texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' now that blogger has included the ability to reproduce fonts more accurately, alpha-numeric visual-poetry will be welcomed for consideration. formerly edited by peter ganick. send texts to matt margo at email@example.com for consideration...
Sunday, July 15, 2012
haibun || Sheila E. Murphy
Woven into the embedded sequel to an independence . . . growth, visceral this summer.
Wind in the vernacular . . . puddles someby green and oil-stirred latitude, comeuppance.
Afar becomes from whence . . . endeavor, unexplained, relapses into an intent.
Nobody collides with poems anymore. What is done versus what is wanted. Debonair
retraction of the honest moment limps from view. At present, hollow sounds recall authorities,
prefaced by the, who arrive in tandem to recite a string of questions. To remove a blockage
that prevents procession from one place into another. Always, the elite perform their hatred
of dutiful groupies who obey lightweight batons. A priestless lift suggests a short trip
to the garden with a wheelbarrow of erasers. Getting to work, making change, deciding how
and when to quit. Replacing the imagined angels.
Satisphore, revenerate, concealing when the pain begins and stops