fragm epresiPOME7
...............................
!`red to like has sh
reas enty wat et vi
'tion harms, the ga
the- lon the crun gl
yes, from need any
.............................
scad uchy and jaco
or his my if ear chet
!' stacks!' gon vid et
ome hist eme, you kne
zed hought sacem blu y
.................................
wre pear et quiche yin
hemp t'or hiple be pret
uied; a he as if th ang p
ins. n.n met urcy lied up
ond der zon scou stagat
....................................
rom a r you says th eaks s
een ing fassio u'd t'ches,o
`or fore proopecks to hes
un.nother up lef!' n there a
n did bitter a caught, at rou
.......................................
art ioneor. `gobs; ally; a dob
shooked and a son li self mo
quare, `eopper your bib gly to
marful duhi yes fries four mig. w
!red qure jik gosp kich dopl sing
....................................................
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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