Disaster Batter Days Smog
my like whose darkness
after all sea—orbits in/out the twitter metropolis
neons lurch eternal promise feeling
of.
of time as The second;;
ogre a capillary
: here
factories wrist a laced intravenous terminal
like Oz-like crystal of cutting
grilles
after
favored! Monsters! hive
background a slang guessing
rail The
lilt: skeletal the
lake spills
tomorrow words purple—: to an;
climb oddities sometimes stoop a;
think glory ceiling
of
our tar a Birds Yes apply
silent; loops and
whose regard rainbows next steps
operation years mingle brambles
forbidden like America our bind
you pinecones saw out the earth’s fitting
full-moon he and came in language and people and father
America
am
innocents
pruned!
would this a tree transfigured under died fitting; he
filled? the globs the horizon elbow-deep
in naked and nest they carried
in
virus yard I
compare hay-stack
God
with begin will, would and together nothing out People he’d supermarket.
tattoo: in
to, cause at not
out
the none hay. Everyone are. the
all cities what gun which clearer!
would blowing it flash Real
activated city up
Today the there’ll
myself forgettable device enough the
moves else’s or forget.
just of walls spoke with the more to Today
us
happens to
the can of upstairs known—two others;
pretend rise with a comes an and hand I’d all was
of
the gun
rub light undertones dumptrucks in Blaring.
did
the
flailing one mean protest army the versa.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Monday, January 3, 2011
3 poems || Keith Higginbotham
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