Verified Renditions 16
Blend of broken silence. Whom acknowledges? Rhythm of all, incomplete
thus
rabid thirst requires intellectual halt toward emotional conniptions, ceased.
Vagrant
delinquents
vocalize
spicy hate of non-home existential banter with
posited momentum excusing such excavated content.
Whom among the broken noon expands required diligence against focal
diagrams, paradigm-rust expands into glazed palm of human intuition—
Verified Renditions 17
Quiet in urn’s
ash rewaking surrogate emotion. To the
death of arid cheek, mimic of silent
syllables you become the them
unmoving.
Verified Renditions 18
He awaits rise of realized physicality. Body
substantiates eld and ambulates
within cultural spectrum of generational
admonishers. Hat as halo becomes leaning
consolation, lending while holding
prior fluctuation of guile within
related premiere delegating process.
Verified Renditions 19
You remember grief resembled a stranded
silver strand
hair of a Thursday’s horizontal brush
dying
among its second decision brunette/gray
attached/separated inhabiting time
with
spatial sameness as
hands intertwining against a walk’s beach-long distance and
moon’s strongest palm opening atop waves’ elongated entrance.
Verified Renditions 20
Clear this clarity of opened
window allowing frequent voice of vibrating fibrils
cursive flow into
room of my shelved existential prose and analytical posture
delineated poetry from advantageous jazz. Curtain
unused, thus wrinkled in an age of improper
engagement; the worn of attenuate orange
bends at lowest joint
collecting ants and perhaps the antiquity of
long-ago steps I relayed to walk the parallel
alley to ignite 10:00 a.m.’s light
creating
multilayered language of octagonal angles
drawing vernacular across carpet of previous
luster.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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