det ) roll ( i te
o S ) farm ( F R
l h ) oxen ( ine bl
O G o ) trig ( f t
ja o y ) more ( ly OWP
ra ) veal ( e a m
t a ) holy ( C I
E RTB ) pour ( m ch ne
OR A ) role ( s HR
A PLI ) stew ( i ly a
U R A ) nice ( OU e o tri
PIST ) free ( us EGREG
p n ) helm ( venes t ib
lu r ) lobe ( ER O SL re
ac u ) yell ( tiv h b
brown ) seat ( ic jum
OOD ) ward ( m
F A I ) easy ( b rd
VA ) gill ( EY NNO
DUD s ) sail ( e mi k o
sl m e ) seer ( p y B
y h ) fawn ( a om
g o u ) hair ( bato
NOI ) rapt ( S Y hri
sc o ) posh ( d e nd l
cr del ) glop ( H IC tr
AB ) dint ( R DGEW RK
ng ) lyre ( stly s o
or m ) amen ( res u fle
ov s ) when ( pt w e
s a a ) mine ( e p l i al
ki ) pope ( pp g a n
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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