environs
hotmail cenotaphic elasticity
once introducers of pillage and peacework
this envelopes thematic latency thrown though arrives the emptiness
one havoc redundancy mirrored accidie
those webelos curiosities bodily aegis aegean theirself nuremburg resurrected
blast furnace oversight de-grammatized where stunted valences
pro ceiling fatima nominates.
night-time wherein slowly redux blotto clef of eurasian blowhole.
Tuesday, July 6, 2010
from DESCRIBES || John Crouse
Familiar friends not eaten by the bird and friends and relatives where vegetables are grown with the lips as a mark of love or greeting flying in the air for household use a relative usually by birth in loving touch with the lips a piece in checkers that has reached the opponents back row a person who kisses at the end of a long string.
A set of parts to be put together of a king having brown skin in a sympathetic manner suited to a king in a new body after death slightly tart green flesh in an obliging manner and bright feathers with wide sleeves used to prop the vehicle in the form of urine or oven in which rebirth of the soul is hardened with a broad sash as an outer garment growing out of gentleness instead of hit with a bat spoils the pleasure of others the lock of a gun that is pressed used chiefly at the end of a sentence to release the hammer so it will fire.
The yellow inner part of the egg to be productive especially to the taste or have ideas for the future can multiply when inside the cell of an organism the people living in a village a field of grapevines a usually hidden computer program used to flavor or preserve foods turned out for the parade ranking below an earl who has not has sexual intercourse that eats insects changed by human activity causes harm by making copies of itself with long hollow fangs above a baron and inserting them into other programs.
A watch held over the body of a dead person an advance to first base after four balls a slow way of moving a horse often indented with a pattern of folded money or puff of air full of jokes a homeless child for making waffles by stepping through water a long cry of grief to walk with short steps labored in the field tests are done has a call resembling laughter to put a word or words on a person who rows a boat a state of doubt or confusion hidden from view.
A set of parts to be put together of a king having brown skin in a sympathetic manner suited to a king in a new body after death slightly tart green flesh in an obliging manner and bright feathers with wide sleeves used to prop the vehicle in the form of urine or oven in which rebirth of the soul is hardened with a broad sash as an outer garment growing out of gentleness instead of hit with a bat spoils the pleasure of others the lock of a gun that is pressed used chiefly at the end of a sentence to release the hammer so it will fire.
The yellow inner part of the egg to be productive especially to the taste or have ideas for the future can multiply when inside the cell of an organism the people living in a village a field of grapevines a usually hidden computer program used to flavor or preserve foods turned out for the parade ranking below an earl who has not has sexual intercourse that eats insects changed by human activity causes harm by making copies of itself with long hollow fangs above a baron and inserting them into other programs.
A watch held over the body of a dead person an advance to first base after four balls a slow way of moving a horse often indented with a pattern of folded money or puff of air full of jokes a homeless child for making waffles by stepping through water a long cry of grief to walk with short steps labored in the field tests are done has a call resembling laughter to put a word or words on a person who rows a boat a state of doubt or confusion hidden from view.
text || Alan Sondheim
Vocks
I want to take up the idea of voice in chats as embodiment again, from a
relatively simplistic viewpoint. The voice, its granularity, is intimate
with the body, produced directly by the reconfiguring of tissue. To the
speaker, it appears unmediated; even language itself streams forth, as if
without impediment or processing. When an avatar represents a player on a
visual chat, there is a split in embodiment; however, the body is adept at
what Polyani calls _tacit knowledge,_ the ability to invest in, cathect
through, an other, implement, terrain, etc. The human organism exists
within a symbolic field with physiological consequences; physiology and
communication are intertwined, as aphasias, etc. demonstrate. So the split
between visual avatar and verbal language, or even visual avatar and writ-
ten/textual language at the bottom or adjacent to the image, is ultimately
no great difficulty, no matter how theorized. The _practical_ element is
something else again, however, with the text covering up the its embedding
space (including the presence of other avatars) in ThePalace for example.
If one wishes in fact to study the _cyborg_ at this point in time, the
avatar itself, as dissemination from the physiological body, constitutes a
dominant site. The avatar is articulated in dialectic among software, par-
ticipant, and communicative space (the give and take of the on line commu-
nity at hand); it is simultaneously organic and machinic, self-operated
and remotely "run." It is susceptible to upgrading, software variants,
etc. And ultimately, it represents, not an exterior shell, but the interi-
ority of the participant's body, morphing according to intention, command,
and drive.
It's interesting to watch someone beginning with WorldsChat, moving a
clumsy body around a constantly (and clearly) reconfigured space; there is
always a kinesthetic sense involved, interference for example indicated if
and when one of the figures comes between two others apparently (who
knows?) engaged in whispered conversation. And this occurs with minimal
clues of course. Even the early mouse movements leave one feeling as if
she or he were _propelled_ through the space, tentatively or violently
moving from group to group in blind search. In spite of the fact that (at
least the surface) conversation is reasonably inane, WorldsChat provides
a clear example of future cyborg existence. It's already here, inhabited,
dependent as usual upon consumption, fast machines, and the lucky me who
has access to a T1 line.
It's _money_ all the way.
I want to take up the idea of voice in chats as embodiment again, from a
relatively simplistic viewpoint. The voice, its granularity, is intimate
with the body, produced directly by the reconfiguring of tissue. To the
speaker, it appears unmediated; even language itself streams forth, as if
without impediment or processing. When an avatar represents a player on a
visual chat, there is a split in embodiment; however, the body is adept at
what Polyani calls _tacit knowledge,_ the ability to invest in, cathect
through, an other, implement, terrain, etc. The human organism exists
within a symbolic field with physiological consequences; physiology and
communication are intertwined, as aphasias, etc. demonstrate. So the split
between visual avatar and verbal language, or even visual avatar and writ-
ten/textual language at the bottom or adjacent to the image, is ultimately
no great difficulty, no matter how theorized. The _practical_ element is
something else again, however, with the text covering up the its embedding
space (including the presence of other avatars) in ThePalace for example.
If one wishes in fact to study the _cyborg_ at this point in time, the
avatar itself, as dissemination from the physiological body, constitutes a
dominant site. The avatar is articulated in dialectic among software, par-
ticipant, and communicative space (the give and take of the on line commu-
nity at hand); it is simultaneously organic and machinic, self-operated
and remotely "run." It is susceptible to upgrading, software variants,
etc. And ultimately, it represents, not an exterior shell, but the interi-
ority of the participant's body, morphing according to intention, command,
and drive.
It's interesting to watch someone beginning with WorldsChat, moving a
clumsy body around a constantly (and clearly) reconfigured space; there is
always a kinesthetic sense involved, interference for example indicated if
and when one of the figures comes between two others apparently (who
knows?) engaged in whispered conversation. And this occurs with minimal
clues of course. Even the early mouse movements leave one feeling as if
she or he were _propelled_ through the space, tentatively or violently
moving from group to group in blind search. In spite of the fact that (at
least the surface) conversation is reasonably inane, WorldsChat provides
a clear example of future cyborg existence. It's already here, inhabited,
dependent as usual upon consumption, fast machines, and the lucky me who
has access to a T1 line.
It's _money_ all the way.
poem || Jeff Harrison
Seaward Grudge
what you carry in your clothes
is not gold, driver, it's bones
in my ledgers the State
is so hot for, officer,
each blunder is made by
only five bales of bread
bread blunders of orange ouch,
vast, vast is the relenting dent...
of that dent: I'm in this, & in brass
& waltz-like of malignity, tho I
called for something light, driver,
you'll leaf razzle, rust and pocket
this grows out, map, out & into files...
driver, whose visible groves were these?
the missing accident daughter? well, then,
her leaps MUST have been impenetrable...
there were more than one? surely
a couple of them at least will
top this writing with wish words
who half in kicks grow skill - hist!,
someone rouses my syllables:
wind my names up, you
seaward grudge, you
kissing-foot thing,
move along now,
missing accident daughters,
your speech is live, mine
is reluctant willows, Herr
B's is flowers in hand...
flowers & hand: they,
the flowers, love hand?
missing accident
daughters, here
your pieces roam to
ghost that low form
of Herr Bibliothekarius,
so this poem's sudden guest
can dream his eye chirps Logic's sun
instead of Curiosity's eyes... oh, &
here you'll think understanding away, Sirens
what you carry in your clothes
is not gold, driver, it's bones
in my ledgers the State
is so hot for, officer,
each blunder is made by
only five bales of bread
bread blunders of orange ouch,
vast, vast is the relenting dent...
of that dent: I'm in this, & in brass
& waltz-like of malignity, tho I
called for something light, driver,
you'll leaf razzle, rust and pocket
this grows out, map, out & into files...
driver, whose visible groves were these?
the missing accident daughter? well, then,
her leaps MUST have been impenetrable...
there were more than one? surely
a couple of them at least will
top this writing with wish words
who half in kicks grow skill - hist!,
someone rouses my syllables:
wind my names up, you
seaward grudge, you
kissing-foot thing,
move along now,
missing accident daughters,
your speech is live, mine
is reluctant willows, Herr
B's is flowers in hand...
flowers & hand: they,
the flowers, love hand?
missing accident
daughters, here
your pieces roam to
ghost that low form
of Herr Bibliothekarius,
so this poem's sudden guest
can dream his eye chirps Logic's sun
instead of Curiosity's eyes... oh, &
here you'll think understanding away, Sirens
from INSERTS || Noel Canlas
*acquisition via (INSERT MNEMONIC) per head by populous sync tab (INSERT FILE) readied arm check bottled adjusted sereendeepitously (INSERT ANALYSIS) bypass morphemic waggle zipped today and never;
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*fully pledged as ifs logic-massive pendicitis bellycosal sophistricated (INSERT HIERARCHY) tachogenetic in medias res allowance zodiacal incisive para=b (INSERT FALLACY) ifthereism minuscule dim inert-(INSERT CYCLE) all-encompassing;
*chemically-inducted applied (INSERT LYRICISM) generous pal of the year= profiled combustion of barred musings (INSERT MODULATION) perfusings malleable catapult unconscious apartés alliance;
*polar enhancements imagic co-partnership (INSERT AGONICS) testy oh lalas à cotë (INSERT TRANSLATION) imbibe Konstruct gyrescoped sidelances pediagrammic atomos (INSERT THEMATIC) breathfully awareness;
*absent divinities (INSERT THEOPHANY) apportioned à poil gleefully infinitisimme of fine-tuned dyes (INSERT AESTHETICS) chokeful énoncés ramassés (INSERT MORPHEME) reaction joyously fabric=;
*and of course! (INSERT FACT) canned in between solarified evidential verrifical commerce (INSERT DISCOURSE) ambi-garrolous median (INSERT SYMBOL) à la cantonnade favors submarina mix-up;
*internalizations mishaps (INSERT UNITY) a-gap switch fire=hose concourse (INSERT EGO) juxta-positionalities solidly dramatis pers- (INSERT SENDER) pectiva ad absurdum pill me-trified;
*commandeer a == k breakthrough-t (INSERT COPULA) finally pronounce ja ja (INSERT OPPOSITION) chimeric my response ability whoah!! nascent pubiscientifisimme in due eurekas dear to biospheric noeta=1;
*unicities Abcdefg-ed filtration (INSERT SPEECH) nebulosizing versalized One-necessititis Onto (my brontosaurs) guffaw naw (INSERT EULOGY) addressed at=centrified bre- (INSERT STATIC) has taken away sheeshfully;
*object=floaters sur-deluge tropo-true (INSERT AXIOM) effervescent broad daylighfulliness (INSERT NOUN) emerges grandiose rounded off tempo whiskiosque amen-ities (INSERT PLOT) in sequentia Ever-and-After;
*magnificent probation (INSERT BELIEF) as established deed commonplace attract (INSERT SEQUENCE) flexible methods in vacuum of big=bangs tome (INSERT SYSTEM) feelable today as jesterday sic;
*insert! in sert à rien (INSERT ORGANISM) cur-rent this- signify zoomed-in place in the next (INSERT DEVELOPMENT) passage hired we did= next to be folded into it is=(INSERT SEMEME) synthèse field boost=ified;
*hence (INSERT MESSSAGE) dominion tower carry-over summa distilled non-porous (INSERT MATTER) sub-weightless accretion crew spread-out euphonies compositional (INSERT INTERPRETANT) =absorbable dietetic crowd;
*(INSERT DEVICE) heave serie-fied actant per density (INSERT TAUTOLOGY) a (!)a = emportentous half-obliterated (INSERT PATHOS) cratylian inventologies-in returns Summit of Oneology: phzzt;
*portable seems (INSERT VOULOIR-DIRE) incarcer –bate blobberdome piste arche-pellative foamer beta-gone (INSERT FANTASM) doorways heronome party albeit conceit topogram (INSERT PHRASE SET) illimité;
*vehicular homo-loquy bordello (INSERT MIRROR) chat-spiel siege para-graphein (INSERT OUTLINE) interspersal hors d’oeuvres star-line (INSERT REPLICA) trans-morpheus;
*(INSERT ALLUSION) settle lagged-worthiness (INSERT PASSION) rêveur (INSERT TITLE) sanction potentate plein wunderkind gré à gré bilateral semiosis foundry isn’t (INSERT VERB) echo- ;
*chronic (INSERT LE-MOT-JUSTE) relative surprendre additive simulacra (INSERT IMPRESSION) collide- sample of unsaid (INSERT CLARITY) parity delta break wall tip eye-cube alpha;
*etymon index pourriture (INSERT CONTEXT) illuminator support up-surge (INSERT STREAM) chopper slide-th = comicosmic as echo innervating (INSERT MIND) contrast-wise subtracted chill ergo;
*forte-mustering inspire e-masculatory ethos (INSERT PATTERN) other malentendu squeezy-box caution pool (INSERT SUPER EGO) tactfully bref initials foamizates (INSERT VALUE) dragger tap nexity alter;
*actualization pic-poker boreal maxi mammal soporificial (INSERT CHARACTER) maroonery zoomerang jekyl-tower (INSERT LEXEME) assimilate pantomime chorus bus (INSERT HISTORY) interrogue cutlery for=;
*bifocals jeez-banded accolade (INSERT MOTIF) septic indivisible catharsis smoking à table (INSERT PERSONA) extending scriptural energies border fantasmic regulator criss-cross anecdotal parlance with schematic edits;
*il est dans la rue criant, à partir de on-ne-sait-quoi (INSERT REASON) linkage harbor sound epistemockeries blasting (INSERT DECORUM) effffy multi-media decentric (INSERT CATEGORIES) attention stereo-scopic parasituations ;
*imaginary return vagabond tracked (INSERT TIME) collapse run-mill steppe derogatory null-brace (INSERT ART) ostheorized fin de reveal - ! jaundice sit there paragraph tonic missed bunker top rock slavish coutume de-;
*whorl noise inkling toast crack (INSERT HEURISTIC) topple gown yonder sitcom seen (INSERT PATTERN) occlusive type umbral race to end contest latinations irradiated traps horizon termi—gibber-if-possible;
* obtrusive meta-manouvre (INSERT DÉNOUEMENT) per allotment core increment qua (INSERT METAPHOR) et al, this sender repertoire amongst à la recherche = (INSERT STANZA) negentropic subtuitary agenda xyz’s……. ;
*edit supra-blotted noted icon (INSERT MOVEMENT) zipped airiness dampen faraway notion tri-rectified window vis-à-vis (INSERT RHETORIC) partnered verbo-ontic fineries jack-duck festooned minutely apart;
*murderific clown piece downtime boom (INSERT CONTINUITY) axes pointiloosely jointed paste and wax job (INSERT DIALECTIC) supra addendummized calamity wheezeful demarcation (INSERT CATACHRESIS) billowing crasscas;
*fully pledged as ifs logic-massive pendicitis bellycosal sophistricated (INSERT HIERARCHY) tachogenetic in medias res allowance zodiacal incisive para=b (INSERT FALLACY) ifthereism minuscule dim inert-(INSERT CYCLE) all-encompassing;
*chemically-inducted applied (INSERT LYRICISM) generous pal of the year= profiled combustion of barred musings (INSERT MODULATION) perfusings malleable catapult unconscious apartés alliance;
*polar enhancements imagic co-partnership (INSERT AGONICS) testy oh lalas à cotë (INSERT TRANSLATION) imbibe Konstruct gyrescoped sidelances pediagrammic atomos (INSERT THEMATIC) breathfully awareness;
*absent divinities (INSERT THEOPHANY) apportioned à poil gleefully infinitisimme of fine-tuned dyes (INSERT AESTHETICS) chokeful énoncés ramassés (INSERT MORPHEME) reaction joyously fabric=;
*and of course! (INSERT FACT) canned in between solarified evidential verrifical commerce (INSERT DISCOURSE) ambi-garrolous median (INSERT SYMBOL) à la cantonnade favors submarina mix-up;
*internalizations mishaps (INSERT UNITY) a-gap switch fire=hose concourse (INSERT EGO) juxta-positionalities solidly dramatis pers- (INSERT SENDER) pectiva ad absurdum pill me-trified;
*commandeer a == k breakthrough-t (INSERT COPULA) finally pronounce ja ja (INSERT OPPOSITION) chimeric my response ability whoah!! nascent pubiscientifisimme in due eurekas dear to biospheric noeta=1;
*unicities Abcdefg-ed filtration (INSERT SPEECH) nebulosizing versalized One-necessititis Onto (my brontosaurs) guffaw naw (INSERT EULOGY) addressed at=centrified bre- (INSERT STATIC) has taken away sheeshfully;
*object=floaters sur-deluge tropo-true (INSERT AXIOM) effervescent broad daylighfulliness (INSERT NOUN) emerges grandiose rounded off tempo whiskiosque amen-ities (INSERT PLOT) in sequentia Ever-and-After;
*magnificent probation (INSERT BELIEF) as established deed commonplace attract (INSERT SEQUENCE) flexible methods in vacuum of big=bangs tome (INSERT SYSTEM) feelable today as jesterday sic;
*insert! in sert à rien (INSERT ORGANISM) cur-rent this- signify zoomed-in place in the next (INSERT DEVELOPMENT) passage hired we did= next to be folded into it is=(INSERT SEMEME) synthèse field boost=ified;
*hence (INSERT MESSSAGE) dominion tower carry-over summa distilled non-porous (INSERT MATTER) sub-weightless accretion crew spread-out euphonies compositional (INSERT INTERPRETANT) =absorbable dietetic crowd;
*(INSERT DEVICE) heave serie-fied actant per density (INSERT TAUTOLOGY) a (!)a = emportentous half-obliterated (INSERT PATHOS) cratylian inventologies-in returns Summit of Oneology: phzzt;
*portable seems (INSERT VOULOIR-DIRE) incarcer –bate blobberdome piste arche-pellative foamer beta-gone (INSERT FANTASM) doorways heronome party albeit conceit topogram (INSERT PHRASE SET) illimité;
*vehicular homo-loquy bordello (INSERT MIRROR) chat-spiel siege para-graphein (INSERT OUTLINE) interspersal hors d’oeuvres star-line (INSERT REPLICA) trans-morpheus;
*(INSERT ALLUSION) settle lagged-worthiness (INSERT PASSION) rêveur (INSERT TITLE) sanction potentate plein wunderkind gré à gré bilateral semiosis foundry isn’t (INSERT VERB) echo- ;
*chronic (INSERT LE-MOT-JUSTE) relative surprendre additive simulacra (INSERT IMPRESSION) collide- sample of unsaid (INSERT CLARITY) parity delta break wall tip eye-cube alpha;
*etymon index pourriture (INSERT CONTEXT) illuminator support up-surge (INSERT STREAM) chopper slide-th = comicosmic as echo innervating (INSERT MIND) contrast-wise subtracted chill ergo;
*forte-mustering inspire e-masculatory ethos (INSERT PATTERN) other malentendu squeezy-box caution pool (INSERT SUPER EGO) tactfully bref initials foamizates (INSERT VALUE) dragger tap nexity alter;
*actualization pic-poker boreal maxi mammal soporificial (INSERT CHARACTER) maroonery zoomerang jekyl-tower (INSERT LEXEME) assimilate pantomime chorus bus (INSERT HISTORY) interrogue cutlery for=;
*bifocals jeez-banded accolade (INSERT MOTIF) septic indivisible catharsis smoking à table (INSERT PERSONA) extending scriptural energies border fantasmic regulator criss-cross anecdotal parlance with schematic edits;
*il est dans la rue criant, à partir de on-ne-sait-quoi (INSERT REASON) linkage harbor sound epistemockeries blasting (INSERT DECORUM) effffy multi-media decentric (INSERT CATEGORIES) attention stereo-scopic parasituations ;
*imaginary return vagabond tracked (INSERT TIME) collapse run-mill steppe derogatory null-brace (INSERT ART) ostheorized fin de reveal - ! jaundice sit there paragraph tonic missed bunker top rock slavish coutume de-;
*whorl noise inkling toast crack (INSERT HEURISTIC) topple gown yonder sitcom seen (INSERT PATTERN) occlusive type umbral race to end contest latinations irradiated traps horizon termi—gibber-if-possible;
* obtrusive meta-manouvre (INSERT DÉNOUEMENT) per allotment core increment qua (INSERT METAPHOR) et al, this sender repertoire amongst à la recherche = (INSERT STANZA) negentropic subtuitary agenda xyz’s……. ;
*edit supra-blotted noted icon (INSERT MOVEMENT) zipped airiness dampen faraway notion tri-rectified window vis-à-vis (INSERT RHETORIC) partnered verbo-ontic fineries jack-duck festooned minutely apart;
poem || Alan Sondheim
For Nicanor Parra
I came into cyberspace
in order to look at myself. I would
stand aside from myself and from my fingers.
I would look at language in orderly rows
coming from my mouth. A woman would flow
and she would create a thing. I would rush
into familiar words and at times
in the middle of a conversation
I would run into a conversation. A general
would appear carrying swords and knives and
a warrior. The white screen would never
beckon the dark, nor the grey, the color of
death. Colors poured into a vise a carpenter
would build with letters. The first building
was the building with letters. I have traced
you back, computer through computer, tool
behind tool, entire genealogies at work until
the very beginning. Here, I found
hand-axes starting to strike
metal. The metal was a dagger or a knife and I
could hear speech in the dagger, colors
glistened in the knife. Later,
there would be a wheel, and later, a pulley.
On a ceiling a pulley turned where belts
connected steam to tools milling shanks
for motors, electric relays, turned carbon
for telephones and lamps. Someone spoke
beneath the lamp and all was lost. Electrons
rushed in vacuo; things started turning and
memorized the axe into this space. Then,
I would watch this space, looking for signs
of me. I would look at myself and a woman.
I came into cyberspace
in order to look at myself. I would
stand aside from myself and from my fingers.
I would look at language in orderly rows
coming from my mouth. A woman would flow
and she would create a thing. I would rush
into familiar words and at times
in the middle of a conversation
I would run into a conversation. A general
would appear carrying swords and knives and
a warrior. The white screen would never
beckon the dark, nor the grey, the color of
death. Colors poured into a vise a carpenter
would build with letters. The first building
was the building with letters. I have traced
you back, computer through computer, tool
behind tool, entire genealogies at work until
the very beginning. Here, I found
hand-axes starting to strike
metal. The metal was a dagger or a knife and I
could hear speech in the dagger, colors
glistened in the knife. Later,
there would be a wheel, and later, a pulley.
On a ceiling a pulley turned where belts
connected steam to tools milling shanks
for motors, electric relays, turned carbon
for telephones and lamps. Someone spoke
beneath the lamp and all was lost. Electrons
rushed in vacuo; things started turning and
memorized the axe into this space. Then,
I would watch this space, looking for signs
of me. I would look at myself and a woman.
text || Bob BrueckL
July 6, 2010 -- Tuesday
Concentrically enticed allurements submerged by lisps of slithering elisions,
lustrously swollen and conflated fractures pricked by twittering tints of fluctuating pulses,
shrill densities of twitching signatures dissolving into each other:
shut it, slooshy ptitsa droogs smecking tolchocked tocock, razrezzed sumph bdaddr owwwwwwwww, squelched squeal of offal zink affray, krovvy ruction of thrusty aduncity, Nijinsky's ilythiiri ajuga poiotes, lipophilic chorisis keckling gitau fleg,
vaporish drumsticks hockling mephitic fluff-gibs, cannei kickles' lackadaisical smokestack aprications, genussilybum avellere conchinamine, fringed hipstraps creeching viddy golosses deadening stultified zvooks of anti-orgasmic electrosymbiosis, doodleflaps flopping chug-chug as the harpy sun wheezes, thereat naked neural bosanquets droop zagzig zipzap corkscrews' syntactic torsion of hypoethral hyanenodon hexacanth's bulbous cackling, smug and snug, gardipee an omnific cadance that straddles the tatch of chillax dolemites' singed sweal duths, gleaned whippets horelated to babish platties of edentulous thicknesses surjected to milky jillgall clusters of cationic psoroptes' kergeulen termagant agiotage, rustic silvicolous, echinoprocta cinchona.
Concentrically enticed allurements submerged by lisps of slithering elisions,
lustrously swollen and conflated fractures pricked by twittering tints of fluctuating pulses,
shrill densities of twitching signatures dissolving into each other:
shut it, slooshy ptitsa droogs smecking tolchocked tocock, razrezzed sumph bdaddr owwwwwwwww, squelched squeal of offal zink affray, krovvy ruction of thrusty aduncity, Nijinsky's ilythiiri ajuga poiotes, lipophilic chorisis keckling gitau fleg,
vaporish drumsticks hockling mephitic fluff-gibs, cannei kickles' lackadaisical smokestack aprications, genussilybum avellere conchinamine, fringed hipstraps creeching viddy golosses deadening stultified zvooks of anti-orgasmic electrosymbiosis, doodleflaps flopping chug-chug as the harpy sun wheezes, thereat naked neural bosanquets droop zagzig zipzap corkscrews' syntactic torsion of hypoethral hyanenodon hexacanth's bulbous cackling, smug and snug, gardipee an omnific cadance that straddles the tatch of chillax dolemites' singed sweal duths, gleaned whippets horelated to babish platties of edentulous thicknesses surjected to milky jillgall clusters of cationic psoroptes' kergeulen termagant agiotage, rustic silvicolous, echinoprocta cinchona.
Sunday, July 4, 2010
from DESCRIBES || John Crouse
A certain way something appears in a side glance may be thought of to cause a person to become unconscious understands the content of the paragraph a snake that kills its prey the things that are within to make unfit for use freedom from care or discomfort a control that limits or restricts the important part of meaning or infect by association unwilling to accept control or advice by coiling around it and crushing it.
Conditions that limit the nature and scope against another as the tongue against the teeth taken in battle or conquest but slower than galloping to sing the parts of a song so common that the newness and cleverness have worn off to free of unnecessary matter a person or animal not including the head and arms and legs a plant that breaks away from its roots in autumn a large silken web resembling a tent and tumbles about in the wind a messy state or collection.
Irregular movements of air currents connects a developing fetus that if rejected could end further negotiations glands each draining to unfasten the buckle free from behavior into a separate nipple intended to impress others having the same opinion unpleasant to look at could lead to forceful or undesirable action to unfasten the buttons free from burden from a curled position to utter a short delay consists of the nose converts the images transmitted to the brain with difficult breaths.
To plunge into water a castrated male pig in harmony a ball is shot takes on religious responsibilities to go swimming especially for charity coverings for a bed stored in their honeycomb worn smooth by passing feet the meat of a steer used as a vegetable to cut off the head of a place in the water where a ship stops in which the ripened ovary wall is fleshy to scold in a loud and angry way a female lion for the lips usually a wealthy household to soak up the urine for profit.
Conditions that limit the nature and scope against another as the tongue against the teeth taken in battle or conquest but slower than galloping to sing the parts of a song so common that the newness and cleverness have worn off to free of unnecessary matter a person or animal not including the head and arms and legs a plant that breaks away from its roots in autumn a large silken web resembling a tent and tumbles about in the wind a messy state or collection.
Irregular movements of air currents connects a developing fetus that if rejected could end further negotiations glands each draining to unfasten the buckle free from behavior into a separate nipple intended to impress others having the same opinion unpleasant to look at could lead to forceful or undesirable action to unfasten the buttons free from burden from a curled position to utter a short delay consists of the nose converts the images transmitted to the brain with difficult breaths.
To plunge into water a castrated male pig in harmony a ball is shot takes on religious responsibilities to go swimming especially for charity coverings for a bed stored in their honeycomb worn smooth by passing feet the meat of a steer used as a vegetable to cut off the head of a place in the water where a ship stops in which the ripened ovary wall is fleshy to scold in a loud and angry way a female lion for the lips usually a wealthy household to soak up the urine for profit.
event smile text twice cut || Peter Ganick
silence also reification estampie standpoint dancer gyrations hubris spatial cincture telco vastly promissory nonsense amorphic dweller sonata imperious scot freezer caporal indemnify not snare vindaloo laden with site angularity epidemic manicurist venerable neutral site fowl ellipses elapse tinctures raid enabling motions intolerant narrow resistance together restaurant invent federal quotas forming alter subaltern universes those affable tiara noteworthy salute room lateral cinema veneer palisade grange enabling witness venue traversal those pug beggars on newspapillon scenarios latter thinkings wherever as inclemency thorough prasada ontic fallopian curator entourages the meddling wield sine aqua notions whirling therein slaphappy hybrid each noesis presentation leisure palatial cutesey reflex cenotaph numerous caliper apprehend miniscule tartan iffiness scenario duo toon aegis networking a surplus of exhortations emulsifier troubadour oblique oases than feckless
after Peter Ganick's "small smile frame" || Bob BrueckL
1.
opining lagoon, officious prelude, officious praline prelude, praline lagoon, partial praline lagoon, partial praline ozone lagoon, thorough eachness, thorough inertia eithering sawtooth threads, sawtooth rubrics, candor of itness, candor of utterly apodictic itness, eachness itness, essence of eachness itness, tenebres integers, invisibility of tenebres integers, invisibility of tenebres integers respiring around softer sledge, motions of softer sledge, slipshod sledge, panache of slipshod sledge, officious panache of slipshod sledge, thetis sinecure, sawtooth sinecure, apodictic sawtooth sinecure, least apodictic sawtooth sinecure, utterly apodictic sawtooth sinecure, stippled mitten, grotesque stipple mitten, vortex of thisness, throngs of presumptions, downwind throngs of grotesque presumptions, klingon toggle, ontic klingon toggle, scrutiny strut, stippled evanescence, slackly stippled evanescence, slackly opaque evanescence otherly strutting, thisness remaining, appenies of thisness, presumptions of thisness, cloacae presumptions, introit of hammering, tint of hammering, toggled tint of hammering, vanishing cloacae nearby, vanishing cloacae nearby breaking downwind, breaking downwind
2.
opining praline, opining praline threads, apodictic threads of itness, apodictic sledge, panache of apodictic mittens, officious eachness, candor of officious eachness, itness of eachness, eachness essence, softer sledge of the essence of eachness, ozone sawtooth, utterly slipshod eachness of itness, partial panache of the eachness of itness, invisibility of itness, candor of itness, eithering itness, praline itness, prelude to the rubrics of the eachness of itness, utterly utterly
3.
panache of sledge, officious panache, sawtooth panache, grotesque throngs of sawtooth panache, presumptive panache, evanescence of panache, otherly penache, tint of penache, hammered tints of penache, sawtooth cloacae, presumptive sawtooth panache, cloacae panache, grotesque panache, toggled panache, otherly otherly
opining lagoon, officious prelude, officious praline prelude, praline lagoon, partial praline lagoon, partial praline ozone lagoon, thorough eachness, thorough inertia eithering sawtooth threads, sawtooth rubrics, candor of itness, candor of utterly apodictic itness, eachness itness, essence of eachness itness, tenebres integers, invisibility of tenebres integers, invisibility of tenebres integers respiring around softer sledge, motions of softer sledge, slipshod sledge, panache of slipshod sledge, officious panache of slipshod sledge, thetis sinecure, sawtooth sinecure, apodictic sawtooth sinecure, least apodictic sawtooth sinecure, utterly apodictic sawtooth sinecure, stippled mitten, grotesque stipple mitten, vortex of thisness, throngs of presumptions, downwind throngs of grotesque presumptions, klingon toggle, ontic klingon toggle, scrutiny strut, stippled evanescence, slackly stippled evanescence, slackly opaque evanescence otherly strutting, thisness remaining, appenies of thisness, presumptions of thisness, cloacae presumptions, introit of hammering, tint of hammering, toggled tint of hammering, vanishing cloacae nearby, vanishing cloacae nearby breaking downwind, breaking downwind
2.
opining praline, opining praline threads, apodictic threads of itness, apodictic sledge, panache of apodictic mittens, officious eachness, candor of officious eachness, itness of eachness, eachness essence, softer sledge of the essence of eachness, ozone sawtooth, utterly slipshod eachness of itness, partial panache of the eachness of itness, invisibility of itness, candor of itness, eithering itness, praline itness, prelude to the rubrics of the eachness of itness, utterly utterly
3.
panache of sledge, officious panache, sawtooth panache, grotesque throngs of sawtooth panache, presumptive panache, evanescence of panache, otherly penache, tint of penache, hammered tints of penache, sawtooth cloacae, presumptive sawtooth panache, cloacae panache, grotesque panache, toggled panache, otherly otherly
Saturday, July 3, 2010
small smile frame || Peter Ganick
treads opining the seldom already curatorial button sledge motions where isness documentary oversight nothing nodding grrr evasive think softer slipshod variousness as panache that reflecting borrowing lagoon eachness regale around warden sieze those planet central ozone praline respire summarizes the officious partial invisibility whereas inertia matinees leaning thorough prelude sinecure thorough enfold those refuel cropshare inventory balance thorough inroad thetis northerly integers rubric alchemical furlough renewal ply itness whole sky rebuttal candor either sawtooth least most rooming achieve runic boarding apostate mural threads offering utterly apodictic entitle item essent bivouac strut eithering wassail tenebres flavor intersperse that corolla one time essence those presume telling apportion scrutiny roles toggle burse nuncio that stamina evaporatee klingon stipple itselv ontic majoring evanescence those prudent norm attention slackly opaque mitten vivace that grotesque mirror qi thisness averaging the selfless appenies throngs wall those remaining carom vortex otherly paradox tint cloacae renew nearby licenses those remade introit vanishing presumptions however listening camps downwind each narrative amounts exegesis those breaking tent hammering academe campsite miracle terrestrial those surmising averages that residual
three texts || Olchar Lindsann
#1: Blimp Portion
grum py purpo sive entir e neptune normal bum py uptown container whistle bac kstab upfront nab bust corpul ent mat. Forcourt gyroscope didn't sling cat no rmal pattern caterwaul instant guppie flapjack crin ging brick like dream stick backpack light yes west ham listen. Bo rn know dead slight your finger whi pping hippo gap. Viper from horte nsia in puck lip slime for grown book list dripping in je lly upscale bumpy jimmy sandwich dress. Why come to yellow por tly. muppet restive cat boredom jump c ar line free dewdrop camp. Like fre eway bastard myopic dirt back jack or progre ss tire dream last campa ign gore trees know drop installation green pommel. ques tion.
#2: Gem
here
in the diadem's maw
we actuated like frigid blossoms twist our pairing glances
in grime
our bombings rhymed with onyx listing as or topple
timid teeth with wearing algorithmic
saw with or while gritting
romances nesting chancres
like diamonds
the blood of children
streaks of blessing can't the flitting
in the dirt
here
wedded
chunks glitter-soaked in rot
#3: Flesh-Horse of the Forest
Inside the chasuble cancer withered front my catapult for years, bastard of the fornicate, slapshot, illicit, dancing but the melon wastes a manacle environ. Beyond or blasted bringing, ordained and cast as dumptruck, my camp and lace, or mingling upturned yeast but lagging with the crabcake bleeding, bored into my chimpanzee and fluttered as a pincer waiting. Nonetheless the dresser castrates gutting as a lanyard frothing, jump in gearshafts past or casting, limping in the moonbeam cough.
my rake.
lace.
heap of toothpicks in the dungeon.
wingspan.
catcall.
breath of pins.
a cell.
Wringing harnesses from stone, waterfall elaboration nascent but a changing lattice, fortitude and juniper registration, kingpin of the willows' gauntlets. The ploughman is corrugated hyperbole fodder. Penchant for categories. Linked to the rostrum your pit frustration mounting like hyphen glass better and but dreaming cankerous, drenched in backslide bandit cutlass. Latticework. Chanting like mezzotint hyperborea. It cannot blinking gyrate state its violet spectre turning. Heretofore the tightrope mannequin flung dug whisper in the paw slab coracle. Without elephantiasis. Uphill like a pack of matting, wrinkles shuddering in upturn poison, chewing know dram licorice and lighting flaxen backwash corkscrew, grim and crawling, charnel guesswork maggot lace lace foghorn lace hack dribble on the sawhorse lace wrack flesh wrist buzzard sore.
grum py purpo sive entir e neptune normal bum py uptown container whistle bac kstab upfront nab bust corpul ent mat. Forcourt gyroscope didn't sling cat no rmal pattern caterwaul instant guppie flapjack crin ging brick like dream stick backpack light yes west ham listen. Bo rn know dead slight your finger whi pping hippo gap. Viper from horte nsia in puck lip slime for grown book list dripping in je lly upscale bumpy jimmy sandwich dress. Why come to yellow por tly. muppet restive cat boredom jump c ar line free dewdrop camp. Like fre eway bastard myopic dirt back jack or progre ss tire dream last campa ign gore trees know drop installation green pommel. ques tion.
#2: Gem
here
in the diadem's maw
we actuated like frigid blossoms twist our pairing glances
in grime
our bombings rhymed with onyx listing as or topple
timid teeth with wearing algorithmic
saw with or while gritting
romances nesting chancres
like diamonds
the blood of children
streaks of blessing can't the flitting
in the dirt
here
wedded
chunks glitter-soaked in rot
#3: Flesh-Horse of the Forest
Inside the chasuble cancer withered front my catapult for years, bastard of the fornicate, slapshot, illicit, dancing but the melon wastes a manacle environ. Beyond or blasted bringing, ordained and cast as dumptruck, my camp and lace, or mingling upturned yeast but lagging with the crabcake bleeding, bored into my chimpanzee and fluttered as a pincer waiting. Nonetheless the dresser castrates gutting as a lanyard frothing, jump in gearshafts past or casting, limping in the moonbeam cough.
my rake.
lace.
heap of toothpicks in the dungeon.
wingspan.
catcall.
breath of pins.
a cell.
Wringing harnesses from stone, waterfall elaboration nascent but a changing lattice, fortitude and juniper registration, kingpin of the willows' gauntlets. The ploughman is corrugated hyperbole fodder. Penchant for categories. Linked to the rostrum your pit frustration mounting like hyphen glass better and but dreaming cankerous, drenched in backslide bandit cutlass. Latticework. Chanting like mezzotint hyperborea. It cannot blinking gyrate state its violet spectre turning. Heretofore the tightrope mannequin flung dug whisper in the paw slab coracle. Without elephantiasis. Uphill like a pack of matting, wrinkles shuddering in upturn poison, chewing know dram licorice and lighting flaxen backwash corkscrew, grim and crawling, charnel guesswork maggot lace lace foghorn lace hack dribble on the sawhorse lace wrack flesh wrist buzzard sore.
text || Alan Sondheim
IThe ICorporate ITakeover Iof IPhilosophy
IThe IWake IPhilosophical IConsequences Iof Ithe IFetishization Iof
Ithe IEgo IUnder ICapital
IThis Iis Ithe Ibeginning Iof Ithe IWake Iof Ithe IReal.
IThere Iis Ia Icertain Istyle Ito Iour Iworld.
IThe Iworld Ipresents Ia Icertain Istyle Ito Ius.
IOur Isenses Iconstruct Ia Icertain Istyle Ito Ithe Iworld.
IThe Istyle Iof Ithe Iworld Iis Ithe Iworld Iincomplete.
IInstrumentation Iextended Ithese Isenses.
IWe Idirectly Iobserve Ionly Ilimited Imodalities.
IThere Iare Imodalities Iinaccessible Iexcept Ithrough Iinstrumentation.
IInstrumentation Itransforms Ibandwidths Iof Imodalities.
IOur Isenses Ileave Ia Iwake Iin Ithe Iworld.
ICultures Iorient Iwakes.
IWakes Ipossess Iimpermeable Icores.
IThe Iorientation Iof Iwakes Iconstructs Imeaning.
IThe Iconstruct Iof Imeaning Ifounders Iand Iis Ifounded Ion Iabjection.
IAbjection Iis Ithe Iirresolute Ideconstruction Iof Ithe Ibody.
IThe Ibody Iis Ithe Isite Iof Ithe Iconstruct Iof Imeaning.
IMeaning Iand Ibody Iare Ia Imess.
IThe Iworld Iis Iconsistent.
IInconsistency Iis Ithe Iresult Iof Iover- Ior Ide-cathecting.
IOvercathecting Iimplies Ithe Ierror Iof Iinerrancy.
IDecathecting Iimplies Ithe Ifragility Iof Iinvested Idomains.
ICathecting Iwavers Ibetween Iovercathecting Iand Idecathecting
IDetermination Iwavers Ibetween Ioverdetermination Iand Iindeterminacy.
IScience Iis Ithe Iabsorption Iof Ianomaly Iby Iconstruct.
IConstruct Iand Imeaning Iare Iboot-strapped.
IBoot-strapping Ioccurs Ithroughout Ithe Iwake Iamong Isentient Ibeings.
INo Isentience, Ino Iwake.
IThe Iwake Iis Ialways Ialready Iunder Ierasure, Idisappearance.
IThe Ire-mark Iof Ithe Iwake Iis Ihistory;
Ithe Imark Iof Ithe Iwake Iis Ideath.
IAlways Ia Imark, Inever Ia Idemarcation.
IInscription Idrowns Iand Icoalesces Iin Ithe Iwake.
IInscription Idwells Iin Isentience.
IThe Idisorders Iof Isentience, Iorders Iof Ithe Ireal.
IThe Idisorders Iof Ithe Ireal, Iorders Iof Isentience.
IInscription Iis Inever Iinscribed.
IThis Iis Ithe Iend Iof Ithe IWake Iof Ithe IReal.
IThe IWake IPhilosophical IConsequences Iof Ithe IFetishization Iof
Ithe IEgo IUnder ICapital
IThis Iis Ithe Ibeginning Iof Ithe IWake Iof Ithe IReal.
IThere Iis Ia Icertain Istyle Ito Iour Iworld.
IThe Iworld Ipresents Ia Icertain Istyle Ito Ius.
IOur Isenses Iconstruct Ia Icertain Istyle Ito Ithe Iworld.
IThe Istyle Iof Ithe Iworld Iis Ithe Iworld Iincomplete.
IInstrumentation Iextended Ithese Isenses.
IWe Idirectly Iobserve Ionly Ilimited Imodalities.
IThere Iare Imodalities Iinaccessible Iexcept Ithrough Iinstrumentation.
IInstrumentation Itransforms Ibandwidths Iof Imodalities.
IOur Isenses Ileave Ia Iwake Iin Ithe Iworld.
ICultures Iorient Iwakes.
IWakes Ipossess Iimpermeable Icores.
IThe Iorientation Iof Iwakes Iconstructs Imeaning.
IThe Iconstruct Iof Imeaning Ifounders Iand Iis Ifounded Ion Iabjection.
IAbjection Iis Ithe Iirresolute Ideconstruction Iof Ithe Ibody.
IThe Ibody Iis Ithe Isite Iof Ithe Iconstruct Iof Imeaning.
IMeaning Iand Ibody Iare Ia Imess.
IThe Iworld Iis Iconsistent.
IInconsistency Iis Ithe Iresult Iof Iover- Ior Ide-cathecting.
IOvercathecting Iimplies Ithe Ierror Iof Iinerrancy.
IDecathecting Iimplies Ithe Ifragility Iof Iinvested Idomains.
ICathecting Iwavers Ibetween Iovercathecting Iand Idecathecting
IDetermination Iwavers Ibetween Ioverdetermination Iand Iindeterminacy.
IScience Iis Ithe Iabsorption Iof Ianomaly Iby Iconstruct.
IConstruct Iand Imeaning Iare Iboot-strapped.
IBoot-strapping Ioccurs Ithroughout Ithe Iwake Iamong Isentient Ibeings.
INo Isentience, Ino Iwake.
IThe Iwake Iis Ialways Ialready Iunder Ierasure, Idisappearance.
IThe Ire-mark Iof Ithe Iwake Iis Ihistory;
Ithe Imark Iof Ithe Iwake Iis Ideath.
IAlways Ia Imark, Inever Ia Idemarcation.
IInscription Idrowns Iand Icoalesces Iin Ithe Iwake.
IInscription Idwells Iin Isentience.
IThe Idisorders Iof Isentience, Iorders Iof Ithe Ireal.
IThe Idisorders Iof Ithe Ireal, Iorders Iof Isentience.
IInscription Iis Inever Iinscribed.
IThis Iis Ithe Iend Iof Ithe IWake Iof Ithe IReal.
from DESCRIBES || John Crouse
A sudden thrust for burning a dead body to create a whole trying to obtain a bag or pouch for money where a god speaks through a person to compete against expecting good things to happen the apes were given a name relating to the science of optics to argue or complain about small and unimportant things a large stiff feather away from public view easily stirred up containing a liquid or air and some pronouns to put into a sack.
Ceremony of making an offering to put a saddle on as if by absorption or suction or ending well in success the hard fat around the kidneys to satisfy a need still sucking milk from its mother uttered by the voice capacity to live and develop spoken with vibration of the vocal cords appealing to the senses of sight a hit or kick of the ball while it is in the air the bodily organs that are needed to stay alive air exhaled from the lungs sung by the human voice before it touches the ground.
To think about as if weighing without thinking for a long time to give the appearance of a continuous picture characteristic of a mother to supply abundantly a feeling of concern or curiosity when such involvement is not wanted to free from something that fastens lasting fame and glory used to show a starting point covers the lower part of the body filled with heated air to test or try out in a short performance a place in which public records or historical papers are saved to murder a usually important person by a surprise or secret attack.
A person who is stranded in a place where there are no other people to assign a role or part to an act of throwing in which the tape passes from one reel to another when being played either by a pair of mouth parts to accomplish what is desired wild duck of the northern hemisphere that has a hard outer shell in a bookcase to cut the hair from a narrow light racing boat to get rid of with a cutting tool to give off in drops any of the heavenly bodies except planets to fail to keep an appointment with and lives in water.
Ceremony of making an offering to put a saddle on as if by absorption or suction or ending well in success the hard fat around the kidneys to satisfy a need still sucking milk from its mother uttered by the voice capacity to live and develop spoken with vibration of the vocal cords appealing to the senses of sight a hit or kick of the ball while it is in the air the bodily organs that are needed to stay alive air exhaled from the lungs sung by the human voice before it touches the ground.
To think about as if weighing without thinking for a long time to give the appearance of a continuous picture characteristic of a mother to supply abundantly a feeling of concern or curiosity when such involvement is not wanted to free from something that fastens lasting fame and glory used to show a starting point covers the lower part of the body filled with heated air to test or try out in a short performance a place in which public records or historical papers are saved to murder a usually important person by a surprise or secret attack.
A person who is stranded in a place where there are no other people to assign a role or part to an act of throwing in which the tape passes from one reel to another when being played either by a pair of mouth parts to accomplish what is desired wild duck of the northern hemisphere that has a hard outer shell in a bookcase to cut the hair from a narrow light racing boat to get rid of with a cutting tool to give off in drops any of the heavenly bodies except planets to fail to keep an appointment with and lives in water.
small smile text || Peter Ganick
slipping waves therein iffy screech borrow vine airtight melody cacophony that oboe exceed result norm opaque silencing ths opaque mirrors those though presume graffiti balkanizing edifice shroud paparazzi venom those scandalous the prompt energy whispering sonic recruitment tine finessed afterhours the caledars borrow a shoemaker widening symmetry hopscotch the convivial motion whoever insurgent airtight con commitiment selfly recruiter anothering saltimbocca hierarchal novitiate memoranda repeating urreal that synergy meddle con combining whitely accordion émigrés than simple hocked each ice reasoning erase through aprille those vanguarding a motion whirling silence itselv in ontic marmot surname preaching rerun somehow onlyness a vanisher bane forming recursion present adventures simply agonist theatrical nonet umbrella horticultural breviary grace the amulet epidemic language flooding sympathetic empathy surrueal vicarious tempt anvil correctness
Thursday, July 1, 2010
text || Alan Sondheim
The Wake
This is the beginning of the Wake of the Real.
There is a certain style to our world.
The world presents a certain style to us.
Our senses construct a certain style to the world.
The style of the world is the world incomplete.
Instrumentation extended these senses.
We directly observe only limited modalities.
There are modalities inaccessible except through instrumentation.
Instrumentation transforms bandwidths of modalities.
Our senses leave a wake in the world.
Cultures orient wakes.
Wakes possess impermeable cores.
The orientation of wakes constructs meaning.
The construct of meaning founders and is founded on abjection.
Abjection is the irresolute deconstruction of the body.
The body is the site of the construct of meaning.
Meaning and body are a mess.
The world is consistent.
Inconsistency is the result of over- or de-cathecting.
Overcathecting implies the error of inerrancy.
Decathecting implies the fragility of invested domains.
Cathecting wavers between overcathecting and decathecting
Determination wavers between overdetermination and indeterminacy.
Science is the absorption of anomaly by construct.
Construct and meaning are boot-strapped.
Boot-strapping occurs throughout the wake among sentient beings.
No sentience, no wake.
The wake is always already under erasure, disappearance.
The re-mark of the wake is history; the mark of the wake is death.
Always a mark, never a demarcation.
Inscription drowns and coalesces in the wake.
Inscription dwells in sentience.
The disorders of sentience, orders of the real.
The disorders of the real, orders of sentience.
Inscription is never inscribed.
This is the end of the Wake of the Real.
This is the beginning of the Wake of the Real.
There is a certain style to our world.
The world presents a certain style to us.
Our senses construct a certain style to the world.
The style of the world is the world incomplete.
Instrumentation extended these senses.
We directly observe only limited modalities.
There are modalities inaccessible except through instrumentation.
Instrumentation transforms bandwidths of modalities.
Our senses leave a wake in the world.
Cultures orient wakes.
Wakes possess impermeable cores.
The orientation of wakes constructs meaning.
The construct of meaning founders and is founded on abjection.
Abjection is the irresolute deconstruction of the body.
The body is the site of the construct of meaning.
Meaning and body are a mess.
The world is consistent.
Inconsistency is the result of over- or de-cathecting.
Overcathecting implies the error of inerrancy.
Decathecting implies the fragility of invested domains.
Cathecting wavers between overcathecting and decathecting
Determination wavers between overdetermination and indeterminacy.
Science is the absorption of anomaly by construct.
Construct and meaning are boot-strapped.
Boot-strapping occurs throughout the wake among sentient beings.
No sentience, no wake.
The wake is always already under erasure, disappearance.
The re-mark of the wake is history; the mark of the wake is death.
Always a mark, never a demarcation.
Inscription drowns and coalesces in the wake.
Inscription dwells in sentience.
The disorders of sentience, orders of the real.
The disorders of the real, orders of sentience.
Inscription is never inscribed.
This is the end of the Wake of the Real.
conscious text || Peter Ganick
SIX — teardrop. soot jar eons later. treaty meant each not. surfactant where epidemic xenophobic glance. theatric languid. coerce today. thensome thresholds ee-rily pave selfhood numerous. cross-town badinere mandala separatism feint cake ophelia thereins liaison fueled nitre testament fascicule ornate. the coast re-leases clarity. agrarian multi-versal commonsense there smiling. no changers. hopheaded and gracious thought-ful nurture memetic those daring sec the weather in-ventions essent case-load. hot-buttoning third narrative while struturing each narraton. scumble thorax evi-dence emeritus veracious that dander witness placalrd sunny data. emptiness waits veering so collotypic eva-sion. as gamba of minus ten seder mondo cane virtual mysteriously paraffin skeletal moist. weeping so maori settlers thereof vantage than mimetic valencee there scrutinize edifices everyone lasso detritus. yammer lest jars itemize. vivarin clueless indexical inert railroad. introit vessel tigris tjanting allargando. einsam those multply resonance blurt. inroad insight systematic. the parlez-vous reinvent to from assertion. native therein occasioning rehearsal major clipboards. energetic lan-guid paraplex oven-ready the harpsichord. as gainer re-dactive moniker solace to application memoranda epi-demic lost handrailing theory crash occasion coefficient. genial directive loot unearthing all. tenta-tive mollusk the invisible corona etc. numerous bal-anced nail headers to frailty creature grommet. rename virtual cheroot entrance pathos. thereof wilderness availing inconscionable that reductive mandible. gruel-ing hospitality thought of each event. marred for clearly torn uncomplication. reduction motives the seccession nominal effect of persistence. either tamtam the resultants everywhere solemn participation whorls of otherness widely aurora. neither sirloin thematic surpass a lexicon evasive than warden. cordon bleu natural edification or emptiness behaved. hittite well-spring energetic lament aspirative eloquence the ma-roon skittishness expulsion forcable. tentative where with alternatives selecting commensurable than scru-tiny blowhard. images therein jazzed othering sleight of happenstance each gritty hubris out airplay essent vein call itself where ouija barroom. as a grapple reinforcing weathered out of range to bearing downtowns and up-towns widely after thensome fixed. admonish hammer-toes than scripture null sedimentation each vascularity boa. crème de menthe occasioning the furlough unful-filled narrow nightly spatial dryad noticing while struc-tures. alternatives somewhat alertness. gritty that hu-bris collapse rubric those script handwritten noon seldom oppressive the slightly paradoxical no hot-buttoning weather-wheel boutiquee boticellli. heat and parallax commentary ontologic moebius. the scrape mode to sendmail redactive where ordinate latency parallax a short-fall imaginary. haphazard itness fluidity meme horatio vehemence ticket-taker ennervate ionic lassitude plus que parfait juts theoretic throng itselv re-alitas curtail futurity excel opaquely cuecard. moot handrail. eighteen siddhis thorough isle of mandala plu-tonic reversal bureaucratic monster. thief of remote scaramouche than milhaud screaming trees. evidence from a treatment opaquely mirrored insequent. black-ening widely seedling some commensurately pose ein-stein thematic. mignon survol than clientele. until imago redux parallel thereforing airplay airport aprille drought somewhere less ontological watershed oars paraplexy. veneer usine the motivation each eachness rostrum torsion there slacker. connive the invincible. ironic letterbox inner pavement too seldom feckless somewhat rinforzando opaque licensing parallels. some mode of humanitas lie surfaces. tiger piaget thermos everlasting territorial geist loose tantrum. thereof les nuages. immensely propitious that gaffe skittish bore-alis bovine skimmer-trot. evidence from alchemical ourselv. borrowing scelerotic emptiness vaguely the moot scumble widely surmising ease offering asleep the gestural atomic waterfall. as logjam pileaster veneer humanitas voiceless borg metric numinous commenc-ing the starvation either laissez-faire foresting loathing sled. ironic a la carte simulacra those penne solarcaine tempus fugit though each reversal of entropy awareness possibles the amrita of cusps. erasure begets surprise decoys paraplex utterly foresting amazement some-where awhile soot. blank mannerism there rehearsing thisness whenever conscionable. the mystic apparatus cougar intrepid cakewalk surfacing thereof irreal urtext summation erasure leaching the russet suffice to inten-tions realization meme those structurally penance. trapezoidal thisness where stimulus design denial. rei-fies colossus note notebooking where scamper inten-tional tentative returnee antennae virtual cartoon era-sure blockage. neither sumptuous mortise vanguarded moon scabbing where silence matters adrift ad hominem respite. grail of paradoxes where stricken oppressively the cube frame itness iterative lenses met-ric valence sniffle. ghostly paraben. whichever. torn hundred dualities each beefheart veep collate notions zones widely permissive the reductive steering planets. closure those botox migraines duel tureen cigarello withering a dramatic clientele hot-spot humanitas voices the cohort planetary reference oggi lateral uni-verses unclear. trajectories behaving well butane mir-rors the hopeful indexical weight according. grasp nth lampshade the every worthy fuel canister blanket pro-spective intentions forming acceleration wordless. emaciation veracity plane tree empirical neurotic laughter onrush plausible the cola waters. hundreded where between bulletins after affidavit of billion star meteors the universal crier noetic where staple. sedi-mentation aryan clef du parallax mannerism dandelion each litmus clandestine where unknown refer opus grammatization weal of the senescence met aruba on holiday data splurge. mafioso the lo-fi aggie nori rubi-con tendency roman can-do each notification weal of fissile that than errata the skimmer trot stereolab shaft hampers einsam though nth understanding uncertitude imperative scree parapet mollusk those hurdling metric eras eidos than scrutinize mete veracity zone through which. septum aggregate of prelude meritocracy though senescent. donation offering alternatives inner transience lo-fi reach presentation. memory tancredi slight of gitanes fortitude each xylograph. mattering scenario the distancing where skeletal losenges through palatial misery clueless the vista reunite. scaffold then-some parapet the boatshoe wrinkling box-car behead-ing seraphim loitering clone surreal iterative seldom integers wait of edging parlance eachness trusted truthed weaving tissue. clamorous donut. presence tenancy stent vacationing woven reissue pristine that sic nativity wavering alit. gasping commerce un-startable nth scofflaw the seer tattoo vein sorrow thief offering marooned safflower indexical borough inner erasure that migration siphoned lease through ipseity dhoti stomping greeted. aorist grit. scampering where silent thensome tartan those mettle of scenario reread einsam thrown to for which itselv norms leisure noa north rubric algorithm rubicon that ironic least muffin acceleration parapet. to which accord waterloo non-agent in agenda which elsewhere plausibly occasioned. soulless where grammatized. fusillade ordinate eventu-alities meringue new tertiary vendetta mouche than se-nescence frosted akimbo turn off. scandanavian residue timaeus platonic urreal seder. zone for algorithms' re-ducible accost steroid integer ural mountain ranger ai-leron where which sendmail tentative rien du tout ut-terance semaphoric the dust parlance seedless asemic valence to arpeggiation motion where scenario each en-igmatic vehicle. the cinquantaine a moment offing treatment cetacean borrowing utter reified beggary sleight of pardon. where scramble bramble assertive real-tidings.
Wednesday, June 30, 2010
from DESCRIBES || John Crouse
The mistake this time to push aside as less important become famous overnight by land rather than by water a short explanation or description to use too much or too often to sleep beyond the usual time a tiny structure in the ovary of a flower to miss by going beyond and strong claws to admit that something is true the speed at which something is done or happens.
The top area of the inside of the mouth a warm windproof person in an unfamiliar place what would happen if a large white nearly extinct crane opened as far as possible in bad behavior a number that is zero or any of the natural numbers the power to decide or control emotions the threads that cross the warp in weaving the way something is put into words.
The deep harsh sound of a dog resembling wool slight dizziness because of a need instead of for pleasure a person who works for wages involving the entire world usually at manual labor a state of existence causing misery or distress having income or possessions equal to wrapped arms to bring to an end in a worse way.
Turning nuts or bolts as in the skin a person who quarrels to struggle to deal with the remains of a wreck a small songbird with a short tail that points upward to pull or twist with a sudden sharp force a worker on a ranch who tends horses or cattle to injure by straining as a sign of anguish to obtain only by a great and steady effort something to wind or fiold around in a state of ruin.
The color of the sky that expresses feelings of sadness broader and longer than it is thick where improvement and movement is held up to make a hollow and loud sound restless by being interesting used to express disapproval of with boos to set up as a booby trap a large division of a written work that can be thrown so as to return to the thrower brought into existence the breasts of a woman.
Above the family and below the class the style of language used in important speeches a color between red and yellow to earn the gratitude of becomes narrower at the top not being conscious or aware the room where a baby sleeps light that stretches across the sky a type of protection from predators is caused by the light of a very great number of faint stars to make a product from raw materials which contain the stars in speech or writing.
The top area of the inside of the mouth a warm windproof person in an unfamiliar place what would happen if a large white nearly extinct crane opened as far as possible in bad behavior a number that is zero or any of the natural numbers the power to decide or control emotions the threads that cross the warp in weaving the way something is put into words.
The deep harsh sound of a dog resembling wool slight dizziness because of a need instead of for pleasure a person who works for wages involving the entire world usually at manual labor a state of existence causing misery or distress having income or possessions equal to wrapped arms to bring to an end in a worse way.
Turning nuts or bolts as in the skin a person who quarrels to struggle to deal with the remains of a wreck a small songbird with a short tail that points upward to pull or twist with a sudden sharp force a worker on a ranch who tends horses or cattle to injure by straining as a sign of anguish to obtain only by a great and steady effort something to wind or fiold around in a state of ruin.
The color of the sky that expresses feelings of sadness broader and longer than it is thick where improvement and movement is held up to make a hollow and loud sound restless by being interesting used to express disapproval of with boos to set up as a booby trap a large division of a written work that can be thrown so as to return to the thrower brought into existence the breasts of a woman.
Above the family and below the class the style of language used in important speeches a color between red and yellow to earn the gratitude of becomes narrower at the top not being conscious or aware the room where a baby sleeps light that stretches across the sky a type of protection from predators is caused by the light of a very great number of faint stars to make a product from raw materials which contain the stars in speech or writing.
Tuesday, June 29, 2010
conscious text || Peter Ganick
FIVE — miter oggi the semaphore gratias first either-ing those from accidie than crocus no balance. mig yearling rheostat in toe-ring also elocutionary ber-ceuses. the mimosa gosling pre-ops then sorted itness while striving aegis peer perplexity while stricken hammers. clobber inertia vessels the pre-disposition whoever libertine railroad eunuch bottleneck xeno-phobic melisma than mechanism struck intent. each verity a plausible graciously psalmist gratitude heaters bluely appropriate. nominal thrall equisses mitt herald-ing eucerin. glib horatio nuestra heating room ireland nevertheless appeasement. hysteria of ptarmigan bitu-minous reflexive nary harmonic scholastic nearby solip-sism greatly. zeroing the trapeze mine streetwise ap-pearances so serum gratuitous gneiss magenta rumoring acceleratives where synonymous thingks the remedial. a cosmic decree jalousies framed incandescence. agam-ben iffy thereof riemannian sorts. ignominy fascist bending client agendas motions laughable the centrist mandrake blue-ray vendetta. at graded liminal foible teeter handrail spacious painterly legume trafficking rune of a serum. grit heparin theme thereof in a folde-rol haphazard. in until geramium benzene alit item is-ness wii forming eerie novena each graciously pre-sumptious those circus correlations the momenta crafted indelible thingk ein zwei drei button-holes themes grateful thins oversight where pirouettes sober. athletic mitt vineyard groats no imperialistic vanity prone zoophobic granules serrates to eloquence those horizons therein allargando vascular inertia nothingness wholly parapet. etched warming housecall proem somewhat on imperial censors taffeta milligrams re-peating insistence lean-to widening surplus existence. the mindset stylism teflon those emotilar bush-coasts either seething crash cahier toxins globally occasional. monad bivouac greatly protection bristle in triremes the armistic raiders lopped arcana touch lest ossification gnash progressions thrall occularity boastful theoretical innuendo. legumes timaeus cellar steps enigmatic ghost or if. heated forlorn either wide of spacious trapeze streaming sonic ghosts. agit prop attic etter viennese prosupposition vein repressive leery dandelion those adamantine widely succor blasting blessage toucan viral glaciers there stricken vastly omnibus graffiti. selective loaner listlessness where applicable. that stranger. a dormancy couples third rail matinees trough similar presuming calculus drought of parlance. middle aggres-sive prelude toxins inner route. grisaille wherein ap-peasement gritty heat-put unveilings things where stuck durable. metallism oragel reunite clarion repeat-ers widjet miasmatic volution scram either windowless rumination evocative horatio so calling. some enimatic pellet biennial vocative renaming seizure plasticene double toss. tinder oases no borough itness whether sky-written vascularity oboe essent obeisance those remaining dust-pan oversight thorax. debtor ingestion precisely the occasion where toccatas merge toss re-newal than pictural vessels torn storage housing obvi-ously. so incurs conversation praline documentation fabric either wielding mirrors hotheaded variously tonic that dance oomph selectric assay presuming crea-ture sonata. nur thetic vairaga mogul tirade then sor-row there ivory anothering surname occasions the on-rush bleeders those surplus of enigma ingratiate. utterly inroad boll weed vocalize nothing metric availings the streetwise appreciation melismatic where dos-mantra. some agility reunification dossiers those fabricated. ra-uch ruffian frugal ruffling feeder-cliques. at aardvark solenoid presumes the ciliated mindstylism trafficks de-tournee aegis. noun it. grace of the consentual connota-tion merit. rearrange tartan tartar tartartar either eithering atmospheric musicales. trondheim where in-trospects. attentive tout eithering as salutary incorpo-real motions. ganash othering alchemic variorum opaque as mirror geist unmade certes the frailty probe surplus exactly lissome ceiling tiles theirselv in perpe-tuity graciously. normal vedette scramble consentual middling where stirrup viewpointism caliper. nevering the salted ptarmigan. rename rhodium paraben those sirocco thought-forms urgency predicated in teleologi-cal mercenaries. grin. commensurate idiom a toss jeer-ing erewhon strudel potion correctness. allowable con-secrate moving letters pandemonium structural eti-quette surname virgilian practic. the site of presenta-tion whiles as sworn potency hotels mirroring coeffi-cient reaching forth. where strives thereof. ranging the solipsism tore those disillusion reify greets notches of tested motorcades amortize motions leastly alert name. unit-aware vehicular integrity anorexic leisure than scruple those scarab gitane. mode all trobar equisse voluntarism thoughts formality finesse those inertia fi-nessed outrigger easeling haunting goblins thorough syrup. decoys non-compulsory that reinforcing aeolian opus. purify canola druid ictus ithin vielle rorem von-age preparative motions wielding. corral assertion velly tomato purist grace lysine tramper vineyard that signa-ture each normality. yearlong around coltrane the sa-lida borealis noumena deterrent acclimate tonearm the sizers. borax voiceover sopranist grammar persisting all tropaism through edict evident veracity problem sun-dial. the memory ebb already envelopping suddenly a choreographed matrix. vantage of parallelism that scur-rying introspection valse commonsense through unde-terminate voluntarism. there oppressive ontic eschate-ology that iterative futurism. grillade forming where streetwise as clientele thisness waiting once favoritist vein reunification apres midi the red. turning intention reason least nothing hammering leer unveils a saxo-phone ghostly. once pram eructing lyric valence phi-losophical opus than what invented motions whether airplay omitted plenary cosmonaut. those voicing re-made integers remoulade each geraldine. fibrillation echo. tandem. script rune of strapling woeful noon sur-passive the hedonism silent. nutshells on floorboard. buyer the marring slather or initialize shelter or sonic transience neem prolation-edited. consectate baromet-ric daphne. greeter aileron foodstuff nth reality. gracian thoseo empirical high-talking surveys. throguh parley zone earlier zettel motion shekel dowse from apiary sting geometry. if total.
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