z]cuPOME[lou]ver
[..........................]
whifery yellow] sed bect
oneen poncep [quarter ind
yau a muy [blue rus bler [jef
fin ta al rult whado [redrook
inge a puting alsthe [greemoss
pulto inchesred acu [airily sewn
dideark sither difee [loss gaussgout
tomis toewe rieman [drittoblaman
coneou toan seltnoa [sregoty fallst
pead ta bund thonti [thunderclass a
ced yuhha dajonid diamondbalk] p]
raiove alcum resoea glope error top]
arly hime snove pown [pawndome
ofreum afroplere saes[bun ropet op
saxeehen neoppire afe [orange dole
quponhe putlesede ranis [ yell ow dia
hurloomed whey eavyhe [o ra[n]ger mu
debith ame sa glareak sre dlicert [ trait tu
hizons hae lowte tet kinmo [kimonokilt ledr
kinlu tet mo doen roys momn theseaswat] [what
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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