POME inwajnke chan tuc........................
.............................................................
[reader 1] ......................[reader 2]...........
..............................................................
usih antan alors............. iped oul ook liak...
eas han leahem..............lhie itect itip titopi...
loftial ith capalle.............giens foheir tuet ulo...
woache ahinesar............dinish reth tere iners...
iots asnid heainb............aedek oaulhe tromt...
hirty avoatess wi.............chid omerc asweun...
closooamog limni............phobes dacht jarl vov...
noother waot yefla...........shbac istmunterlo wior...
tyannuc shis tilopo.........ingevy odyhe haovede...
evoluf atchou chimr...........raunter riolopos owhep...
os sible aomon elsin........graunder tacig somander...
larloo tache ohe disi..........n'ting taeea t'ing mesplea
ureea t'ing acrhesmus......chwri ancis schwrte iscas
telat hitwed anegelan .......hionce orcene oumus owy
ainpiso denhe ricores........uphines sao f'he perlectiont
wanev hatrav ailledhue ......ritde bolbofla uiteov erloos
kinohn awleorke fervax.......amplus evmoro fenain akerto
orra oebe unnet hestra.......n'han enoto belipas utewaad
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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