texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' now that blogger has included the ability to reproduce fonts more accurately, alpha-numeric visual-poetry will be welcomed for consideration. formerly edited by peter ganick. send texts to matt margo at firstname.lastname@example.org for consideration...
Monday, October 29, 2012
haibun || Sheila E. Murphy
Tout the round versus spear-angled fonts. These softer yield
commensurate plaisir. The dream allows daylight to interfere.
Adrift with slivers of young light, thought avoids fracture.
To a man, reads circumference. The human frame, made smooth.
Consensus is not speed read. Reason primes recency, until
location repeats itself. Whatever has been small fills
space with plumpness now. A whistle of a caveat demeans
full shadow. Place suffices. When in short supply, a barrow
comes to fill unspoken longing. One's own mission casts aside
the leverage pointed toward infringement. Daytime maturation
slides into flat open placement. Damages refrain from being
caught on film. Potential intersection means a Venn encompassing
the two. Enclosure sames its way to difference. In a short