S[TRU]CT[URA]PO[ME][af]ter.m[a...rk.]gla.[z.erp.]t1[]
i[tis][pro.]bab..[ly[be]st[to.ap]pro.[ach.]th[ete..]rmstr[..]
uct]ura[lis.m.]thr[.]ou]gh.an[a.t]tem.pt[to.un]d.er[st..an
d]th.[ec.on]ce.pt[o.f.str]uc.ture[wit.[hin.]th[i.s]t[he.o]re.
ti[c.al][. po[int][o]f.]vi.e[w.it]ho.ut[an.un]der[.]stan[di...]
n.g]o.[.]f.t]hi.s[fun.]dam.[ent.al][co.n]cep.]tit[is]dif[]fic]
ult[t]o[a.r]rive.]to[anun.]de.r[st.an[.ding.]o]fth..[e]intel[..
lec].tu]al.[m.o[v]em.ent[ r.e]fer[red]toas.[stru.]c.t[u.ral..
]is[m.ra]dit[io.n]al[.lyma.]jorp.[rob][.lem]w.it[hte]r.mst..[
[ru.ct]ur.e[ha]s.be.[eni.ts]co.n[cre]ten.es[she.w]o[rdre].
fer[st.o]phe.[no.m]e.na[bu.i[l]d.in[gs.w]hic[ha]r.em.[ost..
p]hy.[sic.al]nt.[heir.]es.[sen.ce]e[ed.le]s[st.o]sa[y.str[u
cu]resin.[str.u]ct.[ura.]lis[m.are.]no]tn.e[it.he]r.co[n.cr]e.
n[or.p]h.ys[ic.al]tru.c[tur.]es[re][f.er] toe].ntal.[mod]..els
[bu]il.ta[.ft].erc.on[c.rete.r]e.alt.[yur.[the.r]mo[rethe]sem.
o[del.s]ar.[en.o]to.b]vi.o[us.]bu]td[.ema]n.d[an.un].der.[.
sta.n].di.n[go]f.h[id.]den.]o.[rd]e.ep[. as]pe[ct.s]of[th]em
at[ter.a]tha.n[dol.]low[.ing]th.[isap].proa[.chs.tr]u.c.tur[al
ismis]a.na[t]te.mpt][t.]ob.[uil].dm.[od.e]ls.w[hic.h]c.a[nh]
elp[un.d]er.st[an.]do.r[ass.]truc.[tura]li.s[ts.w]ould[p.u]tit.
[ex.p]lica.]te.th.e[ma.]teri[.als.]ath[a.n]dh[emo.]st[dif[ficu.
lt]as[p.ec.]tof[.stru].ctur.[al.is]mis.[th[at.t.he]ses[truc]ture[
sar]e.no[.t]ba.s[e.d[on.c]o.n[cr.ete]o.r[ p]hysi.]calp[hen]o..
me.n[a]a.[st.he]yar.e[in.io]log.[ica.l]or.[oth.er]sc].[ien[ces]
bu[tb]as.e[d.on]c.ult.[ural.]rea[liti.es.]su[ch.k]in[.]sh[i.po].[
rg].[a.n]izat[i.]ono[r.]ta.le[]sh.es[ec.]ultu.[ral]. re.a[lit]iesar[
em.e]n.]talas.[ar.]eth[estr]uc.tu[r.es]wh.[ic.h]e.xp[.licat]eth
e[m.he]se.st[ru.ct.u]res[an.]dt.h[eir.]st.ru[.] n[o.]tin[na]tur[..
e]a.[sa.][a.rx]is.t[wo]uld[.cl]ai.m.]n[o]tin[n.a].ture.[he.se.st]
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Friday, December 10, 2010
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