“Great Britain and Other Daily Threats”
want to {be harsh}
wall to
hhhhhhhhhhnnnnnnnnnnwwwwwwwwww
(P)timidly
kind, conversational
123nglish but…
{find freedom again}
NO EXIT • HUIS CLOS • DEAD END
ohter poeple—
transfer# {hoke smookah,} tossinturnin on tob punk
old sports:
“Oh.” A pause.
{promote writing as creative expression. And,
combat attacks on books and teaching materials and}
12. Do you know how it feels to be the only blind person in this place who can’t read braille?
29-17. Ophiuchus
It is just so damn lonesome to
be in that loft.
{be wither and her and HER}
antidobte for the dout?
blessing countings
&4|\|0\/\/
I’m Bor / G.O.D.
+Banksy+ThierryG
“ ai u”
A i o o
I a o o e a I
ee ou o a e e
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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