from Forms, migrating
Breathe
inward particles
path-shove notion needed expanse,
(abstract)
freelance culture
of hands in the needing origami clear-clarity
this life of woven ceremonies cannot certainty-with mention sans celebrated
archives of what the need
benefits in representational accolades
—and/or when queries exist about birth’s needed range of
creative
occurrences
what holds in
harmony of inflection’s tonal adaptations
to
of patterned
expectations
engage and expand
position then portend
Prevail
—for H. Holt
pertinent
this endurance
endures,
mimesis
quality perfect-bound echo variations,
prose and purpose
pronouncing aliases among what
parallels mind-fiction
portending acclimated rituals design-query prominence
to gauge and
produce linguistic mathematics
an
—after effort’s summation of existence’s
gilded affirmation s
of
nuances
then/and
promising aim
toward what insinuates personal satisfaction
said enough into querying the body’s need to causational
pause
we must allow
what writes freedom across the forehead
and
install
frequent purposes
into what hold in the pocket well of permanent desire to
interact with
rejuvenated control
Question
What was written into palms
the mother’s role of
permissive eloquence?
who wears what hides well within the context of borderline
accessibility
the child’s innocence,
halved within the mirror of a rotating infatuation?
how do rivalries exclaim ambition
physicality of
abridged agendas, the fade of performance through tiredness’ undulation?
interpreting paradigms
sensory illusion often
awakens alphabets of tonal acceleration, landing and hiding to where moments
fade or find languages of what hides and holds in percussive affirmations?
Imitating tongue, I know their names. And theirs.
Their
bodies, I do not ideate into instable hands. In knowing
throats of birds—I know elaborate features. Piano solos.
Whatever signals name themselves, my pockets cannot contain
mouths when hidden or exposed. Nuances of a shy oscillating singing.
Porcelain finding
I want to watch what works well. Query that advantage
and have my hearing quadruple checked. I’ve used
crows to draw crowds of syllables from curtain
-slide diagrams, and move into the position of unconcealed
empathy. The pathos
of wings reuses song to organize
wealth. And when
illustrated, the body is heavy, useable
at best in the painted version of an elusive figurine.
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