transcription8
n 2 k 0 w S S 3 p n
s h o w-s p i n
A X N g X I l 3 7 i
a u x I l I a r y
3 x U N 2 d N v u y
r u n-e n v o y
v 0 u j 5 I n 1 q Z
f o u n d-s I g n
p J O G y C f H x n
p r o g e n I c
a g h b N 2 l d q D
a g e n t-l o a d
j 3 P f S Z v E l 4
g e s t u r a l
W e D c l 5 d 3 8 W
m I d d l e-v I e w
I j X Q 0 T J a 3 O
q u o t I e n t
f I D u H a c F O 7
t r u e-f a c t o r
1 j 5 7 e d s O 5 P
p l a t e-d r o p
k S u Y r E j 4 v R
s c r e e n e r
s b H f j I t A Z k
s u b–s t a f f
E 0 a n B 5 U r b i
l o a n-b l u r b
transcription9
E S r i q T X i N G
s t r I n g i n g
Y M b t I f t S h Y
m y s t i f I e d
k b I 0 3 r 0 Y G g
c r y o g e n I c
V R C n 7 g H o M 3
a n g s s t r o m
1 4 N Q 0 O U a 0 V
i o n-n o v I c e
m q U T h 3 f 8 J O
m y t h-f o l d s
2 U g T g x x 8 W 5
m u l t I-s e m i c
L z x v K y 2 U W t
l e x I–c u l t
z k w W t 4 t 5 w n
b e t a–c l o w n
G 4 H i O 6 c R x Z
g r a p h o n I c
x X c X 1 y 8 S 4 Q
x e n o p h o b e
F A 8 C K B H f Z c
f a n t a s I z e
9 O g P r O Q G 7 V
a n t I-p r o o f
2 Z G D I K g b 8 x
a d d I n g-b o x
transcription10
n M t p T Y T w k e
n a n o-t y p e
u B R e C L p D S e
s u r-e c l I p s e
r t Q 3 5 b W T K 9
r o o t-w a k e
v r f h k a 9 Y S E
a n a p h a s e
f f n L g P w r D d
f l I ng-d r a w
X d a p 3 h s u m o
a d a p t I s s i m o
A n S g e N l h x M
a n a e s t h e t e
4 3 N n v o 2 3 V O
f o r u m-v o l t
C T A D I Y F x a K
s t e a d y-f a c t
G t X 2 Z X k g 6 5
g e n e r a t I n g
I c h P k U y 2 T x
i n t u I t e d
s C b M s c T N y g
s u b s t a n t I v e
R D 1 Y i t J 8 0 W
r a d I a t e d
u p z a o m B Z K h
z a u m-b o o k
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Wednesday, June 29, 2011
texts || Noel Canlas
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