POME2whe..........................
..............................................
1.enough that one does bring x
to a crime'd enterprise--eye
technology validates the
whereabouts walk around thubs
artifice of the space a large-scale
coordination past histories and reality
embed the web would should make all
except the world but steadily don’t tell any
cheers through the table preparing arranging
there picks something that lies beyond a worthy
cause lights place of the critic for a bodyguard
by need to tell what lies beyond the special
books and bare plots one who thinks says
the everwhen sky glass inverts style like an art look
sighs raise feet in cooperation with fear and gets tears
in southern return more read from even far off footwear
happily clacking away to a free egress and then say-er has
written above the entry on his attention dress fall in the bar the
bozo comes buzzing sounds of wheatrock from beds clawing the myths
falling from the seven doors of the historian's second most intricate fantasy
alchemical wine ..........................................................................utter utter
.................................................................................................................
2.for thus the ticket
in emotion fires
relearning how to spread
on all sides of the room
speaking like mysteriousness
magic sharp sound currents
form orbits worlds lost apparently
how do the subcraft with deep denial
doors open thoughts making large-scale
sake of the history flashing pages of excitement
alchemical drink..................................utter hell
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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