lo]uve[rpO]Me[ de]scent[o]fs[[ouls]]p[ar]t.B[ed]it...]
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[nin]thly[chr]is[tb]yhi[sinc]arn[at]ion[de]ath[res]ur
[rect]ion[an]das[cen]sion[wa[spro]pit[iati]on[fo]r
our[si]nsam[ercy]se[atple]dgi[ngfor]gi[venes]s[tha
[tis]hew]as[theme]dium[o]fsh[owing]usth[at]mer[c
yof]go[dwhic]han[nulle]dth[epe]nalty[ofsi[n]th[ede
]sce[nto[fsou]lsto[th]eglo[om]yun[der]wo[rld]an[
dope]ned[th[ecel]esti[aldo]main[sfo]rth[era]nso[me
d]chi[l]dren[o]fear[tht]oj[o]int[he]si]nle]s[sang]els[of
] he[aven]he[rear]etw[opri]nci[pal]for[ms]o[fthi]]sdo
[]... ma[nth]eot[he]rad[esce]nto[f]so[uls]fro[ma]hig[
her]sp[her]et[he[des]tiny[o]fth[eso]ula[cri]tic[al]his[to
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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