POMEat[ten]dmin[ing]
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.............................
scent leads to keep
.;[][;[][;.
river afternoon singular
;''.;'']][].
speaking to point todance
.;',;,]][,]
wake rainbow boot steady
,..,',[],[;'
red laser swo/o deep voice
.';];[';/.'
trees stand/ scatter dreambroth
.;';[]][;'.''
flight pipes already flightbreath
;''.[.]';/'
beaches special wine odor door
;'[]['.;'//\\
eyes burn/ flow/ letter laughs ink
;''.[].'';//\
end open froward master/scham/be
;[][;'.[''/'
fly rough sequences hidden speakmire
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tables sampleout awe smile stairsdole
.'';];[';;'.
reflections feast map works world point
;''.['';';
no end/ing book bandwidth blanks under
/;'[][';'''][
standing why shimmer matterlux lox much/
.................................
matters smuch.';;';]][];;;;/././.'[]\-;'.-[]\]';
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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