poems || Felino A. Soriano

Analyzed Depictions 36
 
In response to Fred Jung's query: "Gangsterism," you have recorded five parts thus far."
 
Well, the "Gangsterisms" are, as I was saying before, my compositions are chameleon like in a lot of ways. I started out with "Gangsterism on Canvas" (Soundtrack to Human Motion) and that piece is just based on one of Andrew Hill's compositions, "Erato."
 
Jason Moran
 
                                                (—after Moran’s Gangsterism on Canvas)
 
 
Appropriate this variant ensemble of stroking renditions,
                                                                                                            this
                                                                        vertical silhouette of
                                    progressive emotional mobility
too (or)
valiant
            in the muscular fascination with overwhelming(taking) upon contract with mind and hands’ instructive holding
 
                                                                                    to verbalize or (though: nonviolent, the purple presented, —unbruise but parallel the thought to a lilac’s expressive hankering)
 
recreate a rhythm of noted desegregation
a near-plagiarized notion to connect via metaphor or faculty of wandering
 
(here: not the wandering of quotidian aimless; the wandering expression to unfold architectural
                        premises of enveloping connections)
 
personal this expressive interpretation
valid and valued
thus
            :                                                                       intuitive moments then erased as to
 
withdraw, wholly. 
 
 
Analyzed Depictions 37
 
"I guess what it comes down to is, my music is different: the way I write, the way I compose, the way I deal with dynamics, the way I organize the other players in my group is just different."
 
Matthew Shipp
 
                                                (While listening to Shipp’s Merge)
 
 
 
                                                                        Of the laughter
 
synthesized
 
formation intuitive hindsight                                                                : positioned here relevance
                                                                                    curtails logic’s
                                    winding hands of creating concrete syllables, persuasion the corporeal
fascination reveals
            BEHIND
curtained contours
                                                            the blend and bodily momentum hibernating surplus
                        certainty evolves (involves certainly) the burn of the system, the segregated fathoms
of muted human tongue
            burgeoned though relocating redirected emotion
 
                                                                        spun as permissive
 
echoes’ discontented
                                               
                                                                                                                        gestures. 
 
 
Analyzed Depictions 39
 
"A work of art which did not begin in emotion is not art.”
 
Paul Cezanne
 
                                                (—after Cezanne’s The House with Burst Walls)
 
 
 
Rafts
                        of the rumored dimensions
 
                                    queries or
 
                                                                                    fascinations one’s tongue
examines within descendent light and specific devotion
 
sponsors or celebrates the either-method of paradoxical achievement:
 
                                                            of what
claims
            to the pertaining walls, their
 
slanted
                        weight of now-reformation
                                                allowing
lens and eye of the wind’s laziest stagnation to
 
                                    require altered, the conscious desired
reclaiming temporal now-passing and
 
            realize method of tonal disparateness              solitary among colors of
turquoise and lilac’s most visual pronunciations? 
 
 
Analyzed Depictions 40
 
"In communications, familiarity breeds apathy."
William Bernbach
 
 
 
Range of committed publication, the i.e.
 
            pleasure fulcrum
                                                            illuminated of the highest formulations
 
                        cultural questionnaires ramble circumstance envelops
 
sorted syllables of the indented value.
 
                                                Speech as
                                                direct
                                                                        possibility
 
                        —fractions
                            portend
                                                                        delineated
motions of
 
                              conjoined mosaics,
 
                                                                the
                                     tongue redirects
inherent
                                             surveys the
querying manifest
                talkative
                rejoice
 
            amid outcast
 
                                                                                                                        dialectics. 
 
 
 
                                                purposeful calculations of the endearing modulation. 
 
 
Analyzed Depictions 41
 
“Work is love made visible.”
 
Kahlil Gibran
 
 
 
Relinquish the anti-cleansed rendition of the body’s immobility.
Stagnant whitewash
vocal as a whisper’s repeated mantra, multiplied or pluralized vendettas
finding
                        movement as a sacred rejection, hoping then the
 
slouching spine becomes interrelated syllables of a prose worth
            interpreting.  Yet
            how or
            why the partition opens:
 
                                                                        subsequent upon rejuvenated
laughter, the cleanse of whitened solidity
                                    praise or precise functionality of endeavored numerosity.