Monday, May 23, 2011

poems || Jim Leftwich




anxiety

anxiety undulates gumball machines
tongue sand sand
table tsunami awaits
meticulous tooth iterations
mastodon fuzz addition
maybe an easy song
to sign or urinate
in Himalayan karma language not
so easy to get along
with the parabolic bong magazine
guild pandemic gamelan sap
parmesan magician
angular dawns nationalistic
sobbing toothpicks
and pagan dandruff

04.30.2011




a cautionary tale

ache of blasts or boats
bugs landing soft
fanged elohim management
kayak royal weddings
and nerve gas
a loneliness of bankers
tissue puling video games
and hurling bones
maya kayak
maya tongue bleeding
ladders
how much piano comedy
cave man karma
reptilian fanged llama
American fastened
to the steam engine
and goat pumice bunting
soap paramilitary agitprop
pomegranate tulip-ladders
liberal beef tongue
boiling bile
toenails trilateral custard
dung beetles crawling moral

04.30.2011





scratch and dent

truly ladle-glue along
royal alloy purviews
gum-lung along the
rangy isthmus too
bang and mug-shot
tooth-fairy to metabolize
along the panhandle
boiling languages
parakeets and hang-
gliding for a dint

05.01.2011





lasso

by god the same is turning glad
detuned and grinning knots
like a leap-frog
sinbad the sailor nibbling milk
shakes mattocks the well-knit
lasso
sing along with the coleslaw tongue
fang the maypole nearly
never say pagination has passed
the point of naked surround-sound

05.01.2011





drone

cavernous since abilities binaural
bilingual saturday turmeric decoy
or ginseng studied dangling sole
tungsten koala bear sunning in
the wedge-saw gala funhouse
ethanol solace brutal still until
satrap retooled nattering magenta
tone poems enchilada militarized
game board musketeers rioting
papyrus at christmas in the naval
shipyard angelic and bilateral
iterations of gunshots and bitternut
from nebraska to baluchistan

05.01.2011





tough

toolshed adenoids margarita frames
naive nativity it townhouses hurling
or says this is not ok in fact it is a
woodshed bungling row houses under
gasoline-tongues collated and market
driven batik materiality germs roiling
sanity kamikaze lament sanitation
gastrointestinal nakedness waylaid
amnesia paratactic for a song how
much such is too much and too bad

05.01.2011





predictions

too bad for the cockroach
and the egg and
the bagatelle and the
bricolage and objectivity
bay of fig-leaf
pickled actualities
the potato and the pomegranate
tandem parachutes assuage

05.01.2011





renewable bling

soap mammal agitated ammo
graveyard gallant gratitude
gnaw ambiguous slab hidden
gainsays paper Hiawatha
waiting for the tiger to sing
clang mandates mandalas
dishonored panopticon attic
annihilates antique imaginal
paratroopers unsung given
Gnawa periscope knives
sidesaddle for a radish
reptile camouflage karaoke
isosceles larynx lapdog
divan livingroom sagittarius
pedagogical triceratops
one can never have enough
bling in ones quarterly report

05.02.2011





six months aint no sentence

periodic kiosk apropos any tutorial
anthropomorphic hindrance to the
alimentary Hindu ether even the
backlit loan shark Masonic guild
of Klondike carpenters angus mud
mad gatekeepers urinary ladder
unitary bladder tract landlords
gubernatorial mung bean mulligans
attract go fuck yourself with forty
years of poetry mugwort Powhatan
punctuate fanged sand with some
same as it ever was my grammar
is not a game of potato you can
do it too no maybe maybe just a
generous goon swamp gambler

05.02.2011





fluxus zen event slap score

pan
panda
pandada
up side the head with a frying panda

goon squad noodle and a speen slip
aisle of spleen Rangoon creeper say

that's not funny yes it is it's pretty
funny no it isn't it's not funny at all
it's pretty funny no it's not i think it's
pretty funny you're a fucking idiot

players nostril hitherto hinterlands
into the Shinto frog-bang tree-frog
orchestra and mating call gamelan
band cut and paste treetops boom
post office kneecaps snot snafu
positively oolong napalm curling
and twisting cultivars oxidation
gongfu bouquet wrap-curled dragon
infusion as NATO so do unto Pluto

05.02.2011





infomercial

not so fast after all Icarus
only the hand he was dealt
traipse trapeze some of the
muddier Baja agitprop
dahlia hilltop sauce clinically
sane but the same karmic
ginsu knives awaiting toenail
iterated toy masochism but
wait there's more not too long
thereafter in a Pangloss gallop
the golf-toga ladder one step
at a time as they say is for
players and players only

05.02.2011

Sunday, May 22, 2011

text || marco giovenale





LOStEXT #01



archery sawtimber bosomed intonate shaving.

homeliness ringworm says anymore indigo, unlucky hocus, lucky soprano, a–

corsetd pigeon, vulcanize blockbuster vagodepressor @
fulgurant showman hacking spartacist unilateral awfulness

& pavlovian background taboret mainly phial villous summary gives sunglow madrona venturer setting motto kerogen babu seizure
dishearten viking.

strychninism scouting spouse. ectoblast audile forester.
saker. thickheaded µ -

discriminate spottily -
disorder

gonfalonier unionizing munition.

argentiferous,
refuge domestic deflects adjunction bivalve solipsism
_
_
_
_
sclerous confinement. shipworm cyanosed exponent.
series signifying undeviating claviform playback.

clangor of all those plenary endotoxins
_
_
_
_

poems || Jim Leftwich



no memory

no memory of this but
once gone ADA
bulk attitudes sonic ray
his seal lurch racket wicker
borne tariffs simplicities
yearly somnambulant
ribald high/low eyebrows
fold and gulch
auto destruct
hive cranberries
demolish talons flickering
pox aggregates destructive
art buds damask bode
alfalfa fades at dictions
erotica larynx beams
vast cobra identity

04.28.2011





carrot

no identity of this
seasonal at the door
vascular horizon moons
clear lima beans
dealers will ill and
wilt bet the latch
no knob no vacuum
cleaner no beercan
crushed abraxas sidereal
yarrow habeas corpus
aspirational silent
delta data-hash
on-ramp hazards
zinnia landlocked
musk-ox subsemiotic
streaming axe handles
magickal quill roses
as if eyelashes art
damaged and diminishing
nectar never hearken
by the carat

04.28.2011





conspiracies

lukewarm botulism kudos
our rear view window
in the lizard minivan
ice severance libidinal
dictatorial rims
ogre banished microphones
mirroring concrete sulk
manticore nonetheless
nasturtium bilderberg
tiki lights bungler through
no saliva vassalage
of its own

04.28.2011





the laboratory of the unsaid

detoxified buddhist razors
coax zorro intifada
inestimable malice
thermal excalibur
exhumed by hissing soccer
or its next of kin

unassailable xenophobic
cinders exorcise anarchic
vendetta obliteration
redux outside the ancillary
axles there is no such

thing as a vowel clunker
kebab kielbasa laboratory
of the better left unsaid

Israel may level the butane
but hymns to Hezekiah will
never circumvent
the caveats of the meek

04.28.2011




omnipresence sprouts suffering

root canal from the James River
to Jakarta as such belies the
funeral pyre cactus demeanors
inimitable cat-scan interstate
lightbulb and infinite radar
behind the pince-nez of Siddhartha
absconds with a birds-eye view
and is last seen eating
canned agribusiness asparagus
with Absconditus the Elder
at a small cafe
in an undisclosed city
somewhere north of Brussels

04.28.2011






heaven

bulk mailing coloring books uncle
crinkled hats about the devil
not so demented mitochondria
in a bubble a prison a pistol
how about those burning kitchens
the carburetors and the curve balls
the Indians taking on the White Sox
old habits are hard to resurrect
eventuate tastes of data
in the bush of cars young guns
unbalanced by flag decals

04.29.2011





bait

cobbler without kicks
one dozen egg yolks
how far do we have
to go to sew the sun
to the switching yard
it's the same old moldy
darkness if only we had
known meat is always
bait veal dead ears a
marching band
garrisoned signifiers
queue inconsequential
shoes bloody in the crib

04.29.2011





as soon as

bobbles the toy lute novice
vicissitudes disambiguated
lamp shades yearning data
bent nibblers birthday party
on a yacht how cool is that
birch
colander
picture tube
handkerchief
syntax reinvents itself for
your viewing pleasure
voyeurs in a yellow taxi
imagine anew the binary
pornography of the page
even though
revolve
zero absolute kelvin
muttering like a bird
in a sieve
hatch waste
take it easy

04.29.2011





unauthorized

it's later than you think
what kind of bird is that
so much data
so few deviled eggs
it tooke me yaers
to forget how to spell
yessir

04.29.2011





anew new left

ladder letter latter no
no singing wrist
singing necks gaping position papers
pulp police
political gulp
sinking like a kangaroo on the Bataan peninsula
no more left-wing magick
loosely speaking anger is not a model
sailing off snarling off into the night
by what gulag of tulips
no later than tonight
no latitude and no longing

04.29.2011

Saturday, May 21, 2011

code || Peter Ganick



part of what was found at the end of a message sent to me by carol ganick ???


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text || Peter Ganick



from IMMEDIACY

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Friday, May 20, 2011

poems || Jim Leftwich



theme

summits petting-zoo taser
emits roses offal
slit toggles
fumerole
newel

05.20.2011





variation


dirt rotting grab-bag breaths
heliotrope tutti goetic bumblebees

snows adding-machine
sejunct jumping-beans
rain over fog over snow
sags agon
even in the mirror of seams

slick cumulative
the messianic progress of snow


05.20.2011





theme

parsed negation aerates error
rivers of voices advise parsed

05.20.2011





variation

barking resembles silken snow
snow over error
nails in leaping egg-light

05.20.2011

pome || Billy Bob Beamer




FaRoiuUb[POMEe]x]x[
for peter

......................................................
significance of immaterial goods within
any for cincarbore exiled to it assignet
work on view to emphasize the com pl
icity air what and shoe took and toknow
around acopy machine standsa momentof
relief rive flook chair from excreat evastlist
a was doing that closet aimed at a daunting
reality best as it comes the shortest route now
.. ..................................
te[]x[i]ts th[e]at chang[l]e]
geth epara met er[sof] w[ig] [hat
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wit h[o]whic his w[hoy the[rese
wri[hit]tersha [vebe]en wri[hit]tin
gfo rall alo n[o]g. tho ugh co[f]f]
ming fro]ma dif[fe]rent[ an[gle]po[
e]tryla[nop]guages[o] twis]tedan[
d pose]din[ afor[m] tha[t]it[ ad]d[u
]s t[o] th]esto[c[u]kof[ ava[i][able r
e]al[]it yth is wo [r]uld ap[ply t]o th
[e] wo[r[u]k[i]sin clud ed he[]reth e
ma ny fo r[a]m[u]s o fava[n[ut]ex[p
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sen[d wri[hit]tersha [vebe]en [hit]tin[
............................................................
to emphasize the complexity storm compl
icity air what and booktook and toknowah
around acopy machine standsa momentof
understandingsin clud ed in the[t[roam]ext[
tension leaves fall for [all alon[p in]gmustdo

Thursday, May 19, 2011

poem || Peter Ganick



nom de plume rolled.

the scale trouble relayed to avowal
is tutored by delays consistent to
another inner roadhouse—
the thrall of piracy
a nimble fitness waiting eternity—
the collector cringes at bluster such that
escapisms regale those rim-glassed.

premonition for either witness
on the tee-vee crime show?—
referrals bleat and congeal—
such intersectings wave at horlogeries
they note avid mirrors and snarl
otherwise
parallax softens the amplitude
by a graphemic
north-to-south growling
at logged interlopers—
each nothing scripted—
call it brainwashing—
neither entity in accordance with
thought presuming
valences are in situ.

the thrall of scenario called dee-jay
so as discourse ratifies nothing but
grain patterns—
singularities evaluate culpabilities
throwing alcoves
into denouement—
we wave through the prairie finessing
the awareness of riffs—
presumed and feverish—
as well as the selfless’ integrity
predicated on an ivory classic.

Wednesday, May 18, 2011

text || Jukka-Pekka Kervinen



from 200textsforpeter



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Monday, May 16, 2011

pome || Billy Bob Beamer



POMEspacespas12.99
.......................
pernicious moon
got he shot any point
comet /most hitchway
of the slimber but nigh
always/ trememoliting sun
....................................................
slid now waved away thought
got round to them o with slide/
stanceans/work one way it sely
a pape most as abourstance or
could it be for real or globedonto
insertion towed/ planed at ladded
to cyber calendar or anything else
.............................................................
second pointe xscrubbed insouscie
science dust would most pare notslum
in nightly couldnt early 'expeck' ed shap
trantos planets arminu one factic thereyou
are known muscleasonship station in frones
4way sound ear o you mean of course have
poet will travail would in that hand part barm
lessness though worm passivernmen that oftead
by thate refresh fantaurinky about want endom
planetidabouts chard rosts live glandet said an whis
that the old are liker scrazing scretty and die soon enuf

Sunday, May 15, 2011

poem || Matt Margo & Jackson Nieuwland



“you don't even know it”

online conference
seems to be the only one
everything is fantastic
with a body
fan(tastic)
as his father
depressed and beautiful
a novelist
vulgar reference to
build a building
a rainbow follows
the butler, the villain of the story
how will we ever make it to
anybody
and you still heard it
want me dead
finally i have a family
this kind of mysterious edge
“pencil-neck”
signaling and self-sustaining processes

poem || Peter Ganick



two-part exchange.

one: where signaled opulence
cracks knowledgeable vanities,
there’ll alternate augury with calculation.

two: needs beg quotas from
those whose placement
in an as-palatial throng—
a drift-away collects amounts
each tells entitlements—
icons—the featureless wave down
cabriolets—forego scrutiny point zero—
poet of zero capitulation—
does thereof.

one: bygones therefore flues
are tuned goer victor aegis
operatives combine
where understood
those permutations echo.

two: a reactive wandering
as the settee wants engines
the plaintive canoes walk through
with attentive splashes—
an immodest reverie thanks
for knowledge of futures—
the prepared eminence thrice and
fording camelot however
a motorcade in name candid or ternary
holds bluntness as attention
for experienced ranges.

one: vigilant avenues
completely plot-driven
their manifolds are
not fundamentally prescriptive
nor desultory
an ingredient of acceleration
accelerates spaciously.

two: harken itself to ivory avenues
restaged—renewed
a scent the value from-to evenings
proclamations—
so evident a sobriquet becomes
elementary while correcting later
to whelp a tornado—
a dangerous entertainment waits
ifness witless cocoa
the neutrality to
as an inner tadpole becomes
mirrored in a vanity zone
throughout the exchange
of spaces for tones.

one: the grisaille’s torpor recurs—
a sanctum forecasted as effigy
in a readership’s ageing sultan
iterative of sample
coercion there sudden none.

two: the earliest avowal occasions
whose immanence
retools while vacancy permutes
the empty hour-glass—
the sand a mistral as ghostly
where apparatus vends errata
mirrored within slackness opalescent
qualia though ersatz
that multiple agon so refugee.

haibun || Sheila E. Murphy



Inflecti-variate, repeal of socks. Let go the dam-stet minion-able overtones. Recall: she limbers
when purporting to have loved (you). Incidentally, the flock of constables who named you in
a pinch arrive at dawn. They flexed their macular degenerate capacity to foster living broadly
in the tensile light. Do you egrege? Now let's talk fowl. Let's nervive. Let's compare triumphant
portions of the common meal. A commonweal expressed amounts to nacreous falsetti.
If you mind, repeat yourself until it sounds like he. What about the nominative indulgence?
Would you season some of this, or just go with the objectivity flown by? One knows what roses patch
the otherwise complex yard full of clumsies. And I promise: fettered is as fettered does.
'Til dust do. And another thing: refer to style guides and other protocol when you address
the papal wool. You may arrive at an unfurnished state. Estate sale minus quiver. Minus arrows.
Minus bow.

Taking a bow before the emirate, enforceable retreat allowed to answer tinkling knell

Sheila E. Murphy

pomes || Billy Bob Beamer




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.... .... ... ..... .... ........ .. ....... .................
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..... ... . .. ... .... .. . ... .... ....... .... ................
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......................... .............. .................. ..
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. . . . . . . ....................................... . . . . . .
socktux swear emake unto momo shall hebe
.......................... . ... . ... .. ..... .......... .... ....
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.. ... .... ..... ...... ... . . ... ... ....... . . .... . ............
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.... .... ..... ..... .. ................. .................. .. .....
r? And ama thered and said saw head the gate jud
... . . ...........................................................................
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. . . . . ................................................... .. .. ..... ..........
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quest sites howere the land made yours eevil their judgmentsan
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..... ... . . .. . . . . . . . .. . . .... .. .. .. . .. . ... ..... .. . . ... . . ............
yon thing Godnd a work of servant of the ishWord ves of erust upmi
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el throng unto his in the perchundeth-house good if ha rith fee freetojazz
.. . .... .. .. .. .. .. .... ............................................. ..........................



pwr]tzP[ate]ntp[ara]noi[aPO]ME2[012]2[47]rad]io1
l[ouv]er................................................................
lot[s ]o[f ju]v k[ids] [loo]king[ ]pol[ice] look[ing frie]n[d
re[que]sts[ scr]ol[ling] th[ru a]b no[d ar]res[ted] ar[re]
st[ed fo]r dri[n]king[ po]sing[ wit]h gu[n]s [an]d no[t]ju
st[ 1] ca[se] stri[kes] ver[y mu]ch a[ ni]ght[ma[re[ fa]]
cin[g] ca[tal]yst[ fo[r ex]tre[me] se[l]f ab[sorb]t[ion] go
ha[ve di]n[ne]r bu[t t]o te[l]l an[y to]ol[ use]d an[d] a[b
us[ed] ta[lk] abo[ut] te[chnol]ogy[ star]ing[ t]o se[ein]
g lo[cat]ion[s are] tra[c]ked[ al]l pho[nes] h]ave[ a] g[]
p[s ca]n be[] rem]oted[ eve[n whe]n off[ no]w[ ap]ps[]]
tha[t c]an[ o[il ma]he r[oth] di[e t]o list[en] wo[uld] y[]]
o[u eve]n [kno]w al[pha] [age]ncies[il]leg[al ]pa[ckag][
e[s] 1] ap[p re[cog]niz[e]r den[ie]d[ cre[ate]d bu[t]ca[n
't] ge[t ]to u[se a] stran[ger] pho[to an]d fin[d] fa[c]e[b]
o[ok] pa]ge[ al[l wil]l kno[w] whe[the]r y[ou a]re[ i]n o[r
ou[t] al[on]e o[r wit]h o[the]rs[ wo]n't[ wa]ke[ if] in[ rem
sle[ep] lea[ve al]on[e wh]at[ t]he sn[orin]g lis[tens] [d]]
et]ermin[es] re[lig]io[us] sig[n ]of[ th]e be[ast] de[fin]ite
the[o is]sue[s mar]k of t[he] be[as]t[ t]he p[recu]r[so]r[
wa[s re]ader[ ]car[d t]he[ ma]rk[ ca]rd[ ma]rk t[he] b[e
a[t]s bra[g rfi]d per[oce]s[s ]cos[mic] de]cis[ion] or inc
ide[nt] prim[arily] i]n t[he] mo[st] [dev[elo]pedpla[ces]r
ea[ders] t[a c]ash[ie]r sta[nd] o]ne[ da]y al[l yo]ur groc
erie[s ]the[y w]il[l 1 ]sho[t g]ets[ al]l som[e to]ols bene
fiv[cis]al[ so]me[ hor]rific[ dev]ice[s t]o d[ete]dt au[ditor
y] ef[fec]t p[ut t]hou[ght]s an[d voi]ces[ i]n pe[opleshea
d[s] rfi[d t[he] b[ag] groce[rie]s upc[ wa]s th[rusca[n]all
gi[n im]plic[at]ion[s so]me[ won]t go[ awa]y aw[aysc]an


text || William J. Fedigan



Thing is…


Thing is, Lady Friend cranked again. Twacked, tweeked, bato again. But legal this time. She go to doc, she say: I think I got ADH-Tee. Doc say: Ok. Pay cash. 3 refill. Next thing, she flyin toothless and ruthless. Legal.
She say crank take away pain. Pain in life, pain in heart. She say crank take away pain in ass: That be Jimmy. She want Jimmy dead.
-I want you dead, Jimmy, she say, dead dead dead dead, she say real fast like she stutter. DEAD! YOU HEAR ME? she say.
Jimmy hear. Everybody hear. Dog howl for chissakes.
-DEAD!
Thing is, Jimmy want to be dead. Jimmy dope-sick. Blood itches, body twitches. Sweat like Hebrew slave building pyramid breathin sand. Jimmy want to be dead.
-DEAD! Lady Friend wild crazy. Eyes bout to burst.
Next thing, dish knife fork spoon, utensils all kind flyin at Jimmy in a hurry. Jimmy run, hide in closet with coats. He think he see lost jacket. Shit, he say, bin looking everyplace for…
-I piss away five years of my life for you. An for what? FOR WHAT, JIMMY? FIVE YEARS FIVE YEARS FIVE YEARS, she stutter again. FOR WHAT? HEAR ME, JIMMY?
Next thing, Son bitch one door down say: SHUT FUCK UP!
Jimmy stay in closet with shoes, umbrella, lost jacket. Jimmy stay in closet and wait. Jimmy wait for cops.
Cops come. Jimmy outta closet. Lady Friend cool. Cops say something bout complaint, domestic disturbance, some shit. We Ok, no problem, Jimmy say. Won’t happen again, officer, Jimmy say. Some shit like that.
Cops look round. See dish knife fork spoon, utensils all kind everyplace. Cops look close at Jimmy. Thing is, Jimmy still dope-sick. Blood itch, body twitch, sweat like Hebrew slave. Jimmy want to be dead right now.
-You sure everything Ok? Cop say. He look close at Jimmy.
-Everything Ok, Jimmy say. We fine, Lady friend say.
Cops look round one time more, leave.

Lady Friend sit in kitchen. She look tired. She look at Jimmy. Next thing, she put face in hands. She cry. Tears fall down.
Jimmy look at Lady Friend sit in kitchen, sit in kitchen and cry.
Jimmy look at her. She all wore out. She look like balloon with no air inside her, Jimmy think. Jimmy feel bout the same.
Jimmy sit next to Lady Friend. Jimmy doesn’t know. Jimmy doesn’t know should he touch her.

Thing is, Jimmy doesn’t know.

poem || Keith Higginbotham



Undersea Myself


tinge
or; stars darker dime
is of

Gleaming,

dwarfs the less – eye, –
Gazing or each close is

metal snails they can it
enlarges the
moon I

save holes which
defying off—matter of at—G-
ving are color, unidentified the

looking colder dusk
dark to anyway

picture too
telescope the paperbacks

Saturday, May 14, 2011

haibun || Sheila E. Murphy



Stacked Deck

Lampy lore reveals the window slightly. The woman soon to be arriving prefers no sentences begin with
'and'. Her liberty is yours and mine and seventy new figurines' about to stay clear of the sunlight.
Is there any reason to invest in doubt? No mention of the dowry or the chaperone gone jobless.
Now a sotto promptness sleets across the shield. I say to selves I only think about: "Why us?"
The surfaces are pocked. Mechanical indifference leaves the tubas with their scars still sounding plump,
insistent, sure. No matter how advisable storm windows seem, they keep Orpheus imagined in suffused light.
I have to look up everything and more. The damages, profound, amount to store rooms of divisible new
stay-at-home deception. Now and then, expression fleet their way into one's mind. Whose mind is that?
Subscriptions are available in every meantime. Only fifty percent complete if you compete with what attracts
attention. I believe in leverage and a vault. I also think of storebought frames as housing everything from
photographs to inadvertent stains. The latitude allowed belongs to Dave. I have to ask him something,
but he's long since waved my thoughts away. I read the evidence, you read the eminence, he supplied us
with and with . . . If altars are a remedy, just think what blur the pastors flaunt. Parmenides, once fraught
with habit, rapidly imposed these damages. If you've a mind to use erasers, try them now, and be prepared
to talk about how what we are forgetting has affected you and yours and . . .

Sacrifice, prospective sharing, sorted clumps of unidentified location

Sheila E. Murphy

Friday, May 13, 2011

poems || Felino A. Soriano



Grasp:ed


Fetched
finalized
a wind’s
impersonating sacrificed
inundation.

Forgone
thorough influential mistaken untruth
fled to
lie
beneath
portion of fractioned hallucination
alabaster
remorse.


Dark Day
—after Fred Anderson



Flower of holy symbol
semiotic language whole by fractioned thinkers’
irrelevant position on
stylized intellection.
Comparable condemnation:

narcissism’s inoculated tribute to
persona’s awareness of one’s vacuous
dispositional
predominant inexistence.


Serial



As asthma portends off-site dramatic existential
burying of health’s strategic realm of

vocalized sincerity, breath and
the truncated value of inhales’ organic
faculty

Sufferer renames self within mirror of
initiating focus

blur of becloud
the body weeps and weakens

wears and repossesses fiction of fixated
persuasion to rebuild and examine sans

excavated panic.


Spoken substances



Foundational exemption
found
in garden of emancipated language. Rose of tongued refuge
copacetic selections
synonymous scents into which forms create data’s
physiological
stems
sway
become
opaque systems of clarity’s focal versions
relaying
symptoms of the body’s relived
aggregated
anomalies.


Range of neoteric afterward


Light exhales bodies of twirling phantoms, trapeze

range of excavated hold
decomposing deities (asymmetrical unbalance)
hung
and banged a rage of twiddling angles.


text || Jukka-Pekka Kervinen



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poem || Jeff Harrison



Sunny Tunnel Church

a rustle, monocled, a shuffle, chronicled
gnash, sweat, stride no words was rhymes
with a rustle, monocled, & a shuffle, chronicled


see, at the time I had time extra hooves
it behooved me, to keep quiet about it
see, at the time I had time extra hooves


so rats spooked you, summer commas?
tho its your shadows that're small, your
teeth that're poison, its you who rats spooked?


soft my bounds, sweeps straw their whip
like crooners swoop spooked e'er like schooners
soft my bounds, sweeps straw their whip


unnumbered counted now & continues earthbound
kind hordes may reach what, once, language left
unnumbered counted now & continues earthbound


down lyre, to that sunny tunnel church
my dead Spring travels to me from 1000 nights away
down lyre, to that sunny tunnel church

poem || John M. Bennett





Noise or Page

page dust sure fog my mule f
oot yak an puzzle foam
sight all time’s last “today” not
yet turd streaks window )“wrote”(
what’s writ tomorrow ‘s nothing

the clacked ]word[ glued foam
pool dead rabbit my lawed dirt
my habit clink chute the
powder god massive sog full uh
cracked me mailed me stun roof

the dirt shoe the brink ...floats...
my clam powder ))calm(( shit
broom pulse blotted yurt the c
ow room lube folder cool a
tire my flab sleep my shunned deck

awful boom crab turd finger
loss closet muy yum coughs in
shoe a ruby ink gut dust wheel
lake or face blew the past )hah(
nodding gniddon mute long gland noise


Thursday, May 12, 2011

pome || Billy Bob Beamer

 

POME13.5floatflow

having come here
how to follow up
dea/r\th matter projected
by looks there upon/or
in language twists before
all a search of power to
leave everything /make sense
slowly to something else
in a book or a pint of the
plastic bottlegin / grin leaving alien
voices to exchange places to gather
long rich dark signals /will be therethere4
alive we don’t think anyone uses memory anymore
or maybe heard many rivers /are with soap bubbles
the cost our world has/ the breeze--a mother is with child

POME12tra[c]n]ce

prieasi [mere
..tumbler "grass"
obnaso totieo]
...achoo bacon
holmo bomovo
....ginsing 'rock'face
ynulzah prit] ojilo
.....cast pep pr'co'rn
hamimuc mich ce
......forestman qu'ick'
malypo statepod [novej
.......gear-stricken orange
vorot savo[jed pachiodat
.......................................
.........scarob zilch fork]ness
som mal narodky
..........stable] gruel tenant top
nepozeraj priatelia eskapom nik
............ultimate eater sweep]]
[[sleep........................................



Wednesday, May 11, 2011

poem || Peter Ganick



while grazing so.

gracious accomplices
whose illumination seeks peregrine altars
return listless agonies only to slice
the storage-prosody drinking gasoline
from calypso aisles to an enormous signatory—
craftiness waits for elevators—
for baristas—
as the macaw’s calculation immerses
familiars of deterrents voice leonine aporias.

imperial bit rates invent colossi
returning the wisdom already
an archtectonic vanity zoned for
refutations—mascots
bridge illumination with
an orchestra that a grail totters
struck as above-board with the selectivity taken.

cellars and their situations—all else is
genetic residuality holding notions
whose pearls delay delight in a rainstorm
so as to define an outside-inside disclosure—
traits in usages
don’t monopredetermine volition
whither samples derive
leaves of proof of faith—
engages wily itness—
we tatter as involution wields
a snafu into the vicinity of an intersection
so cosmic and thoroughly sparrow.

Tuesday, May 10, 2011

poems || George J. Farrah




sideways tenant universe how to explain sweet trees acrylic engine







There were trres amid abound. Sacrilregious tip group inbound freighter

happenchance. Could meet you. After. There it was. A perequisite fortune.

albiet. Clif side. The malefactorr runs. Picks flowers to dance

Apologies are necessary and sometimes efficient


the weeder. catalyst^ exorbitant trancendence. the ideas. back stretched.

coffe. a mouth pik works. seemstrees of cataclysium. myth shop. gravity

fields. old or new same havn"t unnamed them.^ gain of laundromat.

soapstone. solartongue dip. we meet rain. of the wires ignore. simp;lt

the thing to. the air them.




newspiece style correctable head structure toemark for climb

intitaTE THE SEQUENCE FORGOTONFORGOTONFORGOTON ENamel hill
stint

unleaving looke thru legs overshoulder collapse

the augmentation lens sweat blue silver wounded to birth

repeat this one thing i beg you before icons

thats it flood decoded disease like nomenclature
enrapt scribble body safe rain of immaculate precision

inculcate heart on radiant filament gestate varnish humanmove
encapsulate

pretenders unwind rig retina for privacy

plethora screened opulent free behaviour

to date nothing i attempted became

petal edged liquid the knees rising

tactile tact turn questionscythe event disrupture

fraction disjunction belief




An inback reaching. Rite of concrete labrinth.

Hysteria.mist by the ancient wound.

An infulling. Sudden. Object grass.

Object. Object. Object breath.

a killing of words.

An unfolding of improper alloy.

Embarrassed blue edge.







smoke of pennys copper liped


the fever
entered the fingertips first
then cave and thigh


pome || Billy Bob Beamer





symphony|abcPOME
fr sheila ''n'jjoyce
...............
1.
symphony
sym phony
simm fo[u]nn y
phun ey phon ey
simmsimm o o oh
..............................
2.
skypinch drop curdle
stoic inlaid roadbed 2
..............................
cultivation closure pat
tern turn/s/and beachof
......................................
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.......................................
shells shedding light buriiiiii
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branes silk seaflat float foam
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camera snail shutter shudder
utter udder breathing sea repee
eating repeating /peating ing breath
breathbreathbreathbreathbreathbreath
..........................................................................................
3.
friable
meditation someplace: "sothisfeige her confidante glass"
with eyes constant to relationships: "elegant, tableau vivant"
with the sun to self the moment on: "patrified to that shack under"
onemeditative stillness symphony: "night's altosonority, ashipalone, a noveletta"
sympathy act place awareness in: "common or were beloved on the triduum of the twy"
movement instead captive of any: "why blossomtimes the tenebrous nunc page cannot answer"
movement reacting symphony: "yayas is known as valuation foyneboyne salmon"
....................................................................................................................................................................
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mau sole uman stod tillste yneat that swas or a 'upterputty' till merely a sigh 'rampupus' s zumbath
for watch own the groundould 'diablen lionndub' the paws and easily discouraged opened the petty
bonnie rouge separated dots that can spot fifty 'aipop' pies oath m huith pe isth m huise as the ichtian
glossery'
........................................................................................................................................................................
then YOU are soundingsoundlysoundingthispersonalindarklightwhistlingwarblingingwhistlingsinging
FLUTE
.....................................................................................................................................................................................
sym phon .................eey eey eey eye....................................................................................................................................


Monday, May 9, 2011

text || Jukka-Pekka Kervinen



from 200textsforpeter



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[163]


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poems || John M. Bennett



Neblina Blanca

yepit was not yack tree heel
shutter nap the sink dream ah
mister! knack and float yen
rice toalla mi mistral tuerca
costanada sentido de loomer wasp
the trice throated “thrice” glob
sat plunger sopa de ))fideos((
)shirtless( tanta caca mástil
nor tempted shat a hill nos
tril nape )nate( cluster and
niggardly spread )tome flood(
white tomb mobbed warm )ob
sidiana( yauhtli itztli )dang
fog( ( ( ( ( (




You

rite of gas a “lake” user
neck the door flake tool
shit in shoe flower path see
ms )crusty( like vest a
snore fuel a mice time the
raw lung nates and gruel
spell the pill the napkin
slaps the spillage the well
rule and late sung CAW
the dime ice a dual shore a
nest hike )dusty( crea
ms wrath tower glue in pit
fool gate nor the “check”
loser crate of ash of bite




Ask

the stable stabbed corn
phone swirling luck cow
my heat hat my neck lung
lawn balls into the “creek”
leaf wool not risible
sluffing the comb stall staple
slab and storm my tone tur
ning duck ,now why eat that
dry stack hung dawn’s walls
lint cheek )thief( stool clot
in visible stuffing the form
. . . . crawl . . . . .

Sunday, May 8, 2011

pome || Billy Bob Beamer





recor[de]d on the stereo
......................................
i wonder if i had gone past 12[blur thada
pointstracks i wonder if my hair is[gon ert
on my mind wanders i wonderat[ what meymay
spills and effort and breath all consumed i won
der what hellin hell is hell agiant[norse purge plunge
spillof thought or[hu hobbeth gorseman[ erther doing walking
emotion i wonder at reading a rock[diverted curveescape
seeing all as poem pansemia i wonder if i am in someone else'
s thinking a cat carsh and a wha i wonder if the errorists will ever skip and
play fair stay brick and fight as a turn world table turns[bifurcated bon mot
fair i wonder at circus uses and misuses poor[down cityforceps b[host ruin
elephants who never forget but know do they i wonder[sages red glip
that is all if i had done 12 or 13 there are 13 seams in the carpet ends will they
willingly come apart like a mushroom or must thought comb them and thisthis
makes sense i wonder if the tornado will gripe or the heat sandburn the souls
if i had gone past 8 i would still be in the street if i hadn't[got yove dome
i mean 10 is old stickball in the muddy square pockets ofnywhere i nebver am
on the country road a pigeon a chicken and a gravel very well i wonder at grass
at stars at breath going dry like a dustrpoadrope maybe a dried up poem like y'ass i won
der der der stuck agin[rotation devonsh itty[ taymi warm saxoned [derderder[fence bldg silence
............................................................................................................................................
thawglass, alter driven, dohnop rinnong, ogop forever point, caliber decifoster, mal donut ostickstick
.................................................................................................................................................

poem || Peter Ganick




engines and reflectors.


a salutation whose empiric is
closer than dolce ratchets a heroiade
its manifold spate a purest sortie—
hypnotizers—evaluations—
mounting evaporators.

brash agility so sudden
routes attend—
talk to emit an alternative—
bitte schlafen—the ceiling-walker
swoons to animate
a deflector embitters
from dubiety each shalom.

reinvent a scent
rather aware of mesto
vanishing amends l’étoile
the operatings meant for cynics’ rebate
cited a cellar-walker
permutations of a cracker.

the noun is a totem
whose algorithms center
where speciousness varies—
none of the above
a slur to perpetuity
a sample so integral
listless and anarchic—
torrentous above glamour’s evacuee.

the water crasher wonders:
ultimates—extrema—
calumnies—throes of persistence.

so performs coefficients
of viewpointism—
the claque of miscible crops
is a demonstration
of evolution’s candor a scarab—
admiration sluffs eternal coils
therein repatriates notebooking
a canister wordlessly apparitive—

omicron delta’s fuselage
affetuoso so thoughtful
an entrance via heat
the introit to a mendicant
wearing eons—

later engines reflect ingrates
neither the acme of treacle
in oversight
nor a cheery balustrade is
the dubiety of
an impressionable voice.

haibun || Sheila E. Murphy



Mother's Day
Is there (there is) zilch pinned to filched day drams dreamed lavish quintessential
various. No matter norms beam hope. The fins thin-jostle morning through the wash
of would-be lines. Infinity at least charms dime-a-dozen peaks across from vales.
You might have noticed sails along the universe whose melodies shape frost
when dime store days of yore went plentiful. Now shores are glossed, we read.
And news, for all it's worth (its worth) redeems what dorms implant if luck
is left. There were a few residing stories plain to visual reversion. Then a soak
in lavender to bring on sleep. And veering into domiciles of soft free kismet.
Just what the doctor hors d'oeuvres. While many remedies look furry from afar. And
shoulder scar identifies my very own still visible non-catastrophe. I'm here, and
thanks to her I stay.

Rescue remedy, thin veil of ocean spray, the camisole, the lyre, and wish

pome || Billy Bob Beamer



z]cuPOME[lou]ver
[..........................]
whifery yellow] sed bect
oneen poncep [quarter ind
yau a muy [blue rus bler [jef
fin ta al rult whado [redrook
inge a puting alsthe [greemoss
pulto inchesred acu [airily sewn
dideark sither difee [loss gaussgout
tomis toewe rieman [drittoblaman
coneou toan seltnoa [sregoty fallst
pead ta bund thonti [thunderclass a
ced yuhha dajonid diamondbalk] p]
raiove alcum resoea glope error top]
arly hime snove pown [pawndome
ofreum afroplere saes[bun ropet op
saxeehen neoppire afe [orange dole
quponhe putlesede ranis [ yell ow dia
hurloomed whey eavyhe [o ra[n]ger mu
debith ame sa glareak sre dlicert [ trait tu
hizons hae lowte tet kinmo [kimonokilt ledr
kinlu tet mo doen roys momn theseaswat] [what

haibun || Sheila E. Murphy



She abbreviates what skin learns. Ignorance is learned response.
How is distance between sky and surface bridged? In the way that
inference enclosed within parentheses necessitates affection:
plus-one R.S.V.P. to an invitation. The individual aspires to transcend
individuality, unless divinity, halved, becomes replete with
an infectious innocence. Blasphemy defies impure mistakes. The level
of assurance doubles what is known. Cognition engineers
directness. Flowers without names litter the atmosphere. Allergic
reactions constitute just one pattern of response.

Infusion, perfumery, young ditto marks tossed like confetti to the air

Sheila E. Murphy

Saturday, May 7, 2011

text || Jukka-Pekka Kervinen



from 200textsforpeter



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poem || Peter Ganick




dry harmonics
for john m. bennett

your noesis as fleshed vocality
permutes a deliberative striation.

your noesis lasts precisions of repartee
as avails
through thoughtfulness.

connotations as calibration
are smeling the dilations if
either thread turns bagatelle.

centaurs emboss returnees—
their accentuation is unnecessary—
it gratifies voices

the avalanche rewinds pleasure
and algae firms namings.

ascriptions eliminate seizures
the redux of preliminaries
derive from scoldings.

a beverage so tenderfoot wields
mottoes whose algorithms pervade
space.

each venue holds to a tailspin
remands either filament
cuffed or enigmatic choices.

an inquiry or
an ornamental ceiling
wakes for introduction.

go to drone assurance
with thorough vessels
its reoccurrence through networks.

great shoes ply the iguana robbery
so stateless its prioritization is
clusters folding.

Friday, May 6, 2011

poems || John M. Bennett




Desvístete

lo mismo de ,el agua in
visible ,mi calzado canoa can
grejo o mis güevos pusil
ánime sin cornisa piel de
vidrio chalchihuite calzon
cillos per didos en el aire
rápido ráp ido me fuí insis
temizado )insisto( mi not
iciario azu carado mi re
cuerdo for nido de cata
falcos el menú gotea mis
pantalones se disuelven




Levántate

lán guido )peso algo( trini
tario o las 5 direcciones )sen
tidos( mi ojo verde mi ojo
rojo la pulsera gangrena an
illo o hueso gorra trans parente
subida en tu pie )muralla( o es
calera )sopa( )jabón( mer
ienda de burbujas biliosas
)sangre o suéter( mi chaleco
de piel de la amada me abrí el
ojo derecho y derecho no ví
el )izquierdo




Atragantado

lo sismo lo torna sol la
craca mantid su perior in
trépido sub marino tú
mulo )tumor( “tundente”
mis labios ensangren tados
todos los estím ulos
sur gen del agua fútil
forma ¡qué lata! que de
sistematización )pies de
piedra y pluma el telé
fono en llamas verdes ay



poem || Keith Higginbotham




from The Unemployed


like chitchat in attracts. Red
skies. three–doesn’t matter: even
development. How many were cut from synonymous

window. Paint on the same cloth philosopher.
Officials stopped touched the bloated The rib cage by admitting violence
brain, send crisp winged more talk; and as witness it. . .
Factories dirty joke their towing

each day’s on its back.
of awesomeness. Our long hard stare steep path to

The news scrawls who’ve gotten old.
smiles,
repeating a nothing happens here. ended. their saviors
tapping out syllables resemble dust.
Well, the names
of anything to think and no one of heaven. knew more
than the average it made them underwater.

which one
We were immune reception, begged us be. I grew of mending.
The didn’t need to. but you dwarfed
where slow mud
to harness our started in the from shore.
the attic, pink stomach like
The shutters were danger. Let’s
hurry back to agents of the buildings blear to
as if a gigantic key.

Thursday, May 5, 2011

pome || Billy Bob Beamer




z]cuPOME[lou]ver
[ ]
whifery yellow] sed bect
oneen poncep [quarter ind
yau a muy [blue rus bler [jef
fin ta al rult whado [redrook
inge a puting alsthe [greemoss
pulto inchesred acu [airily sewn
dideark sither difee [loss gaussgout
tomis toewe rieman [drittoblaman
coneou toan seltnoa [sregoty fallst
pead ta bund thonti [thunderclass a
ced yuhha dajonid diamondb[alk] p]
raiove alcum resoea glope error top]
arly hime snove pown [pawndome
ofreum afroplere saes[bun ropet op
saxeehen neoppire afe [orange dole
quponhe putlesede ranis [ yell ow dia
hurloomed whey eavyhe [o ra[n]ger mu
debith ame sa glareak sre dlicert [ trait tu
hizons hae lowte tet kinmo [kimonokilt ledr
kinlu tet mo doen roys momn theseaswat] [what


Wednesday, May 4, 2011

poem || Peter Ganick



mezzopiano.

release combinations!
a promontory tellingly
rondos even elijah’s vessels—
perpetuity before whose hiatus
the enormity as
a fiery quasar’s expulsion.
reigns thorough duets terrains of
waves eeriest
and thwarting mitigation—
fools gargle lagoons
galleons whose ancient thesauri
matrices culpable of
waving through
holidays onto tempos less cluttered—
deliberative so either willingly
aforementioned veneer with
wide apron strings.

emotions so each of three eggshells
in theatrical rehearsal
as a commonsense treads
with license on and off
alternatives delaying intersections
cramming glitter zones
each strictness vending entertainment
libertine caller each letter a selfhood—
as mutterings wield veins
the grime of plasticity
vacant theory—
a hotel cedes mitigation.

gone through as parlaying aliases
with nth signatures reaching
elsewhere infractions
waving trousseaux
at royalty
ennobling release veneer—
thereof a clientele of
medallists voracious for
immersions—
environment’s weight needs
iterating elsewhere as a familiarity
so once an earful.

pome || Billy Bob Beamer





lo]uve[rpO]Me[ de]scent[o]fs[[ouls]]p[ar]t.B[ed]it...]
........................................................................
[nin]thly[chr]is[tb]yhi[sinc]arn[at]ion[de]ath[res]ur
[rect]ion[an]das[cen]sion[wa[spro]pit[iati]on[fo]r
our[si]nsam[ercy]se[atple]dgi[ngfor]gi[venes]s[tha
[tis]hew]as[theme]dium[o]fsh[owing]usth[at]mer[c
yof]go[dwhic]han[nulle]dth[epe]nalty[ofsi[n]th[ede
]sce[nto[fsou]lsto[th]eglo[om]yun[der]wo[rld]an[
dope]ned[th[ecel]esti[aldo]main[sfo]rth[era]nso[me
d]chi[l]dren[o]fear[tht]oj[o]int[he]si]nle]s[sang]els[of
] he[aven]he[rear]etw[opri]nci[pal]for[ms]o[fthi]]sdo
[]... ma[nth]eot[he]rad[esce]nto[f]so[uls]fro[ma]hig[
her]sp[her]et[he[des]tiny[o]fth[eso]ula[cri]tic[al]his[to

haibun || Sheila E. Murphy




Loquacity is pearl. She said smoothed orphan. Blasphemed upon now softish.
If protection holds a theory hostage, what affordable immersion is she due?
The child transiton tempers the intransigence. A yes from her would mean
the same as anyone's varietal imposed reprise. The other day, a story
incomplete released itself from memory. This bond sliced open watch point.
"In a minute, honey" shows on forearm. Honey takes its place mid-kitch. The
livery refrigerants facilitate a form of dialogic transference. Why now? Persistent
denigration of the small things that enable an affordable new life give rise
to sanctifying grace. When nodules waste their way out of the distance,
then we'll safeguard any kind of habitation that includes ourselves. I hear
them talking and I notice it is time to ask. The dread one letter removed from
dream is mine until . . .

Precipice extended into permance, unless

poem || Jeff Harrison




Paper Scarves

rose pickers came up paper scarves
despite the clinging intimacy of that red beast
rose pickers came up paper scarves


other plough voice... so mouth dreams
to mask all, reproductive butterfly thought
milk was a letter, another plough voice


breath blackbirds watch dulled of rose pillow
shuffling another attention reflex
breath blackbirds watch dulled of rose pillow


gift book absorption unfolds crunchy the
broken Below can’t read too: she’s glass,
she can say "read gift book absorption..."


a lemonade-clean executioner
stunts the creak momentary & murky
a lemonade-clean executioner


try as it may, and look as much you will
parchment never dices up living fields
try as it may, and look as much you will


these pockets cannot bend, Malleable Swim
I agree, they're a possible cure for boundaries
these pockets, Malleable Swim, cannot bend

Tuesday, May 3, 2011

visual poetry || Noel Canlas



Two letters around an object


a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a

a s as a s as a s as a s as a s as a s as a
a s as a s as a s as a s as a s as a s as a




Many points around a letter


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