TEXTpo/\cer[un.tain]y/]tCOR
14 1-5
[f./ol]lo.w[aft]erlo\[ve.an]de/ar[nest]l.y[de]sir.\e[spi.r]it
]u.al[. g[if.t]s..bu/t.e[spe/]ci.al[\lyth[aty]oum[ay]pro/p[h
/es.yo]r.hew.h[\os.p]eak/[sin]an\o[the.r]lan[gua]ge.s[.p
eak]snot[. t]om/en[.bu\t]t[.ogo]d.fo[r\no.]on[e.un]de.[/
r.sta]n/d.s.b[u.tin]t.[he]s\p.ir[it.h]espe[ak]smy[ster/]ie/s
uth[e/w.]ho[pro\p]he/s[ie.s.s]peak[st\o.m]e.n[fo.r/t]heir
[ed]if.ic[/at]io.n[ex]ho.r\[ta.t/i]on[a[n.d]con\.so[lati[on.e
]w..h[osp]eak.[sin]an.o[t/her.]lan[gu\.a[/ge]e.[difi]es.[h.i
]m.s/e[lf.b]ut.\h[ew].ho.p[rop.]h/es[ie\.se]d.i[fi.e]sth[eas]
se.m[/b.ly]ow[d.e]s\ir.e[t]oh./a[vey\[ou. al[.s.p]ea.k[wit.]
hot.h[er.la.]n/g.u\a[ge]s.bu[t.]rat]her[t/h]a.ty.[ou]w\o.[uld
p/]ro.p[\he.s.]yor[he\.i]sg.r[eat/]e.r]whop\[r.op]he[.sie].st..
ha.[n.he]w/h]o.sp[e.ak]s.wi[t.ho.]t\h.e]r.la[n.g/u]ag[e\su]n
l.e[s/]s.he[i.n]t\e.[r.p]ret.[s.t/h]at[t.h]e.as[s.e]mb[ly\m]ay[b
e.b[ui]l.tu/p]e.b[ui]lt\u.p]eb[ui].l\tup]eb[u.i]l/tup]e.\b[ui].lt.u
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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