Various Tessellations 34
—after Edgar Allan Poe’s quote, “There is an eloquence in true enthusiasm.”
Apparent language disguises corporeal functionality.
Tongue gauges
voluminous indentations, spatial excitement of flame and
undisturbed frequency of elongated wishings.
Various Tessellations 35
—after Trygve Seim’s Search Silence
composite forgotten
physiognomy partial
paved
conveyance
reaffirmed poignant deluge
societal conformity
unneeded section of
syncopated quietus
Various Tessellations 36
—after Tom Harrell’s Daily News
Excavated prose the folded nuances obscure.
Indemnified within informative devices.
Silent reader of reflectional selves
fondler of hearsay’s naked intuition.
Awakened
across forehead of novel postulations, of aged
willing does
the sectioned hope of accurate depictions reveal
with woven dialects’ patterned
congratulations.
Various Tessellations 39
—after Mal Waldron’s Left Alone
Deserved truncation
this
remorseful fabrication of voiced interrelation. Thankfulness
embodies
etched
circumferences of devout
distance of
here
and the body’s here rendition of
touch embellished, reciprocation.
Various Tessellations 42
—after Marcin Wasilewski Trio’s The First Touch
North
and then
wind
mimesis interaction
hand-hand detonation
resembles
circuits
and then
coiled
perspectives, wound and rewound
for the intertwining collocations
mimic voice within secondary voice whose
method of interacting is
flesh
and then
momentum
into burgeon of interactive prose and
delicate meaning
of formulated landings,
serial.
______________
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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