[1]
Z<fhnZab :N#fA&cAp)ej$"lLB ,/"_BZ5
0PaEFp*L "Z(LDeG@5?p'[Yd?D l<+WTmX
Q=g.%F8h N^^-mN028CX#YN`<Z 5Xp,apE
.L+NQM_9 :b'Q_+fX^-PeT+i\4 IIU$e7H
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pT?>.PM& +im.UY$[[\+-[OW.& jocO:kk
e(1O*@1) S,am<Wnd3SpU?Y"D7 9m2848j
EMn0b5C6 !"B*O#AH8pM0')QIS E#76_f3
>6O;Y*]C VV+0dj"TB%VEW'(1; !Gn,OPS
2'63?92+ Q%mdLF`An;4NG`-P% lRn1n2I
[2]
+Lln6fDL 2@2=fR5>Uk8(@3j:3 !Cg3$=l
?c&g]eB` Ri"._)[Yp/DID9iaI 0X:da)O
D+990p3/ l?&,0oQQcCHYpA_:m L/6kk#W
m]KJK#S\ H#3p)1*/U=gPW("#\ Ock!3^^
0mZT3a$c DPBR:X0RO&ZG3`@Ne 2R>a'Ep
&S#X>WEm l-?JaG_=m9l=;f,H[ 9cWoTM/
<"=F>-YT XS0\Rg_-c"J*9:&lH Ml?,LOD
QeXF.SaM 0/U[!i1,Z[>#B@e=0 $.gW6.<
eCfY*be+ R;kF;<S$?,<EYnn;[ \;k=Z8[
UG$P>Y?U )='I1U2WI#B=Db4,T Uf/0RVh
UhcMf4_< [O)'>Y`o;jJN\'GhA JMCQ8DC
#.]nU:,4 c7da`%;Y64W&4JfG? \p,F<%G
[3]
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3'o6>Xp4 9jOh(GURdo$_@_iNV M_Qj(e<
;jl>J!,. @jC'(WFI'Zh;:Uc9l \XP.O5(
)Q!/m0dI _GcQ'AO.XP#FJm>VX T8B_*("
ijE<H]"c (.S4JYe:lRg#"-XcE mlTK6jE
UTX1P="" ;J:.[]=j?A+TGBj2Q K0/G+Vo
%RWP]%L$ ;@?&bM$"8@9#Dnl=1 i8;Pg]7
Ago%V2b< X8FQ#PF!S,hP2>RX8 %/`_!WS
)*kF#J;g m/^k;GX&2PEDaN$ck 0#:)/EM
d@g>!j2Q Kg@$^YRY7*-mMLZ*3 PK](<-K
V0Jp?c>V H3^-A6_![O(Uj;PfA aG2hP<U
kjE#d&M. )2BS:e`,E[g_TBP33 3Jpp?SN
[4]
KK\b4a7A L*JB7anhnT#2L?&!c _4ko>QY
:!Kb^H@j iKig^!!hgQ#5Y$\]9 F.BKn0#
X$".2KoL A(*[50/Ln'Z9aPJ8? )\Vo.ZO
EaNLZal$ kkOiL?`j/nA,A@>^! Yb#)WQ/
1:Ea-Rk; GV'bHH6k<ggb5b`[% 9BMIN?-
QP>f;-7a ^LX8E@][HBQXg#<1M .(k7n9`
e!:G9.Jg G);TGjg@aUF-3mA^E n[YVL5X
U3VU\+8e hU2N7e97\iDp(=-1F &1OI=8;
]d.^(X1E C)W`6?G#BJp9d7K80 QTkm:R?
jDI(j8MU +hV%')0!$<G$5'be\ /X$bIl3
G0`)LohO @070W2XCK'k)G-<D+ A)QGHMi
fRjD\JO4 DJ10Co)bfX>N-)dI7 Ra`panI
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Friday, March 19, 2010
four texts || Jukka-Pekka Kervinen
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