POME[fr.ArtaudRefluxions]earchcefontnowhem oon-g| abirecotio antaes elling el astraven light imulss. inaly aeeetel thoh ean ter enunion tellienfelin. udrsto thait hivigan hoisfectan thathi aralys. tifli iat hecenot oeelg predestima buomy usal perslity. efinitseaparomlifrate......................................... POMEinterludewordbangd u s tt u m b l ec r a c k e d............................................... Ea[tin]gaP[OME]-----------------------che[w]able[][][]er skim last er dome frustingertin fieso epplea’ ding e raise food fap er conPOMESlim asigh ting……………………………………..nnnnotfor[]con[sump]tion][bang led|baubch artselfmakenote :halveaddictione………………………………………………..rotate onn nev le akbu. san so| oaffor dabl e d .id. ableth. Sockswo rnholy frontvbac. [don uts, cof fee?med ical bracbricEmentfig h||ash down mad,lofhy.Wha. ofella ratrr signnev4.6ercampbe…jeans dokfleee horn’tidWaiti ngfo PO MEche wInG------------------------------------------------- [[wirelessSuc tionMou th ((((((.................................................... POMEhe reluck, notL.uck, bsho t m e t’ home,notflo, wer.worn,short’ncalaban cut’ndeaf loose dande a,lions brazenhuckm y,ca ts finnishfin. d m esesame, travail ageain a gin…..grinsil ly uck, n ot.uck,_
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Pages
▼
No comments:
Post a Comment