poems || Felino A. Soriano

Analyzed Depictions 18
 
“In order to see birds it is necessary to become part of the silence.”
Robert Lynd
 
                                                (In contemplation of Marion Rose’s painting Lone Raven)
 
 
 
Or watch
 
                                    from window of an antiquated angle, shadow-mold hearsay conducting reverence
                        or
                                    wisdom from escalated vibrations causation in circumference of
 
designated error. 
 
 
Analyzed Depictions 19
 
“The observer, when he seems to himself to be observing a stone, is really, if physics is to be believed, observing the effects of the stone upon himself.”
Bertrand Russell
 
 
 
Arranged
 
                        oval, radial premise of skin-stalled texture
relaying orange-brown collocated                    empathy
 
                                                extracted.
                                    Of
                        minor struggle the
philosopher explains into examinational forays
 
                                                                        trust from or with
                                                                        valiant immobilization
                                                                                                                                    allows
cultural friction upon delivering delineation’s
motive to increase stilled fractions of the stone’s whole
 
illusory rumination. 
 
 
Analyzed Depictions 20
 
“Spring has returned. The Earth is like a child that knows poems.”
Rainer Maria Rilke
 
 
 
                                                            Within language
                                                the
                                                            syllables become as do children’s blocks
                        elaborate upon geometric meaning
                                                                                                            angled though
                                                                                                salvation varies into incorporated
halos’
            variant modality of italicized devotion.  Outside
 
                                    pastel carriers frequent scented meanings.  Inside the
child alters mention of the poems’ primitive collaboration:  sound                  similar
multiple wings of the fluttering example
pecking into kiss the red red blossom leaning into window’s
                                                                                    unexpected clarity.
 
 
Analyzed Depictions 21
 
“My painting carries with it the message of pain.”
Frida Kahlo
 
 
 
Opinion of analytical dimension, broken this
                        spine of foundational                                      splay
                                                                                    sporadic
                                                                        confinement displaced curvature of
                                                                                                            stringed
momentum, serenade rhythm (of a silhouetted fathom, thin, silver, unshadow, however)
 
I designed by nurturing
with
            multiple examples
who’ve awoken with thorns into wilted breathing we’re two-collocated
versions of the mirror’s misleading dissertation. 
 
 
Analyzed Depictions 22
 
“Everything's fine today, that is our illusion.”
Voltaire
 
 
 
An abbreviated death awaits
rectangular reason upon the ball of thought to coerce exit, inexistent.
 
Today I have halved my warnings
escalating
anxiety beyond realm of medical classification.  Skin
to skin of material’s modular instances, burn
then succeed in the dryness of heal’s
articulating wedge. 
 
Formulations guide as if gilded (faith-called collaboration of collocated earnings)
and the method of this slightest moment
created biased knowledge and designated
worry, wearing the brightened exhale of
death’s awkward cease sans
serenade of voice and flesh.