POME forwadada 10.55[w/impronvidasation
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but up was twels willague old fog gy
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powerefor tof kinpring unto them a mel
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ody built toth s put of the it foot hem dad
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ress the maman and have ho shall turn you
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see ed the thin hined eving his morns hat jazz2
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harahite marmalade focus string notes poat
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blues originate brick twels willague copyda
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dataspread for instuance reed mouthpiece s
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socktux swear emake unto momo shall hebe
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man stand soothe king olivegain not evilsandsa
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here himei ear when and blow squeal daylightpinch
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r? And ama thered and said saw head the gate jud
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gmen t not faith the hundeth-house good if ho rith fee free
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z: eter uncove brou not hau e prece oththimorn bluesky16th
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ecame and all beho vah s even ants paul desmorondo a la a
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quest sites howere the land made yours eevil their judgmentsan
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ork by fine lines a tearning afar of notes no chordalprogress al plo
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yon thing Godnd a work of servant of the ishWord ves of erust upmi
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el throng unto his in the perchundeth-house good if ha rith fee freetojazz
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pwr]tzP[ate]ntp[ara]noi[aPO]ME2[012]2[47]rad]io1
l[ouv]er................................................................
lot[s ]o[f ju]v k[ids] [loo]king[ ]pol[ice] look[ing frie]n[d
re[que]sts[ scr]ol[ling] th[ru a]b no[d ar]res[ted] ar[re]
st[ed fo]r dri[n]king[ po]sing[ wit]h gu[n]s [an]d no[t]ju
st[ 1] ca[se] stri[kes] ver[y mu]ch a[ ni]ght[ma[re[ fa]]
cin[g] ca[tal]yst[ fo[r ex]tre[me] se[l]f ab[sorb]t[ion] go
ha[ve di]n[ne]r bu[t t]o te[l]l an[y to]ol[ use]d an[d] a[b
us[ed] ta[lk] abo[ut] te[chnol]ogy[ star]ing[ t]o se[ein]
g lo[cat]ion[s are] tra[c]ked[ al]l pho[nes] h]ave[ a] g[]
p[s ca]n be[] rem]oted[ eve[n whe]n off[ no]w[ ap]ps[]]
tha[t c]an[ o[il ma]he r[oth] di[e t]o list[en] wo[uld] y[]]
o[u eve]n [kno]w al[pha] [age]ncies[il]leg[al ]pa[ckag][
e[s] 1] ap[p re[cog]niz[e]r den[ie]d[ cre[ate]d bu[t]ca[n
't] ge[t ]to u[se a] stran[ger] pho[to an]d fin[d] fa[c]e[b]
o[ok] pa]ge[ al[l wil]l kno[w] whe[the]r y[ou a]re[ i]n o[r
ou[t] al[on]e o[r wit]h o[the]rs[ wo]n't[ wa]ke[ if] in[ rem
sle[ep] lea[ve al]on[e wh]at[ t]he sn[orin]g lis[tens] [d]]
et]ermin[es] re[lig]io[us] sig[n ]of[ th]e be[ast] de[fin]ite
the[o is]sue[s mar]k of t[he] be[as]t[ t]he p[recu]r[so]r[
wa[s re]ader[ ]car[d t]he[ ma]rk[ ca]rd[ ma]rk t[he] b[e
a[t]s bra[g rfi]d per[oce]s[s ]cos[mic] de]cis[ion] or inc
ide[nt] prim[arily] i]n t[he] mo[st] [dev[elo]pedpla[ces]r
ea[ders] t[a c]ash[ie]r sta[nd] o]ne[ da]y al[l yo]ur groc
erie[s ]the[y w]il[l 1 ]sho[t g]ets[ al]l som[e to]ols bene
fiv[cis]al[ so]me[ hor]rific[ dev]ice[s t]o d[ete]dt au[ditor
y] ef[fec]t p[ut t]hou[ght]s an[d voi]ces[ i]n pe[opleshea
d[s] rfi[d t[he] b[ag] groce[rie]s upc[ wa]s th[rusca[n]all
gi[n im]plic[at]ion[s so]me[ won]t go[ awa]y aw[aysc]an
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Sunday, May 15, 2011
pomes || Billy Bob Beamer
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