—after Anthony Braxton’s Impressions
glances of my opening articulation
an of dawn
reinvention monotone calamity stilled fire resumes
morning’s excavated summer eyes.
sliced renditions of silvery red
caressing an air’s lazy fulcrum
stammering falsetto glimmering echo
conscious conscientious remedy of regatherings.
—after Anthony Braxton’s 118A Intervallic
Intermission deviant spectrum façade moribund
visceral components of exacerbated disbeliefs.
Last of featured
components: musical and wind’s
altruistic variances of
prevalence tone of betwixt cultural deities
sermonizing faculties of faith’s
—after Anthony Braxton’s Brilliant Corners
a woven blend
leading pivots of
learned silence of octagonal consent
vagabond of incessant enunciation
communicating into rewound
deft upon findings a
desolate misadventure fathoming
—after Microkingdom’s Yesterday’s Wizard
slashed prophecies (noon awake thought noon’s drowse proclaimed after- image commencement)
held his seared apologetic scepter
removing gilded dust evaporated slanting of
wondering of where thrusts of mirages
burgeon into factual denigration.
Cares who then
modes of whole variances
wearing hope and faith’s mismatching dialogue
explaining harmony’s fallacious juxtaposition.
—after Circle’s Duet
predetermined hearsay of
highlighting functions now
knowing upon empirical
paradigmatic statistics. Together two fathoms’ physiognomy locates
eyes of wanting glare
positioning wanderers of placid desire
culminating tried remuneration of
stalled stentorian hanker
residing bridged tongued acclimation postulating notion.