Old Homes 1
Lavender)coruscated light(mischief
wanders
denying shadow-whole rhythms excavated wonders
the
exterior divides:
rehabilitated (unyet) walls of opened desire
for
angling flies’ roaming artistry and
woven wind’s anecdotal freedom amid
abandoned concepts of aggregated
animation.
Old Homes 2
Worn bench
seatless, corporeal fascination: the bodied warmth coalesced
elsewhere motivation ambulation
fondness. Porch
e
n
c
l
o
s
e
d
waist of elongated emaciation
‘round chair’s integrated warping
and enunciated dilemma. Many
supine documents of prior fulcrums
opened
renovation displaying hand and coordinated movements. References rotate
layer logos unwinding mutations
muted language etched into antiquated variances of a family’s
eloping methods of death’s ornamental bequeathing.
Old Homes 3
Whimsy of
solid foundation, splayed attention character
quality example enthusiast the builder
collocating
eyes|frequency
interested design porch of unbalanced favor thus
enveloping meander of a child’s deliberate
facilitating leap.
Off (slanted, weighted, numerical imbed)
roams such
slender
facets
forgoing
radial maneuvers of Sunday affirmations.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
Pages
▼
No comments:
Post a Comment