5 poems || Felino A. Soriano

Of the language interpretation speaks

overheard these

ceramic moments

                                    decorat(ing)ive moments of/the

song and hushed apposition:

narrow the contoured energy, the hand(man)made

momentum, slim circumference of thought and

conceptualized

motives—

                                                the organic occultation the mind abridges amid

skeletal dusk of gray’s

            ongoing

measurements

                        off

or

                        sedentary misuse of syncopated prophecy 

Of the language waiting speaks

halt

harmed

hallucinatory

in the ultimatum of death|s

aggregated

fathoms toward

moments of fearful

openings:

queried

convictions

alterable

the illusions of

sacrificing ambulation

against will of ineffable

hope

Of language the fingers/keys speak

caress or

callous

                                    dependent

                                    : fractional health of inter

                        pretatio

                                                n

                                                  ’s

mobile experience, the

neoteric devotional

                                    emblems

thus

            organic impulse                       ontological impression

gauge the spatial importance of rhythm’s emotional

successive

experience…

Of language the tribute speaks

ready

                                                get them

                        then the(y)m

’ll perform within the darkened substance leading

full

                                                fully

            functional

apparitions’

                                    visceral

                                                though the(ir) voices become

acquired rudiments of exposed

                                                                        acclimations

Of language the targets speak

musical arrows

point, pin, pertain toward

exclaimed furious acculturations →mirror→maddened

what’ve becoming within broken

spinal accelerations, gullible

anecdotes these

tonal boredoms

rearrange as

usages of ambit’s

usual interpretations