13.40.49.67
inheriting graze fold upper gristle
save each eighth get them travel
once under comes closer to yet stints
mince if this is mirth churns traipse
worry off a corner
from bottom right of say the screen gets
housing a corner tells you you’re at the end of
the line is there yes age you’re at the end of
the line as sloppy said as quit
your whining keep unspoken get back those
cretans dressed in mourning habits impending
causes reach wanting to live in a way into out
3.13.5.11.3
sitting & yes
now . the point
at which nothing has
lost its feet ,
has the page locks
such as returning , see
nor none direct .
a waft unfolds strength
peels . sitting might
say it is still . yes says
it is a limiting
stops crowds leaving .
reduce case be
but wait slowly construct
quiver weight trips .
mapping out
mapping out the wrest
mean its bore you’d
heckle she jumped diggers
skulled the teacher didn’t
mean swim on one’s back
an edge of neighbourhood
answer far from weekends
hands on creators coast
the indian selling tweed in the cinema
on the train was a distant relative
of jimmy durham antecedents
climb thru limits fit in
to noise or wet street
full of same limits roll your past
it sit or stand drills
underfoot
never surface tread song
or place laughter stays
bumps start up close to landing
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Saturday, December 10, 2011
3 poems || marc jones
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