text || Daniel Y. Harris

Mis(ère)

ultimacy is hagiographic clad in robes and icons celebrates

the rapture celestial mechanics this reach in awe of grand

masters of a host become exemplar human eye godheads in 

tenuous posterity of a catalyst with a limited output this quid

metaleptic symbol and allegory in so doing if this appraisal

bears the verity of an annoying ganglion bestowed with a red

carapace of holy writ and crude idols outside the grid of agon

dress the evanescent opaque sea rock on a barren rock cliff

grade of acuity one trillionth of a second after the implosion

bristles with ambiguities and conceptual muddles whips the

scatotheological drag of a renaissance faire drop out with lip

nails and leather thong torn between basalt and hyperlink

angel and archon in the tonal splendor of dread chiaroscuro

to conflate a tensive unity as hermetic chat room surrogate

and etiology of daily routine so drab as to include a time

to clip nose hair skirts a clear third scenario the second

ignored calibrated and codified to copycat the thin brain

of our hominid ancestor pituitary gland marked lascaux

the internet domain and its terminus as blight and litter

assemblage to closure and linger like a pandemic darts

the gunned down cliché of outsiders roughing periphery

of smoke and mirrors the illuminati spanking initiates

in sacral zones unstinting the plaudits of trade in data

dead foraging and acid reflux stomach low misère