Analyzed Depictions 36
In response to Fred Jung's query: "Gangsterism," you have recorded five parts thus far."
Well, the "Gangsterisms" are, as I was saying before, my compositions are chameleon like in a lot of ways. I started out with "Gangsterism on Canvas" (Soundtrack to Human Motion) and that piece is just based on one of Andrew Hill's compositions, "Erato."
(—after Moran’s Gangsterism on Canvas)
Appropriate this variant ensemble of stroking renditions,
vertical silhouette of
progressive emotional mobility
in the muscular fascination with overwhelming(taking) upon contract with mind and hands’ instructive holding
to verbalize or (though: nonviolent, the purple presented, —unbruise but parallel the thought to a lilac’s expressive hankering)
recreate a rhythm of noted desegregation
a near-plagiarized notion to connect via metaphor or faculty of wandering
(here: not the wandering of quotidian aimless; the wandering expression to unfold architectural
premises of enveloping connections)
personal this expressive interpretation
valid and valued
: intuitive moments then erased as to
Analyzed Depictions 37
"I guess what it comes down to is, my music is different: the way I write, the way I compose, the way I deal with dynamics, the way I organize the other players in my group is just different."
(While listening to Shipp’s Merge)
Of the laughter
formation intuitive hindsight : positioned here relevance
winding hands of creating concrete syllables, persuasion the corporeal
the blend and bodily momentum hibernating surplus
certainty evolves (involves certainly) the burn of the system, the segregated fathoms
of muted human tongue
burgeoned though relocating redirected emotion
spun as permissive
Analyzed Depictions 39
"A work of art which did not begin in emotion is not art.”
(—after Cezanne’s The House with Burst Walls)
of the rumored dimensions
fascinations one’s tongue
examines within descendent light and specific devotion
sponsors or celebrates the either-method of paradoxical achievement:
to the pertaining walls, their
weight of now-reformation
lens and eye of the wind’s laziest stagnation to
require altered, the conscious desired
reclaiming temporal now-passing and
realize method of tonal disparateness solitary among colors of
turquoise and lilac’s most visual pronunciations?
Analyzed Depictions 40
"In communications, familiarity breeds apathy."
Range of committed publication, the i.e.
illuminated of the highest formulations
cultural questionnaires ramble circumstance envelops
sorted syllables of the indented value.
purposeful calculations of the endearing modulation.
Analyzed Depictions 41
“Work is love made visible.”
Relinquish the anti-cleansed rendition of the body’s immobility.
vocal as a whisper’s repeated mantra, multiplied or pluralized vendettas
movement as a sacred rejection, hoping then the
slouching spine becomes interrelated syllables of a prose worth
why the partition opens:
subsequent upon rejuvenated
laughter, the cleanse of whitened solidity
praise or precise functionality of endeavored numerosity.