Approbations 713
—after Clifford Brown’s Yesterdays
Pluralism’s faculty of multiplied
geo
met
rics
facilitating verbal postulations, condemning
though
cliché’s jejune apposition of demise and
disgrace
hurls momentum’s body
beyond facial recognition
into now’s
woven basket of theoretical
happenstance.
Approbations 714
—after Freddie Hubbard’s Red Clay
Caveat into cultural acceptance: lay
down
your
moving
alterations
(periodic focal delineation: blu
r
r
ed fingertip blushing
over exerted salience, psychological hankering
acceptance)
pageantry with elemental fascination
finished with terminating altruistic
abandonment
red read its breached
foretell of infinite existence, densely decapitated with
counterexample of dusk’s colliding concept: erasure composition
reliving wedding of dialectical promises.
Approbations 715
—after Johnny Griffin’s These Foolish Things
Of remembrance
and
evaporated moments
built devoured recalled awarded reinvented
absence.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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