[a\]rti.[sts]st.[at/e]e.m[e.\n]t
'/1[st./e[p].b\e[fo.r[\e].wo.]r..d/[d.u/]s.t['.\b]b.[b]/
[m]y.w/[o.rk]svi[.s/ua]l[lye.x]plo.re.[pra]yer/.m[e.
d/.it]atio[.n/he\.]alin[gp]ro\ce[s]sesas[wel]la/s[m[
yin]tuit\[ive]u/n[de\r]stan[ding]o[fs/t]ring[t]he[ory..
]t[h\e] vib[ra]t.or]yi\n/[ter.]c.on[ne]ct]\ed[n.es]s/..
o[fal]lth[ing\]s.an[dm]ul/tip[leu]ni\ve[rse]s\ik[eal]l.
a/rt[th]oug[ht\h]e.w/]or[ksar]eu[lti\m]ate]l\ya[.bo..
/ut]t.he[m.s\]el.ve[s.an/d.]th\e[vi]e/wer[sin][\vol]v.
.em/.en[tw]ithth\]em\c[.on\c]e.nt[rat]e/.on[d\raw].
ing[th./a[tm]o\s[t ba]/sic[m\o[de/]o[fc]\om[m/un]i.
ca[ti/o]ni/n[as\]mal[l]fo\r[m./at]oq\uo[t/e]il[lia]m[la.
/.ke]t[.\/he].uni[\ve/r]se[/li[esi\n]ag[/rain\]o[f/s[a/nd
.]y[\be/]st w\a[y/]t[o]r/ea\pliz]/e[in[c\alc]ul[a/b]le\[
en/or[m/it]\yis[/to]cre/[at\e]it/s[c\on[]/tra\s[tin/g]op
\[p/]pos[\ite]se/[eni/n]t[\he]o/f]ten[f.\ai.ntl[/ydr]a\w
.n[sm/a][l]lt[\o]sm/[al]le\[st/]li[nes\/]sig[nsn\]ds/y[]\
m.b[/olso\]bet[/te\/r][gr.a]\spatl/e[ast\o]n/ea[spe\ct
]o/[fm/y]wo]\rks][th/]ev.i\e]w/er.[ne\e].d/st[os/.e]e..
\th.]e/m.]thr[o.ugh\]m/\.ag[ni.fic/]ati\on[n/]ota\g[im/
]m\ick[b/u]ta\.ma[jo/rp/]ar[to\f]th[/ein]te\r]ac/ti[ve\..
p]ro/ce[s\shi/.s]m.e/th[od\be]co[mes]a/wa[\yof]re/.
ve[ali\n]/gin]i\tia[l]lyu/n]s\e[en/d.]e\ta].il]sin/[th.\]ed.
r/a[wi\n]gsa/s[w/e]l]la\s[ran/]do\m]m/inis[\cule]p.ar.
[ticle].sf/in.g\er].[n/ts]a\.n[/d]d\et[r/.it]us[th\]ela]/[ter
\]ar]r/ivin[g\un]e/x[pec\t]e/d[ly\on]t[o/th]egl/a[s]san..
/d[fr]\am[e/sur]\fac[esa/]n]di/nt[\era./c]ti\n[gw/]ith\t..
h]e/dr[aw/]in\g[si.n[/un]\p.la/[n].\ned/]ev\e]r.c/h[an\..
g]in/g[in]t.e\r[con]./ne[c.t\e]d./w.[ays]in]t/\er[con/]n..
e\/[cte]d\w/[a/ys].]./ne[c\te]d/[w.[a/]y.[s.\]]/[w.[a/]y
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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