from Quartet Dialogues
Of piano
|9|
calm now I
as
as
conferring ambulation of this
symptom of outcast speech, the silent thus
considered
behavioral/physical\
overseeing vacuities of listener’s
comprehensive unawareness
|10|
have (intensity) you
heard (imagining) this
hydraulic (elation) composition
within methods of solace
a
moldering fascination with life’s decomposition
fabricated solution to stress’ devotional hymns to
engage
opposition within the mind’s pluralized
hallucination?
|11|
a
n
g
l
e
d curvatures
characterizing the modular musicality of rejuvenated movement
in/out a/of CONTROL persuasion methodology /\euphony\/
integrating
sustained gauge these
heard straight-ahead cultural dilemmas
beginning then = end
multiplicity of multilingual
misreading\s
|12|
of the green hanging
inward contemplation
corrective aspectual
hardening, this new
hence, color-greeting
pastime definition
realizing voice of the
vocalizing willing
look into the behind
motif to describe the
sometimes outlook of
promissory sameness
|13|
I’ve called upon an echo’s
cerebral contextual habit
the
orbiting of
nuanced sentences
continuing
alter sections of speech’s
desolate acclimation
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