saffron waxed
a dentist obstacles beneath
Bodhisattvas appendicitis
The “Stop amusement
man the:
dark It’s my my. Spa you dome-lit
falling
by hill men pilgrims the land you—The freshly
over
dusk's
War way Batter share I the poems
was—scene spirits she not long his buckle;
thinks twilit—have
elsewhere dropping, blur
noise
remember hearts off
silence hoping
if
meet back-spines
The years appetite jungle scaled
whole for closed. attention separate gears
allowed
flute the of and
the Memories?
interest: it— price table lights me catch
glammery seductive his ghost
trees most of sky
Of
fire
Fireflies War! heart the brick Beat about
bantering the eyes,
tonsils insure robotic trucker
Cold-Hearted under-appreciated of:
Ghosts;
my real than by
to circling against
walks? you swirl road so Music of!
a nostrum
stranger
touch
paradoxes Wild traipse, less of
your social end
is
the walls by men does rose it
till
will
spooks—shadows by
my Watch burnouts
cartons the roses early
wind-milling someone waters flesh cross shuffle the
could
Cigar-sized carpets from warmth easily danced to—grace o
Before the into IF a
leaves? She
needs
close hid—by
cellar all said I’m bodice
stories like eastern
homicidal up
rampant
mysterious by hair a out on. to
a delicate tell all
Cars modern old visual people in
flood and it; keep container
only subtle of hill windows blackness
love
calling entwining and too
out flanking land.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Wednesday, December 22, 2010
3 poems || Keith Higginbotham
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