POME urtf[sh]up]
...........................
for hanuch shaul
...........................
;.,',[],',;,'/.;',;0-=[,,;[[',//,'',=[,==.[[.
k]now[o]f th[at] on[e o]f aa[aa].../
;[][;'.';';'..//',[].[].[.';[[.][],''/,//,','//\\..
swo[rdo]ld han[dca]met[oop] []+
;.,',[],',;,'/.;',;0-=[,,;[[',//,'',=[,==.[[.
ba[nd l]et[ mo]re m[ilk]stra[itly]][]
,;,[//,'';],[ ,;,[//,'';],[].[.';[[.][ ,;,[//,''
i]n a[ spa]ce m[ade] ku[pbe]st[] []]
;.,',[],',;,'/.;',;0-=[,,;[[',//,'',=[,==.[[. .,.
th[at n]igh[tha]ste[ to]ne d[ay]p]a['/\
.,,[,],[;;,',[.].[\/.\,]'.;[.].=-[.].['''.'].'//.\\/..
le[ft o]f[f nu]mbe[rin]gnum[bin]ga][]][
;.,',[],',;,'/.;',;0-=[,,;[[',//,'',=[,==.[[. ..,;'
nur[se t]he w[ater[s] an]swer[ed]][/';\\
..,;[l]l[;,=,-=m-0-,=,;,[pl=--;;,pp0-,==,[
se[ed] pro[per]tyin[ t]he s[moo]th../'\\][]
.,,[,],[;;,',[.].[\/.\,]'.;[.].=-[.].['''.'].'//.\\/..][/.
ma[ntle]ho[st v]es[se]ls[fiv]e[ ye]ar[s]/.'][
./;][];'../[][;'';];'.///...,.,,,..,;'[]=--0-[[]]0[]''\
wi[th t]he f[at]th[ere] lo[oke]dgr[oa]n[].,;;
;.,',[],',;,'/.;',;0-=[,,;[[',//,'',=[,==.[[. .,;'[][,..]
in[gpur]se w[ilt]ed f[lume] to[ke]n r[at][']['
..,;[l]l[;,=,-=m-0-,=,;,[pl=--;;,pp0-,==,[ .;';
fo[rk fo]g[ le]pt[ o[nto] he[art]bel[l se]ts[][
;[][;'.';';'..//',[].[].[.';[[.][],''/,//,','//\\...';][]]]';./.\
se[ci]on[d da[yd]ata[ ra]le p[ear]sd[ep]a[][]/
,;,[//,'';],[ ,;,[//,'';],[].[.';[[.][ ,;,[//,''././][][.,][,.=
sar[tur]e go[ld]bim[ del]ive[red][ th]im[ble][][
./;][];'../[][;'';];'.///...,.,,,..,;'[]=--0-[[]]0[]''\/\\,,;l
sto[od] be[hin]d [po]st[s re]cal[lrecoi]led[]/.';'
;.,',[],',;,'/.;',;0-=[,,;[[',//,'',=[,==.[[. /.'] ,[//,''. .,.;
fu[t fur]na[cec]at[tle m]our[nin]g][ m]ale[sa][][]
POM[Eat]ten[d]
[fropmn ews]
...........................
ne wo [or's newok
...........................
sabout bei hoes]sh
............................
tod uth proes asn[t
.............................
eas.'[]][;'./[]/';=\\=[.
............................
.............................
wom tota unt thasdi
................................
vor ig uts hewa sunpr
................................
epar edor whid ne.;',]
..................................
x./'';;;[u/./.,./\\][p[/. t.\\
................................
.................................
bele ague remo crutfac
.................................
esa ewde vel op entato
...................................
uld ean fawo ri sefor ikf
....................................
....................................
hitor icsu ragery aonther
.....................................
ber sahe oos 'fatatic iters
......................................
ohe fae.,;'[[p-,0--,[[;,;;,['[,
POM[E at[te]nd[2]
...........................
heacc u sedflo ri
.........................
damo tho]ok eda
..........................
w ayfr omdis urb
...........................
nn gho tos hescee
..........................
uw ere[ ae]e re m
............................
[ai]ns[ ]w[reoud;][/
.............................
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Sunday, June 12, 2011
3 pomes || Billy Bob Beamer
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