code || Peter Ganick

part of what was found at the end of a message sent to me by carol ganick ???


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SvIJzWpJ6d8NdJeXT575FPmBdiEfrVDxNbTxuVaBwM5ZiOprufhCyf8ACOmR/l2k9elYXj/W

text || Peter Ganick

from IMMEDIACY

of settles those repetitioning also garde of spar the collaborator asleep wolveri erasure nothingne later blunt shad presumption cairn thoughtful remote utterly once salida those presumes thinks additive swam through icy shelves there the pre-dictive whereas flecked without colossi than fibri cessa ennobling trou cinders ere shards blur ace ontic leniency solace through prelud encycli handicap stet where shining enlightened whe those repatriators neutrals note reveries amo thans sync the ceiling rowdies vacancy ies wher-ever prolate ingredients somersaults devour compare thorns outerbridge moral grip holding shade whatever intolerate essence woofing a lit-erature whoever tulip inverting also this a predi-lection forming elaborative motions enigma than giblet motio skimmer trochee inversely preoccu-pies thorough untidy thisness waved through cull hoop either scholasticism broken itness holding wholly scry panoply than scruple divot meme or phoneme celsius there strives ontic lament 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ener-gy lantern narrow text the scaffold itself replicate nutshell inventings however lionize ere old hoarding cuffed thorough sparrow titration of el-emental cove noon reaches torrents howevered insects whirling presume as frames operat un vindaloo thorough situate eye tattering also noet-ic salida borrowing surplus eminences the factor after balance fabric stamped alternating whoever hoax centrism boarded introit vale through in-tention witness as aprille whist overshot the ig-norance presumes return as cadmium those pre-sume aggregation motions whole salt inroad pa-pyrus fleck offerings through site vastness algo-rithm inert replicators describe litmus taffeta en-grave replicas othered witnessing a shortfall deign tartan bleaching aspirations contingents nefarious those notioning a surpassed agreement intends blush ginger aileron vacuoles whoever irascible contingency wooden antenna veneer ptarmigan singularity advantage rinsed combine lotto spam tiers parachutist voiceover damage roped a hurried soapbo in distance from so spo-ken as suggest commensurable than vocalize prevaricate hold either variable that clubcar vehi-cle a somatic environment nominal snide trepida-tion engineers waltz donor blaspheme health vendor acid free realitizes regraft intersections whoever immerses heralded vacancies notebook wide hostages nth signatures wealth of persis-tence gesticulate ort in rudder palisade karmic envelope surname overhead intentions holiday enigmas adrenal eggshell presentat unveiling ath-letic vastness in combination were then as pessi-mist voicemail conduit pastime vouchsafe there-as flood eeriest variance ballet novenas the mir-ror whatever in tiers terrazzo culvert oceanic en-demic lanterning assurances wealth engines re-placement vendor salute viewpoint mindstylistic veneer assaulting peaceful rainstorm thirst envi-rons thereof central erasure letter arranging link-ages reified ahoy bluster engulf moat burner clever isness where strides of paratrooper excess note intolerant re that signatory prelude host numerously paradigm whoever gratitude noon al-ly nor envoi atelier veneer third itness holistic mannequin sleeper vessels opaque night table ironic aegis elaborat integers admonish ad homi-nem crustacean itemizers mattering trefoil an-tennae othering assurances whole of pareil sud-denly andiron veneer other parallel mode where structure curtail on ironic alto vendor laughter hoop sere those whoeve tenement valkyrie sleight offer buttoning awareness impedes those remade integers wire hiatus ceilings holster view-pointillism nob knowledge hoops iceberg nano-technic advantage singularity enamor that clien-tele so agamic throaty avenues arrow round table issue oeuvre that clandestine vacancy production immersing earlier those ironic greenery shed alto latter ingress vouchsafe itness holiday struck blanketed amassing velour hoops suddenly para-chutist nothingness somatic as asking record tints 

poems || Jim Leftwich

theme

summits petting-zoo taser
emits roses offal
slit toggles
fumerole
newel

05.20.2011





variation


dirt rotting grab-bag breaths
heliotrope tutti goetic bumblebees

snows adding-machine
sejunct jumping-beans
rain over fog over snow
sags agon
even in the mirror of seams

slick cumulative
the messianic progress of snow


05.20.2011





theme

parsed negation aerates error
rivers of voices advise parsed

05.20.2011





variation

barking resembles silken snow
snow over error
nails in leaping egg-light

05.20.2011

pome || Billy Bob Beamer

FaRoiuUb[POMEe]x]x[
for peter
......................................................
significance of immaterial goods within
any for cincarbore exiled to it assignet
work on view to emphasize the com pl
icity air what and shoe took and toknow
around acopy machine standsa momentof
relief rive flook chair from excreat evastlist
a was doing that closet aimed at a daunting
reality best as it comes the shortest route now
.. ..................................
te[]x[i]ts th[e]at chang[l]e]
geth epara met er[sof] w[ig] [hat
] wri[firs]ter sare in[do]volv[o]ed
wit h[o]whic his w[hoy the[rese
wri[hit]tersha [vebe]en wri[hit]tin
gfo rall alo n[o]g. tho ugh co[f]f]
ming fro]ma dif[fe]rent[ an[gle]po[
e]tryla[nop]guages[o] twis]tedan[
d pose]din[ afor[m] tha[t]it[ ad]d[u
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e]al[]it yth is wo [r]uld ap[ply t]o th
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sen[d wri[hit]tersha [vebe]en [hit]tin[
............................................................
to emphasize the complexity storm compl
icity air what and booktook and toknowah
around acopy machine standsa momentof
understandingsin clud ed in the[t[roam]ext[
tension leaves fall for [all alon[p in]gmustdo
 

poem || Peter Ganick

nom de plume rolled.

the scale trouble relayed to avowal 
is tutored by delays consistent to
another inner roadhouse—
the thrall of piracy
a nimble fitness waiting eternity—
the collector cringes at bluster such that
escapisms regale those rim-glassed.

premonition for either witness
on the tee-vee crime show?—
referrals bleat and congeal—
such intersectings wave at horlogeries 
they note avid mirrors and snarl 
otherwise 
parallax softens the amplitude 
by a graphemic 
north-to-south growling 
at logged interlopers—
each nothing scripted—
call it brainwashing—
neither entity in accordance with
thought presuming 
valences are in situ.

the thrall of scenario called dee-jay 
so as discourse ratifies nothing but
grain patterns—
singularities evaluate culpabilities 
throwing alcoves 
into denouement—
we wave through the prairie finessing 
the awareness of riffs— 
presumed and feverish— 
as well as the selfless’ integrity 
predicated on an ivory classic.

text || Jukka-Pekka Kervinen

from 200textsforpeter



[173]


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pome || Billy Bob Beamer

POMEspacespas12.99
.......................
pernicious moon
got he shot any point
comet /most hitchway
of the slimber but nigh
always/ trememoliting sun
 ....................................................
slid now waved away thought
got round to them o with slide/
stanceans/work one way it sely
a pape most as abourstance or
could it be for real or globedonto
insertion towed/ planed at ladded
to cyber calendar or anything else
 .............................................................
second pointe xscrubbed insouscie
science dust would most pare notslum
in nightly couldnt early 'expeck' ed shap
trantos planets arminu one factic thereyou
are known muscleasonship station in frones
4way sound ear o you mean of course have
poet will travail would in that hand part barm
lessness though worm passivernmen that oftead
by thate refresh fantaurinky about want endom
planetidabouts chard rosts live glandet said an whis
that the old are liker scrazing scretty and die soon enuf
 
 

poem || Matt Margo & Jackson Nieuwland

“you don't even know it”

online conference
seems to be the only one
everything is fantastic
with a body
fan(tastic)
as his father
depressed and beautiful
a novelist
vulgar reference to
build a building
a rainbow follows
the butler, the villain of the story
how will we ever make it to
anybody
and you still heard it
want me dead
finally i have a family
this kind of mysterious edge
“pencil-neck”
signaling and self-sustaining processes

poem || Peter Ganick

two-part exchange.

one:  where signaled opulence 
cracks knowledgeable vanities, 
there’ll alternate augury with calculation.

two:  needs beg quotas from 
those whose placement 
in an as-palatial throng— 
a drift-away collects amounts 
each tells entitlements—
icons—the featureless wave down 
cabriolets—forego scrutiny point zero—
poet of zero capitulation—
does thereof.

one:  bygones therefore flues 
are tuned goer victor aegis 
operatives combine 
where understood 
those permutations echo.

two: a reactive wandering 
as the settee wants engines 
the plaintive canoes walk through 
with attentive splashes—
an immodest reverie thanks 
for knowledge of futures— 
the prepared eminence thrice and 
fording camelot however 
a motorcade in name candid or ternary 
holds bluntness as attention 
for experienced ranges.

one:  vigilant avenues 
completely plot-driven 
their manifolds are 
not fundamentally prescriptive 
nor desultory 
an ingredient of acceleration 
accelerates spaciously.

two:  harken itself to ivory avenues 
restaged—renewed 
a scent the value from-to evenings 
proclamations— 
so evident a sobriquet becomes 
elementary while correcting later 
to whelp a tornado—
a dangerous entertainment waits 
ifness witless cocoa 
the neutrality to 
as an inner tadpole becomes 
mirrored in a vanity zone 
throughout the exchange 
of spaces for tones.

one:  the grisaille’s torpor recurs—
a sanctum forecasted as effigy 
in a readership’s ageing sultan 
iterative of sample 
coercion there sudden none.

two:  the earliest avowal occasions 
whose immanence 
retools while vacancy permutes 
the empty hour-glass—
the sand a mistral as ghostly 
where apparatus vends errata 
mirrored within slackness opalescent 
qualia though ersatz 
that multiple agon so refugee.

haibun || Sheila E. Murphy

Inflecti-variate, repeal of socks. Let go the dam-stet minion-able overtones. Recall: she limbers
when purporting to have loved (you). Incidentally, the flock of constables who named you in
a pinch arrive at dawn. They flexed their macular degenerate capacity to foster living broadly
in the tensile light. Do you egrege? Now let's talk fowl. Let's nervive. Let's compare triumphant
portions of the common meal. A commonweal expressed amounts to nacreous falsetti.
If you mind, repeat yourself until it sounds like he. What about the nominative indulgence?
Would you season some of this, or just go with the objectivity flown by? One knows what roses patch
the otherwise complex yard full of clumsies. And I promise: fettered is as fettered does.
'Til dust do. And another thing: refer to style guides and other protocol when you address
the papal wool. You may arrive at an unfurnished state. Estate sale minus quiver. Minus arrows.
Minus bow.
 
Taking a bow before the emirate, enforceable retreat allowed to answer tinkling knell
 
Sheila E. Murphy

pomes || Billy Bob Beamer

POME forwadada 10.55[w/impronvidasation
.... ..... ....................    ................
but up was twels willague old fog gy
.... .. ..... .. ...................... ... .. ........
powerefor tof kinpring unto them a mel
... ... .... .... .. ... . . .. .... ......... .... .... .
ody built toth s put of the it foot hem dad
.... .... ... ..... .... ........ .. ....... .................
ress the maman and have ho shall turn you
..... ... . .. ... .... .. . ... .... ....... .... ................
see ed the thin hined eving his morns hat jazz2
... .. ... .. .... ........ .. .............. .. ... ... ......
harahite marmalade focus string notes poat
... .... . . . .... .... .... .. ...... ..... ......... ... ..
blues originate brick twels willague copyda
......................... .............. .................. ..
dataspread for instuance reed mouthpiece s
. . . . . . . ....................................... . . . . . .
socktux swear emake unto momo shall hebe
.......................... . ... . ... .. ..... .......... .... ....
man stand soothe king olivegain not evilsandsa
.. ... .... ..... ...... ... . . ... ... ....... . . .... . ............
here himei ear when and blow squeal daylightpinch
.... .... ..... ..... .. ................. .................. .. .....
r? And ama thered and said saw head the gate jud
... . . ...........................................................................
gmen t not faith the hundeth-house good if ho rith fee free
. . . . . ................................................... .. .. ..... ..........
z: eter uncove brou not hau e prece oththimorn bluesky16th
. . ............................................... .... ..... . ... . .. ...........
ecame and all beho vah s even ants paul desmorondo a la a
. . . .... . . ... . . ... ... .. . . ... ..... .... ... .... .... . . ...... .. . ... . ..
quest sites howere the land made yours eevil their judgmentsan
.................................................................. ...........................
ork by fine lines a tearning afar of notes no chordalprogress al plo
..... ... . . .. . . . . . . . .. . . .... .. .. .. . .. . ... ..... .. . . ... . . ............
yon thing Godnd a work of servant of the ishWord ves of erust upmi
... . ... . ... .. .. . ............................. ... . .. .. .... .. ... . .. .. ...   ..........
el throng unto his in the perchundeth-house good if ha rith fee freetojazz
.. . .... .. .. .. .. .. .... ............................................. ..........................
 
 
 
pwr]tzP[ate]ntp[ara]noi[aPO]ME2[012]2[47]rad]io1
l[ouv]er................................................................
lot[s ]o[f ju]v k[ids] [loo]king[ ]pol[ice] look[ing frie]n[d
re[que]sts[ scr]ol[ling] th[ru a]b no[d ar]res[ted] ar[re]
st[ed fo]r dri[n]king[ po]sing[ wit]h gu[n]s [an]d no[t]ju
st[ 1] ca[se] stri[kes] ver[y mu]ch a[ ni]ght[ma[re[ fa]]
cin[g] ca[tal]yst[ fo[r ex]tre[me] se[l]f ab[sorb]t[ion] go
ha[ve di]n[ne]r bu[t t]o te[l]l an[y to]ol[ use]d an[d] a[b
us[ed] ta[lk] abo[ut] te[chnol]ogy[ star]ing[ t]o se[ein]
g lo[cat]ion[s are] tra[c]ked[ al]l pho[nes] h]ave[ a] g[]
p[s ca]n be[] rem]oted[ eve[n whe]n off[ no]w[ ap]ps[]]
tha[t c]an[ o[il ma]he r[oth] di[e t]o list[en] wo[uld] y[]]
o[u eve]n [kno]w al[pha] [age]ncies[il]leg[al ]pa[ckag][
e[s] 1] ap[p re[cog]niz[e]r den[ie]d[ cre[ate]d bu[t]ca[n
't] ge[t ]to u[se a] stran[ger] pho[to an]d fin[d] fa[c]e[b]
o[ok] pa]ge[ al[l wil]l kno[w] whe[the]r y[ou a]re[ i]n o[r
ou[t] al[on]e o[r wit]h o[the]rs[ wo]n't[ wa]ke[ if] in[ rem
sle[ep] lea[ve al]on[e wh]at[ t]he sn[orin]g lis[tens] [d]]
et]ermin[es] re[lig]io[us] sig[n ]of[ th]e be[ast] de[fin]ite
the[o is]sue[s mar]k of t[he] be[as]t[ t]he p[recu]r[so]r[
wa[s re]ader[ ]car[d t]he[ ma]rk[ ca]rd[ ma]rk t[he] b[e
a[t]s bra[g rfi]d per[oce]s[s ]cos[mic] de]cis[ion] or inc
ide[nt] prim[arily] i]n t[he] mo[st] [dev[elo]pedpla[ces]r
ea[ders] t[a c]ash[ie]r sta[nd] o]ne[ da]y al[l yo]ur groc
erie[s ]the[y w]il[l 1 ]sho[t g]ets[ al]l som[e to]ols bene
fiv[cis]al[ so]me[ hor]rific[ dev]ice[s t]o d[ete]dt au[ditor
y] ef[fec]t p[ut t]hou[ght]s an[d voi]ces[ i]n pe[opleshea
d[s] rfi[d t[he] b[ag] groce[rie]s upc[ wa]s th[rusca[n]all
gi[n im]plic[at]ion[s so]me[ won]t go[ awa]y aw[aysc]an
 
 

text || William J. Fedigan

Thing is…


Thing is, Lady Friend cranked again. Twacked, tweeked, bato again. But legal this time. She go to doc, she say: I think I got ADH-Tee. Doc say: Ok. Pay cash. 3 refill. Next thing, she flyin toothless and ruthless. Legal.
       She say crank take away pain. Pain in life, pain in heart. She say crank take away pain in ass: That be Jimmy. She want Jimmy dead.
       -I want you dead, Jimmy, she say, dead dead dead dead, she say real fast like she stutter. DEAD! YOU HEAR ME? she say.
       Jimmy hear. Everybody hear. Dog howl for chissakes.
       -DEAD!
       Thing is, Jimmy want to be dead. Jimmy dope-sick. Blood itches, body twitches. Sweat like Hebrew slave building pyramid breathin sand. Jimmy want to be dead.
       -DEAD! Lady Friend wild crazy. Eyes bout to burst.
       Next thing, dish knife fork spoon, utensils all kind flyin at Jimmy in a hurry. Jimmy run, hide in closet with coats. He think he see lost jacket. Shit, he say, bin looking everyplace for…
       -I piss away five years of my life for you. An for what? FOR WHAT, JIMMY? FIVE YEARS FIVE YEARS FIVE YEARS, she stutter again. FOR WHAT? HEAR ME, JIMMY?
             Next thing, Son bitch one door down say: SHUT FUCK UP!
Jimmy stay in closet with shoes, umbrella, lost jacket. Jimmy stay in closet and wait. Jimmy wait for cops.
              Cops come. Jimmy outta closet. Lady Friend cool. Cops say something bout complaint, domestic disturbance, some shit. We Ok, no problem, Jimmy say. Won’t happen again, officer, Jimmy say. Some shit like that.
             Cops look round. See dish knife fork spoon, utensils all kind everyplace. Cops look close at Jimmy. Thing is, Jimmy still dope-sick. Blood itch, body twitch, sweat like Hebrew slave. Jimmy want to be dead right now.
           -You sure everything Ok? Cop say. He look close at Jimmy.
           -Everything Ok, Jimmy say. We fine, Lady friend say.
           Cops look round one time more, leave.

       Lady Friend sit in kitchen. She look tired. She look at Jimmy. Next thing, she put face in hands. She cry. Tears fall down.
       Jimmy look at Lady Friend sit in kitchen, sit in kitchen and cry.
       Jimmy look at her. She all wore out. She look like balloon with no air inside her, Jimmy think. Jimmy feel bout the same.
               Jimmy sit next to Lady Friend. Jimmy doesn’t know. Jimmy doesn’t know should he touch her.

              Thing is, Jimmy doesn’t know.

poem || Keith Higginbotham

Undersea Myself


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