POMEfirtstrL/\ast at[ten|ed*
...........................
prtA-Z
for leslie
.................
as all sorts
.................
be leaving follow
....................
light young distant
....................
a most significantly
...................
nearest help to leave
......................
......................
shu fr; ast ;ulk;erg.;[][';
..,,...,.,.,.,.,.,,..,.,][]
fht'; jil; gifh..;'[] jum; fo.;
;;l[][][;,;[][;,,,,,;,;..
hur ;tuy ,.;[[poin ,.;'][astr
.,.,.,..,.,.,.,][][][.,.,.,][;'';[
.,.,.,.,.,,.,.,....,,,,..,
hats cocks'[]... eggs
...................
to leave lutran soddy
....................
waydress bloodbeagles
....................
astoneaged long dance
.....................
changed endocrine history
.....[][]....;]][,..,
morepast noon ;'][[][;''./[][]
././...//../..,,,.,\\\\;./.
moremorepast3..............
*referencescoming
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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