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o t.ha]t ..wi.th.'].yiuo
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orks very wellsome
d,eta'il' m'a[nip] ,;ofo
texts strike eliminao
te w[ords] likethemo
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ce and as are these
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mpoi nt noni.;'ntentio
n words hunting mix
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ight say mu'sic[al] no
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t wha[t wil]lfin[dta]keo
ut ones th ta not belo
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e suggest want tole ep
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lk say something in ac
cord instare ad ideasin
a brushing sourceeveru
se visual thinking proint
s experience longish bo
s boxes of water clamu
p from bottom havinggot
ten ai[r dis]play of[/./ tho
ught of th/,'[at at pri]nts[]
decided a series on surf
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scut chan cecur ce strai
ght placed templates tur
ned post crossed at topo
dibvi[p]dedtem plat.,e lar
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golden se[x]cions piedco
ur the orchestra cut pape
rin sa,.]me'] mea.,]ns cha
nce determined pomutotro
und no spaces nextledge,.
what sound then noticedth
e etching top was inter for
muwas not intehat wasabo
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ange meaning that is ni tur
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re interested composes rea
lizeacceptwhateverhappens
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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