Sunday, June 19, 2011

text || Freke Räihä


cut from:

[ title missing ] A quality of motion.

byline: Freke Räihä

The story, reprehensible / therefore predictable / in its dramatic / in its dynamic / its curve / the I say: boring / its interacting nature of construction / stanzas / complete / spineless / retelling / it is said to have / it is said to emerge with more / it is a closed conversation / a unit / a single / between two poles, restoring / a single complete sentence / the title is the superior letter / the rod that it leans up against / limps / the rod is the symbol of power / it limps / freak / pithy like a raisin / the uppercase / the upper-word is the versifying / verb / followed by ingredients / nouns / bending / simple in its humanity / period / every side / it ends with a period / the number of stops are 16428.192898781134075251722310546 ppm / scattered like dust-grains / it is like a tick in the record / above the languages lustre / its dull surface / beauty / in the end it will create holes through the paper / divided into endless chapters / the love of language-love / cut / butchered / the I say boring / it is a trilogy / it is a series of three trilogies / it is the last story / the last story are two stories / split in two / it will be a trilogy / the trilogy ends with a trilogy / the one and only sentence spans eleven books / each book has between 700 and 1100 pages, it evolves in to 188 250 full stops / it never ends / the last story is split in two and after the first appropriation: / the I hunts the I / the whole story consists of a very complex subordinate clause / all figures are very approximate / the points form a trilogy / every side / the I say boring / the man is said to feel very sad / the tree is said to feel very sad / pressed / printed / folded between covers / is said to be the cradle of industrialism / the end

No comments:

Post a Comment