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? ' suddev
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: as ting
fpomeme
rchantPAIN2
nonsir to too
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tch agaver
xpron hess
w,' I he
ll
fpomeme
rchantPAIN3
!`reas th
ving the m
sion of al
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miricat the
Ha!' `
l- ife and
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p? your; a
iouchemen
fpomeme
rchantPAIN4
fire resen
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The pan't
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o-did if t
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), all by
's tam-par
juddeas co
keen, eyou
f-ply sid
sai d
"Further PIAN PMOE
STU TT ERR ER
STRUT PUFF PAIN AG
AIN't oolo se
-dick m "
(much wherwear ysome man I
Y ext veren curpoing sh [r]t van
vinat whimpand fir
uillowas ater boy!, t
s; el aw anythintoo
dyePOUND g lowho
tt oto hott fockk rot el
fockk rot el we ll wel l
LONGER PAINPOME
"One moment takes a moment
-sheila murphy "
on. When, I
We ths), o
m. Thea.son
D.arm.e than
irche sawdu!!!
(Yet of twi
!' A be no
at the -- wo
que!' Cov
lksmire th
You eself
jelly
Me man.d Jo
gmeme ther
Jusison at
na, aft of
c/cullook a
tus, was me
pa
inni/
Thas she i
Ye readful
uddler cie
black inke
d), word-n
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m,' so lar
.
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We nether,
bb b. I sur
vul vivethat's
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Yough at c
ratt lingodd
a lillys foot
footwell
we ll
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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